1933 Japanese wood block print on Mulberry paper. Collected by Burton Cherry, Chicago-based designer and typographer.
Burton Cherry Ephemera Collection (box 7, folder 125)
Newberry call number: Case Wing folio ZC 1 .183
newberryprinting reblogged
Beautiful type ornaments from A Showing of Cleland Ornaments & Borders from the American Type Founders Company. T.M. Cleland began working with the company in 1917 and designed all of their ornaments and borders, resulting in the popularization of French Renaissance graphics in the first half of the 20th century.
Newberry call number: Wing folio Z250.3 .A64 1920
Shrifty : alfavity dli︠a︡ reklamnykh i dekorativno-oformitelʹskikh rabot (1984) by O. Snarskiĭ featuring stylized Cyrillic lettering imitating various scripts.
Newberry call number: Wing NK3635.A2 S63 1984
Another take on the Tempo typeface from Ludlow, Tempo Light and Bold (1931), demonstrating the different weights of Tempo Ludlow was then offering.
Newberry call number: Wing Z250.5 .T46 L835 1931
Tempo Medium (1930) a beautiful minimalist typeface catalog from the Ludlow Typograph Co.
Newberry call number: Wing Z250.5 .T46 L83 1930
The Sphinx (1929) published by Continental Typefounders, designed and printed by French firm Deberny et Peignot.
Newberry call number: Wing folio Z250.5.S64 C66 1929
These pages of Japanese typefaces are from a 1978 Morisawa catalog, 新書体, which transliterates to Shinshotai.
Newberry call number: Wing folio Z250 .M87 1978
Beautiful type ornaments from A Showing of Cleland Ornaments & Borders from the American Type Founders Company. T.M. Cleland began working with the company in 1917 and designed all of their ornaments and borders, resulting in the popularization of French Renaissance graphics in the first half of the 20th century.
Newberry call number: Wing folio Z250.3 .A64 1920