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#bbc – @nestofstraightlines on Tumblr
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Nest Of Straight Lines

@nestofstraightlines / nestofstraightlines.tumblr.com

My name is Katie. I'm a graphic designer and that.
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Had a gander at the BBC Christmas line-up with a particular view to how Auntie will be attempting to put the willies up us this festive season.

It’s churlish of me to note that’s there’s another M. R. James adaptation with anything other than gladness that the BBC continues to put money into ghosty drama, I just wish these adaptations weren’t the exclusive franchise of Mark Gatiss. His passion for horror in general and James in particular is clearly huge but maybe that’s the problem. The whiff of desperation.

But I’m much more optimistic that his fellow League alumni will actually  be capturing the chilly spirit (SPIRIT!) of A Ghost Story for Christmas with a spooky  special of Inside No. 9.

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gbbo-blog

Like the license fee is literally the best thing about the BBC. Everyone in Britain is obliged to pay a small amount each year and that way the BBC doesn't have to have advertisments, meaning that they content they provide is part of the Public Service Broadcasting and not influenced by capitalist agendas like ITV, Channel 4, Fox, or basically any other TV company on earth. Please please recommend to your followers that they contribute to the BBC however they can. xxx

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To say the BBC doesn’t have a “capitalist agenda” unlike it’s peers is a lie. The BBC:

  • has been accused to be the most racist organisation in England by an ex-employee. he said that there were lots of black people working there but they were in the canteen and not in positions of power.
  • has a predominantly white workforce. Lenny Henry said that in his 32 years at the BBC, not much has changed in terms of ethnic diversity.
  • has made journalists quit because of it’s nature of being a “white mans club”
  • employs people to cover the news who are from a similar background and so have a homogenous way of thinking
  • doesn’t have many openly lgbt fronting their programmes and have been accused of institutionalised homophobia because of the snide jokes and politically incorrect use of the term ‘gay’
  • tried to make a diverse programme that in fact, fed into sterotypes that people had about South Asians
  • has a strong bias about the Israel-Palestine conflict and doesn’t showcase the truth.
  • were selective in showing footage from Euro 2012 and manipulated accusations of “anti-Semitism for its own sensationalistagenda”
  • has literally spent millions on lawyers to save their ass
  • has spent money covering up the truth about the Balen Report
  • ignored the fact that thousands of Palestinians were on hunger strike for a month and when it was reported four weeks later, they brushed over the context as to why it began
  • and let’s not forget Jimmy Saville or Rolf Harris both whom were sexually assaulting children from within the walls of the BBC headquarters.

so yeah, if that’s what the money is going towards, I don’t blame people for not funding them.

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To say the BBC is without a capitalist agenda is not a lie, it is a debatable point. I think what the OP meant to point out was that the BBC is not a commercial operation (it has a commerical arm - BBC Worldwide - but this has no bearin on its main operations). It does however operate within a capitalist society and is subject to capitalist pressures, even if less so than, say, ITV or Sky. It also has a public charter, which is subject to review and renewal by the governemnt every ten years. It is a public service broadcaster, meaning a broadcaster intended for public benefit rather than to serve purely commercial interests.

(It's worth noting, btw, in all the fuss over GBBO going 'commerical' on Channel 4 that although C4 is a commerical channel, it ALSO a public service broadcaster. Their remit is similar to the BBC's, though narrower. Channel 4 has traditionally been required to cater for 'minority audiences' which they have traditionally loopholde by providing programming for the minority of 'youth'. Hollyoaks counts as 'minority interest'. Seriously.).

The BBC is undoudtedly without problems and even guilty of real wrongdoing, but to me it's ridicuous to list their fuck-ups and imply this list makes the BBC not worth funding to continue.

The BBC is not a Perfect Cinnamon Roll. That doesn't make it Evil Mega Corp. Whether you fall on the side of thinking the BBC is largely a force for good or bad (if it even makes sense to think of such a vast and varied coorporation being able to be one or the other) listing a load of things the BBC has done wrong does not amount to take-down of them as a coorporation. Of course the BBC has commited wrongdoing and made mistakes. That is not an argument for why the whole thing isn't worth preserving. There are surely valid arguments to that end but a list of instances of bad behaviour isn't that argument.

Furthermore many of these points are pretty subjective; the BBC has been accused of both a pro-Israeli and a pro-Palestine bias on many occassions, usually in equal number over the same reportage.

Am I saying any such complaints are unfounded? Of course not; I don't believe the BBC is politically unbiased or has never commited any wrongdoing as a coorporation. But I believe these are the mistakes and weaknesses of an institution that is imperfect but on the whole honestly striving for Reithian values, and achieving the greater spread of information, entertainment and education through its actions. I think the world is better rather than the worse for the BBC existing.

More to the point, paying your licence fee is a LEGAL REQUIREMENT if you watch BBC programming (that includes via iplayer since September) and don't pay you can be take to court and given heavy fines. Not paying it is like not paying a tax; I might not agree that my taxes are going towards funding wars as well as hospitals, but I don't get to opt in and out of it according to personal ethics. You either watch pay it and watch, or don't pay it and don't watch. Watching while witholding the fee is not a political statement.

Or you can see it as not paying for a service or product you use. I don't support Nestle as a company. That doesn't mean I steal Milky Bars from the shop while decrying the company, it means I don't buy OR consume any Nestle product.

(And actually there really is a debate to be had around the handling of the licence fee; I believe there should be more compassionate exemption for poor, elderly and housebound people and think its pretty appalling that those who honestly can't afford face court action.)

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Ghostwatch, a 1992 documentary made for British TV. It was only aired once.

It's a bit late to be a Halloween reccommend, but if you're still in the mood for something morbid and creepifying, watch Ghostwatch. The whole thing is embedded above!

You have to suspend your disbelief a bit to get into the mindset of an original viewer. Pretend it's 1992 and as far as you know this is going to be a live Saturday night bradcast. Like if actualy creepy stuff started happening on Most Haunted Live.

But even if you don't have vague and terrified maemories from childhood like I do, the presence of Parkinson and Craig Charles being cozily cynical and bitching about the lack of professionalism in their colleagues really makes i feel authentic...

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Black Hearts In Battersea is now available to listen to on the iPlayer!

I am a massive Joan Aiken fan, and I've been hoping the BBC would rebroadcast this adaptation at some point (I just wish I could track down the TV adaptation it had back in the 90s) - it's one of my favourite books.

You may know Aiken from her Wolves books (of which the above is a part, but also a stand-alone book), her fantastic folkloric tales, her chilling ghost stories, her Jane Austen sequels, or any other of her many many novels. She was one of the 20th Centuries greatest children's writers, and though still widely read and well-stocked in bookshops, she doesn't get talked abut as much as she ought.

If you don't know The Wolves Of Willoughby Chase and its sequels, think of Lemony Snicket and Bleak Expectations - witty, exciting, clever, inventive stories that take place in an alternate version of the 19th century.

This adaptation tames a little of the eccentricity and humour of the book, but is excellently written and acted (out hero Simon is played by a young Joe Dempsie off of Game Of Thrones. If you're looking for something to listen to, you couldn't do better than this!

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'The Doctor And Douglas' - Radio 4 documentary with John Culshaw about Douglas Adams' time script-editing Doctor Who.

(Grit your teeth for - mercifully limited - comment from Steven Moffat at his 'he's a great person, aren't I?' finest. I notice he recently ripped off a Hitchhiker's joke, incidentally).

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lileclaire

Other lines of interest:

"The maths isn’t too hard for you, is it?" ”Where’s the ketchup, dad?” “Oh, your majesty! Right away, your majesty!” "Are you alright for a drink or two?" "Hello hello hello!” “I’m taking Margaret to the pub.” “So the anorak did the trick, then?” "….don’t wait up."

You’ll never get Margaret by going on about science, dad.

I just watched the entirety of Children Of The Stones on Youtube. Creepy as fuck, occassionally hilarious (the choral music is only mostly effective)

, and extremely well made. And I love the father/son dynamic. And how blase they are about everything.People turning to stone? Never mind, old man, have some egg and chips.

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stfu-moffat
On the argument that the BBC don’t want queers in children’s tv; they asked RTD to give Luke Smith a boyfriend in SJA - and if the series hadn’t ended so tragically, he would have.

That’s a really good point, especially as SJA was more explicitly aimed at children than Doctor Who (which is aimed at slightly older children/families).

- C

I get very grumpy when I hear Moffat’s sexism, homophobia and racism attributed to the BBC’s policies in order to excuse his bullshit. Forgiving discrimination is bad enough, but trying to wriggle out of admitting that your fave is problematic by trying to cast those aspersions in the direction of British broadcasting? Grrrr.

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So on this week's episode of Napoleonic-era-horse slash fiction, one of the horses started writing horse-Poirot slash fan fiction. I don't think anyone understand how much I love BBC Radio 4.

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The Adventure Of The Empty House

"He sat opposite to me, and lit a cigarette in his old, nonchalant manner. He was dressed in the seedy frockcoat of the Book-Merchant, but the rest of that individual lay in a pile of white hair and old books upon the table. Holmes looked even thinner and keener than of old, but there was a dead-white tinge in his aquiline face which told me that his life recently had not been a healthy one."

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