Knitted Jacket
1630-1650
Italy
Royal Ontario Museum (Object number: 2007.28.1)
@nekobakaz / nekobakaz.tumblr.com
Knitted Jacket
1630-1650
Italy
Royal Ontario Museum (Object number: 2007.28.1)
...from men
His name is Zach Pinsent, he was recently proposed to by his boyfriend Alex Zarlengo, and is a tailor and bespoke sewist.
Both Zach's and Alex's pintrests can be found below:
Zach: https://www.instagram.com/pinsent_tailoring/
Alex: https://www.instagram.com/alexzarlengo/
Lucas Cranach the Elder - Portrait of Catherine of Mecklenburg, Duchess Consort of Saxony (1487-1561)
Not even her fiercest look, imo
Orkney Hood
The Orkney Hood gives a fascinating glimpse into Iron Age fashion. The herringbone twill weave mixes sophisticated Danish elements with simpler sections made from the brown wool of the Orkney moorit sheep. Experts think it’s a Viking garment remade by Scottish weavers; an early example of a global design being recycled locally.
To read: Jacqui Wood “The Orkney Hood and an ancient re-cycled textile” [PDF]
Byzantine headdresses by Tom Tierney
LOCAL MAN MAKES THE WORLD’S STUPIDEST HAT MAKE SENSE
OH MY GOSH.
for the first few minutes of the video I was like, oh, very nice, that hood looks super cozy and I want one
but then 4:14 was a GAME-CHANGER and I actually gasped out loud
I LEARNED SOMETHING HERE TODAY
Historical Fashion: The Gamurra
An Italian dress that was worn during the 15th century. This was the main dress that was worn over the chemise (like a slip but with much more fabric) but beneath the giornea and/or cioppa. The basic design of this dress was worn by all women in Italian society (though upper class women would have gamurra’s made of more costly textiles and designs).
I think a good place to start to get into dress history is general overview of the whole timeline. Understanding especially how the silhouettes change is really important ground knowledge to build the rest of the information on.
I'll start the timeline from Middle Ages and go till the first world war. I'll focus on upper class England/French sector, so keep in mind that before 17th century there were huge regional differences in fashion inside Europe and class differences too. There is a lot variance, changes and nuance inside any century and decade I'm about to discuss, but I'll try to keep this short and introductory and very simplified. I used a very scientific method of basically what makes most sense to me to divide the periods. I've made sketches what I would consider to be the basic silhouette of the period stripped mostly out of the detail and then I give couple of primary source examples.
Dress was simple one or more tunics over a chemise. They were overly long for upper classes, made out of straight lines. There were loose tunics often worn over another tunic, and tunics with laced bodice called biaut. In France bliaut sleeves often widened from the elbow, in England they often widened in frists.
Clothing was mostly very similar as in the previous century, though bliaut was mostly gone and new popular style was a loose sleeves surcoat.
Tailoring basically revolutionized clothing production, since clothes weren't made out of rectangles anymore and could be better made to fit form. Also functional buttons and lacing was popularized resulting in very fitted styles. The underlayer tunic, kirtle, became a fitted supporting layer.
Improvements in weaving technology and trade and growing prosperity in Europe showed in clothing as excess of fabric and variety of trends. Houppelande, a loose A-lined overdress lined with fur and fastened with a wide belt under breasts, became a very popular clothing item, and in later decades developed into the iconic Burgundian dress (the red dress). Fitted overdress continued to be popular alongside the warmer houppelandes.
In the renaissance era clothing became increasingly structured and elaborate. The bodice was heavily boned and the skirt was also structured.
Both structuring and elaborate decoration reach it's peak during Queen Elizabeth's reign. She became the defining fashion icon of the late renaissance.
In baroque era the bodice was still heavily structured, but more curved than the conical Elizabethan bodice. Otherwise though structuring was replaces with dramatic excess of fabric.
In the late 17th century there was a huge shift in the clothing industry as mantua, a loose open robe inspired by Japanese kimono, came to dominate fashion. Rigid bodice was replaces by structured under layer, stays. Stays brought back the conical silhouette of Elizabethan era.
Mantua developed into the iconic Rococo dress in France, robe à la francaise (first example picture), and in England robe à la anglaise with closed bodice. Rococo fashion was characterized by the wide silhouette of the skirt.
Since Tumblr won't accept more than 10 pictures per a post I'll have to continue in a reblog. So to be continued!
...Aaand continued
Already before the French revolution the excess of Rococo had gone out of fashion as hatred against the ruling class and their lifestyle started mounting. After the revolution the rest remains of the Rococo style and silhouette were very quickly abandoned in favour of much more simple ancient Greece inspired dress. Structuring was minimal and the new stays had very little boning if at all, their main purpose was to push up the chest.
I included 1830s here even though it's not actually part of the Victorian era, since Queen Victoria wasn't in power yet. However it's the start of Romantic fashion, which characterized the first half the Victorian era too. Start of the Victorian era is characterized by the increasingly wider round skirt and wide neckline. More structuring was back with boned shapely corsets.
Natural form era is a brief fashion characterized by the long sloping trail. The strongly curved corset of the late Victorian period takes shape and creates the curved hourglass figure.
1880s is often considered the quintessential bustle period. The bustle becomes very high and shelf-like.
Last decade of Victorian era is very distinctive. Art Nouveau movement was at it's height and it shows in fashion too in the bold shapes and organic details. The bustle is gone, though a bit more volume remains in the back, but the skirt is more A-lined now. Volume goes to sleeves which reach their peak in the middle of the decade.
Art Nouveau continues as the dominant art movement in the Edwardian era. The S-shaped corset and the round pigeon chest dominate the silhouette.
Sometimes 1910s is also counted as the Edwardian era, even though Edward VII died on the first year of the decade. The fashion has a lot of visible similarities to Edwardian fashion, Art Nouveau is still going strong, but the silhouette is significantly different. The corset used is very similar so there's still a bit of the S-curve left, and the round chest is emphasized, but otherwise the curves are gone in favour of much more slender and simple figure.
Further reading under the cut!
Can we all dress like it's the 1620s
Word!! I love baroque fashion! The DRAMA!!!!!
Do you sew? Cosplay? Historical costuming? Historybounding? Just wanna sew your own clothes?
Then welcome to CoSy 2021, the free online convention! From August 19th to 22nd, hang out with other costumers on Discord, Instagram, and YouTube, learn new things, discuss projects, sew-a-longs, and just meet new friends!
Do you sew? Cosplay? Historical costuming? Historybounding? Just wanna sew your own clothes?
Then welcome to CoSy 2021, the free online convention! From August 19th to 22nd, hang out with other costumers on Discord, Instagram, and YouTube, learn new things, discuss projects, sew-a-longs, and just meet new friends!
German Renaissance fashions by Daisy Viktoria
Renaissance costuming
1. by Adelhaid on DeviantArt 2. by Angela Mombers 3. by danny2651 on Flickr 4. by Cadwaladrcostumes on Etsy 5-6. by dressdiaries on LiveJournal 7-8. by Elisabeth Ansley, Trevillion Images 9. by Katherine B, crimsongriffin28 on Flickr, Florentine dress and camicia based on Raphael’s Woman with Unicorn, 1505
It’s finished! I hit a few bumps during making this but it all turned out okay. I’m really happy with this project, I haven’t had as much fun making something in a long time.
It’s a doublet that was supposed to be Renaissance themed but it has aspects from the 1600s too, like some weird hybrid. In the future i’m going make tudor and baroque doublets and aim to stick to the right era.
goooooooorgeous!!!