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Wibbly-Wobbly Ramblings

@nekobakaz / nekobakaz.tumblr.com

Hi!! I'm Corina! Check out my About Page! Autistic, disabled, artist, writer, geek. Asexual. nekomics.ca .banner by vastderp, icon by lilac-vode
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Might I inquire as to what, precisely, a Mustain't is? (Aside from a string of letters I hesitate to Google in that order.)

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In October 2014 I went on a road-trip to the Dryest Place In America.

I was having a rough year, very depressed from having dropped out of college for the third time. I decided a road trip was in order to re-set my brain and get a little distance. Being that it was October, and therefore all the campgrounds in the American Southwest were filled with people who have the good sense to camp in reasonable temperatures, I elected to take my parent's minivan so I could car-camp anywhere suitably isolated, and looked up some of the southwest's geographic extremes- the highest place I could drive to (Pikes Peak), the lowest place (Badwater Basin), and for fun, the Dryest Place in the continental US, which turned out to be the Pinacate Volcanic field just west of Organ Pipe Cactus National Monument. It gets rain maybe twice a century and has no standing water, despite being less than 100 miles from the gulf of California.

It's a startlingly beautiful and alien place. The ground is a deep chocolate brown to black volcanic sand, and in mid October, the rabbit brush is turning bright yellow as it shifts to autumn, the organ pipe cacti are a dark green and stand, partially concealed in the brush at exactly human height. The air is alive with birds and insects and bats at night. The stargazing is like looking into the eyes of God.

You get there by driving down a little dirt road called "El Camino Del Diablo", or "The Devil's Road".

I drove out about three hours from Glendale, AZ to get there, arriving at sunset, and felt a profound sense of peace. I stargazed, listening to the bats hunt and sing, and slept peacefully for the first time in months.

I stayed out there for three days, sketching and painting the landscape, taking strolls through this almost alien landscape, and enjoying the light and sound and total absence of human intrusion besides myself.

On the fourth night, it was a new moon, and I awoke in the middle of the night. Something was amiss, and it took me a while to realize it was because I could NOT hear the bats. I was sleeping inside the van with the rear windows rolled halfway down rather than trying to set up the tent, so I when I sat up, I looked out of the van's reflective windows to discover what at first appeared to be A Horse.

It was something between pale gray and bright white in the starlight, standing maybe a dozen feet from the van, sniffing curiously. It made sense- I was in the middle of mustang country and there was quite a bit of foliage in the area for it and it did look like a truly wild horse- lumpy where the bones were jutting out, dusty about the hooves and face.

I was instantly seized by the sort of paralytic fear Sleep paralysis is made of. I couldn't move. It wasn't quite looking at me because it couldn't quite see through the windshield into the shadowy into the shadowy interior, but I had the distinct impression that if I looked away, it would know, and get me.

I already had problems with horses. My beloved Aunt Helen's Prize mare tried to kill me on two separate occasions, and the year before I had to carry my sister-in-law backwards out of a slot canyon whilst reciting the Saint Crispin's Day Speech as loudly as possible to keep a mustang from trampling us to death.

This is approximately what it should have looked like:

Instead, it was... off. like trying to draw a horse from memory.

The waist tapered in.

The legs were slightly too long or the torso slightly too short, probably both.

The ears were Triangular.

The head wasn't quite right- Too narrow and the jaw wasn't heavy enough.

The tail was too long and arced unnaturally away from the body.

The neck arched.

The nostrils were too high and close

The mouth too long.

Whatever this is, a Mustang it Ain't.

I watched it from the back seat as it sniffed around the front of the van, curious with about the side mirrors. It moved around the van, nibbling experimentally on the front door handle. It came up to the side windows, sniffing like a dog, and it's breath didn't fog up the glass.

Finally, it came up to the rear window, which was rolled halfway down to let the fall night air in. Not even half a pane of glass and two feet of air between us, and I could clearly see it's bright blue eyes.

Horses have Elongated pupils to give them a wide field of vision, and eyes that rotate sideways in their sockets so the pupil remains parallel to the ground. Rather creepy to watch, especially the ones with blue eyes.

A real horse that was curious about the interior of the van would have come up to the window more or less sideways, and looked at me with something like this:

Instead, the damn thing walked up and faced the back window head on, staring back at me with this:

I'm not sure how long we watched each other like that, eyes locked. My eyes burned. I couldn't blink. My mouth was dry. I couldn't swallow. My throat began to ache. I couldn't make a sound. My skin began to twitch, like I was severely dehydrated. I couldn't move. My lungs burned. I couldn't move. I couldn't move. I couldn't move. I couldn't move.

Something was touching the side of my hand on the seat next to me. It's my water bottle.

The realization must have broken the terrible paralysis in the lower parts of my brain first, because by the time I consciously realized I could move again, I was already flinging my water bottle out the window at it.

The top was open, and splashed out the window at the Mustain't.

I've never heard such a scream out of an animal. Something halfway between the sound of unquenchable rage vibrating in someone's chest and the way rabbits cry out to God when the dogs catch them.

It jumped back, pivoting away from the van, snarling at the water bottle. I don't think you're supposed to be able to see All of a horse's teeth at once, no matter how angry it is.

I watched it run into the night for some distance, it's pale body visible against the black sand and the dark gray shadow of the ancient volcanic cone it was headed for.

When the blood stopped pounding in my ears, I could hear the bats again.

I debated leaving right then, but I didn't want to get out of the van with that thing in the area, nor litter by leaving the water bottle out there. I also had the awful idea that if I left now, it might somehow be able to follow me home. I ended up staying up three hours to watch the sunrise, shaking and trying to figure out if I'd woken up from a vivid dream, if my meds had stopped working, or if that had really happened. I didn't dare move until I actually felt the temperature rise, before stepping out of the van to grab the bottle. I had my camera ready- I was still using a DSLR back then- to take pictures of the hoofprints, to show how close it had gotten to the van.

No hoofprints.

Beetle tracks in the soft sand around the van, and the clear foot-and-wing prints of a bird that had hopped around then taken off. But no hoofprints.

I went over the entire campsite with the tent broom, to make sure I removed every scrap of evidence I had ever been there, including my footprints, grabbed my water bottle, and drove the three hours back back to Glendale, then decided to do seven more hours of driving to Moab, Utah just to put more than 500 miles, the state line and at least nine things that could be considered "running water" between me and the Mustain't.

-

I still have that water bottle. It has a dent in the bottom from hitting something, but that could have happened at any time. Strange thing though. I can't drink that bottle dry. I'll have it on me, drink whatever I've put in there- water, juice, iced coffee- and eventually feel like I've drunk the whole think and that it's empty. But I open it up and it's still at least a quarter full. I drink that. I get thirsty. I open it up again. ...and there's always a mouthful left.

Not sure what the side effects of drinking from a bottle cursed by a Mustain't to always have some left are, but it lives in the Emergency Breakdown Kit in my car now, just in case I meet another one.

---

(I'm a disabled artist and make my living telling stories, please consider supporting me on Ko-Fi or Pre-order the Family Lore book on Patreon)

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So I had the strangest dream this weekend and nobody understands me so I need to share it with you because you might. Press J to skip this post if you can’t deal, I will accept this.

In my dream I was standing on the back deck of a rural cabin that overlooked a beautiful Vermont/Scottish Highlands landscape of unspoiled wilderness. It was a crisp, perfect autumn morning. I held a cup of cooling coffee in my hands as I leaned against the railing and scanned the perfect rolling hills in the midground, behind which the great patterned mountains with their snowcaps marched on until they blended with the horizon: #aesthetic

As I gazed at a distant meadow clearing in the trees, a pair of brightly coloured humanoid creatures emerged from the woods and began to dance for each other. It was an esoteric, beautiful mating dance, a strange combination of instinct and choreography. I felt awe washing over me. I marvelled. I felt a deep sense of wonder and peace as I observed this vanishingly rare encounter that I had never thought to observe in person. These animals were instantly recognisable but had never been studied in the wild. I felt incredibly humbled and privileged to witness this behaviour - I knew that I was the first human witness to observe this behaviour - and I reached for my phone, wondering if I should film it, so it could join the scholarly record, where it NEEDED to be. This could change everything. But then I held back - something told me “no,” to let the creatures have their privacy.

Ok, I can’t go any further without telling you that they were Teletubbies.

A red one and a yellow one. I know. I know. Stay with me here.

The cryptids melted back into the woods. My subconscious drew a discreet veil over the rest of their mating ritual, but I knew instinctively that this had been a dance of courtship. I was busy pondering the implications, because they were critical. You see, although the creatures were instantly recognisable as Teletubbies, as I had studied them, even at a distance, I had an incredible realisation.

They were adult Teletubbies.

This realisation dawned on me and in my dream I understood it fully. The ones that we know of - the captive ones that we have seen on television - are juveniles. In fact, they are the equivalent of toddlers. When you see the adults this becomes obvious. The garbled speech and silly movements of the four captive Teletubbies we know are the babbles of babyhood, a private primal toddler-language brewed up between sentient beings who have never encountered an adult of their own kind.

The adult Teletubbies have more branching, complex antlers and shaggy coats. They are less brightly coloured. They are terrifyingly large. Their strangely human faces, emerging from the thick fur, are unquestionably adult; remote, serene, reproachful. Their television screens are glitchy, esoteric and unknowable. They are cryptids whose public exploitation has undermined their rarity and their strange, alien dignity.

In my dream my feelings of awe and peace turned to great sadness at the fate of the captive toddler Teletubbies. I realised that I had to be the scientist who brought this discovery to the world and raised awareness of their plight. And I also questioned: are Teletubbies like axolotls? Do they exhibit neoteny? (Axolotls, the cute aquarium pets with flaring gills, are actually juveniles of an amphibious species - if given the right conditions they’ll grow up into land-dwelling black newts. But they can breed in their aquatic juvenile form, and most spend their whole lives in this form. Deprived of their wild potential, will the Teletubbies ever mature? Or are they merely experiencing a long childhood, natural for a species that is unimaginably long-lived?)

So in my dream my husband came out onto the back deck and I began to share these discoveries with him and before I could even bring up the axolotls he just said “what the fucking fuck” and went away again.

I woke up disgruntled and unable to capture the feeling of peace and sadness. I then tried to explain this to my husband in the waking world, and he said “what the fucking fuck” and walked away before I even got to the explanation of the Teletubbies being toddlers, which just goes to show that you never know someone as well as you think you do.

Anyway I’m sure you guys will join me in this knowledge. And also I’ve googled it and apparently the Teletubbies reboot features infant Teletubbies, so clearly they are getting more from somewhere and the time to question this is NOW

I have a personal theory that how a dream makes you feel is more meaningful than the content.

What I got from your dream was a sense of wonder and privilege (the good kind), followed by the need to bear witness and advocate for the cryptids. Topped off with a disturbingly accurate example of the attitudes you’d face.

(staring nobly into the distance) yes. yes, you understand. you understand.

I’m so sorry but this is what came to mind and so this is what I drew

Thank you so much for sharing that dream, it was EXACTLY what I needed to stop feeling like shit. Now I, too, am honored by the knowledge of adult teletubbies.

Here’s my take on this lovely cryptid.

WHOA I’m sorry I missed this. this is magnificent. the feet and hands are really spooky. it definitely fills me with the Fear.

So I spent the last few hours drawing and animating this and I cannot believe I did so enjoy I’m gonna pass out and probably deal with similar dreams now 

Yes, this is definitely the Fear. 

ayo here’s my two cents :D Thanks for the inspo, friendo

idk how old this flippin is but I was like HEY BEAR CUB BABIES and as they get older they’re some mixture of moose, grizzley and megatherium (giant, ancient sloth). 

!!!!!!!!!!

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arualclosean

@copperbadge for cryptid theories?

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copperbadge

I can’t go any further without telling you that they were Teletubbies DEVASTATED ME.  

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deadblog0416

A Jewish folk song, Golden Peacock, scratched into the painted over window of a closed down store: Yiddish Lyrics:

iz di goldene pave gefloygn, gefloygn. un di nakht hot geefnet di goldene oygn, likhtiker mayner, shlof ayn. di nakht hot geefnet di goldene oygn, bin ikh fidl gevorn un du der boygn, umruiker mayner, shlof ayn. bin ikh fidl gevorn un du der boygn, un doz glik iber undz hot farlibt zikh geboygn, tsertlekher mayner, shlof ayn. un dos glik iber undz hot farlibt zikh geboygn, gelozt undz aleyn un farfloygn, farfloygn, troyeriker mayner, shlof ayn.

English translation:

Has the golden peacock flown away, flown away. And the night has opened its golden eyes, Bright one of mine, go to sleep. The night has opened its golden eyes, I’ve become the fiddle and you the bow, Restless one of mine, go to sleep. I’ve become the fiddle and you the bow, And fortune has smittenly concerned herself with us, Tender one of mine, go to sleep. And fortune has smittenly concerned herself with us, Left us alone and flown on, flown on. Sad one of mine, go to sleep.

Finding this etching has pretty much made my day and cheered me up immensely

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adz

Autonomous Trap 001

“What you’re looking at is a salt circle, a traditional form of protection—from within or without—in magical practice. In this case it’s being used to arrest an autonomous vehicle—a self-driving car, which relies on machine vision and processing to guide it. By quickly deploying the expected form of road markings—in this case, a No Entry glyph—we can confuse the car’s vision system into believing it’s surrounded by no entry points, and entrap it.”

-James Bridle

using salt circle motor runes to trap driving AI is the most cyberpunk thing I’ve ever seen

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astercrash

Did anyone notice how quickly the internet turned into a Lovecraftian horror scenario?

Like we’ve got this dimension right next to ours, that extends across the entire planet, and it is just brimming with nightmares. We have spambots, viruses, ransomware, this endless legion of malevolent entities that are blindly probing us for weaknesses, seeking only to corrupt, to thieve, to destroy.

Add onto that the corrupted ones themselves, humans who’ve abandoned morality and given up faces to hunt other people, jeering them, lashing out, seeing how easy it is to kill something you can’t touch or see or smell. They’ll corrupt anything they think could be a vessel for their message and they’ll jabber madly at any who question them. Their chittering haunts every corner of the internet. They are not unlike the spambots in some ways.

Add on top of that the arcane magisters, who are forever working at the cracks between our world and the world we made. Some of them do it for fun, some of them do it for wealth, others do it for the power of nations unwise enough to trust them. There are mages who work to defend against this particular evil, but they are mad prophets, and their advice is almost never heeded, even by those who keep them as protection.

All people know several spells to use the internet. Facebook asks you for the magic words to log in, so does your email, so does your twitter and on and on. The spells are words or a gesture with the hand, some use the colour of your eyes, or the shape of your finger. Our chief of security joked about requiring users to give a drop of blood before they could log in. Many do not understand the humour of mages.

The cracks between the two are breaking. IP cameras filled our world with eyes and the magisters learned how to open almost all of them. We all carry magic slabs of glass that if you hold it up to your ear can sing to you with a loved one’s voice, but if you look at it with your eyes, can show you a corrupted human with bleeding orange skin scream the profane with a thousand voices. The other day I saw someone hack a moving vehicle. At one point they made it stop. At another they made it so it couldn’t stop. Some of our best and brightest are going to create an army of four winged bats hovering throughout every city and we are going to connect them directly to the dimension where the nightmares live.

I’m not saying it’s all bad, but I am saying Cthulhu lies deathless dreaming in this web we built him and he is waking up.

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npr

Welcome to the “Nightmare Machine,” a horror-imagery project created by three researchers at the Massachusetts Institute of Technology. Pinar Yanardag, Manuel Cebrian and Iyad Rahwan used artificial intelligence algorithms “to learn how haunted houses, or toxic cities look. … Then, we apply the learnt style to famous landmarks and present [to] you: AI-powered horror all over the world!”

The project website is up just in time for Halloween but the method is not new — the algorithm they use is a so-called “deep learning” system published last year by computer scientists, which is capable of creating “artistic images of high perceptual quality” based on examples of images created by humans.

The researchers taught the algorithm at least eight horror styles for haunted places: haunted house, fright night, slaughterhouse, toxic city, ghost town, inferno, tentacle monster and alien invasion.

GIF: MIT

Source: NPR
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