Why I love the Spymaster #105: He's a dancer!
Find my full series under the HELP I WUVS HIM tag.
The Spymaster is a notoriously unrestrained character. His repetitions [#31] show how use does not seem to think before he speaks, but in the very process of speaking. He seems to think by acting out his thoughts and emotions [#11: You can SEE his mind at work!]. Additionally, his gestures provide insight into his preoccupations [#12: His brainfingers!]. He involuntarily vibrates when he's angry [#2] and when he's happy [#104]. He rocks from side to side unselfconsciously when anticipating something [#14], flaps when happy [#78], and exhibits lots of movements associated with autistic stimming and ticcing [see #78 for an extensive list].
The Spymaster is also notorious for dancing, i.e., moving purposefully with rhythm and choreography. We have him intentionally twirling in Spyfall I, right after he says he controls everything:
We have another twirl in The Power of the Doctor when he explains to Thirteen that the CyberMasters and Daleks are his "fam:"
And then, of course, there's his actual dance party to Rasputin shortly afterward.
Saying that the Spymaster is a dancer is different from celebrating his nerdy dancing [#3] or his OMINOUS yet dweeby dancing [#69]. Both of those mini essays focus on instances of dancing, but this mini essay speaks more generally. "He's a dancer!" = The Spymaster likes dancing, and he's a dancer, insofar as a dancer is someone who makes art out of the body in motion.
I call him a dancer for the following reasons:
He already emanates his emotions through facial expression, hand gestures, and bodily movements, so dancing, an art about one's body in motion, has an understandable appeal to him.
Dance, like theater, is a performance art, calling on an audience to admire the dancer's beauty and physical prowess. This appeals to the Spymaster because he's an over-the-top performer who needs an audience and also because he considers himself beautiful.
We know he likes club music [#96: Further implications of the Rasputin song!], so Rasputin [Majestic remix] is probably not the only tune he likes to groove to.
While expressive, dancing is not the same as the Spymaster's sometimes involuntary physical expression of emotion that the Spymaster frequently has. Dancing involves intentional control of one's body, which speaks deeply to the Spymaster, who's constantly worrying that he has lost control.
Another reason for the Spymaster's fondness for dancing connects to his neurodeviance or neurodivergence [#47]. I imagine that the Spymaster may be frustrated on occasion with his involuntary or unconscious stimming/ticcing. The planned choreography of dancing may help him to feel more at home with himself and grounded. In fact, his overall serious expression and relatively restrained body language during the Rasputin dance indirectly suggest that his dance of intimidation may be successfully quieting his impulses of nervous energy.
And on that note, folks, I am taking a break. I have been inflicting HELP I WUVS HIM mini essays about the Spymaster onto a hapless public for two solid months now. I haven't run out of mini essays. I've just run out of motivation.
Possible future topics include American Gothic, the Spymaster's gender, the Spymaster in the short story "The Master and Margarita," detailed analysis of the seismology professor costume, "Did you know she used to be a man?", and more!
Also, if all three of my readers have any things that you love about the Spymaster, feel free to send them to me. Or if you notice interesting things about the character and you have your own interpretations, send them along too. I don't guarantee that I will use what you send, but I will credit and tag you if I do.
P.S. If you like the kind of Masterful humor abounding in these essays, check out my parody self-help book Your Villain & You. It features a LOT of characters who look suspiciously like the Spymaster!
