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#names – @natalunasans on Tumblr
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(((nataluna)))

@natalunasans / natalunasans.tumblr.com

[natalunasans on AO3 & insta] inactive doll tumblr @actionfiguresfanart
autistic, agnostic, ✡️,
🇮🇱☮️🇵🇸 (2-state zionist),
she/her, community college instructor, old.
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reblogged

honestly the main reason i use ‘theta’ and ‘koschei’ in fic is because i find it really hard to imagine the doctor addressing the master with ‘master’ and take it at all seriously

like at the core it’s about affirming an identity right? callling them doctor or master is in some way like agreeing thats who they are. the doctor wouldnt do that with the master, partly i think because they dont believe the master really is…. all that, and partly because they dont want them to be all that. so why affirm it. they wouldnt

the other way around though the master does i think believe in the doctor’s doctorness to a certain extent. more than the doctor believes in the master’s masterness anyway

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natalunasans
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reblogged

The real significance of Crowley’s name:

I don’t know why I never thought of this before, but I did now.

In the Hebrew translation of Good Omens, Aziraphale is spelled as אזירפאל, and Crowley as קראולי. Someone who didn’t know about Good Omens or how to pronounce Crowley’s name would probably pronounce it as קראו לי, (Kar-ooh-lee). I know I instinctively did as a native Hebrew speaker, and I know how it’s supposed to be pronounced! But that’s not important. What’s important is what it means.

The phrase קראו לי means “they called me.” This is often used when referring to what one’s name was, for example, when introducing oneself, one uses the present tense קוראים לי. But קראו לי is past tense. In context, it can also mean “they called for me,” as in being summoned. Both of these meanings apply to Crowley. One of Crowley’s main characteristic is his shifting of names. He was called by many names, Crawly, Anthony, whatever name he had before the fall…. Crowley was also called for. Crowley was always being given orders, always being summoned.

What’s even more interesting is the way Crawly is spelled in Hebrew. It’s spelled קראלי, and, such as before, can be pronounced as קרא לי (Kra-Lee). This change in spelling and pronunciation transforms the phrase into a command: “Call (male) me.” Who could Crowley be asking to call him? After his Fall, he would be bitter, begging for anyone to call his name, perhaps his angelic name. Time passed, and he gave up, changing his name to past tense.

Another interesting point is that in changing his name in Hebrew, Crowley is only adding on letter, a ‘ו’ (Vav). Adding a letter to one’s name is significant in Biblical sense, but especially adding a letter that is a part of God’s Holy Name, י-ה-ו-ה (Yud, Hey, Vav, Hey). This is symbolic of a person’s intrinsic connection to God. The best example is Abraham and Sarah, whose names were changed from Abram and Sarai.

Now we’re going to get even more spiritual.

It is said that each letter in the Holy Name of God represents a different approaches to God. The ‘י’ in it’s shape is not grounded. It is consumed entirely by the the Heavenly world, without any connection to Earth. The ‘ה’ in its shape shrouds a grounded marking. The grounded being is unable to reach up, and its purpose is entrenched solely on Earth. What’s special about the ‘ו’ is that it is a connector. It is a literal line connecting the top and the bottom. It channels the spirituality of the Heavens to the Earth, and the ingenuity of the Earth to the Heavens.

Crowley is a ‘ו.’ In being a Fallen Angel, he brought a piece of Heaven down to Earth. This was his purpose. He would ultimately channel the two worlds, which he and Aziraphale did in adverting the Apocalypse.

Whether he knew it or not, in adding the one tiny 'ו’ to his name, Crowley was accepting his role as the connector, the bridge. He never knew what they called him, or what they called him for, but he was destined to connect two realms. That’s how Crowley is special. He’s not quite an Angel, not quite a Demon, and has the imagination of a human.

I’m surprised about אזירפאל! Based on the most common speculative etymology (”help” + “heal” + “God”), I would have expected it to start with ע. With an א… “then” + “heal” + “God”?

Hmm, that is a very interesting observation! I think the root אזר can also be translated to “gird.” (Which in turn literally means “encircle.” You know, as in “gird up thy loins.” A phrase that I now have an all-too vivid image of Aziraphale using while Crowley facepalms in the background. But that’s beside the point.)

So anyway, if I’m correct about the meaning, that could perhaps be another etymological possibility for Aziraphale’s name beginning with א.

…G-d Has Girded And Healed? Or, maybe: Gird Up And Heal, G-d!

“I don’t need to gird my loins, we wear trousers nowadays, everything’s already girt.” “It’s a figure of speech, dear.”

I do like that, I just wasn’t sure whether two רs in the root words was an issue. (Of course, if it is, then “help” wouldn’t have worked with “heal” anyway.) If that’s not a problem, then there’s a fitting sense there that healing and other acts of kindness are a battle, they can be difficult and you have to be prepared for that. Pterry would definitely have appreciated that one.

Mm, yeah, I was working off the same structure as the “help” + “heal” speculation — but I don’t know enough about angel name rules to be able to tell whether making the single ר count for both roots would actually work. ¯\_ (ツ)_/¯

Although, on further consideration, it is the case that in the traditional name Raphael (רפאל) the א doubles in for both etymological components: ר פ א (“heal”) and א ל (“G-d”). So it seems like there’s at least some precedent for blending components/reusing letters in that way in names?

In any case, I do love that meaning; beautifully said, and it does feel very fitting for Aziraphale’s character.

Also, one other random thought that just occurred to me: grammatically, the י preceding רפא (heal) indicates the future tense. So, going back to your original א etymology idea (אז as “then”), “Aziraphale” could be translated as “Then G-d Will Heal” (contrasting with “Raphael,” meaning “G-d Has Healed”). (When is “then”? Who knows.)

…Not sure exactly where I’m going with that thought, but it feels like there must be somewhere to go with it.

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reblogged

i was reading a post about

how the elegaic poets wrote about love as this terrible affliction#something that possesses them and hurts and rends and is basically a disease#and how i know in the medieval era people believed certain illnesses and deaths could make people more likely to come back as zombies#love causes resurrection but not all of you is there

and it felt like the master to me. love as possession, love as something inside you that you cant control and that controls you, love you are helpless against.

and then the post talks about how bodies can decompose slower or differently when theres a traumatic sudden death and it talks about photography and documentation as ghost machines and im thinking about this other post by the same person about documentation, archive, preservation, as violence. the narrativisation of a living dynamic person into a static record intended for safekeeping, curation, for being read, interpreted, understood, used, recontextualised, integrated into other, larger, narratives.

and im thinking about the traumatic deaths of the timeless child creating ghosts by not decomposing right, and im thinking of the record in the matrix making ghosts by documenting everything. im thinking of being stripped of your narrative and turned static and lifeless (stagnant water) integrated into a larger narrative of your entire species.

im thinking about love as disease and love causes resurrection and im thinking of “you are diseased. albeit a disease of our own making”. im thinking of love as possession. of your bone and blood, your flesh, your very time strands being woven out of the life of the person you love. but not the life, because it’s all ghosts. theyve made her dead, unchanging, still, archived her, cut her up into bite-sized pieces to consume, turned her into a story and then buried that story. the civilisation of the citadel is built on the ghosts of the timeless child and the ghosts of the matrix, neatly narrativised, made digestible, understandable, consumable. the citadel built on violence.

im thinking of story as labyrinth:

everything is up for grabs until the moment the story starts and then the ending is fixed and you’ve been buried alive inside a structure that gives the illusion of agency while leading you all the while down the only existing path toward the very center of itself, where what awaits you is death..

the way to the citadel. the heart of gallifrey. not just through space and endless cat and mouse games without winners, but through time. 50 years for us? how many years for the master? at least 77 just in spyfall alone. making your way through the labyrinth of history because the story has been set in motion, the doctor has come, Doctor Who has come, the cameras have come, we are Watching, we are an Audience, we are Consuming this Record of lives cemented into static, limited, stories.

because Doctor Who is not just the name of the character, it’s the name of the program. Doctor Who cant die, Doctor Who lives in countless writers, stories, spin-offs, contradictions, mediums, Doctor Who is immortal, Doctor Who regenerates. you know who does die? after every time we meet them? the master. the master dies. the master doesnt regenerate, the master resurrects. love as resurrection because that is what they gave the master.

you are the master and you have been buried alive inside a structure that gives the illusion of agency all the while leading you down the only existing path toward the very center of itself (the doctor; Doctor Who), where what awaits you is death (Theta;

  • In ancient times, Tau was used as a symbol for life or resurrection, whereas the eighth letter of the Greek alphabet, theta, was considered the symbol of death.
  • An essay written around 160 AD, attributed to Lucian, a mock legal prosecution called The Consonants at Law - Sigma vs. Tau, in the Court of the Seven Vowels, contains a reference to the cross attribution. Sigma petitions the court to sentence Tau to death by crucifixion, saying: Men weep, and bewail their lot, and curse Cadmus with many curses for introducing Tau into the family of letters; they say it was his body that tyrants took for a model, his shape that they imitated, when they set up structures on which men are crucified. Stauros (cross) the vile engine is called, and it derives its vile name from him. Now, with all these crimes upon him, does he not deserve death, nay, many deaths? For my part I know none bad enough but that supplied by his own shape — that shape which he gave to the gibbet named stauros after him by men.)

Sigma himself punishes you for the crime of resurrection, of change, of renewal, which you commit, in the shape of his body, which tyrants took for a model. you are crucified for the disease they gave you, for resurrection on the planet of the dead, in the land of ghosts, in the underworld. do you not deserve death (Θ) for these crimes? nay, many deaths? deaths in the form of your own shape? 

and where are you between your resurrections? do you exist at all when unobserved, unrecorded, unseen, unwitnessed? do you exist outside of the show? outside the performance, are you there at all? do you exist outside the line of sight of Doctor Who? love causes resurrection, but not all of you is there.

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calling all authors!!

i have just stumbled upon the most beautiful public document i have ever laid eyes on. this also goes for anyone whose pastimes include any sort of character creation. may i present, the HOLY GRAIL:

this wonderful 88-page piece has step by step breakdowns of how names work in different cultures! i needed to know how to name a Muslim character it has already helped me SO MUCH and i’ve known about it for all of 15 minutes!! i am thoroughly amazed and i just needed to share with you guys 

Cultures include Yoruba, Sikh, Vietnamese, Polish, and dozens more!

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reblogged

tips for choosing a Chinese name for your OC when you don’t know Chinese

This is a meta for gifset trade with @purple-fury! Maybe you would like to trade something with me? You can PM me if so!

Choosing a Chinese name, if you don’t know a Chinese language, is difficult, but here’s a secret for you: choosing a Chinese name, when you do know a Chinese language, is also difficult. So, my tip #1 is: Relax. Did you know that Actual Chinese People choose shitty names all the dang time? It’s true!!! Just as you, doubtless, have come across people in your daily life in your native language that you think “God, your parents must have been on SOME SHIT when they named you”, the same is true about Chinese people, now and throughout history. If you choose a shitty name, it’s not the end of the world! Your character’s parents now canonically suck at choosing a name. There, we fixed it!

However. Just because you should not drive yourself to the brink of the grave fretting over choosing a Chinese name for a character, neither does that mean you shouldn’t care at all. Especially, tip #2, Never just pick some syllables that vaguely sound Chinese and call it a day. That shit is awful and tbh it’s as inaccurate and racist as saying “ching chong” to mimic the Chinese language. Examples: Cho Chang from Harry Potter, Tenten from Naruto, and most notorious of all, Fu Manchu and his daughter Fah lo Suee (how the F/UCK did he come up with that one).

So where do you begin then? Well, first you need to pick your character’s surname. This is actually not too difficult, because Chinese actually doesn’t have that many surnames in common use. One hundred surnames cover over eighty percent of China’s population, and in local areas especially, certain surnames within that one hundred are absurdly common, like one out of every ten people you meet is surnamed Wang, for example. Also, if you’re making an OC for an established media franchise, you may already have the surname based on who you want your character related to. Finally, if you’re writing an ethnically Chinese character who was born and raised outside of China, you might only want their surname to be Chinese, and give them a given name from the language/culture of their native country; that’s very very common.

If you don’t have a surname in mind, check out the Wikipedia page for the list of common Chinese surnames, roughly the top one hundred. If you’re not going to pick one of the top one hundred surnames, you should have a good reason why. Now you need to choose a romanization system. You’ll note that the Wikipedia list contains variant spellings. If your character is a Chinese-American (or other non-Chinese country) whose ancestors emigrated before the 1950s (or whose ancestors did not come from mainland China), their name will not be spelled according to pinyin. It might be spelled according to Wade-Giles romanization, or according to the name’s pronunciation in other Chinese languages, or according to what the name sounds like in the language of the country they immigrated to. (The latter is where you get spellings like Lee, Young, Woo, and Law.)  A huge proportion of emigration especially came from southern China, where people spoke Cantonese, Min, Hakka, and other non-Mandarin languages.

So, for example, if you want to make a Chinese-Canadian character whose paternal source of their surname immigrated to Canada in the 20s, don’t give them the surname Xie, spelled that way, because #1 that spelling didn’t exist when their first generation ancestor left China and #2 their first generation ancestor was unlikely to have come from a part of China where Mandarin was spoken anyway (although still could have! that’s up to you). Instead, name them Tse, Tze, Sia, Chia, or Hsieh.

If you’re working with a character who lives in, or who left or is descended from people who left mainland China in the 1960s or later; or if you’re working with a historical or mythological setting, then you are going to want to use the pinyin romanization. The reason I say that you should use pinyin for historical or mythological settings is because pinyin is now the official or de facto romanization system for international standards in academia, the United Nations, etc. So if you’re writing a story with characters from ancient China, or medieval China, use pinyin, even though not only pinyin, but the Mandarin pronunciations themselves didn’t exist back then. Just… just accept this. This is one of those quirks of having a non-alphabetic language.

(Here’s an “exceptions” paragraph: there are various well known Chinese names that are typically, even now, transliterated in a non-standard way: Confucius, Mencius, the Yangtze River, Sun Yat-sen, etc. Go ahead and use these if you want. And if you really consciously want to make a Cantonese or Hakka or whatever setting, more power to you, but in that case you better be far beyond needing this tutorial and I don’t know why you’re here. Get. Scoot!)

One last point about names that use the ü with the umlaut over it. The umlaut ü is actually pretty critical for the meaning because wherever the ü appears, the consonant preceding it also can be used with u: lu/lü, nu/nü, etc. However, de facto, lots of individual people, media franchises, etc, simply drop the umlaut and write u instead when writing a name in English, such as “Lu Bu” in the Dynasty Warriors franchise in English (it should be written Lü Bu). And to be fair, since tones are also typically dropped in Latin script and are just as critical to the meaning and pronunciation of the original, dropping the umlaut probably doesn’t make much difference. This is kind of a choice you have to make for yourself. Maybe you even want to play with it! Maybe everybody thinks your character’s surname is pronounced “loo as in loo roll” but SURPRISE MOFO it’s actually lü! You could Do Something with that. Also, in contexts where people want to distinguish between u and ü when typing but don’t have easy access to a keyboard method of making the ü, the typical shorthand is the letter v. 

Alright! So you have your surname and you know how you want it spelled using the Latin alphabet. Great! What next?

Alright, so, now we get to the hard part: choosing the given name. No, don’t cry, I know baby I know. We can do this. I believe in you.

Here are some premises we’re going to be operating on, and I’m not entirely sure why I made this a numbered list:

  1. Chinese people, generally, love their kids. (Obviously, like in every culture, there are some awful exceptions, and I’ll give one specific example of this later on.)
  2. As part of loving their kids, they want to give them a Good name.
  3. So what makes a name a Good name??? Well, in Chinese culture, the cultural values (which have changed over time) have tended to prioritize things like: education; clan and family; health and beauty; religious devotions of various religions (Buddhism, Taoism, folk religions, Christianity, other); philosophical beliefs (Buddhism, Confucianism, etc) (see also education); refinement and culture (see also education); moral rectitude; and of course many other things as the individual personally finds important. You’ll notice that education is a big one. If you can’t decide on where to start, something related to education, intelligence, wisdom, knowledge, etc, is a bet that can’t go wrong.
  4. Unlike in English speaking cultures (and I’m going to limit myself to English because we’re writing English and good God look at how long this post is already), there is no canon of “names” in Chinese like there has traditionally been in English. No John, Mary, Susan, Jacob, Maxine, William, and other words that are names and only names and which, historically at least, almost everyone was named. Instead, in Chinese culture, you can basically choose any character you want. You can choose one character, or two characters. (More than two characters? No one can live at that speed. Seriously, do not give your character a given name with more than two characters. If you need this tutorial, you don’t know enough to try it.) Congratulations, it is now a name!!
  5. But what this means is that Chinese names aggressively Mean Something in a way that most English names don’t. You know nature names like Rose and Pearl, and Puritan names like Wrestling, Makepeace, Prudence, Silence, Zeal, and Unity? I mean, yeah, you can technically look up that the name Mary comes from a etymological root meaning bitter, but Mary doesn’t mean bitter in the way that Silence means, well, silence. Chinese names are much much more like the latter, because even though there are some characters that are more common as names than as words, the meaning of the name is still far more upfront than English names.
  6. So the meaning of the name is generally a much more direct expression of those Good Values mentioned before. But it gets more complicated!
  7. Being too direct has, across many eras of Chinese history, been considered crude; the very opposite of the education you’re valuing in the first place. Therefore, rather than the Puritan slap you in the face approach where you just name your kid VIRTUE!, Chinese have typically favoured instead more indirect, related words about these virtues and values, or poetic allusions to same. What might seem like a very blunt, concrete name, such as Guan Yu’s “yu” (which means feather), is actually a poetic, referential name to all the things that feathers evoke: flight, freedom, intellectual broadmindness, protection…
  8. So when you’re choosing a name, you start from the value you want to express, then see where looking up related words in a dictionary gets you until you find something that sounds “like a name”; you can also try researching Chinese art symbolism to get more concrete names. Then, here’s my favourite trick, try combining your fake name with several of the most common surnames: 王,李,陈. And Google that shit. If you find Actual Human Beings with that name: congratulations, at least if you did f/uck up, somebody else out there f/ucked up first and stuck a Human Being with it, so you’re still doing better than they are. High five!

You’re going to stick with the same romanization system (or lack thereof) as you’ve used for the surname. In the interests of time, I’m going to focus on pinyin only.

First let’s take a look at some real and actual Chinese names and talk about what they mean, why they might have been chosen, and also some fictional OC names that I’ve come up with that riff off of these actual Chinese names. And then we’ll go over some resources and also some pitfalls. Hopefully you can learn by example! Fun!!!

Let’s start with two great historical strategists: Zhuge Liang and Zhou Yu, and the names I picked for some (fictional) sons of theirs. Then I will be talking about Sun Shangxiang and Guan Yinping, two historical-legendary women of the same era, and what I named their fictional daughters. And finally I’ll be talking about historical Chinese pirate Gan Ning and what I named his fictional wife and fictional daughter. Uh, this could be considered spoilers for my novel Clouds and Rain and associated one-shots in that universe, so you probably want to go and read that work… and its prequels… and leave lots of comments and kudos first and then come back. Don’t worry, I’ll wait.

(I’m just kidding you don’t need to know a thing about my work to find this useful.)

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Aziraphale

A-Seraph-El

Seraph= "the burning one"

-el = of God, of Power

The fire of God, the One who burns for God, the burning power

Aziraphale doesn't have a flaming sword, Aziraphale IS the flaming sword.

..

(seraph also means serpent, have fun)

wait

what if Crowley's angelic name is

Seraphel

but like, the other meaning. Serpent of God.

so you have those two dingbats with pretty much the same name, so Crowley just never admits what his first name was because he thinks it's all so stupid and it's probably God's idea of a joke

and at some point they both pick a human name...

Anthony J. Crowley and

Anthony Z. Fell

and God is crying of lauhter

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elsajeni

names, pet and otherwise

Aziraphale is studying the dessert tray, and Crowley is studying Aziraphale. This is as a sort of warm-up to watching Aziraphale actually eat whatever dessert he selects, which isn’t the kind of thing you want to dive right into without preparation, lest the sheer radiant pleasure of it burn your eyes out.

Especially if there’s any sort of sauce involved. If there’s a sauce involved it can, frankly, border on the obscene. He’d seen Aziraphale chase a last drop of raspberry sauce, once, that had run down his hand and all the way up to his wrist, and he’d pulled back the cuff of his shirt and licked

It occurs to Crowley that Aziraphale has just said something to him, and also that he’s gone slightly cross-eyed. “Hng,” he says intelligently, and then, mentally shaking himself, “What?”

“Did you want something, Anthony?” Aziraphale repeats.

“What?” Crowley says again, bewildered, and looks over his shoulder, as if there might be someone called Anthony standing there.

Aziraphale, apparently giving up on him, turns back to the waiter and says, “He’ll have an affogato.”

“I’ll what?”

“You’ll like it.”

“Bet you I won’t.”

“Then I’ll have it, and I’ll like it,” Aziraphale says, which Crowley has to admit seems reasonable.

While he’s been bickering on autopilot, his brain has had a moment to catch up to events. He waits until the waiter’s gone to say accusingly, “Did you call me Anthony?”

Aziraphale gives him a blank look. “Yes? I know I don’t often, but–”

“Don’t call me that. That’s ridiculous.”

“It is your name, my dear.”

“It’s not,” Crowley protests. “I mean it’s like you and Fell, it’s just for humans. They don’t like it if you’ve only got the one.”

“You’ve been using it for five hundred–”

“Yes, for humans,” Crowley says again, feeling obscurely that this is an important point. “Not for you. You know who I really am, I don’t need a human name with you.”

Aziraphale stops in mid-sentence, and his face softens. “Oh, Crowley,” he says. “That’s– and don’t argue, please– that’s really rather sweet.”

Crowley shuts his eyes and grimaces. “It’s not,” he mutters.

“It is,” Aziraphale says, and favors him with a soft, glowing smile. Crowley decides that, allergic though he is to being called sweet, if it makes Aziraphale look at him like that, he may be able to suffer through it.

It does also have its pragmatic benefits; Aziraphale won’t keep arguing, he’s pretty sure, now that he’s decided Crowley is being sweet. “So you won’t keep calling me by it?” he presses.

“If you don’t like it, of course I won’t. But I can’t just call you Crowley when we’re out like this, can I?”

“Why not?”

“Humans think it’s a surname. People don’t call their–” Aziraphale pauses, and gestures vaguely.

It’s understandable. There’s not a satisfactory word for what they are, really, not in any human language. “Lovers,” Crowley suggests anyway, just to see whether Aziraphale will blush.

Partners,” Aziraphale says firmly, blushing absolutely scarlet and pretending not to notice Crowley grinning at him. “People don’t call their partners by their surname. It would stand out.”

Crowley looks down at his own outfit, and then, pointedly, at Aziraphale’s. “Yes,” he says solemnly, “of course you wouldn’t want to stand out.”

“Crowley.”

“You could call me Mister Crowley. Very proper. Suits your whole Victorian aesthetic.”

“Yes, very funny.” Aziraphale glares at him. “It’s easy for you, you’ve been sneakily calling me a pet name this whole time.”

Crowley rolls his eyes. “You call me ‘dear,’” he points out. “You’ve done it a dozen times just since we sat down to lunch. Isn’t that good enough?”

“Yes, but I call everybody ‘dear,’ it’s just… habit.”

Which is a fair point, Crowley supposes; he hasn’t kept an exact count, but he’s pretty sure Aziraphale has called their waiter ‘dear’ a half-dozen times as well.

“Well,” he says, “you’ll just have to come up with something else, then. Just– not Anthony. It’s too weird, coming from you.”

“I’ll think about it,” Aziraphale says.

Two minutes later, when the waiter comes back with their desserts, he says, “Thank you, dear–” that’s seven, Crowley thinks absently– and then, turning to Crowley and handing him a steaming cup on a saucer, “That’s yours, my love.”

“Ngh,” Crowley says, coming very close to dropping the saucer.

He has, he realizes, done it to himself again. He’s entirely used to Aziraphale saying my dear; he’s not at all ready for my love, deployed at close range and said with overpowering warmth and affection. Yet another thing Aziraphale does that’s going to take some warming up before he can cope with it; yet another thing Crowley has instigated that’s come around to cause him trouble.

And the cake Aziraphale ordered has chocolate sauce drizzled around the rim of the plate– which means at some point, as soon as he thinks no one’s looking, he’s going to drag a fingertip through it and, yes, there he goes, bring it to his lips and–

Crowley stares helplessly, his own dessert completely forgotten, and wonders despairingly how many more lunches like this he can survive.

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egberts

idk what’s funnier, pets with stereotypical human names like bryan and mckayla or pets with completely ridiculous names like hamburger and concrete

counterpoint- both, one of each. “these are my cats, switchboard and gary.”

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reblogged

I think we should make Puritan naming customs cool again, but like, updated to reflect Millenial values. So we can have names like Resistance Jones, Self-Care Williams, and I-Am-Not-Throwing-Away-My-Shot Anderson.

  • I-Will-Face-God-and-Walk-Backwards-Into-Hell Watson
  • Hydrate Mather
  • Healthcare-Is-A-Right-Not-A-Privilege Bradford
  • Body Positivity Watts
  • WTF-the-Fuck Preston
  • Cinnamon Roll Milton
  • Y'all-Need-Jesus Henderson
  • Snape-Was-Not-a-Hero Whitaker
  • Battery Life Wiggins
  • Reblog-If-You-Agree Bolton
  • @Horse_ebooks Humphrey
  • Renewable Moore
  • I-Came-Out-to-Have-a-Good-Time-and-I’m-Honestly-Feeling-So-Attacked-Right-Now Rutherford
  • Representation Hopkins
  • Organic Hurst
  • Money Cat Wallington
  • Fuck-It Wentworth
  • Impeachment Shepard
  • Don’t-Forget-To-Like-And-Subscribe Simpson
  • Consent Pimple
  • I-Bless-the-Rains-Down-in-Africa Woodford
  • Green Hoyle
  • Social Anxiety Travers
  • Kinkshame-Not Bailey
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thischick25
  • I-Am-Pissing McDaniels
  • ASKJAGLKJSDGLA Semicolon Jeffries
  • I-Have-Receipts Johnson
  • Big-Mood McCormick
  • Don’t-Be-Problematic Williams
  • Callout-Post James
  • Abuse-Ye-Not-My-Characters Wentworth
  • Do-It-For-The-Vine Connelly
  • Fandom Hughes
  • Let-Me-Tell-You-About-Homestuck Smith
  • Hand-Hook-Car-Door Jones
  • Gun Rodgers
  • Badger Mushroom-Mushroom Snake Davis
  • What-The-Fuck-Did-You-Just-Say-To-Me Wilson
  • This-Is-Fine Brown
  • Caw-Caw-Motherfuckers Moore
  • Rick-Roll Miller
  • Loss-Dot-Jay-Peg Jackson
  • I-Know-Kung-Fu Anderson
  • Who-Invited-Moon-Moon Harris
  • Another-Hour-In-The-Ball-Pit Martin
  • Properly-Credit-The-Artist Smithson
  • Life-Goals Swanson
  • the twins You-Are-Enough and You-Are-Loved Williams
  • Truth-Coming-Out-Of-Her-Well Martin

… or is this one in the other category, because the tumblr memetic ones are great too

  • How-Many-Nimons Baker
  • Cerulean-Revolution Jones
  • I-Lik-The-Bred Dawson
  • What-The-Happ-Is-Frickening Thompson
  • I-Can’t-Even Ellison
  • Draw-The-Squad Gibson
  • the twins What-Are-Words and What-Is-Air Stevens
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natalunasans
  • What-Even-Are-Frogs Martinez
  • Magneto-Was-Right Greenfeld
  • Hard-Same Jones
  • Squad-Goals Ellis
  • Side-Eye Washington
  • Don't-Talk-To-Me-Or-My-Son-Ever-Again Williams, Jr.
  • What-Even-Is-A-Gender Andersen
  • None-Pizza-With-Left-Beef Welles
  • Zionist-Moon-Colony Stein
  • Imagine-How-Is-Touch-The-Sky Fredricks
  • Louder-For-The-People-In-The-Back Robinson
  • Discourse Smith
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reblogged

First, he was Svlad.

Svlad was a good name, at first. It was his mothers warm embrace. It was toothy smiles and sweet naivety. It was hand holding and a familiar sense of safety. It was bright colours and the laughter of a happy family. But it was also laughter of a different kind. Mocking laughter of other children as he told them about the push in his brain, the nudges that told him where he needed to go, what he needed to do. The nervous laughter of teachers as they invited his parents in to discuss things in hushed voiced. The faked laughter of his mother as he asked if she was worried. Svlad was fleeting memories and irreversible decisions, it was new people he despised and new places that trapped him in their depths. It was being dragged away as his family watched. Svlad was saying goodbye to everything he’d ever known.

Svlad was bittersweet.

Next, he was Icarus.

Icarus was loneliness. It was monotone, a blur of dull greys and sterile whites. It was flashes of others in the hallways. It was expressionless armed guards that did nothing but push him back down when he asked them how they could just stand by when this was happening, how they could watch him suffer and be content. It was those days. The days where things weren’t okay when he heard the lock click behind him. The days that were vague messes of pain and begging and “theoretical” scenarios and nausea and god please don’t and questions he couldn’t answer. The days where he emerged blank faced and empty and wanting to collapse and never get up. The days when he started out wondering what they would do to a kid and ending up wondering what they wouldn’t. It was also games. Mind games. It was a man with a moustache who was nice to him. It was kindness in a place where his happiness was just a bargaining chip. It was forced smiles and learning when to speak and when to play it safe. It was blame and tactics and things he didn’t want to deal with. It was a father figure, one that manipulated and played with his emotions and wasn’t really a father at all. It was learning how to fight, fight so he could survive when the only weapon he had was information.

There was nothing good about Icarus.

Now, he’s Dirk.

Dirk is making up for lost time. It’s movies and music and bright colours and choices. It’s an explosive mess of mistakes. It’s hurting and not knowing how to heal, it’s carrying on when giving up is the most sensible option. It’s faking happiness and optimism until he actually feels it. It’s learning how to live. It’s friends and people and love and heartbreak, it’s amazing and terrible and he’d never have it any other way. It’s tears and blood and screaming and laughter, it’s relationships and good people and bad people and people in between. It’s absolutely crazy and he’s at the whims of the universe most of the time, but standing with his loved ones he’s absolutely in control. Dirk is utterly and entirely his own. It was not given to him, not by some CIA scientist nor a family that abandoned him. He chose it. He gave people permission to use it.

Dirk is life, and it is his.

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What “Ghetto” Names Really Mean

“Tinashe”Means “God is with us” in Shona ( An African language spoken by nearly 80 percent of people in Zimbabwe.)

“Lakeisha” - A Swahili name meaning “favorite one.”

“Ashanti” -  Name of a powerful African empire in West Africa.

“Tanisha” - Hausa of West Africa name meaning “born on Monday.”

“Zola” - Means “quiet, tranquil” in Zulu.    

“Amandla” -  Zulu and Xhosa word meaning “power”. The word was a popular rallying cry in the days of resistance against Apartheid.

“Zendaya” - Means “ To Give Thanks” in Shona

“Latonia” -  A Latin name. Latonia was the mother of Diana in Roman mythology.

“Lulu” - Swahili and Muslim name meaning “pearl” or “precious.”

“Ciara” -  Means “dark-haired” in Irish Gaelic

“Lateefah” - A North African name meaning “gentle and pleasant.”

“Mercedes” - Means “Gracious gifts/Benefits) in Spanish

“Kaya” -  Ghanaian name meaning “stay and don’t go back.”

“Amara” -  The Swahili word amara, meaning “urgent business.” Also the Hindu name meaning “immortal.”

“Shanika” - African Bantu name, meaning “young one from the wilderness.

“Zuri” - Means “beautiful” in Swahili.

“Onika” - Word of African origin meaning “warrior.”

JUST BECAUSE A NAME SOUNDS DIFFERENT DOES NOT MEAN IT’S “RATCHET” OR “GHETTO” THEY HAVE BEAUTIFUL MEANINGS.

DON’T BE IGNORANT, LEARN.

Reblog every time it hits the dash.

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eveewing

“I think of too many of my white graduate students at Harvard who somehow feel perfectly comfortable calling me by my first name, but feel reluctant to refer to my white male colleagues– even those junior to me– in the same way. And I think about how my black students almost always refer to me as ‘Professor Lawrence-Lightfoot’ even when I have known them a long time and urge them to be less formal. The title indicates their respect for me, but also their own feelings of self-respect, that part of them that gets mirrored in my eyes. And besides, if their mothers or grandmothers heard them call me by my first name, they would be embarrassed; they would think that they had not raised their children right. So I completely understand when one of them says to me (n response to my request that he call me Sara after we have worked together for years), ‘I’m sorry, that is not in my repertoire, Professor Lawrence-Lightfoot.’

  These private daily encounters with white and black students are punctuated by public moments– too numerous to recall– when the humiliation of being called by my first name seems to demand an explicit response; when I feel I must react to the assault not only for my own self-protection, but also in order to teach a lesson on respectful behavior. I regard these public encounters as ‘teachable moments.’ I make a choice to respond to them; a choice that I know will both help to shield me and render me more vulnerable.

A few years ago I was asked to speak at a conference at the University of Chicago, a meeting for social scientists and their graduate students about race, class, gender, and school achievement. The other speaker was Professor James Coleman, a distinguished sociologist, a white man several years my senior who was well known and highly regarded for his large-scale statistical studies on educational achievement. Both of us came to the conference well prepared and eager to convey our work to fellow scholars. The language of the occasion was full of the current rhetoric of our disciplines; focused, serious, sometimes esoteric and opaque. I say all this to indicate that there was nothing playful or casual about either of our presentations. Neither of us said anything that suggested informality or frivolity. 

When we had finished speaking, the moderator opened the floor for questions, and several hands shot up in the air. The first to speak was a middle-aged white man who identified himself as an advanced graduate student finishing his training at another prestigious university. He began, ‘I would like to address my question to both Professor Coleman and Sara…’ I could feel my heart racing, then my mind go blank. In fact, I could not even hear his question after he delivered the opening phrase. I saw there having a conversation with myself, feeling the same rage that my parents must have felt sixty years earlier in Jackson, Mississippi. How can this be? How can this guy call him ‘Professor’ and me ‘Sara’? And he has no clue about what he has done, how he has injured me. I’m not even sure that the others in the audience have heard what he just said; whether they’ve recognized the asymmetry, the assault. Somehow, I must have indicated to Jim Coleman (we were friends and colleagues) that I wanted to respond first. He must have seen the panic in my eyes and my shivering body. I heard my voice say very slowly, very clearly, ‘Because of the strange way you addressed both of us, “Professor Coleman and Sara,” I am not able to respond to your question. As a matter of fact,’ I say, leaning into the microphone, holding onto it for dear life, ‘I couldn’t even hear your question.’ The room was absolutely still. I was not sure that there were any people out there who had any idea how I was feeling, any idea that I was on fire. But my voice must have conveyed my pain, even if the cause was obscure to them. ‘Would you please repeat your question?’ I asked the man, who had by now slid halfway down his seat, and whose face revealed a mixture of pain and defiance. ‘And this time, would you ask it in a way that I will be able to hear it.’ …My ancestors were speaking, reminding me of my responsibility to teach this lesson of respect; reminding me that I deserved to be respected.” - Prof. Sara Lawrence-Lightfoot, Respect: An Exploration, Chapter 2

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thirddoctor

Okay, potentially unpopular Master opinion here, but I don’t understand why the name Koschei is so popular with the fandom. Unlike Theta Sigma, it has never been mentioned in the tv series—it’s only used in a couple of books—and even if you take it as canon, it’s pretty clear the Master hasn’t gone by it in a very long time. It’s also almost certainly not the Master’s real name, any more than Theta is the Doctor’s real name.

I have to say the whole question of names confuses me. If The Doctor and The Master chose their names, then shouldn’t at least someone somewhere say something like “Hey! There goes <original name of character>! Oh, sorry, I mean The Doctor/The Master.” I’m assuming that somewhere in the EU they explain that the Doctor’s name was wiped from history or something, but shouldn’t that happen to the Master at least? I guess what I’m saying is: are they assuming a memo went out to the world saying “Okay, from now on don’t call him <original name>. Call him The Master/The Doctor.”

I mean if I go change my name someone will call me by my old name anyway.

That kind of happens in the serial The Armageddon Factor—Drax calls the Doctor Theta Sigma, and various people call him Theta again in the EU. As I recall, though, in the book Divided Loyalties, the Doctor was insisting on the name Doctor all the way back in the Academy, so the name change happened really early on (and since he was going by Theta Sigma before then, he must have stopped using his “real” name even further back), so most people would only know him as the Doctor anyway.

The general EU concept of his original name—at least in the VNAs and EDAs—is that it’s super long and unpronounceable (which, considering he’s a Time Lord, is entirely possible). Maybe that’s why no one ever uses it.

As for the Master, I think The Dark Path is the only origin we get for his decision to start going by Master, and this happens after he’s been travelling for awhile, so there should probably be some people who know him as Koschei instead. Then again, the Master is exactly the sort of person who would send out a memo saying, “You must all start calling me the Master now.” So who knows.

The thing I’ve personally never understood is why fans are so into these earlier names, just like I don’t get why anyone cares about the Doctor’s original name. His name is simply the Doctor. That’s his “real” name—not whatever he used to be called. He’s been going by Doctor for a lot longer and it’s far more significant to him, so how is it less valid just because it wasn’t the original name he was given? Same with the Master—they abandoned their original identity long ago and chose a new one. I couldn’t care less what they were called before then.

The intention is certainly that (a bit like Anakin Skywalker) it’s a name he never uses later - but being set before he’s called the Master means he has to be called *something*. As for whether it’s actually his original real name… Well, in my head, yeah, but you’ll notice (IIRC) that the Doctor doesn’t address him by that name until after it’s been mentioned by others, so it not necessarily the case. I don’t believe Theta Signma is the Doctor’s original name either - why would it be two Greek letters? More likely it’s a school name, nickname, designation, or just the TARDIS’s best attempt at translating the name for the viewers. But since it doesn’t match any other Timey names…

i dont think people are into the school names as like ‘this is the true name!!!’ sort of thing, but more because, yes, you have to call them something at school … if that’s the kind of thing you’re writing. it doesn’t matter that koschei is only barely canonical - it is /a/ name. it’s also, importantly, the name that everyone else is using. you’d have to really want to be different not to use it - whereas if you just want to write a story about the doctor and the master pratting around at the academy (which is usually only very vaguely anything to do with doctor who - i say this as someone who has written plenty - and a lot more to do with harry potter, or other school stories with a light smattering of gallifrey type references) then why get bogged down in establishing your own canon? you want to play in the same playground as everyone else, people are coming to your fic for an interesting or cute or disturbing take on what they know, etc. plus - koschei is quite a cool name, that does fit the master well. mostly i think the shared world.

Oh, I can see why it’s used in Academy era fics—that wasn’t what I was talking about. Mainly, I’m just a bit confused by how often people casually use the name Koschei when talking about the Master in a post-Academy context, since that’s not the name they go by anymore and they would probably be pretty annoyed if anyone called them that.

I personally see Koschei as something the Master would’ve chosen for themself (prior to upping their delusions of grandeur all the way to “Master”) rather than their real name, but you’re the one who originated it, so I’ll defer to your expertise.

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I’m actually 350% over the dialogue about black names being centered around “They mean something in some African language!”. Nah they don’t all mean something in any language 90% of the people naming their kids had no idea they did and they don’t need to. I don’t have to explain my damn name to you in order for it to be valid.

Respect my name cuz it’s my fucking name. If I have to respect that you named your white child Apple, Pilot Inspektor, PalmTree or Riverbank you can respect my name Waykedria or any other “ghetto” aka non white sounding name that you come across without it needing to have some African meaning or even asking me a single question about it.

Bruh Ive felt this way for YEARS! Black parents name their kids these names because they want them to be unique. If it just so happens to mean something in another language cool…but if it doesn’t its not any less valid.

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