Doctor Who was a 1963 television spin-off of Faction Paradox. The series followed the adventures of a posthuman time traveller called “the Doctor” in the wake of the enemy assault on the 49th century. (PROSE: The Brakespeare Voyage) However, as Doctor Who writers did not secure the rights to use Faction Paradox from Lawrence Miles, who had not yet been born, the character was retconned as a renegade member of the Great Houses – who, to avoid copyright issues, were called “Time Lords”. (TV: The War Games) The series crossed over multiple times with The Sarah Jane Adventures, a spin-off of the Faction Paradox stories “Now or Thereabouts” and Weapons Grade Snake Oil.
*slaps hood of Doctor Who Flux* this bad boy can fit so much faction paradox vibes
"...she said. ‘Really beautiful.’
‘I know,’ the Doctor said. ‘I’d do anything for her.’"
This scene from The Wintertime Paradox got me (Image description under the readmore)
Grandfather Clock - an elderly chronomancer and some of his accouterments.
I wanted to deconstruct the concept of a time lord and draw it from the perspective of someone who only heard the name and had never seen one just for fun and instead I made the best drawing I’ve done in over a year????????????
An illustration I did for The Enchanted Forest Artbook. :)
@faction-paradox-official @fictionparadox @fashionparadox who am i missing
fandoms purists have never watched doctor who and it SHOWS
These people haven't been hardened by a media property where half of the writers hate the other half's ideas and they duke it out with the shows cannon, there's a third half of the writers that ignore the rest and just do whatever they want anyway. And they've been doing this for 50+ years. The main characters home planet has been destroyed at least four times possibly more, there are entire spinoffs based on breaking cannon, the current show runner was basically killed in effigy on the show in the 7th doctors run (30+ years before he took the role lmao), the main characters backstory has been changed so much so often that one writer made an entire book to explain why it doesn't matter. IN 1999. We're simply on another level
'wah wah this was out of character i don't like the ship' lmao go listen to zagreus. what is canon but a massive fucking joke?
you know what i need??? more myth and superstition in scifi.
give me starship captains like the sailors of old, weathered and wary of the vast beast that is deep space, who religiously keep their own personal traditions and rituals to appease her and guide their ships safely through her vast depths.
give me wide-eyed ensigns eagerly drinking in tales of great creatures of the void, space whales and other more malevolent leviathans, dismissed as tall tales by more cynical cadets who only trust the sense of their own eyes.
give me whispered accounts of ghost vessels, lost long ago in great battles across the universe, populated by a literal skeleton crew.
give me a space bermuda triangle.
give me a universe as cold and unfathomable as the ocean, and no less mysterious and forboding.
okay: space “Bermuda triangle” needs four points so you can define a volume of creepy unexplained-happenings space
Excellent: space “Bermuda triangle still has three points, and the creepy space is the infinite triangular prism that goes through the triangle between the points. Just an enormous corridor of space that people either get super weird and edgy about navigating through, or will expend significant effort to go around.
The Book of the Ceasefires: The Eighth Man Bound, Introduction
This is not a straightforward chronology.
I don’t think it ever could be, really. I think historians as a whole need to forgo the idea of ever tying a Houseworlder to the concept of a “straight line.” It’s easy to make a simple timeline when they remain in their dark Cloisters on Gallifrey, certainly, where they gather dust by the inch and putter around like cardinals and clerics in a jade Vatican. But Gallifrey is a stagnant world of tradition and memory for a reason, and I think it’s more for the universe’s protection than anything else. Remember, the Houseworlders are not people. Sure, your typical Earthperson would only see the clumsy collars, the wrinkles, wizened hands clasping at ancient relics as they spout ancient protocols like Gospel, but that’s because human beings can only see three dimensions. When you look at a Time Lord, you’re only seeing as much as your brain can process.
I’m not implying that Gallifreyans are some sort of eldritch abominations, all tentacles and pinchers, drifting in the upper dimensions of reality. They’re subtler than that. They are, however, forces of nature, albeit sewn into the bodies of dusty mathematicians, philosophers, and librarians. They are beacons in Time. More than that, they are its architects. They anchored their laws and their will into the very fabric of creation. What we process as Time, the ever changing face on a clock, the ticking of seconds, minutes, hours, years, is the handiwork of Gallifrey. [1]
On their own planet, they may be inactive, all tedium and tradition, but they should not be viewed as the decaying relics of an old order. Instead, think of them as dormant. They are dammed up rivers, or thick clouds, fat and grey with the promise of thunder and lightning. They are brewing storms that could rewrite a textbook merely by disagreeing with it. The universe is perhaps at its safest when the Lords are in their glass castle, Time and Space free to shift, flow, alternate. It’s when they stand in the midst of the quantum foam that it has the potential to solidify, become ice of probability, and then the cold stone of certainty, an island of definition that forces possibles and maybes to part, to ripple, flow in numerous directions.
A known Houseworlder Renegade, self titled Marnal, said it best in his reiteration of the first Law of Time (written in his 1976 novel The Hand of Time):
There was structure, the universe was a web made not of spider’s silk but of space and time. But in such a cosmos, one of fluxing quad-dimensionality, who was to say what was cause and what was effect? Even the newly woven children of his world understood the solution to that solemn inquiry: there was no history, don’t you see, only established history. Time was an ocean of broth, rich in elements and possibilities. Observations could be made to spot trends and to predict, for the oceans of time were subject to the laws of temporal mechanics. But these were projections of reality, not the re- ality itself as long as the Lords of Time remained in their Citadel, merely watching. Yet, if a single one among them were to cease observation and to step out into the universe, they would freeze time wheresoever their feet touched the ground, wheresoever they drew breath from the atmosphere. At that moment, their mere presence would change time, from a fluid to a solid thing. If one of the Lords of Time but glanced into the night’s sky, the stars would become true in the instant they were seen, and thence back for every picosecond of the ten thousand years of the stars’ photons’ jour- ney. When a time-traveller swam in this ocean, it solidified around them, crystallised, became transmuted into that which could never change. And so was written the most sacred law of all – for even the softest touch of a Lord of Time could condemn a man to existence or nonexistence, bring empires into being and destine them to ruin, and blot out the sky or fill it with heavenly radiance. Observe. Never interfere.
A Time Lord cut off from the Homeworld, either by choice or exile, can be a very dangerous thing. They can also be a very confusing thing to document.
The Doctor, known Time Lord renegade (and perhaps the most infamous renegade, next to the Master) is no stranger to the notable temporal tangles caused by his reckless travels through history. His exile to late 20th century Earth is a prominent example, his presence and activities seemingly having combed the 1970s and 1980s into a conflicting mass of a single decade (a dating controversy many Earth experts are still bickering over). However, the Doctor’s life is incredibly hard to document once he enters the shadow of the War.
Many theorists and historians (this author included) have tried fitting the life (lives?) of the eighth incarnation of the Doctor into a single timeline. However, recent discoveries and analyses have led me to, instead, embrace the impossible contradictions, and see that the branches and alternate paths of this incarnation can still be connected. The life and times of the Eighth Doctor can be nothing but contradictions. This was an incarnation of temporal orbits, paradoxes, rewrites, and biodata shifting, who not only crossed the War, but two iterations of it. [2]
A note regarding this chronology…
It is understood that Time Lords are immune to the memory lapses expected with having one’s history rewritten. While there are (several) clear, documented cases of the Eighth Doctor experiencing amnesia, it can be assumed that many of the diverging paths, some of which led to completely separate Ninth incarnations, are not guaranteed divergences in memory.
This author would also like to make clear that the universe is a sprawling, ridiculous, messy place. Oxbow realities, parallel timelines, alternate dimensions, and bottle universe are just as real and genuine as ours to the people living in them. At no point does this author attempt to make an assertion that any of these realities, all linked by the same Doctor, are more “real” than the others.
[1] It has long been speculated that there would be some sort of chronological dimension without the “Time” decreed by the Time Lords. The little information gleaned regarding other dimensions such as the Divergent Universe certainly show that, without the presence of what certain Time Lords call the “universe of Time,” lesser species can still force the quantum muck into an adequate, if hazy, definition of cause and effect (however, as the only lesser species known to have experienced this sort of environment are known companions of the Doctor, it is unclear how much of this was due to the holding influence of a timeship).
[2] Technically speaking, the eighth Doctor is not the first incarnation to have encountered a time war. Ignoring the implications that the Doctor’s link to the Other creates (regarding the Time Wars at the beginning of Gallifrey’s history), the Doctor has either brushed against or been caught in several temporal conflicts. The Fourth and Fifth incarnations became tangled in Melanicus’ Millennium Wars, while the Sixth experienced the aftermath of the Millennium War of Bophemeral (which are more than likely linked to the former event anyway… it is possible that Melanicus’ symphony of war continued to race down the strands of history after he was killed and the Event Synthesizer’s function restored).
The Seventh Doctor was destined to, in some form or manner, take part in a conflict that eventually destroyed Gallifrey and left only a select few Time Lords in the universe. However, this was the timeline that followed the Sixth Doctor’s original regeneration into Time’s Champion and a true “God of the Fourth.” The Seventh Doctor, in this timeline, had powers and abilities beyond the normal capabilities of a Time Lord, as did the few survivors. This timeline, and the mysterious conflict, was unwritten when the Sixth Doctor replaced his regeneration with another, similar but different, version.
To come…
The Eighth Man Bound, Part One: Now Unto War
The Eighth Man Bound, Part Two: The Last Contact
The Eighth Man Bound, Part Three: Journey to the Needle
The Eighth Man Bound, Part Four: The Gallifrey of Charlotte Pollard
The Eighth Man Bound, Part Five: The Ninth Doctors
Benny, you’ve no idea
Favourite bits of Gallifrey lore from assorted actual Who stories (with varying levels of obscurity)
- Gallifreyan dreams can seep into human dreams when they sleep together skin-to-skin
- There are brothels in the Capitol lowtown
- Rassilon stole regeneration from the Great Vampires
- The Great Vampires may or may not also have been a living ophidian timeline multiform from outside the universe tearing its own time-flesh to shreds whose tainted neverwere Gallifreyan descendants make for really cool bone masks if you try hard enough
- Omega called Rassilon “Raz”
- There’s at least one timeline where Rassilon and Omega were lovers
- Say you’re a Gallifreyan and you accidentally end up investigating your own gruesome suicide on your first day at a new job try psychically melting into your President for a bit
- The Doctor played lead perigosto stick for the Gallifrey Academy Hot Five until the Faculty closed them down (the Master was on drums)
- Regeneration can be messed with so if you kinda want to be a bird or a worm or an H.P. Lovecraft character or a sentient patch of haze that can become an entire planetary ecosystem go for it
- Gallifrey has a whole lotta cults on it and kicking them off the planet never quite works
- This one time the Corsair’s TARDIS and this one other TARDIS eloped and the Doctor had to step in and forcibly drag her back out of the Vortex again
- This one time the Great Houses went and time-cloned Chris Cwej into an army
- This one time Rassilon took Borusa and stuck a bunch of tubes into his flesh Junji Ito style to connect him directly to time itself
- TARDISes can eat each other
- There’s something inside one of Gallifrey’s suns
One thing I tried to do was represent a story from the point of view of a timeship, as they're mathematical structures that experience time nonlinearly. I established some ground rules and figured out a rough idea of how to do so, maybe represent it as a vector field within a text medium, but it became unworkably difficult quickly, taking hours to do even a proof of concept. A better writer than me with more time than me might be able to fix it. But that seems like a bust.
Like @liria10 said: this is the best thing I’ve read? I’ve always loved stories and art that highlight the utterly alien-to-the-point-of-surrealist nature of timeships, eg Levendis’ iconic A Partial Map of Your TARDIS (Subject to Change). But I agree that at a certain point it becomes too hard to tell anything that’s recognizable as a story – tricky to impose a narrative on a vector field – and it’s just better off treating it as a piece of art. Unless you’re either an incredibly skilled writer, or someone with a lot of time on their hands. I hope someone somewhere will rise to the challenge!
(2/2) Do you know if Obverse have experimented with less typical digital distribution methods? Tying back into the formalism question before, if instead of downloading an ebook you downloaded a more complicated file type like an app that just looked like an ebook when you read it you could do some really interesting things, like actually have it rewrite itself as you read it. Sort of The Book of The War in real time.
I don’t think Obverse has experimented with any of those things, no, although it’s something I’m personally extremely interested in!
For instance, several years ago (before I was tapped for Book of the Enemy) I did quite a bit of work on a Twine CYOA game set in the Stacks of the Eleven-Day Empire. Since Twine gives you the option of a back button, I tried to set up the story so the user gets used to using that tool in their decision-making: except that as the game unfolds, hidden variables will trigger previous steps to show up completely differently. With the idea being that, like the hard-to-learn non-Euclidean logic of the Stacks, the user would have to experiment and figure out how to manipulate the variables’ rules to reach Mornington Crescent (har har) and escape the tunnels. The design of it turned out to be beyond my ken, and I fear that I’ve lost the file by now sadly, but I’m proud of that idea.
In any case, between these two ideas I think it’s safe to say that I really like the cut of your gib and I wish you’d drop anonymity or send me your Discord @ so I could DM you about a relevant project I’m workshopping. (Two words: narrative cookbook.) Your input would be very appreciated!
P.S.: Sorry I suck at replying, running multiple Tumblrs on one account means my notification settings are super glitchy!
The evolution of the Cyber-masters, in an alternate reality where the Death-Particle was never used/They survived by regenerating into non-organic forms and shape themselves into the Great Houses of History an new race of invulnerable god-beings to replace the organic, flawed Time Lords of Gallifrey.
Do you feel like very formalist work would fit in with Faction Paradox? I'm looking for something more from my Doctor Who experience, but FP seems far more structuralist than my taste. Effectively, the FP I've seen seems to lean into the cosmic horror of inherent subjectivity quite hard, while my interests are more about the cosmic horror of there being no subject at all, not even the self. I'm just wondering if FP has the aesthetic space for that.
(2/2) Like, for example, I’m interested in the ideas represented by “the timelords are gears in machinery of history”, but think that such a characterization doesn’t go far ENOUGH with what I want (eg: “why should gears of history have an internal monologue?” is a question I’d like explored). But the whole “rebel laws of physics” aesthetic FP goes for makes me worry that maybe there just isn’t a clear home for these ideas within Doctor Who currently.
I’ll admit I was totally unprepared to answer this question, as I’m a mere STEM student, and the formalism/structuralism stuff went totally over my head. (You might get a better answer from @nikisketches!) But after consulting with some friends, I think I understand your question enough to give an answer. Which is:
For understandable reasons, formalism hasn’t been the focus of the series thus far, concerned as it’s been with meta-commentary on culture and its own cultural position relative to Who. As you’ve noted and as others have argued, Who itself is more or less unprepared for any kind of formalist exploration of its universe.
That said, while I think cultural commentary is a core part of what FP is, I don’t think it’s impossible to wed that kind of commentary/influence to a formalist story style (although it would unquestionably take a bit of skill). For instance, exploring/exploiting FP’s existing ideas and rules for cosmic horror purposes along formalist or subject-less lines is something that’s there’s absolutely room for, and (if I’m understanding everything correctly) off the top of my head Simon Bucher-Jones has done quite a bit along those lines. So while the niche for formalism in FP’s aesthetic space is currently quite small, it definitely exists, and it has room to grow!
Btw, if you’ve written anything along the lines of formalist fiction as you’ve described, or subjectless cosmic horror, or if you have any other recommendations for stories like that, please let me know via reply or DM or anon ask or whatever, I’m quite interested in learning more!
Godfather Auteur of Faction Paradox, from @rassilon-imprimatur ‘s stories!
I drew another of their incarnation a few months ago & wanted to do a companion piece, and just, had a lot of fun ^^
Hello! so i've been following you for agggees and want to get into the faction paradox series but i cant really make heads or tales of where to start. If its ok to ask, do you have any suggestions on where i should begin? Alien Bodies is the first book if im not mistaken, is it best to start there? :) thanks! hope this isnt a dumb question
this is not a dumb question this is a very intelligent question!
unfortunately as with most intelligent questions the answer is quite long
tl;dr: alien bodies is a good place to start but so are most places
sooo...I'm still new to the doctor who eu. can you explain to me what Faction Paradox is? because just going through your posts... it kinda sounds... made up? like...what the hell?
This is the most blessed ask I’ve ever gotten
Very quick version: Gallifreyan voodoo cult that uses paradox for their own goals.
Slightly less quick version: First seen in the Eighth Doctor novel Alien Bodies, later got their own spinoff books and audios and comics and short stories and devoted fandom.
Rather long-ish version: A tangled web of timelines on a truly cosmic scale, in which nothing is sacred, everything can happen and the confines of Doctor Who are thrown clear out the window. The franchise starts off with killing the Doctor and sending him into full-on psychosis (twice) from the sheer trauma of meeting his own corpse; goes on to fill an entire encyclopedia with the story of a Time War; breaks free from the universe on a four-dimensional vessel spanning millions of galaxies and their collective cultural histories while Gallifreyans pretend to be the Faction and other Gallifreyans pretend to be Gallifreyans pretending to be the Faction and the Ship’s Captain is stuck talking to his own severed head loop after loop after loop; has a spinoff novel focusing entirely on Kelsey Hooper from the Sarah Jane Adventures pilot; and doesn’t actually have any stated goals, as such, aside from mocking all that Gallifrey holds sacred by flaunting atavistic displays of blood and bone and sex and joy.
Increasingly long-ish version: “It’s never easy, explaining Faction Paradox in a single line. It’s been described as a criminal syndicate, with agents operating in every civilisation from the first to the last; as an all-purpose guerrilla organisation, intent on overthrowing the order of history-in-general rather than any specific government; as a fetishistic death-cult, whose members remain utterly unaware of its founder’s true intentions; as a secret army, preparing for the day when it can launch a mass crusade against any other bloodline that stands in its way; even as a conspiracy of monsters, whose purpose is to stir up a War in Heaven and then pick over the ruins. And none of these descriptions are entirely untrue, although all of them fall short of the mark. If the aims of this group/ cult/ organisation are vague, then at least its roots are well-known. The Faction started life as the bastard offspring of one of the Great Houses – the Houses being those aristocratic bloodlines which have, since long before the rise of the “lesser” species, seen it as their duty to oversee the structure of causality – and in human terms even describing the Houses is a challenge. To call the members of these bloodlines “another race” or “another species” seems to miss the point, somehow: the continuum has depended on their presence for so long that thinking of them as “just a different kind of people” is like thinking of gravity and entropy as different kinds of people.” (Introduction by the creator himself, continued here!)
Back to tl;dr: Doctor Who meets Grant Morrison’s The Filth.