something about how the first black female doctor was just a subplot in a white female doctor’s story and how the first black male doctor’s regeneration has been subverted by a previous white male doctor literally getting a second regeneration scene… really really just highlights how little doctor who and the bbc have improved from 2007 when the first black female companion’s story was all about how she wasn’t that other white female companion, and i’m not gonna even pretend i am anything but disgusted about it
me: finally the Doctor is not another white bloke!
tumblr: THE FUTURE IS FEMALE!!!!!!!!!
[white woman from star wars]
[white woman from superhero franchise]
[white woman from doctor who]
[white woman from another sci-fi show]
me: *looks into the camera like im on the office*
anyway, bottom line is: I love Jodie Whittaker as an actress and I think she’s going to be a great Doctor and I hope she continues to piss off fake nerd manbabies everywhere
but white women praise her as if it’s the next coming of feminist jesus while ignoring the blatant and overwhelming whiteness of women-lead sci-fi (like Ghostbusters, Supergirl, MCU, Mad Max) or focus only on the white women in otherwise diverse franchises (Star Wars) or downplay the lack of woc (Wonder Woman, Ghostbusters and Star Wars).
and that? that speaks a very telling story of what white women think of womanhood and race - that woc are not representative of all women, but everyone should stand together to praise white women. that woc don’t “really count” as female representation because of that. that the progress made by woc for themselves isn’t “real progress” unless it benefits whiteness, as if white feminism hasn’t always been the most excluding and exhausting movement for woc.
also everyone ignores the fact that we are getting a female doctor in the expanse of getting rid of an amazing black lesbian character. that’s right, this is the reason why Bill Potts isn’t coming back, bc having a female doctor AND a black lesbian would have given a heart attack to the bigoted fans all at once. they had to make a sacrifice and Bill was it.
shout out to @modernwizard for [[pointing to]] this thread and going into details about how far we are from really great representation in DW.
thirteen is amazing and i love them already. they’re the Doctor through and through. HOWEVER.... there seems to be this ongoing problem in the show, and it detracts from being able to wholeheartedly connect with DW again.
the thing i want to say gets highly spoilerish and it’s not been a week yet, so...
a readmore should be here:
You hate the 50th too? Oh good. What did you hate about it???
whenever I bring it up, I mostly refer to the terrible “plot twist” / “retroactive retcon” at the end-
but if I had to be comprehensive……… *cracks knuckles*:
- !!! Billie Piper is back…..WOW! AWESOME!
- except, haha. JK she is not here to play Rose Tyler. Because fuck you, fans. Instead Billie will just stand around…… speaking in posh-english…… and wearing a very ragged, un-Rose like sulking face the whole time.
- And since Rose isn’t actually back, you don’t actually get any nice “Oh, Rose is back” things… there’s no Eleven x Rose angst, no
flirtyClara x Rose interaction, no Ten x Rose cuteness. NOTHING. Billie is literally just a Sexy Lamp Prop for the crappy plot to hang on. - Then of course there’s the disservice done to………..
- Paul Mcgann, after being the serving Doctor for longer than anyone, but having no TV appearances, finally had the chance to come back
(and his charm combined with DT’s would have brought the world to its knees) - …instead they cast a new person who had 0 connection to the FIFTY YEARS LONG world of Who (just because he has more screen “prestige”/”pedigree” i guess!!), and the actual guy who deserved the spotlight is given a 5 minute webisode.
- Let that sink in, instead of giving Eight the screentime he deserved, because Moffat couldn’t deal with giving due to a character somebody else created, he had to create an entirely new Doctor-
- A new doctor that doesn’t make any sense! The “War Doctor” is characterized as a “gritty war hero” yet the only thing he does is graffiti some walls. Ooh, so scary. Also he was destined to die in this (1) episode which just makes his the more pointless.
- This is because the Time War itself is mis-characterized! The Cool Thing about the Time War is that it was this unimaginable, horrific conflict between two factions whose war technology was literally out of any comprehensible human scale. The reach of its destruction was so great it literally shattered the structure of time and left things like the monsters from Fathers Day to stabilize it.
- None of this Coolness is reflected in the special. The images a “Time War” conjures up should have been like in this Nick Briggs quote illustrated by Tealin:
- However if you just watched the 50th you would walk away thinking the Time War was a tiny skirmish on the surface of 1 planet (Gallifrey), where The Daleks raided the OH SO Poor, Defenseless, bb!Gallifreyans with their bad deadly lazerz.
- Then, because the Gallifreyans were mis-represented, that leads us to the biggest offender: the retcon of the time war/genocide of the Time Lords. Honestly I could go on for 2 hours on why this plot point sucked but I have already written a lot so Ill keep it short: it sucks.
- Of all the aggravating things in the 50th it is what aggravates me the most. It retroactively manages to ruin my favorite era of Doctor Who (the RTD era) since it basically said “haha jk, the doctor never actually had to make a sacrifice, AND he was WRONG to think she could make it in the first place
- (never mind that Nine and Ten DID live their lives with that choice. never mind that we as an audience accepted it because it was presented as a complex, juicy moral dilemma, that was the crux of all the thematic themes of those stories. )
- but it is all FIXED and now everything you knew and loved was a LIE! long live the Big Friendly Reset Buttom!!! fuck moral dilemmas”
- LMAO AND AFTER DOING ALL THIS SHIT Gallifrey could come back in the main series- they did nothing worthy with it. This “I must find Gallifrey” plot went nowhere, and it took it years before it could have any kind of pay off in Heave/Hell Bent (where Gallifrey was pretty much just a white noise for all the Clara/Twelve drama).
- Sorry, I guess I didn’t really keep it short did I uhhh…..The whole other Zygon subplot is just a stupid set up for the (even more horrible) Zygon episodes later in the main series!!
- But back to Gallifrey,
- The episode makes the final point that The Doctor had to go through all those adventures so he could “return” to Gallifrey. And the way it is framed is just….ugh. Gross. At the time the final scene pissed me off so much because it goes against one of the core values of The Doctor as a character.
- Let me elaborate: The Doctor as an archetype is that of a rebel, a non-comformist. He is the bohemian, counter-culture to the academical-obsessed Time Lords. This is one of the traits that has The Doctor so appealing to people. This is the reason he ran away from Gallifrey
- …but the way the episode frames it, it comes across as this big moment of “maturity”.
- It frames his decision to run away from Gallifrey as something not unlike “teenage rebel-dry” and his decision to come back as a sign of “adulthood” (tangent: I was hyper-aware of these themes because they were also the problems with the then-recent Amy Pond arc). And this is the philosophical cross-way where Moffat and I clearly disagree, because IMO, if there is a “mature” reason for The Doctor to come back to his homeland, it would be to improve it. Because he was right in running away from there, because Time Lord society was stagnant, and “ degenerate, and rotten to the core”.
- A N Y W A Y
- The root of it all is that I HATED the concept behind it.
- The idea we couldn’t “just” have a fun, silly get-together, with as many guest-stars from the past as possible, with old companions drinking tea and hanging around in the TARDIS
- (- The Five Doctors . I wanted The Five Doctors)
- No, we needed to be Serious and Big because according to Steven Fucking Moffat: “It cant be about looking to the past, it is about looking forward”.
- Yes, celebrating the past In an anniversary!!!! episode!!! was unthinkable.
- just ughhhhhhhhhhhhhhhhhhhh.
- the worst.
- Oh yeah, and Tom Baker does get a little cameo but honestly it is so pointless and cringe-y that I always forget about it tbqh.
I haven’t seen it again since it aired years ago (#BLESSED) but Im sure there were other, minor grievances about it in the other 80% of the episode. Subscribers get more at my 50th tag.
Yeah, we should take DW seriously! aka, My fixit fics are political!
DW creators think that it’s an inspiring show about a fixit hero who can be watched by all ages. The script has the Doctor claiming that he is motivated primarily by kindness, justice, and mercy. In the wake of the TRULY CRAPPY S10 finale, there are fans who take the viewpoint that DW is indeed an inspiring show, suitable for children, about a hero who fixes problems with kindness and mercy. Some of these fans say that others shouldn’t take the show seriously because the show doesn’t take itself seriously. I believe that we should take it seriously, and here’s why…
If you think that DW is an inspiring kids’ show and hope and kindness because that’s what the creators say and that’s what the Doctor says on occasion, that’s not really looking at the whole picture. There’s a lot more going on in that show than the authorial intent and the script. There are characters’ actions, cinematography, lighting, costuming, etc. There are also of course outside pressures, such as characters leaving, actors getting older, ROGER DELGADO DYING… D: All of these have effects on the stories. A comprehensive interpretation of the show must take authorial intent, script text, AND all those other factors into account.
A huge thing that we also have to consider that DW is part of a larger culture. Even if the creators don’t think it does, DW reproduces the racism, sexism, homophobia, and ableism of the society in which it was created. It also sends that racism, sexism, homophobia, and ableism to a wide audience. It affects the thoughts and feelings of a huge amount of people. In other words, DW has a serious effect on people, as does any piece of media. We absolutely should take it seriously by contextualizing it, analyzing it, and criticizing it.
In fact, that’s how I get my hope and belief. I get my hope, inspiration, and belief not from the Doctor’s speeches, but by criticizing pop culture phenomena such as DW. It’s through this contextualization, analysis, and criticism [translation: fixit fics] that I sustain my hope and belief and sense of helping people.
I deconstruct DW because I’m enraged and unhappy over its racism, sexism, homophobia, and ableism. In taking the show seriously, I figure out how I wish it would have gone. I envision a world in which racism, sexism, homophobia, and ableism exist, but don’t fuck people up so much. I envision a setting in which people can work against their oppressions and achieve some measure of happiness for themselves, even as they make the world a better place.
I see in my mind’s eye my version of a better world, and I share it with people. I hope that people who feel similarly might feel gratified by what I read. Maybe they’ll go away feeling less disappointed with the original. Maybe they’ll get an idea for their own fanworks. Maybe, if they’re exhausted from their own activism, my stories will cheer them up.
In other words, I take DW seriously because it’s an influential piece of culture. I also take it seriously because it fails me. When it fails me, I have the chance to imagine a better world. When I imagine a better world, I believe in it more strongly. My belief leads to passion, which leads to action. I write fixits as part of that action. I also act creatively and politically for social justice in other ways.
I derive hope and inspiration from DW, but not because I believe the show’s superficial claims that it’s about that. I derive the hope and inspiration from what I make of the show: a chance to seize something better from a disappointment, a chance to use my passion to change the world.