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#aziraphale and crowley – @natalunasans on Tumblr
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(((nataluna)))

@natalunasans / natalunasans.tumblr.com

[natalunasans on AO3 & insta] inactive doll tumblr @actionfiguresfanart
autistic, agnostic, ✡️,
🇮🇱☮️🇵🇸 (2-state zionist),
she/her, community college instructor, old.
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heohl-art

So, I heard the news (90 minutes...)

• That night in Edimburgh •

I just want them to be together. No matter the costs (or the screening time). So, fingers crossed~

ps. I'm so ✨proud✨ of the light here, especially on their feet~

Disclaimer: Yes, I know the background is Prague (research mistake of mine), but I noticed too late when I couldn't change that without ruining the whole work. Be kind with me, I shared it because it took me so many hours to finish it that I couldn't throw it away~

Bonus: close-ups!

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reblogged

Good Omens Novel: explicitly said Aziraphale is very intelligent

Good Omens Fandom: Aziraphale is pure of heart, home of sexual, and dumb of ass

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bramblepatch

The passage that says he’s very intelligent is the same one that makes the claim that he is neither gay nor English, so, like…

Technically speaking he’s a highly intelligent celestial being to whom human gender and sexuality do not apply, but in practice he’s a gay British dumbass.

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jenroses

y’all acting like it is not possible to be both Intelligent ™ and a complete dumbass.

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vaspider

He’s terribly intelligent, and a giant dork.

He’s very smart, and believes the best in people, which makes him very gullible.

He’s incredibly intellectual, and also so terribly earnest in a world that doesn’t understand earnestness as anything other than naive or dumb.

he managed to decipher a centuries old prophetic text that generations of ppl needed a PhD or had to be extremely learned to do.

but at the same time he thinks dolphins are fish.

i love myself one (1) angel.

High INT, low WIS.

I was going to make basically that exact comment so thank you @gleefully-macabre for saving me the trouble. But yes, seriously, there’s a reason why in D&D Intelligence and Wisdom are separate stats

I also have a theory that Aziraphale and Crowley both get at least 50% dumber the closer they are because when they are together most of their brain power goes to internally screaming about their feelings and that screaming only gets louder as they get closer.

They are usually at their max intelligence when in seperate buildings.

I like to believe this improves a great deal after the apocawasnt

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thelibrarina

this shit is good.

OK FINE I will reblog the thing!

Crowley himself, in the show, in the post-bandstand conversation in Soho: “How can somebody as clever as you be so stupid?”

It’s right there in the canon, folks. It was a rhetorical question; the only reason he even said anything about it this time is because he was so very upset. Obviously Crowley has known (and adored) this about Aziraphale for centuries if not millennia. We know it, the writers know it, the characters know it.

…and I’m just saying, if one of the themes of the story is that they’ve picked up some human tendencies over their time on earth, it’s pretty darn human of Aziraphale to simultaneously be a genius and a total walnut.

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one little detail i love from the novel is that when crowley is in his flat waiting for the apocalypse he starts trying to stress clean. but everything is already organized so he can't. that's so stupidly adorable i can just imagine him in the bookshop and in a moment of distress organizing aziraphale's books and being like. "IT'S CALLED THE DEWEY DECIMAL SYSTEM YOU ASSHOLE WHO RAISED YOU"

i think he does occasionally stress-clean the bookshop and aziraphale would HATE IT

“It’s exactly how it’s supposed to be, thank you very much. I have in the optimal configuration for dissuading potential book-buyers and I won’t have you messing it up,” he says, handing Crowley one of the 3D puzzles he’s learned to keep around for these occasions.

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srebrnafh

I can imagine Aziraphale, in despair, taking a Rubik cube and quietly switching one piece physically around and then mixing it up. With the switched piece, it should be impossible to solve, right? Right,

Only until you hand it to a demon, who will bring it back six hours later, completed.

But hey, at least he stopped trying to vacuum the carpets for a moment.

Okay, but now I'm imagining Aziraphale as the opposite. Like when he's anxious he'll just pick up random objects absentmindedly to fiddle with them, and then put them down a few minutes later, in the wrong places.

(Just checked and this is practically canon. When Aziraphale figures out where the antichrist is and is worrying over whether to tell Crowley or take it straight to Heaven, he walks around his shop picking up bits of paper and dropping them again and fiddling with pens.)

He'll pick at paint and pull at loose threads. He'll stress-eat and not think to clear away the crumbs.

And so now I have the image in my head of Aziraphale and Crowley being stressed together for whatever reason, and Aziraphale just going around absently messing things up and Crowley stress-cleaning behind him.

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pendragony

Yes. Headcanon fully and instantly absorbed.

So glad I found this again. *Clears throat*

OMG I was just writing a scene where Aziraphale and Crowley are arguing about Heaven/Hell and Order/Chaos, and Aziraphale starts fiddling with things uncomfortably and I remembered this thread and realized -

Aziraphale is an agent of order but when he gets stressed he creates CHAOS. Crowley is like a one-man force for chaos but keeps his life in complete ORDER.

Even the default state of the bookshop is a sort of barely-controlled disaster.

Are their conscious and subconscious tendencies actually at war, or do they just contain BOTH within themselves and the one they don’t “tend to” slips out when they least expect it?

I don’t know, but this show, man. It just keeps coming.

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assiraphales

aziraphale is much more dangerous in the sense that he’s much more unpredictable. crowley likes to be annoying, drive fast, and lounge around angstily. his motivation is 100% aziraphale driven. that’s his weak spot. aziraphale is the deciding factor today tomorrow always. aziraphale on the other hand? that fucker is a WILD card. one minute he’s loyal af to heaven for 6000 yrs, tottering away in his bookstore with his little bow tie and little glasses and doing minor miracles, and then the next he’s crashing some seance & possessing a woman’s body. he’s flying a scooter to the apocalypse. hes got a GUN. he’s about to shoot a kid. by god aziraphale what are you doing i thought you were discorporated. holy hell hes gone absolute mad. there’s an earth loving rogue angel loose at armageddon and no one knows what he’s going to do next, least of all the angel !!!!

this is why aziraphale doesn’t leave the bookshop too often y'all. he’s gotta get that routine down, drink some cocoa and read a book, live the quiet life, or he’ll go absolutely rogue. your man fought a war once and he will do it again. not saying he’s out for blood, but he ain’t playing

i’m the nice one, aziraphale says

crowley: ????? whatever gets you through the day, you mad bastard

Aziraphale, like all the angels, has a very clear idea of how things are Supposed To Be.

Spending time on Earth has confronted him with the idea that not everything is black and white— Heaven can do things that he disagrees with, Hell (or at least Crowley specifically) is capable of good— but he tends to work around this by completely ignoring the cognitive dissonance this creates. “Get thee behind me, foul fiend! After you.”

It’s why he keeps referring to the ‘ineffable’ plan. If it’s ineffable then it cannot be known and so he doesn’t need to think too much about what it might have to say about being friends with a demon.

The apocalypse, however? Being attacked by angels? Finding out that God has no interest in stopping the war and saving humanity? This Aziraphale can’t ignore.

And so, of course, he goes fucking wild.

The Rules have been broken— there are no rules! Life is entirely meaningless. Possess a human, shoot a child, swap bodies with a demon (free reminder that they both thought that this had a high chance of exploding them), splash holy water around, ask the Archangel Michael for a towel and the hosts of Hell for rubber duck!

Crowley has suspected all along that the rules they’ve been taught aren’t much worth following and so has spent the past 6,000 years developing his own moral code. He’s pretty much independently decided that he’s not down for killing kids, or anyone unless completely necessary. From the moment he finds out about Armageddon he knows he wants to stop it, not just because of his Bentley and the nice restaurants and stuff, but because of humans and whales and gorillas and because it’s the right thing to do.

Aziraphale meanwhile? He has the entire basis for his existence ripped away in under 24 hours.

There’s a reason why he’s the one who ultimately ends up preventing the apocalypse, by pointing out that the divine plan and the ineffable plan might not be the same thing— if everything he’s ever believed turned out to be wrong then why shouldn’t it be the same for everyone else? Maybe everything’s wrong?

You watched Aziraphale’s entire mental framework for how the universe worked dashed away in a matter of minutes, and were surprised that he started acting unpredictably.

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So there are a few things in Good Omens that keep gnawing at me. The business suits in Hell. The (de)motivational posters in Hell. Crowley and Aziraphale’s changing fashions over time. The Spanish Inquisition being attributed to Crowley mostly because of his proximity to it (a commendation for which he definitely didn’t expect). Even Nazis in general and the bombing of London in particular. But mostly Crowley’s line, “Lovely, clever human people inventing cars and motorways and windscreen wipers.”

Neither Heaven nor Hell would have even thought to invent any of these things, good bad or neutral. Mostly because they don’t think—with two notable exceptions, of course.

When Crowley tempted Eve to eat the apple, he tempted her to think, to question, to investigate, to invent, to create. In that sense, tempting Eve (and by extension Adam), Crowley opened the door to bringing humanity closer to divinity than either angels or demons, themselves fallen angels.

And from Eve to Adam (Young), humans continually outstrip Aziraphale and Crowley in their ability imagine both good and evil, even considering Crowley’s unique ability among demons—imagination. He could never have imagined the Inquisition or Nazis or Bentleys. And Aziraphale could never imagine the divine things one Roman restauranteur could do with oysters or what his favorite sushi chef could do with raw fish or even the pleasures of hot chocolate.

Angels and demons, it appears, are incapable of expressing creativity. Even Gabriel admits, “I do like their suits”—presumably something angels wouldn’t have thought to design. Angels can’t even dance. But humans can both design fashion and create dance steps.

Purely by human influence, Azi learns to dance and Crowley grows his own garden. It’s true, Azi only knows one dance and Crowley puts the fear of himself into his plants to discourage them from brown spots. But they’re growing—something neither Heaven nor Hell is interested in and one assumes is incapable of doing.

Heaven and Hell are stagnant, waiting for orders, entirely absent of creativity or imagination or even just critical thinking. They follow orders and forget that the ineffable cannot, by definition, be ordered.

It’s not humans whom God tempts to destruction—it’s angels and demons. Humanity, in fact, saves Heaven and Hell precisely because they are closer to God—closer to ineffability—than either side of this celestial rugby match. Azi and Crowley spent 6,000 years not only with each other, but with humanity. They were the footholds humanity needed to ensure Heaven and Hell didn’t muck it up for the rest of us.

And as both Einstein and Herself confirmed: God does not play with dice. She knew Crowley, by his own nature, would encourage the humans to ask questions; She knew Azi would empathize with their plight and give them his flaming sword for protection from the elements. In the end, neither one did the good/right or bad/wrong thing.

Azi and Crowley did the ineffable thing.

They not only saved the world so they could drive too fast through London and shoo customers away from buying precious books—they saved Heaven and Hell from themselves.

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brinnanza

fic where aziraphale is fully aware that he is deeply and irrevocably in love with crowley and not in the all-encompassing angel way, but since crowley is a demon, he’s clearly not capable of reciprocating. aziraphale resigns himself to being content with what he’s got despite not at all being in the business of denying himself what he wants.

he accidentally confesses this to crowley while they’re both absolutely swozzled and crowley sobers up so fast it breaks the sound barrier, rounding on aziraphale like “are you fucking kidding me with this shit you can literally sense love you absolute moron I’m a goddamn imax technicolor surround sound of being in love with you”

and aziraphale is just like “………but that’s just the background love static. earth has always felt this way around you.”

“yeah,” says crowley, as if he is very patiently explaining that water is, in fact, wet. “yeah it has.”

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brinnanza

I usually lean toward aziraphale really liking shakespeare because Of Course He Does however, please consider: aziraphale hates shakespeare because his plays are all 1. rude 2. common 3. unbecoming of a sophisticated man-shaped being such as himself. these are opinions he formed in the 1500s and the fact that shakespeare eventually circled around to be considered “highbrow” has absolutely no bearing on them because aziraphale Will Not Be Moved

crowley, of course, loves shakespeare, and takes great delight in quoting lines that sound profound but are actually dick jokes

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Anonymous asked:

i vaguely remember a thing crowley did involving phones ... what else 'evil' tricks did he get up to while waiting for apocalypse stuff to happen?

((In which evil is in the eye of the beholder, or in which Crowley has some shocking revelations about his motivations. Pre-slash.

Thanks to @pen-in-hand-mb for letting me bounce ideas off of her, and for helping to think up some of Crowley’s antics.))

The cemetery was dark and cold and for once Crowley was early. Drumming his fingers idly against a tombstone, he glanced around for any sign of Hastur and Ligur, the two demons with which he was meant to be corresponding.

Just outside the cemetery gate, his Bentley was idling, waiting patiently for the first possible moment of escape.

Checking his watch, Crowley realized why he did not make a habit of being on time for his meetings with Hastur and Ligur.

The waiting period was hell.

He fidgeted. It wasn’t that he was nervous, per say, it was simply that there tended to be nearly insurmountable creative differences between Dukes of Hell and, for instance, the sort of demon who might drive a vintage Bentley, appear to wear snakeskin shoes, and dedicate a corner of his flat to keeping a series of increasingly anxious plants alive. Crowley was never any good at family reunions.

A noise from behind made him jump. He managed to resume a neutral expression just as Hastur and Ligur rounded the corner of a sizable monument nearby.

“All hail Satan,” Ligur said, spotting Crowley.

“All hail Satan,” Hastur echoed.

“Ditto,” Crowley replied, nodding.

Hastur scowled. Not that it did much to change the expression on his face.

“Everything soldiering on below?” Crowley asked, rather brightly.

“Below is not the point of this meeting.”

“The point?” Crowley scratched at a place behind his ear. “Alright then. Let’s get on with it, shall we? I haven’t got all night.” Hell’s particular brand of accountability made him twitchy.

“Right,” Ligur said, cracking his knuckles. Of all the joys of corporation, joint cracking must have been foremost on Ligur’s list, judging by his endless pursuit of the form. Crowley chewed thoughtfully on his own lower lip as he waited for the full report.

“I have made a man believe that a dalliance with his wife’s sister will not be discovered. Within two years he will be ours.”

“And you?”

“I have put doubt into the mind of a devout man. Within a year he will be a shadow of his former self. And you, Crowley?”

Crowley smiled winningly at them. “An especially good one today,” he said. “Convinced another three celebrities to write tell-all memoirs.”

Hastur and Ligur blinked at him like two very confused oafs eyeing a particularly difficult maths problem. This was only half accurate. Crowley avoided maths.

“What good is that?” Hastur demanded finally, after a quick glance at Ligur to assure himself that the other demon was equally perplexed.

Crowley frowned at them. “What good? Millions of people will lose their spotless heroes when those books hit the shelves. And millions more, shopkeepers, will have to look at those smug faces, trying to remind the world of when they used to mean something.” Well, he could think of one shopkeeper who wouldn’t. He recalled the look of horror on Aziraphale’s face at the prospect, and felt the corners of his mouth turn up in an involuntary smile.

“That’s not real evil,” Ligur said finally. “Not of our stock, at any rate. ‘Ave you got anything else?”

“Of course,” scoffed Crowley, who prided himself on his ability to multitask. “What do you think of shops that only play elevator music.”

It had been a good idea. Aziraphale became unusually suspicious upon hearing it, and Crowley spotted him checking his vintage record collection with increased frequency, lest the albums go the route of cassettes left in the Bentley, but with a muted saxophone line instead of Freddie Mercury’s falsetto. Crowley laughed at Aziraphale’s fears over a glass of the angel’s rather good wine, of which he seemed to never run out.

Seeing the look of continued nonplussed irritation on the faces of the other demons, he chuckled cautiously. “I suppose you had to be there.”

“Crowley,” Hastur said, leaning in conspiratorially as though to tell a secret or offer advice. “You’re going to have to do better than that. What happened to the demon I remember from Eden? You did good work back then. Proper work.”

“Books with movie posters on the cover!” Crowley retorted.

Hastur huffed a sigh and rubbed at his temple. “Come on, Crawly. Real, proper evil. Surely you’ve got something.”

Aziraphale had thought the movie poster ploy to be among his most impressively devious schemes. Hastur seemed to have slightly different standards.

“Alright, alright,” Crowley held up his hands in surrender. “I’ll tell you about one of my most impressive projects. I’m really playing the long game here. It’s taken years of work.”

“Out with it, then,” Ligur growled.

“Have you ever wondered why everyone calls the MONSTER ‘Frankenstein’ instead of the scientist?”

Hastur and Ligur, who had briefly perked up at the word “monster,” deflated almost instantly. Seeing this, Crowley forged on ahead in an attempt to explain his reasoning. “Listen, boys. You’ve got to think about the engineering here. Every film. Every minuscule reference. Hell, every textbook I can get my hands on. It’s been bloody difficult, okay?”

But worth it, he thought, to see the delightful little cringe on Aziraphale’s face every time someone failed to properly identify Mary Shelley’s creature. Almost any effort was worth the benefit of gently teasing Aziraphale. It was a delightful hobby.

More than a hobby, in fact, he thought suddenly. There was nothing in his report to hell which didn’t serve the greater purpose of showing off to the angel.

Crowley felt his face begin to flush slightly at the dawning realization. He hoped the Dukes of Hell did not notice. Thankfully, they seemed too busy being absolutely disgusted with him for other reasons.

“You’ll be bringing down our averages again, Crowley,” Ligur warned.

Crowley found he did not care what sort of infernal maths went into documenting Hell’s productivity and risk assessments, but that he did care about getting out from underneath its most dogged actuaries.

They made him squirm.

“Alright. Sorry. Listen. One more for the road, then. My car’s been running this whole time. Burning away the firmament as we speak. Viciously, and with malice of forethought, tearing it to pieces. Does that help?”

He liked to keep the bar set low. Life was easier when Hell didn’t expect much from him.

Hastur and Ligur exchanged glances and grudgingly acknowledged this as Crowley’s most diabolical act in the past several weeks. “Fine,” Ligur grumbled. “We’ll add it to the report. But see you do better next time, Crowley.”

“Right. Sure. Of course.”

In point of fact, he already had some pretty vicious ideas about library cataloguing systems.

“Ta,” he said to Hastur and Ligur, and headed for the Bentley as quickly as it was possible to do while still appearing casual and not-at-all unsettled.

The radio was playing “Under Pressure” softly and Aziraphale was frowning at it.

“This was supposed to be Bach,” he fretted.

“It’s close enough,” Crowley said, smiling as he folded himself into the driver’s seat. “Sorry to keep you waiting, Angel. Fortunately, I made our dinner reservation for 'precisely when we feel like arriving.’” It was a standing reservation, and he never had to make any phone calls to procure it. It was also his favorite time to dine.

“Don’t worry, My Dear. I’ve got all the time in the world.”

“Excellent,” Crowley nodded. And then, “Angel, how do you feel about passages of text underlined in ink?”

Aziraphale shuddered. Crowley only smiled.

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I honestly can’t decide if I identify with Crowley or Aziraphale more because.  On one hand I too am a neurotic mess that raises houseplants and worries too much about being cool and constantly fucks up but wants people to love me.  And on the other hand, I too am testy and wish humans would leave me alone so I could read and love food so much I would be willing to try and stop the apocalypse so I could continue eating.

Okay here’s the thing - having never read Good Omens I honestly cannot tell which of these is the demon and which of these is the angel

that’s honestly so incredible like that’s kind of the point of good omens tbh

The fact that every fucking bit of music turns to Queen around me, and i am also aware of and bemused by this fact, does not help matters

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