Russian labels of Pepsi Cola and Fanta from the 80s
Night Of The Hunter (1955) dir. Charles Laughton
Vogue Italia March 1998 :
Eugenia Silva by Steven Meisel
Valery Kaufman by Zoey Grossman For Love & Lemons Holiday 2018
When Mitski says “Mom, am I still young? Can I dream for a few months more?”
People like to come in here to remember something good that’s happening in their lives. They wanna make that moment permanent. That way they can keep it forever.
Wildlife (2018) dir. Paul Dano
Red Dead Redemption 2 | Random locations 1/?
Beecher’s Hope
Joe, wake up. It’s a beautiful day. You Were Never Really Here (2018) dir. Lynne Ramsay
LAVERNE NELSON BLACK Taos Scout Oil on Canvas 11″ x 9″
Three men standing in a dirt field eating large pieces of flatbread Mesopotamia (undated)
Vesselin Sariev, Untitled, (visual poem on postcard), 1990
“The entire idea of rereading implies just such a likeable and progressive assumption about life, one that’s meant to keep us interested in living it: namely, that as you get further along, you find out more valuable stuff; familiarity doesn’t always give way to dreary staleness, but often in fact to celestial understandings; that life and literature both are layered affairs you can work down through. […] Rereading a treasured and well-used book is a very different enterprise from reading a book the first time. It’s not that you don’t enter the same river twice. You actually do. It’s just not the same you who does the entering. By the time you get to the second go-round, you probably know—and know more about—what you don’t know, and are possibly more comfortable with that, at least in theory. And you come to a book the second or third time with a different hunger, a more settled sense about how far off the previously-mentioned great horizon really is for you, and what you do and don’t have time for, and what you might reasonably hope to gain from a later look.”
— Richard Ford on rereading. Lest we forget, Nabokov put it best: “A good reader, a major reader, an active and creative reader is a rereader.” (via explore-blog)
Joan of Arc, John Everett Millais
Medium: oil,canvas
paddington bear pride flag
red - represents his little red hat, and the love he brings to those he meets
orange - represents the marmalade which he eats
brown - represents the color of his fur and the brown family, of whom he is a member
blue - represents the color of his iconic duffel coat
grey - represents how empty and meaningless my life would be without his presence in it
yellow - represents the joy he inspires
Erika Linder and Heather Kemesky photographed by Clara Balzary