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#1899 – @my-ear-trumpet on Tumblr
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My Ear-Trumpet Has Been Struck By Lightning

@my-ear-trumpet / my-ear-trumpet.tumblr.com

The Common-place Book of the Mercurius Aulicus, a Reactionary Tory Gentleman, who armed only with a Steampowered Babbage Engine and Pure Intentions, wanders the Time Streams and Aetheric Plane gathering an Eccentric Hodgepodge of Curiousities, Frivolities, Whimsicalities and Nonsense. Q. Why is your Tumblelog called "My Ear-Trumpet Has Been Struck by Lightning"? A. Because "My Grandmother's Ear-Trumpet Has Been Struck by Lightning" wouldn't fit in the available space.
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This is the proper way to pluralize the ampersand.  From Shakespeare: A Revelation: A Novel by Henry Lumley, 1899.

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This is the proper way to pluralize the ampersand.  From Shakespeare: A Revelation: A Novel by Henry Lumley, 1899.  Our lavishly illustrated Ampersand opus explores the history and pictography of the most common coordinating conjunction.

My Strange & Unusual Site | Books | Videos | Music | Etsy

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books0977

Tales of Terror. Dick Donovan. London: Chatto & Windus, 1899. First edition. Original pictorial burgundy cloth.

Donovan’s horror fiction ranged from the classic Jamesian ghostly tale such as The Spectre of Rislip Abbey to the Germanic gothic and extravagant tales in the raw heads and bloody bones tradition such as The Cave of Blood and The Mystic Spell.

"Dick Donovan was a pseudonym of James Edward Preston Muddock – though he was better known as Joyce Emerson Preston Muddock. A well-travelled journalist, he wrote prolifically in a number of genres. The vast majority of his output were sensational detective stories in which “Dick Donovan” was the main character. So popular did this Glaswegian detective prove that Muddock issued later works under this pseudonym. Other works include the horror novel, The Shadow Hunter (1887), the ‘lost world’ novel The Sunless City (1905) and two volumes of supernatural tales." From https://gothictexts.wordpress.com/2017/12/12/tales-of-terror-1899-by-dick-donovan/

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Evening Post: August 12, 1899. “She immediately alighted, caught hold of the astonished youth, and gave him a sound thrashing, using her fists in a scientific fashion…” I would love to know what this means.

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fozmeadows

I think that might be code for “punched him in the balls with devastating accuracy”.

it is absolutely code for “punched him in the balls with devastating accuracy”

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ayellowbirds

As is the case with boxing, it most likely means that she was precise and methodical. So, yes. She punched him in the balls with devastating accuracy.

“to the delight of several colliers who were passing” just imagining these coal miner bros standing around all WHOO YOU GO GURL

I GOT UR HUGE FLOWER HAT BB KICK HIS ASS

It’s really hard to choose a favorite part of this story.

Isn’t this from Illustrated Police News, July 1899? (See https://cyclehistory.wordpress.com/2015/01/24/thrashed-by-a-lady-cyclist/)

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petermorwood

He could count himself lucky she only used her fists:

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Evening Post: August 12, 1899. “She immediately alighted, caught hold of the astonished youth, and gave him a sound thrashing, using her fists in a scientific fashion…” I would love to know what this means.

Avatar
fozmeadows

I think that might be code for “punched him in the balls with devastating accuracy”.

it is absolutely code for “punched him in the balls with devastating accuracy”

Avatar
ayellowbirds

As is the case with boxing, it most likely means that she was precise and methodical. So, yes. She punched him in the balls with devastating accuracy.

“to the delight of several colliers who were passing” just imagining these coal miner bros standing around all WHOO YOU GO GURL

I GOT UR HUGE FLOWER HAT BB KICK HIS ASS

It’s really hard to choose a favorite part of this story.

Isn't this from Illustrated Police News, July 1899? (See https://cyclehistory.wordpress.com/2015/01/24/thrashed-by-a-lady-cyclist/)

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reblogged

Image from ‘Bohemian Paris of to-day. Written … from notes by E. Cucuel. Illustrated by E. Cucuel’, 002557729

  • Author: Morrow, W. C. (William Chambers)
  • Page: 321
  • Year: 1899
  • Place: London
  • Publisher: Chatto & Windus

Following the link above will take you to the British Library’s integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer’. Click on the 'related items’ to search for the electronic version of this work.

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