[02oct17] 107 days later. after finishinig this. that’s what happens when i finish something bigger - i fall apart and rot away. but now i have these beautiful dried flowers that i should use for something new.
LUNNA For Le Mile Magazine #21 Photography : Alexandre Felix Collage : Lola Dupre Stylist : Yaya Moo Hair : Cyril Laforet Makeup : Annabelle Petit Model : Nala Luuna Diagouraga Assistant Mua : Tina Piters Assistant Photo : Nicolas Robin Hobbs Assistant Style : Kaze Ko Collage Retouching : Alina Kovban
- ColorChecker
- Catherine Deneuve et Nino Castelnuovo sur le tournage des Parapluies de Cherbourg de Jacques Demy (Crédits ©Agnès Varda)
- Romy Schneider pour L’Enfer d’Henri-Georges Clouzot
- Tournage du Mépris de Jean-Luc Godard
- Using a Color Checker Chart (via)
- Paul Klee, Theorie der Farbe, 1931
- Jean-Léon Gérôme, Le marchand de couleur (The Color Grinder), 1891
(source : Reflets dans l’eau)
Helen Mirren in The debt
[1819] Brain spikes. A band of little devils forcefully open up a sick man’s head. ‘Head ache,’ a captioned etching by George Cruikshank, published in colour by G. Humphrey, 27 St. James’s St., London, on Friday, February 12.
Christina Ricci
Death’s Head Hawkmoth (Acherontia atropos) -larvae, pupa and faeces, August Johann Roesel von Rosenhof, 1774, copperplate with handcolouring. From “Der monatlich-herausgekommenen Insecten-Belustigungen Erste Sammlung” (Insect Amusements).
Singled Out Seattle, WA, DJanuary 2011
Shot with a Diana F+ Kodak Ektachrome EPP100, cross-processed
Street scene, Christiansted, St. Croix, Virgin Islands, December 1941
[From the Library of Congress]
Charles C. Zoller
Wall Street Trinity
Autochrome, circa 1915
[From the George Eastman House collection]
Aether Seattle, WA, January 2009
Shot with a Holga 120CFN Kodak Ektachrome E100G, cross-processed