Spanish poster for Along the Great Divide (Raoul Walsh, USA, 1951). Artist: Macario Gómez Quibus aka Mac.
Ida Lupino and friend in High Sierra (1941)
Yvonne De Carlo in La Belle Espionne by Raoul Walsh (via Mes écrans)
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Mai Zetterling in Musik i Mörker (Music In Darkness) by Ingmar Bergman (via Ozu teapot)
Source : Reflets dans l’eau
Tracking with Closeups: Julanne Johnston
as The Princess in The Thief of Baghdad (Raoul Walsh, 1922)
Julanne Johnston as The Princess in The Thief of Bagdad
Dir. Raoul Walsh, Publicity Still, United Artists, USA, 1924
Raoul Walsh.
Mitchum- Pursued, 1947
1963 Danish poster for GUN FURY (Raoul Walsh, USA, 1953)
Artist: uncredited
Poster source: Heritage Auctions
GUN FURY was shot in 3-D. The Danish title translates as “Mail Robbers from the South” and the line above that says “Rock Hudson in the blazing color western.” No mention of 3-D though.
(via Raoul Walsh | HiLobrow)
...Walsh immersed himself in street life before finding himself a sailor, cowboy, actor and assistant to the reigning genius of world cinema, D.W. Griffith. In 1914-15, Walsh met Pancho Villa in Mexico; cried sic semper tyrannis as John Wilkes Booth in Birth Of A Nation; and directed the archetypal gangster picture,Regeneration. Of his many subsequent films, favorites include: The Big Trail (1930), upon which John Wayne and Ward Bond are first discovered; The Bowery (1933), a raucous Gay ’90s reckoning;High Sierra (1940, see below), Humphrey Bogart and Ida Lupino‘s fatalistic Depression-era farewell; Pursued (1947), a brooding Robert Mitchum vengeance western; and White Heat (1949), James Cagney’s nihilistic apotheosis. In July 1957 came Band of Angels...