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@mrs-steve-harrington / mrs-steve-harrington.tumblr.com

Stranger Things ☆ Steve Harrington ☆ Stoncy ☆ Stonathan ☆ Stancy ☆ My FicMy Edits ☆ beautiful header by diegohargreves ☆ icon by me
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pterawaters

The Kidnapped Omega Job

When Eliot catches the scent of an omega in trouble, he and his partners work together to free her from her kidnappers and get her to safety.

Rating: Teen Fandom: Leverage Characters: Alec Hardison, Parker, Eliot Spencer Relationships: Alec Hardison/Parker/Eliot Spencer Tags: Alpha/Beta/Omega Dynamics, Kidnapping, Canon-Typical Violence, A Very Distinctive Scent

(link in notes)

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ganseyboii

almost every eliot/parker/hardison fic is like eliot is in love with parker and hardison but because of that love, he stays away from them so they can have a good relationship and meanwhile, hardison and parker are like hmm how do we get eliot to realize that we’re in love with him too

anyways keep it up because i eat that shit up it’s GOLD

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leverage-ot3

eliot: I’m bad goods, I don’t wanna taint the two people I love most in the world or ruin their relationship ,,, they’ll never love me anyway

hardison: *buys the man a fucking brewpub because he said he always wanted a restaurant*

parker: *masterminding a way to get eliot into their relationship*

eliot: no one will ever love me, but as long as parker and hardison are happy that’s more than enough for me

parker: “for better or worse, we change together” 💖 💍 💖

eliot: 😢

hardison: ,,, she literally said wedding vows how much more obvious do we need to be

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gyzym

Do you have a headcanon for when Parker and Hardison manage to fully seduce Eliot into the OT3? Like what finally makes him take the leap to being in a romantic relationship with them?

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Oh man, it’s taken me a long time to come up with an answer to this mostly because like — I can see this happening like a thousand different ways, and each one rings totally true for me? Like, I can see it being a long drawn out double courtship, and I can see it being a spur-of-the-moment thing, and I can see it being the aftermath of a near-death experience, and I can see it happening when they’re all bored between jobs. The Eliot/Hardison/Parker singularity is like green eggs and ham to me: I could see it here or there! I could see it anywhere!

BUT. After careful consideration, I’ve determined that if you put a gun to my head and demanded I tell you what I think happened, within the canon itself, to make them go from Eliot + Hardison/Parker to Eliot/Hardison/Parker, then I would present to you the following list: 

  1. In The Broken Wing Job (aka the season 5 episode with Parker’s torn ACL, for those who either haven’t done a rewatch in a while or are like me, and can’t remember which titles go with which episodes unless they have the Wikipedia page open in front of them), Parker’s at home with the brewpub and everyone else is in Japan, doing some job that never gets fully explained. My guess, given what I know about season 5 and having seen previous seasons, is that the intention there was to film another episode showing the details of that Japan job, only it never happened due to budget/cancellation/what have you. [EDIT: NO APPARENTLY THIS IS NOT SO, and John Rogers just believes in setting things up to let the imagination run wild sometimes, for which I personally am grateful.] In any case:
  2. The team comes home and we have no idea what happened in Japan, and when asked, everyone — including Eliot and Hardison — acts a little shifty about it. Eliot fiddles with his sleeves and won’t make eye-contact; Alec offers up the super informative, “Japan was… Japan,” which, especially for Hardison, is a suspicious lack of information. Alec ALSO then immediately gets Parker and her friend to restart the movie they were watching - WHICH, I posit to you, was the easiest excuse to curl up next to Parker and whisper in her ear about
  3. WHAT HAPPENED IN JAPAN: aka, an exchange of emotional truths between Alec and Eliot. I don’t, to be clear, think that Eliot and Hardison slept together in Japan, or even made any real ~declarative statements, if you will — I don’t think either of them would feel comfortable doing either of those things without Parker present, and in any case Eliot Spencer is the type of boy that’s going to require some wooing, you know? But I do think it might be easier for Eliot, at least at first, to sidle up alongside the whole “Oh god I have feelings for Hardison and also for Parker,” thing with just one of them present, and obviously Alec has the softer touch with stuff like this. Parker has many skills, but subtlety in the realm of emotion is not amongst them.
  4. SO: I think probably it was something along the lines of Alec maybe being a little flirty with Eliot, and Eliot growling like, “Are you flirting with me, man???” and Alec being like, “So what if I am? You gonna do something about it?” and Eliot being like, “Neither of us is, you idiot, you have a girlfriend,” and Alec being like, “Maybe my girlfriend knows all about this,” and Eliot being like, “Well then maybe you and your girlfriend are pushing at something you should just leave alone,” and Alec getting all serious all of a sudden, dropping the back-and-forth tone of it, to be like, “Hey man, you know me. You know how long I waited for Parker to be ready — hell, you even had to tell me to quit slow-playing it towards the end. So maybe I think there might be something good in the cards for all of us, and maybe she thinks so too, but neither one of us is gonna push at that something if it’s not what you want. You gotta know that by now. So maybe, if you really don’t want us to push at it, you should say something right now — and maybe if you don’t say something, we’ll keep thinking what we’re thinking, and we’ll all just… see what happens. You know?” And then Eliot just stood there, reddening slightly but staying determinedly, steadfastly silent, as Alec’s face was taken over by a slow, sweet smile. 
  5. SO THEN, right, there’s only one episode (which doesn’t matter to this anyway since it’s entirely about Nate and Sophie) in between The Broken Wing Job and The Rundown Job, aka The OT3 Job, aka the one where they’re trying to stop the terrorist flu attack on DC, aka the one where Parker literally says “We agreed, we change together. For better or worse, we change together,” which, lol, are basically marriage vows. IT’S FINE. I’M FINE. DON’T LOOK AT ME.
  6. So it only stands to reason that at some point between Eliot + Hardison getting home from Japan, and Parker + Eliot + Hardison going to DC, they had the conversation wherein they all got married made the aforementioned agreement to change together for better or worse. SO I POSIT TO YOU, READER, that that conversation came about when Parker said, “So, I hear you and Alec kind of talked about how we both want to do you,” and after they all cleaned up all the beer Eliot spat out, and threw out the pot of chili he ruined by spitting beer into it, and got him to stop bitching about being made to spit beer into and ruin a perfectly good batch of chili, they all talked about it. 
  7. And maybe Alec said, “It’s not really about sex,” and Parker said, “Well, it’s not just about sex, anyway,” and Alec said, “Parker, come on, we don’t want to push him,” and Parker said, “What, you think the sex part is the part that’s gonna freak him out? I don’t,” and Eliot said, “Damn it, Hardison! Parker! I’m right here! Don’t talk about me like I’m not in the goddamn room!” So then both Parker and Hardison made apologetic faces at the the table, and an awkward silence hung in the air for a minute until Eliot was like, “Guess I’m not sure it’s a great idea to go trying to change a good thing,” and Parker, a little too eagerly, was like, “But it would be changing a good thing into a better thing,” and Alec gave her a quelling look and corrected, “Into a different thing. Not necessarily better or worse. But anyway, it’s — man, nobody can avoid change. Change is gonna come anyway, whether we want it to or not,” and Eliot gave a little half-shrug and wouldn’t meet anyone’s eyes, which was as good as an admission that that was true. So then, slowly, Parker said, “Well, that wouldn’t change — this,” and Eliot snorted and said, “What, d’you think I’m stupid?” and Parker corrected, “Okay, so it would change this. But not — this,” and she looked pleadingly at Alec, and Alec said, “I think she means that — that no matter what kind of change comes for us, whether it’s change we choose or change we don’t, there’s nothing that’s gonna make us not want to be part of each other’s lives anymore.” And Eliot snorted again, and said, real quiet, “You can’t know that,” and Parker cocked her head, and Alec, just as quiet, said, “Why? Don’t you?” And at that Eliot finally looked up, and held Alec’s gaze, and then Parker’s, and then Parker said, “What if we make a deal — we change together. For better or worse, we change together,” and Alec said, “I’d be good with that,” and Eliot growled, “I guess I could live with it,” but the corner of his mouth twitched, just a little, as they all shook on it.
  8. So then: The Rundown Job. Which, obviously, so many feelings, but also, which ends with Eliot shot through the shoulder and the leg and refusing proper medical care, ditching his crutch to lean on Parker and Hardison instead, refusing to go to the hospital. So I think they took him back to Portland and the brewpub, and after Parker got Chicken Parm to come look at Eliot’s wounds and dress them properly and hook him up with some pain pills, and after Hardison got Eliot set up on the couch despite Eliot’s grumbles that he was FINE and DON’T TREAT ME LIKE AN INVALID and DAMN IT HARDISON, they came and sat next to him, Parker on one side and Alec on the other. And Eliot rolled his eyes and was like, “What, are you trying to seduce me again?” which he probably wouldn’t have said if Chicken Parm hadn’t more or less forced him to take the painkiller, and Parker was like, “Um, no?” and Hardison was like, “Didn’t we have this conversation already?” and Eliot relaxed back into the couch, and, after a few minutes, let his head drop onto Alec’s shoulder, didn’t argue when Parker picked up his hand and started tracing his lifelines with her fingertips. 
  9. And so it went, through Eliot’s recovery and afterwards, even up through the finale — the three of them with this solid, spoken agreement between them to spend their lives together but dancing around the physical event, getting closer, Parker’s head in Eliot’s lap some nights, Eliot’s broad hand cradling the back of Alec’s head, a few nights spent together curled up in the bed but just — sleeping, just figuring out the shape of the thing, unhurried and without expectation
  10. Until eventually Eliot is like, “DAMN IT, HARDISON, WOULD YOU QUIT SLOW PLAYING IT ALREADY???” and Alec was like “ME?? DON’T YOU EVEN TRY TO PLAY LIKE THIS IS JUST ME” even as Parker pumped her fist in the air, yelled “YES!” and dropped her pants, after which point everyone more or less stopped talking.

AND THERE YOU HAVE IT. 0 to OT3 in ten easy steps. Thank you and goodnight. 

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Leverage post-series finale where the OT3 are on a job and Parker tells the mark that she and her boyfriends are gonna fuck him up and Eliot just fucking splutters because boyfriends??? plural???

E: Parker, did you just tell the bad guy I’m your boyfriend?

P: Yes?

H: Do you prefer the term partner? Cause we call each other partner all the time, but how are the bad guys supposed to know we’re also together? It’s not like you ever let us kiss you!

E: WE’RE TOGETHER???? [Internally: they want to kiss me???]

H: Yelling out we’re together seems a little on the nose, but I guess that works, too.

E: I’m not your boyfriend-!

P: YOU’RE BREAKING UP WITH US IN THE MIDDLE OF THE CON???

H: Oh my god, Parker. I think he’s just breaking up with ME in the middle of the con! Was it my baby Yoda rant from earlier? Was 15 minutes too much? I swear it was only the highlights!

E: I’m not.. no I… I’m not breaking up with anybody!

P: Oh, thank god, we’re still together.

H: That reminds us, this is our tenth con as a trio! Let’s have an anniversary dinner! We can kiss and make up after.

P: Eliot still doesn’t let us kiss him though…

E: BECAUSE I DIDN’T KNOW WE–fuck it, I’m okay with kissing now.

P: Woohoo!

H: [Immediately smoothes Eliot]

P: [Crowds into Eliot’s space very closely] Where exactly are you okay with us kissing you?

The mark: Please beat me up already, I cannot handle another second of this absolute gay disaster of a conversation.

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starkidmack

WOW I JUST FINISHED LEVERAGE FOR THE FIRST TIME THROUGH AND UH ELIOT REALLY IS IN LOVE WITH PARKER AND HARDISON HUH??? YALL WERENT KIDDING

“Til my dying day” WHAT KIND OF ROMANTIC BULLSHIT!!! IM LIVING FOR IT!!!

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leverage-ot3

ITS LITERALLY A MARRIAGE VOW HES SO WHIPPED

I’ve said it before and I’ll keep saying it, Eliot falls ass over boots in love in the first episode and spends the next five seasons mad about it just on principal.

@letsstealsomethiefjuice you’re right and you should say it

+

YOUR TAGS ARE VERY VALID

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Anonymous asked:

Leverage Headcannon for 3x3 Inside Job: Parker didn't set Sophie's real name as the entry combination for everyone. She had an individual code for everyone in the group that mattered to that person.

HEADCANON ACCEPTED.

I feel like this would be part of Parker's journey in understanding people. Sophie is teaching her to notice the little things that make people unique. Things that will come in useful during a grift.

Parker decides the team is the easiest starting point for this and spends three days carefully choosing words or phrases for each of them. However, she gets a little confused and instead of choosing words that describe them, she chooses words that describe what they mean to her.

Sophie is still proud and more than a little touched to find out her word is 'inspiration'.

There are too many words for Hardison. Eventually she just decides on the word 'better'. At first, Hardison is a little confused, until he finds her list of scored out words: 

patience

stability

friend

soon

Eliot does not choke up on finding out his word is 'good'. Dammit, Hardison, he's just got an allergy, okay? Stop looking at him like that. *spends the next 3 hours cooking his feelings when Hardison shows him the other side of the piece of paper with the scored out words*

Eliot: 

good

safe

parachute

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Aloha! You did it, you made me watch 5 seasons of Leverage in about a week. Thank you, I love them all and miss them already. Where is my spin-off with the OT3? Where? I do have a question though, what do you think are the living arrangements for the team? We once see Parker's storage unit and it is pretty clear at least Parker and Hardison live above the brew pub. Did they ever talk about moving in together? Did I miss something? Do I have to watch it all from the start? What a hardship ;-)

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Asdfghjkl!!!!! I feel like I’ve collected a family of new Leverage fans in the past three weeks AND I’VE LOVED EVERY SINGLE MOMENT OF IT.

Also. A week????? Bloody hell. That’s dedication. I miss them too. I’ve started watching it all again for that very reason.

Oooh oooh oooh! I do have thoughts about this.

I think Parker and Eliot would still have separate living spaces to start with. Even if Parker lives with Hardison above the Brew Pub on the main, I think she’d still need space sometimes. Whether that be something similar to her old storage unit or just sleeping in the air vents of the Brew Pub every so often. However, by season 5 I feel she’d be pretty settled on the whole. Mostly because I never imagine Hardison would have asked her to move in. Hardison gets Parker and he’s always respected her boundaries and let her move at her own pace. So I imagine when Hardison bought the Brew Pub, he bought it with Parker and Eliot in mind (see: those sweet, sweet high ceilings and large air vents/A WHOLE PUB FOR ANGRY LITTLE CHEF MEN TO COOK IN ‘TIL THEIR HEART’S CONTENT) but with no pressure. Parker probably moved herself in one day. Or stayed the first night and never really left. Much to Alec’s delight.

Eliot though. Eliot I imagine takes much longer. Post-canon. Despite establishing that this thing between them is, indeed, a relationship relationship, not Hardison/Parker + Eliot for as long as they all shall live, I think Eliot would still be…slow moving. When they first get to Portland, Eliot will have had his own place, I’m sure of it. There’s no way he clocks that the Brew Pub is for him (and I’m sure Hardison planned it that way).  

However, we all know this soft boy has dreams of running Hardison’s pub until his dying day. He’s fooling no-one with that “I guess this is my life now” act. He’ll never admit it but he sees himself as an old man in that pub, with an equally old Hardison and Parker to bicker with and feed. It sets his little heart aglow (not that he’d ever admit that either.) However, Eliot’s probably not thought about settling down with anyone but himself since Aimee. The thought probably scares him, just a little. Not because he’s scared of committing to Parker and Alec or that he’d ever let them down, but because he honestly thought he’d never get this. He took “happily ever after” off the table long ago and now here’s the two most wonderful, infuriating people he’s ever met offering it to him. Just like that.

Hardison is savvy to this though and I think he’d end up building Eliot a separate apartment over the Pub. Or give him a separate room in the apartment they already have. One that Eliot gradually moves into. He’d make it about the Pub and not him and Parker because Eliot needs to do things on the basis he’s helping someone, doing good. He won’t do it for himself. I can imagine Parker getting a little frustrated with how long it’s taking Eliot to move in with them but it’s a good balance because while Hardison is prepared to go as slow as Eliot needs, Parker is always the one insisting it’s silly that Eliot keeps going back to his own apartment when he could stay for cuddles and breakfast. This more or less always convinces Eliot (who is genuinely worried the two people he loves most in the world will die of poor eating habits before anything else).

I don’t think Parker would ever give up her living space away from the Pub. Even if she rarely uses it I think she’d like having the choice. Eliot, though. Eliot may take odd jobs that take him away from Parker and Hardison from time to time, but once he’s moved in he’s there for good. I like to think Hardison buys a huge bed for them all to sleep in but sometimes he’ll wake up and Parker will be sleeping in the air vents or the roof or whatever other small space she can find. Whereas Eliot, while mostly content to sleep curled up next to them, sometimes ends up sleeping on the couch or decides he’s had enough sleep by 4am and goes down to the Brewery to try out new things for the menu. On occasion, Parker will find him and join him there and will silently taste test all the food Eliot makes until the sun comes up. It’s a private thing they share and usually always ends in Parker convincing Eliot to make them all some ludicrous breakfast, like rainbow waffles or “morning chicken”. (It doesn’t matter how many times Eliot tells Parker putting “morning” in front of a food item doesn’t make it breakfast, she never listens, and he always caves.)

The best thing for Parker and Eliot though? The knowledge that one Alec Hardision will always, always be in that bed. Their bed. No matter what, they know he’s not going anywhere. Ever. Will always welcome them without judgement. Just open arms and that smile they love so, so much.

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violetren

Parker, Eliot, and Hardison have no business being as hot as they are in The Rundown Job. Like the amount of chemistry between the 3 of them never fails to blow my mind everytime I reach it during a rewatch.

Those three and their “we change together” affirmations, and the intense eye contact between all of them, and the touching, ALL of the touching, and the “I trust you with my life/you’re the best at what you do” encouragements. What the hell is my fragile little heart meant to do with all that?

Hardison calling Parker babe when he cuts into her conversation with the emergency services administrator. Vance looking at/addressing Eliot when he says “your girlfriend already got out of her cuffs” and none of them do anything to clarify who is meant to be dating who. The way Eliot cups the back of Hardison’s head getting him to focus after discovering the whole flu thing. That iconic look between Parker and Eliot before she kissed Hardison for luck.

Like I’d had poly ships before in other fandoms, but mostly because I’m a multishipper who sometimes just wants all her favs to be happy without any of that love triangle nonsense. But these three? They are The Ot3. They were the first poly ship I had because they were developed like a poly ship and worked so perfectly together, they all just fit without there ever being any textual or subtextual attempts at making them a love triangle. I’m not sure it was ever possible for me not to ship them, and for once it was not just because it was a good way to give my favs a happy ending, or resolve an annoying love triangle.

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This is for @vulcansdarkest​ , who requested ‘Hardison’s Simple Five Step Plan for a Perfect Date Night’

1.) Make sure both Parker and Eliot are free without raising suspicion 1.A) Ensure the Brewpub and any other obligations are taken care of for the night 1.B) This includes making sure Parker isn’t in the middle of planning their next con 1.C) And that Eliot won’t be out teaching a cooking class for kids, or a self defense class for kids, or babysitting someone’s kids 1.D) NOTE: if Eliot is taking care of kids, do not try to include them in date night

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morebrandy

“An off-duty cop from Boston caught in the wrong place at the right time.”

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Eliot Spencer does too have a tv and he mostly uses it for Die Hard movie marathons. Pass it on.

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Parker and Eliot may not be huggers, but they have their exception. (Yes, it was just an excuse to have the OT3 hugs.)

YES.

Meanwhile Parker and Eliot have their own brand of affection which usually consists of sitting or standing very close together rather than hugging. Hugging is for Hardison. Hardision draws them in for those hugs like he’s catnip. Sometimes Eliot resists Parker too, just like how he sometimes pushes Hardison away when it comes to hugs (not that she ever moves far)

but it’s definitely A Thing that’s theirs, that grows and evolves into their own unspoken language of trust and affection, and it’s BEAUTIFUL

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(gif made for public use)

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