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Moments On Film

@moments-on-film / moments-on-film.tumblr.com

I analyze moments on film, including scene breakdowns, character profiles, and acting. Currently analyzing The Bear.
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Moments on Film: The Bear Season 3

Now that I have had a few days to process and fully…..digest S3, I am back with my most visceral thoughts.

I must say, distance did not do anything to ameliorate how I felt about this season. There were some beautiful moments, I really enjoyed episode 1, for example, and I truly appreciated the opportunity to learn more about how Sydney comports herself as a leader, Marcus‘s beautifully inspired and fresh creativity as a chef, Tina’s journey, Natalie’s inner struggles, and more backstory on chef Luca.

What I am having so much trouble with this season, is Carmy. I knew this would happen. I knew S3 would be the belly of the beast, as I predicted 🔗 here , but it was still so hard to take in.

Those of you that have read my work know how much empathy I have felt for Carmy. I have rooted for him. I see how much help he desperately needs and I am always hoping he will find a way to course correct when he gets off track. Carmy ditching Sydney in S2 and lashing out at Richie in the finale felt like a punch to my gut. I was so hoping those two relationships would be nurtured this season but in fact they got worse.

I want to be clear, I have had so much compassion and empathy for Carmy and his emotional problems, due to the cycles of abuse he has had to endure. What I absolutely cannot excuse or reconcile this season is how his behavior and actions are hurting, stifling, and traumatizing those around him.

Another thing I really want to uplift is that yes, this is a show that emphasizes found family. But at the end of the day, this is a business, he is in a leadership position, and everyone who works there is an at-will-employee. In my opinion, Carmy has completely failed as a leader, on all fronts. He has never exhibited leadership skills, with consistency. And as supportive member of the “family”, real or otherwise, he is nowhere to be found. Carmy has actually created a hostile work environment that is legally actionable and litigious with his mood swings, verbal and physical abuse and erratic behavior.

It is a stone cold fact.

I was rooting so hard for Sydney and staff to walk out the door this season. That’s how bad his behavior is. Sydney deserves better, plain and simple. Everyone working at The Bear does. Another point I want to uplift is that while Christopher Storer created the show, it is his sister, Courtney, “Coco” Storer who is the chef on whom he based much of the plot. Courtney has also moved from Culinary Producer in seasons past of The Bear to Co-Executive Producer and even “Story By” credit on this season of the show.

There is something Courtney said a few years ago on a podcast that has stayed in the back of my mind because I always wondered if it would be used as a plot point for Sydney. She shared a story of a restaurant she worked at in Los Angeles. She was promoted to CDC, loved her team and really enjoyed working there. However, it was not all perfect. She was constantly burnt out and at a physical and emotional deficit due to the stress. She suffered panic attacks. She also shared that she was not officially a partner with a stake in the restaurant, and she felt like she needed to have her own back because at the end of the day, no one else did. Although it was a difficult life decision—-she quit.

Forget Michelin stars. If Carmy cannot create and maintain an environment people want to work in, with him, he will end up completely alone. It also may already be too late.

I understand this season is apparently in two parts, I understand that everything happens for a reason. What I can’t understand is how I am meant to root for a character that has contributed to Sydney having panic attacks, has hit Richie, has yelled at Marcus during what must be the worst time in his life and who was about to lose it on Tina if Sydney hadn’t stepped in, saved her, and saved him from himself. Completely unacceptable behavior.

Carmy needs professional help. I have said this many, many times before and I am going to say it again. Carmy. Needs. Professional. Help. He cannot continue to let his triggers and emotions be his master. He is in a leadership position and peoples jobs are depending on him. He cannot offer any more hollow apologies, he has to back them up with consistent action, or I will continue rooting for the staff to leave or for him to step down.

If he doesn’t make the time, energy, and effort to stop the madness, slow down, take a beat, remember all of the gentle and beautiful mentorship he actually did receive through his rise as a chef, lead with his heart, build trust and repair his relationships, especially with Sydney, with Richie, with his sister and her new baby, he will lose it all, because he will have lost the one thing that truly matters, the people he is supposed to care about and the people who care about him.

Does he have it in him to turn this all around? At this point I am not sure. And if he doesn’t, I believe what “grows together”, and they really did, all grow—-will in fact, go together.

©️moments-on-film 2024

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The Bear S3 E9 dialogue spoiler below:

…………………………………………………………………………

After a completely unhinged night of service wherein Carmy behaved like a total nightmare, screaming at everyone and everything:

Sydney: “It’s hard to keep up with you sometimes.”

Carmy: “Yeah, well I’ve been doing this longer.

Sydney: “I didn’t mean on a skill level.”

Really Carmy, REALLY? REALLY? Bridgerton voice: “Are you quite serious?” This is one of the many, many reasons I am still so mad. Carmy was giving death by a thousand cuts this season. I will elaborate later once I’ve processed further because Carmy can really shove it right now. This madness needs to STOP. I was literally yelling at my tv for Syd to quit, get out, leave. She doesn’t need this toxicity in her life. None of them do.

📸 source: @ayoarticulate

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Moments on Film: Carmy’s True Purpose

Hello everyone! I hope you’ve been well. I haven’t posted in a while, life has been hectic, but I wanted come back to share a post I had been working on this Fall. It’s is a follow up post to my series, Carmy doesn’t know who he is yet. I have one more piece to share in this series. In the first piece, I explained how Carmy is not currently in touch with who he is and what actually makes him happy because his original passion, art, has been beaten out of him. So far in his life, Carmen’s done the only thing he thinks he can do, stay in the kitchen. But he’s not living a life and his heart is frozen.

Carmy is abused, traumatized, exhausted, and his heart is simply not in the kitchen anymore, and maybe it never was.

He suffers from severe nightmares, night terrors, and debilitating anxiety, and is sick and it all stems from trauma forged in the fires of the various kitchens of his life. Because of his extreme commitment to being a chef, and a great chef, he has absolutely no personal life, no friends outside of work, no joy, no sense of play or fun or happiness.

There are so many examples of Carmy’s heart not being in the kitchen anymore, from the first episode to the last. Carmy has also never fully exhibited the true characteristics, strengths and skills needed to be a great leader. This is why he always feels off. He’s not great at communicating, he is not in control of his personal triggers, which cause his personal life to impact his professional life, he is not good at any of the backend skills that are required to be the “captain the ship”, such as business acumen, finance, interpersonal skills. This is because being the leader of the restaurant is not his true purpose, it’s literally fixing everyone else up to run it without him and then leaving to go live the life he should living, and not his sad shell of an existence. He does have a very important leadership skill needed to do this: seeing beauty, seeing the best in others, and seeing other people’s strengths before they can see it in themselves. Let me explain. How Carmy’s skill will lead him to his ultimate purpose.

In season 1

When Carmy meets Sydney, he quickly assesses her skill and potential, and almost instantly relinquishes his power as the leader of the restaurant and bestows it on her, he says he will “dial business” and tells her, “you are everything else.” Ironically, he doesn’t even “dial business”, in S2, by calling the fridge guy, leading to his own downfall.

Carmy literally says “I can’t do this” in his nightmare in 1x8.

In the Al-Anon monologue in 1x8, Carmy states his purpose, maybe to “fix the whole family” by fixing the restaurant. This doesn’t mean his family by blood. As he tells Natalie in 2x9, “family is also not an exact science.” He’s talking subconsciously about his chosen family of Sydney, Richie, Tina, Marcus, Fak. And isn’t that what Carmy spent the majority of S2 actually doing? Knowing what each person on his team needs in order to be “fixed”, pushed to dig deep, make the most of their strengths, passions and gifts and achieve their ultimate potential.

A major major revelation for me that Carmy wants out and that he has no problem handing over the reigns to his capable team took place in the finale of S1. Sydney, not Carmy, brings Michael’s spaghetti to the table.

Gif source: @chefkids

This really stood out to me when I first saw it. I immediately thought, why isn’t he doing this? Michael gave him the recipe, it was the last thing he ever gave him, and he cooked it. It should have been Carmy. It really should have. Just like it should have been Carmy that created a dish named in honor of his brother. He didn’t. It is Marcus that has the honor. Again, the first time I heard Marcus say “the Michael”, when Carmy asked what the cannoli was called, I teared up and then said out loud, “that should have been you.”

In 2x1, Carmy tells Richie, “this shits not fun for me”, and tells Sydney “F stars”, and “we’re trapped” (if we get one). Look at his eyes in the gif below. He knows what it will mean and he doesn’t want to do it anymore.

When Carmy sees Claire in the freezer aisle of Potash Grocery store, he openly tells her he told Mrs. Kelly’s son “don’t do it” when he was asked advice on becoming a chef. Then he gets reflective and says, “I should really listen to myself.”

I discussed in a prior piece how “just keep going” has been Carmy’s mantra his entire life. It’s been his survival technique because it has had to be. He’s exhausted, traumatized, sick, in pain and desperately in need of a reset. In my opinion, in S2, he’s looking for any excuse to subconsciously jump ship, not be the captain of it, which is why he let himself get distracted with Claire.

For much of S2, Carmy is actually giving pieces of himself in the restaurant away. He gives Tina his knife, which is so sweet but it’s also a little jarring. He gives Marcus a “spot” in Copenhagen to train. Tina and Ebrahim get sent to culinary school. Richie gets sent to stage at Ever, a 3 Star Michelin restaurant. Natalie is the COO and has taken over the office. It’s no longer his, it belongs to Natalie. He is setting everyone else up to take over. Sydney is the CDC. He tells her, “it’s your ship now, Captain”, and she opens the doors, not Carmy, when it’s time to open. Carmy can’t do paperwork, or manage the business end of the restaurant, but he also isn’t contributing by innovating and being a consistent leader.

In the kitchen, two hours before the soft open, Carmy is finally “there”. He’s barking orders, catching everything he’s missed, but he is completely going through the motions. His commands are joyless. Sydney, Tina, and the crew say “yes Chef”, but there’s none of the teamwork, camaraderie, and dare I say, fun, as when Richie is running the pass and expoing with his whole heart when Carmy’s trapped in the freezer.

When Uncle Jimmy asks Carmy, “do you want to be the guy? Then be the f-ing guy”, you can see Carmy glaze over. No. Carmy doesn’t want to be the guy. Not the guy in the restaurant. Not anymore.

Even Carmy’s new monogrammed chef coat is another example of how Carmy is disappearing and fading away. His former coat had dark blue initials in an elegant cursive font. His new coat has his initials in plain font, in white stitching, barely visible, unless you look for it hard.

In the end, Carmy is locked out and left behind in his own restaurant because subconsciously he doesn’t want to be there.

I have written about this in various posts, but I truly believe Carmy’s character arc is to get back to his original passion, which is art. Michael knows this is a gift of his, and thanks to the menu sketches he drew for the new most important person in his life, now so does Sydney.

Michael’s final note to Carmen was the recipe for spaghetti for him to fix for family meal, the words, “I love you dude”, and “Let it rip.” But what if Michael was really saying find the money, take it and everything you’ve learned and FIX the family to go on with the restaurant without you (something Mikey was never able to do while he was alive) and then once you’ve done that, “Let it RIP”, as in Rest In Peace. Leave. Get out. Don’t be scared. Go for it. And discover the life you’re truly meant to be living.

©️moments-on-film 2023

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The SAG-AFTRA strike is over! A tentative agreement has been reached for a 3 year contract between SAG-AFTRA and the AMPTP that will “see Hollywood up and running again within weeks.”

According to Deadline, the contract “was said to include big gains in wages and bonuses as well as sweeping AI protections.”

Huge day for actors and the industry! I’m waiting on the announcement from SAG-AFTRA with additional details, as the contract still has to be ratified and approved by union members.

Major respect and congratulations to SAG-AFTRA leadership, the SAG-AFTRA negotiation committee, strike captains, and members of SAG-AFTRA for standing firm in their strike and fighting for a fair contract. Major respect and congratulations to everyone impacted by this strike, including sister unions and to the allies and those who stood in solidarity!

We are back!

Update: SAG-AFTRA has released an official statement to members!

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FINALLY! The Bear has officially been renewed for Season 3! My guess, building on my last post, is that a renewal announcement had to go out before Q4 closes out, but there will be retroactive bargaining for actor contracts, based on the success of the show, after the SAG-AFTRA strike ends and negotiations are once again allowed.

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Hello there!

I wanted to share some information that may be helpful to understand why we have yet to receive official news that The Bear has been renewed for season 3.

Yes, the Writer’s strike is over, but SAG-AFTRA is still very much on strike until they get a fair contract from the AMPTP. Under official strike rules from the SAG-AFTRA union, neither actors, nor their agents or representatives can negotiate for struck work. This means, for example, a contract cannot be negotiated for an actor who may have had it in their deal that if a series is successful, they get a bump in pay. The Bear is very successful, and we know this because of not only the critical acclaim the show has received, but also the minutes viewed data released from Hulu shortly after season 2 released.

You may be asking yourself, ok, but why did Only Murders in the Building, another successful Hulu show, get a renewal so fast and The Bear didn’t?

Here’s my take:

The three stars of OMITB, Steve Martin, Martin Short, and Selena Gomez, all also serve as executive producers of the show. This could have created a loophole for negotiating for struck work, since producers are not on strike (the Producer’s Guild is also not a union). Ayo Edebiri and some other members of The Bear may have a credit or two as executive or co-executive producer, but the majority of the main cast of The Bear, including Jeremy Allen White, only serve as actors, and not executive producers, as it stands right now.

I don’t think we will hear of a renewal until the strike ends and actors and their representatives can successfully negotiate and/or re-negotiate their contracts with the studio, given the success of the show. Time will tell, however. I hope this was helpful to understanding possibly why there is such a wait on a renewal announcement.

©️moments-on-film 2023

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Great news! The WGA and the AMPTP have reached a tentative agreement for a 3 year contract! More details about the agreement to come from the Guild, as it has yet to be signed and has additional rounds of approval before it is final and the strike order is lifted, but this is huge!

Major respect and congratulations to the WGA leadership, WGA negotiation committee, strike captains, and members of the WGA for standing firm in their strike and fighting for a fair contract. Major respect and congratulations to everyone impacted by this strike, including sister unions and to the allies and those who stood in solidarity!

The end of this month was the deadline in terms of setting up writer’s rooms to create seasons of TV for 2024, so this tentative agreement potentially came just in the nick of time.

Hopefully a fair contract for SAG-AFTRA is to follow.

Among many, many other things, this means that if The Bear season 3 is in fact renewed and a new series is ordered, if all goes well it could be back on air by next summer.

Photo source: WGA West

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Moments on Film: Carmen Berzatto and Connell Waldron - Character Analysis

For the past few weeks, I’ve been a lot quieter on this site, and my analysis of The Bear, and that’s because I have been deeply engrossed in finally watching Normal People. I realize the show came out in 2020, but for whatever reason, I missed it when it was first released. Knowing that Paul Mescal has multiple films on the current/upcoming film festival circuit, All of Us Strangers, and Foe, the first of which, already garnering stellar reviews, and the latter, based on a sci-fi book of the same name, which I read and enjoyed, I decided to watch this piece of work from his oeuvre so I can better assess his range.

To put it simply, I found Normal People very compelling, moving, and heartbreaking. The acting from the two main characters is stellar. One of the other things I noticed, are the seemingly endless connections to the main characters in The Bear—in particular, Connell Waldron and Carmen Berzatto. Although these characters are different and a world apart, one in Chicago, Illinois and one in Sligo, Ireland, watching this show was like viewing many of the same problems through another character’s eyes.

On the surface, there are so many obvious similarities, (like the fact that they both religiously wear a chain necklace, Connell’s silver, and Carmy’s gold), but underneath there are multiple traits, insecurities, weaknesses, strengths, and patterns of behavior that stood out so clearly to me that I felt compelled to start writing this piece. In my opinion, both The Bear and Normal People are coming of age stories, because both feature multiple protagonists who are on a journey to discover who they really are and what actually brings them purpose, peace, fulfilment and joy. In a prior piece, I analyzed why I believe Carmy Doesn’t Know Who He Is Yet, and while the reasons may be different, the same is true for Connell Waldron. Below are several examples I noticed of the shared similarities between Carmy and Connell.

Please note: If you watch The Bear, but not Normal People, or vice versa, and you want/plan to, heart this post and come back to it after viewing to avoid major spoilers. If this doesn’t bother you, please, read on, and thank you, but I wanted to give fair warning. 🧡

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Moments on Film: The Connection Between Sydney’s Repeating Hair Scarves

This is a continuation of my last post which highlighted the matching costumes worn by Carmen and Sydney in season 2.

Hair scarves are a huge part of Sydney’s costumes as a character. She has many vibrant and beautifully colorful hair scarves that she wears throughout season 1 and 2. However, in the series so far, there are only two scarves that she prominently wears more than once. As with everything on this show, everything is connected, and nothing is wasted. There are so many seeds planted in this show that ultimately bear fruit, including through the costumes.

At the end of episode 1x2 “Hands”, Carmen hires Sydney to formally work at The Beef. In this episode, she’s wearing a blue/yellow/white patterned hair scarf.

Sydney: “Do you want me to uh, come in tomorrow?”

Carmen: “Please. Yeah. You’re hired.”

This is the same hair scarf she will later wear in episode 1x7, “Review”, when she quits.

Carmen: “What’s going on?”

Sydney: “Um, I quit is what’s going on.”

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In episode 1x4, “Dogs”, Sydney has to step up and lead the restaurant in Carmy’s absence (while he caters the birthday party). This is also the episode where Sydney and Tina have their breakthrough. She wears a red and white patterned hair scarf in this entire episode. It should be mentioned that the neckline of her shirt mimics that of her eventual Chef coat, given to her by Carmy.

Tina: “Thank you Jeff—Chef.”

Sydney: Nods in understanding.

She will later wear the same red hair scarf in 2x9, “Omelette”, and more importantly in 2x10, “The Bear”, when Carmy is trapped in the walk in and she again has to take his place, and lead the team (with Richie) in Carmy’s absence.

Sydney: “Carm?”

Carmen: “It’s your ship now, Captain.

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These two scarves, one blue and one red, have both been worn during times of extreme change for Sydney as a leader in the restaurant and to reflect major turning points for her character.

There is so much to analyze in The Bear. Very much looking forward to analyzing a third season with you all. I hope the strikes lead to better pay and fair contracts for the Writers and the Actors so we can.

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Moments on Film: Carmy and “Just Keep Going”

“Just keep going” is a recurring mantra in The Bear. The first time we hear it, it’s Marcus telling Sydney as he helps her clean up the spilled veal stock in S1. Cousin Michelle says it to Carmy during their poignant scene at the Christmas dinner. Carmy says it to himself by replaying Michelle’s words in his head as he awaits the results of the fire suppression test. The last time we hear it, Carmy says it to Sydney to help her focus and calm down as she’s recovering from Marcus’s outburst in the S2 finale.

I think “just keep going” has been Carmen’s personal mantra his entire life. It has had to be. And while it may have served him well in years prior, I believe it has now, finally all caught up with him.

Because of Carmy’s traumatic and abusive upbringing, he has trained himself to never properly reflect on what just happened. How could he possibly? From what we have been shown so far, his mother is extremely abusive, controlling, manipulative, and threatening. In their brief scenes together, she called him by his brother’s name, threatened him to the point that I believe she physically abuses him, and in fact slapped his face while he was very sweetly comforting her and trying to calm her down. The look on his face after being slapped is gut wrenching, mainly because, as always, there’s so much in his expression—a world of hurt and emotions, and you know he will never tell anyone about what she just did. All he can do is repress his feelings, suppress the urge to react in any way, and literally just keep going. He has to. It’s how he has survived. And it’s killing him.

Gif source: @sarcasmcloud

We still don’t know what Carmy’s relationship with his dad was like. He says he “didn’t really know him well enough to miss him.” Is this true? Or did Carmy also have to survive physical and emotional abuse, in addition to neglect from him, starting at a very young age? Either way, he’s had to keep moving forward and not look back, likely afraid of what will happen if he stops and actually does. This is another reason why he’s always scanning people’s faces, body language and tone to see if they’re mad at him, and waiting for the other shoe to drop. He has been surrounded by erratic, unpredictable behavior. He has had to think ahead, plan his next move, anticipate people’s behavior, reactions and responses so he can be prepared. He has had to live a life of propulsion, never looking back. Staying still, reflecting on the abuse he has had to survive as well as the recent trauma of his brother’s suicide could potentially cause a complete and total nervous breakdown, so he pushes on.

In the flashback scene in New York, we get another, heartbreaking example of how “just keep going” is killing Carmy. His boss is an emotionally abusive tyrant, but for Carmy to call it out, first he would have to acknowledge it. To do that, he might also have to think about and acknowledge the abuse he’s suffered, likely from his dad, certainly his mom, possibly his “uncle” Lee, even his brother. He is not ready to reckon with any of the abusive behavior in those relationships, so he keeps his head down, and does anything he can to get through the day, even if that means vomiting his unspoken feelings out of his sick and exhausted body before every single shift.

Even before New York, which—ironically and devastatingly, was supposed to be a time where he could “decompress” and escape the trauma at home, he was doing anything and everything to stay ahead of slowing down and facing what he’s been through. For years he’s been putting one foot in front of the other, scared to look down, lest he fall off the tightrope.

Presumably since after high school, he’s been traveling around, and in constant motion. Numerous restaurants in California, Copenhagen, then New York. Carmy has so much unprocessed trauma from multiple sources that has never really dealt with, he’s literally been on the run. He has been distracting himself and filling the void by throwing himself into work, and in the words of cousin Michelle at Christmas dinner, he has, in fact, been, “running around like crazy.” He might change his location, but his unprocessed trauma follows him everywhere he goes, causing him paranoia, anger, shame, guilt, self loathing, dread and fear. It’s also made him sick.

The only way to escape is to never be idle for a second, which is why he’s in constant motion. Carmy as a character is rarely completely still. His hands are constantly moving, in S1 in particular he is perpetually running his hands through his hair, feeling his forehead, smoking, and fiddling with his spoon. He hands tremor and tremble when there’s nothing to occupy them. None of this is an issue when he’s scrubbing floors or furiously chopping vegetables. He can be so unsettled and it all stems from the need to stay in motion to distract himself.

Life in a kitchen can easily swallow someone’s entire life. There’s always so much to do—from the prep to the cooking, the tasting, managing staff, actual service, cleaning, ordering supplies, and doing it all over again to keep the place running. Orders come in that have to be filled. It’s relentless, and at the highest level, requires complete and utter focus to be completed successfully. Natalie correctly points out the toll the restaurant takes on Carmy in her first scene with him. “It’s eating you alive”, she tells him. And it is. In S1, Carmy talks about how much time they would spend cleaning at The French Laundry. It’s hard to let your mind wander when you’re in motion and just keep going, so that’s exactly what Carmen does.

The rare moments where Carmy does pause and rest, he has life threatening night terrors, crippling nightmares, and horrible anxiety. In a prior post I analyzed Carmy’s visibly elevated vital signs in S1 and S2. He is so repressed and stressed out it impacts his entire body. With no outlet, his unresolved trauma, undiagnosed PTSD and extreme anxiety manifests inwardly and makes him ill. His dangerously heightened pulse and heartbeat are often visible onscreen. He has trouble breathing. He’s constantly chewing tums or chugging Pepto Bismol to calm his stomach. One of the few items in his apartment visible to Sydney as she enters is a giant bottle of ibuprofen. As I mentioned before, he often looks sick. There’s so much tension coursing through his body sometimes he actually looks like he’s burning up with fever. He’s not taking care of himself. He’s not eating well, and he barely sleeps. His coat is too thin for the freezing Chicago weather, and that’s when he actually wears it to go outside. He blinks his eyes hard in stressful moments, which is a trauma response. The way his body reacts during his panic attacks is frightening. There have been several moments where he looked like he was going to collapse and have a heart attack.

He has been running around, over working himself, repressing his emotions and feelings, neglecting his own needs, health and happiness and in constant motion for probably the past decade. As I detailed in a prior post, Carmy is lost at the present because he’s never allowed himself to slow down and find out who he really is and what actually makes him happy. He’s been in complete and total survival mode.

There is no way he can keep up at the level he has been operating and not completely collapse at some point. I think that’s a huge reason, subconsciously, that he slipped into the relationship with Claire. Among other reasons, he is exhausted and it was a way out and seemingly a soft place to land. She is also probably the first person to physically touch him, maybe in years. Of course he wanted to lean into the potential comfort and care that he thought she might be able to provide. He needs touch and tenderness so desperately that he invited her to the restaurant, his sacred space, mere seconds after she stroked his face, a turning point in their “relationship.”

Claire initially allowed him just enough relief that he wasn’t about to explode. However, in the end, it proved to be such a distraction that it pulled him even further from reality, his duties, and people who he actually should have been spending time with, namely, Sydney. The lack of healthy balance caused him increased anxiety and much more harm than good. His panic attacks actually increased and got worse during his time with Claire. She also only served to unhealthily unearth the past he’s been running away from by bringing painful memories he’s tried to suppress screaming to the surface.

I am very worried about where a potential next season(s) will take Carmy, emotionally and physically. He is headed for a serious crash and burn if he thinks he can just ignore his numerous health problems and keep running from his past. He is only human. They will all catch up with him and I believe they already have.

I’m also worried because we know the writers like to do call backs and tie threads together. Plot points, relationships and lines are never wasted. I’ve said in my posts prior to S2 how badly I think Carmen needs to see a Doctor. The fact that Claire is one, but it never factored into S2 is so odd to me. This is what makes me think we perhaps have not seen the last of Claire.

Carmy physically exhibits crippling distress, and noticeably elevated vital signs, in the form of shallow breathing, rapid pulse, pounding heartbeat and a face that often looks flushed with fever. He actually had a “gnarly” panic attack while he was with Claire. He needs medical attention, but we were never shown her acknowledge this or make a recommendation about the help he needs, or give him tips to calm down, apart from essentially “just ignore your problems and they’ll go away.” This is all so strange to me because Carmy is not well, Claire’s an ER Doctor in residency, and she experienced him during a horrible panic attack. What is the first thing they do at the Emergency Room? Check your vital signs. Can’t she see he’s sick? Wouldn’t she want to help him, personally, not to mention professionally, to get treatment and ease his suffering? It doesn’t make any sense to me.

He has, however, found a new way to self soothe in his most painful moments to calm down his nervous system—with visions of the one thing that helps him stabilize and breathe, visions of Sydney.

I really hope that the next time Carmy and Claire see each other isn’t because he’s being brought to the Emergency Room where she’s a Doctor because of something terrible, like an illness, accident, or major health emergency. That said, I think he is on the brink of a crisis. A major health issue might be the only way for him to stop and actually slow down enough to rethink his life and how he’s been spending it these past years.

Season 2 ends with Carmy believing he needs to double down on his mantra and “just keep going”like he always has, push himself to the max, and sacrifice his entire existence to run the restaurant, but that is not sustainable. It is not service, it is servitude. I believe he is exhausted, burnt out and headed for disaster from living this way for the past decade. He’s a master at masking that he’s barely hanging on by a thread. This is a huge reason why Sydney is his lifeline. Unlike Claire, who’s supposedly “known” Carmy for years, within days Sydney accurately diagnosed Carmy’s problem (S1E2) “you need help”, she told him. She saw through what he was trying to hide, to what he needs most. She caught him before he fell and she’s been holding him this whole time. I honestly believe that by walking in the doors of The Beef, Sydney saved Carmen’s life, but neither one of them truly realizes it yet.

I really hope for the sake of Carmy’s physical, emotional, mental, and spiritual health he will see that slowing down, coming to terms with the abuse and trauma he’s survived, taking care of himself, resting, and getting professional help is a life and death situation for him.

Carmen needs to realize that he hasn’t and isn’t living a full life with the mantra “just keep going.” It has worked so far as a survival tactic but he deserves and needs to live a life where he can be healthy, fulfilled and happy. A life where he’s not just going but growing. I hope he realizes this before it’s too late. For the sake of his health the stakes are extremely high and he has no time to lose. Every second counts, indeed.

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Moments on Film: Carmy’s Vital Signs

One of the most fascinating things about The Bear is the full body acting from Jeremy Allen White. As with any performance, as an actor he makes many intentional choices, but there are several that I have noticed that are so in the moment and realistic, his body experiences them as his character. His actual vital signs—body temperature, pulse rate, breathing rate, blood pressure—are all a part of his character and are often visible onscreen, making it very hard to differentiate between the performer and the performance. He is so immersed in the character, you can’t help but worry about him and his health, both as a character and as an actor, to the point where his acting often feels dangerous. He surrenders himself and his body so fully, it is absolutely mesmerizing to watch. Below are several examples from season 1 and season 2.

Season 1:

Carmy and Sydney Meet

The scene where Carmy meets Sydney for the first time immediately struck me. Because of their undeniable chemistry, you very quickly get the sense that they just “get” each other. Sydney glides in and literally gives Carmy the breath of life he’s been missing. She wakes him up and reminds him who he is as much as who he could be. Carmy’s eyes show us everything in this scene and all that he’s been through leading up to this moment. It’s all there. The deep, deep sadness, grief, the exhaustion, how traumatized he is, beaten down, burnt out, sleep deprived, and desperately in need of help. He looks sick. When Sydney says, “I know who you are”, his face cocks to the side and his eyes lock into hers. He looks hypnotised by her. He says “oh yeah?”, but his eyes say, “No, I’ve forgotten. I’m exhausted and beaten down. Please help me remember. Let me be what you see.” And she does. Watch the scene again and listen to his breathy exhalation when she says “you’re the most excellent CDC…”It’s as if by being seen and understood by Sydney, the spell is broken and he can finally, actually breathe again. The relief of this moment, due to her belief in him and how she’s sees him is the first time we ever see him smile.

The Phone Call

This scene really made an impression the first time I saw it and it continues to. Carmy picks up the ringing phone and it’s a call from someone he doesn’t know named Nico. This person asks if Michael is around and in this moment Carmy goes through so many emotions. He is so caught off guard to be asked about Michael that he literally says, “Uh, uh, no. No, no. He’s not here this second.” If you watch closely, when he hears Michael’s name his pulse instantly elevates to the point where you can see the vein on the left side of his neck throbbing. As the scene goes on he starts to tense up and becomes weak and eventually has a panic attack that leaves him with a pounding heartbeat, so severe he has to sit down and then get out of there, as fast as possible. It’s an incredible moment of physical acting where the actors’s body is truly serving as a vessel for the character.

Fights with Richie

In this scene, Carmy is fighting with Richie over the C health code rating The Beef just received. Carmy believes it’s Richie’s fault since he left cigarettes by the burners, when in reality, it was Carmy’s fault. Carmy and Richie scream at each other and it gets physical. He’s so angry in this moment, his face slowly becomes completely flushed red, and his forehead stays pale. His pulse slams against his neck veins. I don’t know how many takes this scene took, but to achieve this level of body acting, even once, is incredible. The actor’s body doesn’t know that they are acting, it responds as if it’s a real moment they are experiencing.

In the scene above, Carmy and Richie are again fighting. This time, because Richie admits to selling drugs out of the back alley of The Beef and Carmy finds out. Is this what Carmy’s dad used to do at The Beef? Uncle Jimmy mentioned they last fought about drugs, among other things. The idea of selling drugs is so triggering for Carmy, it made me think there is a backstory here that has to do with his family. Carmy also finds out it was Michael’s idea to sell the drugs. This revelation both devastates and infuriates Carmy with such equal measure that he simultaneously looks like his going to burst into tears and completely explode. Look at the tears in his eyes. Look at the gripping tension he’s holding in his neck. You can just feel his heart rate rising as the scene progresses. It’s another incredible moment where this actor is literally giving his full body to service the story.

Sydney Quits

One of the worst moments in the series for Carmy is when Sydney quits. She’s calm, but she gets in his face with her final words. Given Carmy’s severe abandonment issues, and how much he needs Sydney and wants her there with him, this moment clearly devastated him. He practically doubles over. When Sydney walks out, so does his ability to breathe. He is struggling for air. His face, which normally becomes flushed and red in moments of extreme duress does something different here. He’s in such agony, his face completely drains of all color. He turns white as a sheet. This response, to me, signaled a different type of deep, deep emotional pain. How the actor was able to control his body to exhibit these internal emotions externally is remarkable.

Al-Anon Share

In acting, a performer always has to be thinking about their moment before—what were they just doing, what moment did they just come from, and how is that impacting them in this particular moment? When Carmen attends Al-Anon in the season 1 finale, he is coming from all the events that took place previously, including a traumatizing nightmare, which he awakens from violently and painfully. He’s regretting everything he did the day before, he’s hearing his brother’s voice, and he hasn’t slept well or rested, maybe in months, or years for that matter. Physically in this scene, it makes sense for him to look dishsheveled. He goes a step further though. In this scene, and often in the series, he literally looks like he’s running a fever. Once Carmy starts opening up, we see sides of him we have never seen before. One striking moment is when he’s sharing that Michael used to tell him “let it rip.” When he shares this, he almost seems a little embarrassed. In this moment of raw and open vulnerability, he blushes, and his face flushes, slowly. He then smiles, so sweetly. The fact that his character feels embarrassment and his actual face will flush, on command, as a performer, will never fail to astonish me. You can’t plan for your body to have that reaction. You can’t fake it either. He is living in all of Carmy’s moments with his own flesh and blood.

Sydney Comes Back

In the season finale, Carmy discovers the money his brother has left for him to pursue their shared dream of opening a restaurant together, The Bear. While Carmy and the team are opening the cans where Michael left the hidden money, Sydney appears. She again glides in and reminds him who he is and who he can be. But this time it’s different, this time she reminds him who she is too. Carmy then envisions what they could do—what they could be—together. Carmy has missed her so much, he regrets their last minutes together, but in this moment, all that fades away. He breathes, easily and deeply at the sight of her. Every cell in his body bends towards her. Carmy’s eyes invite her in to build the restaurant with him as much as his words do. His pupils actually dilate when he first sees her and looks into her eyes. Again, these are not physical acting choices that you can just plan or manipulate. Your body has to be going through these emotions for them to present themselves in the way that they do.

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Season 2

Season 2 of The Bear is different. To me, they have messed with the actor’s face in a way that has taken away a huge part of what makes him uniquely compelling. He lives in the moment, he acts with his whole being. He lets his eyes, body, and skin all tell the story. What they’ve done to his face this season is very noticeable to me. Carmy, as a character is stressed, exhausted and haggard. He doesn’t take care of himself and he’s not vain. It’s a huge disconnect to see him looking flawless in certain scenes, with no color showing through anywhere on his face, like he just had a facial. It doesn’t make sense for the character and it limits him and what he brings as an actor. His skin often looks like glass this season, and whatever fancy stuff they did to him took away his ability to have his emotions show through his skin at the level they did last season, which is a huge reason why the performance felt so visceral and real. They saw his emotive skin flushing and imperfections as a liability, when in fact, they are an incredible asset. He doesn’t look like anyone else, and it’s real and refreshing to see onscreen. I wish they didn’t take that away from him.

Despite what they did, he is such a good actor, he pushes through and can still physically convey the heart of what Carmy is feeling in each moment. Below are several moments that made a huge impression.

Scene with Claire

The first time I watched this scene I had to pause and watch again. Why does it feel so awkward? Among other things, it’s because Carmy is not breathing properly. Watch it again but this time only listen to his breathing. He is so distressed, talking about the fire suppression he can barely get enough air. You would think Claire’s presence would calm him down but she doesn’t. He can’t accept the moment. At times, he is subtly gulping air and his voice is shaky in a way that the scene doesn’t necessarily warrant. This was a huge indicator to me that something is wrong. It feels very off. He is so ill at ease and tense. Speaking of moments before, Carmy later reveals in this episode that the previous night he had a “gnarly panic attack.” So in this scene, he presumably had a very rough night and did not sleep well. He’s very worried about the test, waiting for the other shoe, and is self conscious about if what he’s saying is boring to Claire. All of these anxieties impact him and he’s having a lot of trouble stilling himself and calming down. We now know that Claire is not Carmy’s calm, or his peace, or his safe place—that’s Sydney. We don’t fully know that until the next episode. It’s as if the actor internalized that truth and is giving us a clue to it now. This is subtle, expert character work and an extremely difficult physical action to fake as an actor. He would have to be so keyed into the subconscious emotions of the character to let these nervous ticks run through his body. I’m telling you, watch the scene again and only listen to how much trouble he has breathing in certain moments. It’s not normal how tense he is here and an incredible foreshadowing into what we later learn he needs that actually soothes him and calms him down—Sydney.

Panic Attack in the Alley

In episode 9, cracks come to the surface, what’s done (literally) in the dark comes to the light, and Carmy is forced to physically deal with what he’s been suppressing emotionally. He experiences the worst panic attack we have ever seen him go through. He’s gotten so much worse and because of the incredible full body acting in this moment, it’s painful to watch. The conversation about this scene, rightly so, focuses on how Carmy thinks of Sydney to bring down his panic and breathe, but let’s talk about the physical acting for a minute. He’s shaking uncontrollably, every muscle is tightly wound and coiled. He can’t feel his hands. He can’t breathe. His skin is red and burning up with tension. He looks like a freight train is running through his body. His face contorts like he’s swallowing bile and is about to vomit. His acting is so real it is distressing to watch. Because he puts his body through so much, we are right there with him in every moment. We can truly feel what he’s feeling. He looks like he’s in real pain.

Eventually in this moment, Carmy focuses on Sydney—the first time he saw her face and when she came back to him, affirming words she’s told him about who he is and how she sees him. He’s kneeling at this point and is finally able to suspend his suffering, lower his panic, calm himself down and breathe. The flush on his face starts to lessen. The fever breaks and starts to come down as he focuses on Sydney and only Sydney. This is all conveyed without a single word from the actor. A montage shows us what he’s thinking, but the emotional stakes of this scene rely entirely on the actor’s ability to use his body to let us in so we can feel what he’s experiencing, and he delivers.

Carmy and Sydney Under the Table

The scene under the table is so tender and beautiful it brought me to tears. It’s a moment of truth, reckoning, concern, care, and yes, love, between the two of them. Carmy creates an environment that is gentle and safe, and Sydney softens and blossoms in a way that we have not seen before. There are moments that are so intimate, still and low it’s as if they are speaking to each other softly while laid out across each other’s chests. Sydney shares her fears and Carmy essentially tells her, “it’s ok. I’m here. We’re in this together. You’re safe with me and I won’t let anything bad happen to you.”

Physically, in this moment, Carmy is so attentive, and so at peace with Sydney that time literally stands still. They are in their own dimension. We are so used to seeing Carmy in motion, thrashing around and stressed, that this scene and the way that it’s acted feels like a deliverance. He creates a sanctuary for Sydney to feel safe. The physicality and voice of the actor creates this moment. They are 25 minutes to open, and his eyes are gentle, his voice is as soft as it’s ever been, he’s breathing steady and easy. He’s gently moving his hand but not out of frantic energy. He can’t soothe her with touch so he soothes her with words. This scene is a revelation in how the actor shows us Sydney’s impact on Carmy. In her presence, his entire nervous system is completely and finally relaxed and at ease.

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All of what this actor gives and does as a performer engenders so much empathy for the character that his feelings become ours. We exhale when he does, and it actually hurts to watch him suffer. We worry about him, and his health, and care about his feelings. I think that’s why people have connected with this show so much. The rest of the cast is fantastic, but if we do not feel for Carmy and care about him as a character, the show does not work. He knows this, puts his body on the line, and gives it his all. He deserves the awards he had received for this role and I hope we get to see him continue this character in a season 3 and beyond.

Pay. The. Actors.

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Moments on Film: Carmy and Sydney’s Michelin Star Talk

This is another one of my favorite scenes between Carmen and Sydney. It’s in S2E2, and they are at his apartment, working on the new menu.

Sydney asks Carmy about the moment he got the 3 Michelin stars call when was the CDC at the restaurant in New York, the highest honor for any restaurant in the world.

What struck me about this scene, apart from the playful banter into this moment, was how Carmy immediately gushes out his answer after Sydney asks him this question. She’s genuinely interested and, literally, a little star struck, and he in turn seems like he’s so unburdened to finally be able to talk to someone about this major moment in his life.

We know that when Carmy was the CDC at Eleven Madison Park, he was horribly abused on a daily basis by his boss, the Executive Chef. Carmy had the completely arduous task of leading the kitchen while under extreme duress, and to such a degree that he was able to retain the highest honor in his industry. The stress of it all we know, made him physically sick, everyday. We also know at this time, Michael wasn’t speaking to him, and it’s unlikely his family understood what he was going through in this moment. He was going through monumental highs and lows, without any support, and completely alone.

He probably has never had the chance to process it or think about it, let alone talk about it.

When Carmy comes home for Christmas in the flashback of S2E6, we see almost everyone, and especially his mom, give him guff and make fun of him for being a “big time chef….too fancy for us.” Carmy was in Copenhagen at the time and not in New York yet, but he’s going through exciting, transformative, life changing moments which no one in his family bothers to ask about or talk to him about. It must have been incredibly painful to not only not be able to share and talk about it, but to be made fun of for it, instead of being told, “good job”, which, as he shares in S1E8, was one thing he wanted to hear from his brother, so badly.

Sydney asks him about his experience because she genuinely wants to listen to him speak about this moment. She doesn’t just ask what it was like, she asks him, “how did it feel?” He immediately pours out his answer in such a way that made me think, my gosh, probably no one has ever asked him about it before. It’s terribly sad that until now no one has cared enough to show interest, and it must have made him feel so lonely to not be able to express himself or what this moment meant to him.

Now Sydney is here though, and she allows him the space in this moment to be vulnerable and heard. His answer perhaps isn’t what she thought it would be, but it’s honest.

Sydney understands the high level of the restaurants where Carmy has worked and what he has achieved professionally, and she admires him for it. She also understands on a much deeper level because he unknowingly fed her while he was the CDC in New York and she was his guest. Sydney’s eaten Carmy’s 3 Michelin star award winning food, and it was the best meal she’s ever had. He just doesn’t know it yet.

In S1E2, when the staff is cleaning the kitchen and Carmy mentions Noma, Marcus says “Noma’s the shit, huh?” Both Carmy and Sydney say “the best”, at the exact same time.

In terms of being understood, this contrasts starkly with Carmy’s conversation with Claire in another kitchen—the kitchen of the party house in S2E5. She mentions he was in France, he gently corrects her and says Copenhagen. She says, “go to Noma?”, he says, “worked at Noma.” Claire says, “I heard it’s alright” and he responds with “it’s pretty good”. This exchange stuck out to me when I first heard it. Is she sarcastically joking about Noma being just “alright”, or does she not know about its exceptional reputation? Either way she doesn’t ask Carmy any questions about it and then changes the subject.

After Carmy tells Sydney about his Michelin star call and the moment that immediately followed when he had to prepare to serve the U.N. Security Council, his face holds onto the memory of the moment and you can see it felt so good for him to express himself and talk about it. He probably hasn’t thought about it in a long time. He looks reflective and dare I say, proud. He then looks at Sydney, and they smile at each other. It’s quick, but he looks so grateful to her for allowing him to talk about this moment and also that she really, truly listened.

It’s these sweet little moments between the two of them that really make an impact because in these moments, they allow each other to share experiences that only a few people in the world would actually understand. Just like their sign language, the way they understand each other creates a form of communication and expression that is just between them.

I don’t think she realizes it, but Sydney asking Carmy this question, and by genuinely listening to and caring about his answer, she fed and nourished a part of him that had been starved for so long, just like he fed her.

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Carmy doesn’t know who he is yet

I’ve been thinking about this a lot and I’ve come to the conclusion that Carmen doesn’t really know who he is. He doesn’t know himself enough to know what actually makes him happy. This impacts how he views himself, how he sees himself in relation to other people, and it also helps explain why his life feels so empty, why he has no answer when asked questions, including “what is fun for you?”

In the group session in S2E3, Carmy shares,

“I think when I was a kid, anything that would give me any sort of excitement or amusement or enjoyment, it always got kind of f-d.”

What I took from this is that he used to have things that he was passionate and excited about, maybe even things he found fun, made him laugh, brought him joy, and they got ruined, by his family. He likely didn’t start out in life with the outlook he has now. Life, and the abuse and trauma he has survived taught him to repress his true feelings, not express himself, and not communicate his needs and desires, for fear of what would happen if he did.

We know that Carmy is an artist, in more ways than one. Carmy is an artist through the food he creates. In S1E8, he describes how he felt that by cooking he could “communicate through creativity”, which must have been an incredible self discovery for him. Unfortunately, it appears that is the only creative discovery about himself he has been able to act on. His latent artistic talents include a connection to clothing and the ability to draw beautiful, realistic sketches of food and people (from what we have been shown so far). I believe art was Carmy’s first, true passion but it has been beaten out of him.

In S2E6, in the first scene between him and his mom, Carmy is helping in the kitchen and his mother brings up Steven. She says to Carmy, “Is cousin Michelle’s friend Steven, is he gay? Steven, is he gay? I mean he seems kind of gay. You know, he’s arty.”

This raised a HUGE red flag for me upon first viewing. Donna is equating being arty with being gay, and with negative connotations. Now at this point in S2, we don’t yet know that Carmy used to draw Claire, or that he drew the framed sketch that he gives to Michael as a Christmas present of their dream restaurant, The Bear, (we find out both later in this episode), or that he drew the chaos menu he shows to Sydney in S2E8. All we know so far is that he used to draw (pants) in high school. In S2E5, Carmy tells Claire that after meeting who we now know was Thom Browne at his restaurant in New York, he said he felt like he “wanted to start drawing again.” Claire says, “the dream returned”, and Carmy looks down and looks so sad.

Maybe his initial dream really was to be an artist, but his mom, brother, and Richie all “giving him a hard time” about drawing, and probably being made fun of ruined it for him, so he repressed that side of himself, tamped it down, and denied what he was actually passionate about. What could have been a great source of joy and happiness is now associated with suppression and shame.

Carmy didn’t go to college. He didn’t get to try new things, take classes and discover new passions, meet new people, or expose himself to possibilities that life could offer. He didn’t have friends or girlfriends growing up. The only people (historically) he’s ever been around are family, who see him a certain way, and his various staff, which he manages and leads. Claire sees him a certain way because she knows his past and understands his (past) behavior. She tells him “you’re really shy”, not you were really shy or you used to be shy—no, she is speaking about his past in the present tense. All of this boxes Carmy in, behaviorally.

Carmy tells Claire he always wanted to have friends, so wistfully. At the party Claire takes him to in S2E5, he gets mistaken for someone else, Logan Fernello, but doesn’t correct the situation. He escapes into this alter ego and literally pretends to be someone else so he can have a conversation with a group of would be friends. The group of guys he’s talking to don’t know who he is and he uses this as an opportunity to reinvent himself. This scene really threw me the first time I saw it, not just because he’s telling a story to a rapt audience, but because in 13 episodes, he has never been this animated. It’s as if he’s channeling the best parts of what he loved about Michael in this moment. He’s never really allowed himself to make friends with new people and explore and expand certain aspects of his personality. Is he shy is this scene? Absolutely not. The moment ends when Claire comes over and steers him out of the situation, which made me think—How is Carmy supposed to explore new parts of himself around people from his past who have already made up their minds about who he is and how he’s supposed to behave?

Instead of going to college, where, among other things, he would have had new experiences and met new people, Carmy threw himself into work. He saw colleagues as competition and worked himself to the bone. He’s been a chef in Malibu, California, Napa Valley, California, Copenhagen, Denmark, and New York, New York, but Carmy never talks about his experiences in these locations unless it’s tied to work. Did he ever explore in these cities and locations and allow himself to have a good time?

Carmy’s empty apartment is also indicative of his suppressed emotions and personality. We know he has a great eye and talent for creativity and beauty, yet his apartment reflects none of this. There’s barely anything on the walls, apart from a few things in his room. There is no personality to be found. Everything is his apartment is to serve a function, but there is nothing sentimental, nostalgic, creative or reflective of his life experiences or travels on display.

In S2E1, Carmy has a moment alone in his empty apartment. It’s a quiet moment, but one of extreme unease. He simply does not know how to relax, how to just be. He plays with his pocket knife and opens his phone. This moment is notable because he essentially has no apps on his phone apart from the preloaded ones. No entertainment, no games, nothing personal. It’s as devoid of his personality as his apartment.

Carmy tells his sister in S1E6 that he feels trapped because he can’t describe how he’s feeling. I believe Carmy senses and feels things deeply, but he has a very hard time putting his emotions into words. I think this is why Carmy has such a talent for giving such sweet and thoughtful gifts. He listens, he pays attention, and he really considers what people need and want. A gift can say so much, and express deep emotion, without the need for words.

Carmy knows his knife will give Tina confidence at culinary school, and so, in the subtlest way possible, he gifts it to her. Sending Richie to stage with chef Terry was life changing. Carmy must have put a lot of thought into what Richie needs, and he gave him that experience from his heart. Even in S1E3, the small act of Carmy bringing Sydney a plate of food to eat because he thought she might be hungry, spoke volumes. His gift to her of the chef coat was a declaration of love because not only did he listen to her when she expressed interest in his, he customized it for her perfectly, down to the smallest detail.

When Carmy tells Sydney, “you’re not alone”, as he gives her this beautiful gift, there is an ocean of emotion, care, thought, consideration, respect, and yes, love, in those three words. It’s as if he can sense and feel exactly what her deepest fear is and he comforts her by essentially letting her know, “I see you, please don’t worry. You’re safe with me. I’ll watch over you. I won’t let anything bad happen to you. Even if I wasn’t before, I’m here for you now and I’m not leaving.” He might have to tamp down his feelings, needs and desires, and not put them into words, but he does not want Sydney to experience that same type of pain. This makes his “say more, please” line to get her to speak all the more sweet, tender, and poignant.

From what we have seen so far, Carmy has never been nurtured and never really been loved, unconditionally. To discover who you are, what moves, motivates, excites and enamours you, you have to have experiences, you have to be able to leap into the unknown. I don’t think he’s ever felt safe enough emotionally to explore and express parts of himself with freedom to discover who he is and what actually makes him happy.

I think so many of Carmy’s self identity struggles and mental health issues arise from the abuse he’s had to survive and the trauma he’s endured. It has made him shut down, close off, repress and stifle his urges, emotions, and passions. I also must add that what brings me hope for him is how he is able to express himself with honestly, vulnerability, care and tenderness with the new people in his life, but most importantly, with Sydney. She is not connected to his past, and I think together they could have a beautiful future. That future might not always be in the kitchen, but that is ok.

I really hope Carmy is on a journey of self discovery and into who he is and what brings him joy, peace and happiness. I hope he gets the professional help he needs and is able to untangle his suppressed, confused, internalized emotions, put words to feelings, and finally live life to the fullest. Most importantly, I hope he allows himself the grace to know himself, express himself, and truly love himself. When he does, I know his love for others will take on a whole new dimension of creativity and beauty, just like his art.

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