Am I the only one in the GO fandom who prefers Crowley with short hair?? I feel like I’m very alone but like HEAR ME OUT
Long hair Crowley gets so much love but
THE SHORT HAIR IS SO GOOD
I know everyone wants to see the 60's innefable wives but what I would really die to see is 1977 height-of-punk-music-and-culture Crowley.
Open
An over-dramatic riff on this idea over here (@vroomvroomwee).
We are in the starry night river
more wing swap au
- You're being ridiculous Crowley.
- C'mon Angel, you know its a good idea~
Some more MedievalOmens! This was very much inspired by @doctorscienceknows-blog wonderful comment on my previous medieval work
The age of piracy flashback we all need and deserve
a scarf for husbands
Just because a twitter chat got me thinking that as hilarious as Crowley is in the pub scene, it's funnier to think Aziraphale would truly be the jealous one. Crowley is more amused by humans trying to chat him or the angel up, what does he care, what, after 6000 years one of them is suddenly going to fall for a bad pickup line or a free drink? Aziraphale just has a possessive side and if he were the one to catch someone in his seat at the bar, I can just hear him in that ice-cold voice he can get:
“I beg your pardon, you appear to be in my seat.”
Crowley glanced up at him and his visible amusement did not soothe any of Aziraphale's irritation. “Hey, angel, this is Roy. He’s—“
“Mm, yes, I’m sure he is. My seat, please.”
The urge to miracle a catastrophic failure to the integrity of Roy’s Pilsner glass was itching at Aziraphale’s fingertips. He was almost disappointed when he showed an unexpected good sense and stood up, drink in hand. “Well. It was lovely chatting.”
Crowley gave him a wide smile with an unnecessary amount of teeth. “Right. Anytime.”
Aziraphale stared at Roy with half-closed eyes and a tight-lipped smile that said anytime should be as close to never as humanly possible.
In a show of remarkably poor survival instinct, Roy gestured to the table as he stood at a scrap of paper Aziraphale hadn’t noticed as his full attention had been on glaring at their uninvited guest. “You’ve got my number. Give us a call, anytime.”
Hozier coded
Angels’ Tango
Playing around with styles again, drawing my favourite ineffable idiots <3
So I understand that there are Good Omens show fans who have never read Good Omens the book, and that makes me deeply sad because--
Like, there's so much depth to the story being told about humans and humanity and the choice between good and evil -- and how that's actually a false dichotomy whoooops -- WHILE ALSO not really being about Aziraphale and Crowley at all (who are, imo, basically there as embodiments of "Impressive Failures" for the purposes of Theme and also Plot).
BUT IF you want to know why I've shipped them since the book-- here's the moment it happened for wee teenage me:
Wednesday (before the end of the world)
So it's Warlock's birthday party. And there are all these children and security guards and also an angel doing magic tricks while a demon is disguised as a caterer. This bit is basically the same as the show, so hooray.
But as wee me understood the characters up to this point, they were still basically enemies who had been in the field together for way too long and knew each other's moves well enough for the same tempting/thwarting of one another to become kind of boring and repetitive and generally pointless-- particularly once they realized that they could, for instance, just live their (separate!) lives watching humans being weird (Crowley) and seeking various sensory stuff (Aziraphale) while doing the least work necessary to keep their respective bosses off their backs.
The Arrangement was borne not out of hiding a friendship or anything, but instead the realization that sometimes covering for one another would just... cut down on their total overall workload. They were, at best, employees of two different, competitive companies-- though in same kind of department, doing the same kind of work-- who discovered they liked to have lunch at the same deli and that their jobs were sometimes distressingly more similar than either was comfortable with.
SO ANYWAY. BACK TO THAT WEDNESDAY. They're not covering for one another with this whole Antichrist thing-- they're now actively collaborating, and they've acknowledged (mostly) that it's not to cut down on their individual workloads, but rather to preserve their identical-- but not shared (not yet)-- goals of Getting To Continue The Lives On Earth They've Grown To Enjoy.
But like-- still not friends. Not really.
Until Aziraphale fucks up a bit, Warlock accidentally gets hold of a security guard's weapon and starts waving it around, and:
Then someone threw some jelly at Warlock. The boy squeaked, and pulled the trigger of the gun. It was a Magnum .32, CIA issue, gray, mean, heavy, capable of blowing a man away at thirty paces, and leaving nothing more than a red mist, a ghastly mess, and a certain amount of paperwork. Aziraphale blinked. A thin stream of water squirted from the nozzle and soaked Crowley, who had been looking out the window, trying to see if there was a huge black dog in the garden. Aziraphale looked embarrassed. Then a cream cake hit him in the face.
My teenage brain exploded at this moment.
BECAUSE: there is no reason for Aziraphale to do that.
Work-wise: If he got shot, Crowley would get discorporated, but not die-- and anyway, it would happen in such a way that both of them could explain it away easily to their respective sides (and possibly even be commended for it!).
Collaboration-wise: If Crowley had been watching Aziraphale, and if he'd seen Aziraphale have the chance to change the gun but not do it-- then yeah, probably that would've been annoying enough to have warranted some chilly conversations once he came back topside, and therefore, Aziraphale choosing to save Crowley could've been a reasonable, logical choice to keep their working relationship on an even keel until they'd sorted out this Doomsday thing.
But Crowley was looking the other way.
Work-wise, it doesn't make sense-- and secret-collaboration-wise, it doesn't make sense-- and so it is, overall, really weird that Aziraphale saved him.
But his automatic reaction-- in a blink-- is to stop Crowley from getting shot. And he knows it's weird-- he feels embarrassed that his sudden, unthinking reaction is to save his "enemy".
And the final bit is just a couple paragraphs later:
With a gesture, Aziraphale turned the rest of the guns into water pistols as well, and walked out.
SO LOOK: He changed only the pistol about to shoot Crowley. His automatic reaction had nothing to do with saving a party full of humans, many of them children-- nothing to do with Heaven or Hell-- nothing to do with preserving the coworker he needs to stop Armageddon--
It was all to do with saving Crowley. Who may be the enemy, but he's Aziraphale's enemy. And another part of his life on Earth that he's doing all of this just to preserve.
Which may also be, for the first time, the moment he lets himself realize how important Crowley in particular is to him.
...and so anyway, that's how I started shipping these two immortal idiots, and one of many reasons why everyone should read the book.
mom said it's my turn to draw reverse omens au
Part two, based on this post by @vroomvroomwee
Snippets of the cursed movie script are floating around and I had to draw this…