“Get your big thing out of the way, Iwaizumi.”
“My instrument is perfectly reasonable-sized, thank you very much.”
“And yet you just play the grumbly low background tune.”
“Oh? Jealous that you’re just one of many in your rows? Size complex much?”
“Just move aside.” Kuroo’s grin almost splits from one ear to another, and he bumps his fist against Hajime’s shoulder when pushing past him. It’s tradition by now: before every practice, they banter and insult each other a bit to let off steam. Violins and cellos are bound to have a bit of a rivalry, so the teasing never stops. Hajime doesn’t mind. This is the first orchestra he’s playing in since graduation, and even though it’s not yet the Berlin Philharmonic’s yet, but he’s getting there.
“How ‘bout we grab some food after work?” Hajime adjusts a peg on his cello when the others start tuning next to him. “I’ll treat you,” he adds, only half listening to the notes humming in the background. His fingers work automatically, the strings of his cello trembling slightly as he touches the bow to it.
“Sure,” Kuroo says. “I’ll bring Akaashi, if you don’t mind, and Bokuto - “
“Everyone, please take a seat, we’re getting started.” The orchestra falls quiet, all remaining chatter dies out in an instant. Their conductor approaches, her dark hair looking as silky as ever and really, if Hajime wasn’t as straight as the scroll on his beloved cello, he’d be swooning throughout every practice. But Kiyoko’s eyes are glinting like she knows a secret nobody else does. That means she’s up to something. It means serious business.
A moment later, Hajime understands why.
“Listen, please. I have someone to introduce to you. This is Tooru Oikawa.”
Hajime thinks that he can feel a string snap inside his chest. The man that walks up to Kiyoko’s side is simply gorgeous, in a way that has Hajime’s jaw drop all stupid and stunned. Breathing is unnecessary. The guy has soft brown hair that tickles along his cheekbones (god, who even has that much in the genetic lottery, Hajime is going to file a complaint), and he lifts a hand to wave.
“Hello. I’m sure we’ll get along well, sweethearts.”
Shit. Hajime forces his mouth shut and tries not to blink too much when staring at the guy’s face. Is it just his imagination or did that guy just wink? And - at him?
“What do you play?” Someone asks. All eyes are on Hajime, including Kiyoko and that too-beautiful-to-be-real (oh yeah, Tooru is his name, Hajime memorizes in a newly named “to tap list” in his brain) are staring at him. Oh no, did he really just ask that?
Tooru is the first to recover. He laughs, teeth too fucking white to be real or fair, and pulls the black bag that Hajime just now notices down from his shoulder. “See for yourself, big guy. But don’t worry, I’ll be in your line of sight, in case you wanna burn me with your eyes some more.”
Five minutes later, Hajime knows better.
Of course it’s the flute. Of any instruments that exists in this goddamn wonderful orchestra (and there are lots), it’s the silver artwork of intricate keys that Tooru puts his long fingertips on. His nails are short, just a sliver of white at the tip. Hajime may or may not be in love with how his lips push against the mouthpiece, and it seems like Tooru kisses every single note that leaves his flute.
It’s only after ten minutes into practice that Hajime gets elbowed by Sawamura next to him, whispering “focus! Our part is coming up” that Hajime can shake off his fascination. The music pulls him in as it always does, tunes of copper and quicksilver mingling into the sympony they’ll be playing two months from now. Practice blends into a blur of music and Kiyoko’s voice working them through the first part, into criticism and nods and short remarks while everyone’s fingers change between scribbling notes into the sheet music and flying across their instruments.
They work overtime, again. Nobody complains, and yet there is a collective exhale when Kiyoko nods and calls it a day. Hajime makes sure that everyone with a string instrument is getting their stuff cleaned up. He’s so occupied that it takes two taps on his shoulder to make him turn around.
“Tooru,” he says, and fuck, he’s even more overwhelming up close. “If you have questions, you should maybe consult Tobio. He’s responsible for the wind instr-”
“You know, I never believed my old music teacher.” The smile that stretches across Tooru’s lips makes Hajime’s heart bolt against his ribs. The flute is still in Tooru’s hand, silver reflecting the light and shining it on Tooru’s arm.
“Excuse me?” Breathe, Hajime tells himself, but he ends up licking his lips.
“Oh, just. The cello really is the most erotic instrument. We should get dinner sometime, Iwai- no, Hajime. Don’t you think?” And if there’s a brush of pale, warm fingers against Hajime’s elbow before Tooru passes by, humming the tune of Hajime’s cello part, well then those looks Tooru threw him during practice not just mere imagination.
But he’s still wrong, Hajime grins while packing up. A few hours ago, he would have agreed with Tooru’s music teacher in all instances. Now, there’s a certain soft mouth pressing to humming metal that rivals even Hajime’s finger skills.