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Mylokoville

@missmyloko / missmyloko.tumblr.com

Random fun from a person who knows more than their fair share about kimono, geisha, and gaming. All images and text on here belong to me (unless otherwise stated or if they're items that I've commented on - I do not own other people's shares) and may not be copied or used without my permission. If you are submitting a question please state if you are a mobile user so that I can better assist you. If you are a Porn/NSFW/Explicit/Nazi blog please do NOT follow me.
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What's That Thing? Part 29

On The Fourth Day of Fun I present... an ask! Like many of the good asks I tend to hold onto them for times like this as they make for wonderful features ^^ Anonymous asked: "What were your favorite misedashi/sakkō/erikae ensembles this year?" This is such a hard one to answer too as there were so many good ones! My favorite misedashi ensemble goes to Hinaho (雛帆) of Sakaemasa (栄政) in Gion Higashi. Since they don't have misedashi often we don't get to see their outfits much, so I liked seeing their very elegant lucky treasures/karabana and trellis combo!

Image courtesy of the Gion Higashi Kabukai. My favorite sakkō outfit goes to Koaki (小晶) of Kaden (花傳) in Miyagawa Cho. This one was a no doubter and is just unmatched in how elegant and bold it is. Kaden's unique tradition of having their maiko wear iromontsuki for a few days is nice in and of itself, but it's the iromontsuki that steals the show! It's a beautiful wine red color with a family of cranes holding pine needles. It truly sets the tone for the upcoming erikae and is an unforgettable kimono!

Image courtesy of Kaden. Lastly, my favorite erikae of the year goes to Hidemai (秀眞衣) of Masamiya (雅美家) in Pontocho. It's so great to see girls from new okiya succeeding, and for Hidemai being Masamiya's first erikae in a brand new outfit with pine and waves is an auspicious start indeed!

Taken by a friend who wishes to remain anonymous.

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What’s That Thing? Part 23

Originally I didn’t plan on this answer being so long, but I initially forgot a bunch of the history, so I thought that it would make for a good lesson if I did it in this format ^^ Anonymous asked: “Why do vintage Maiko hairstyles looks so much rounder than their modern day counterparts? Is it due to the substances applied to shape them?” It seems simple enough, but there’s far more than meets the eye when it comes to hair. So, this is going to be answered in two parts as there’s two major factors at play here! Part 1: The Hairstylists  When the karyukai in Kyoto closed down in 1944 the majority of its residents either left for the countryside where it was safe or were conscripted into factory work. Much of that work was in nearby Osaka, which was bombed during the war. When the karyukai reopened in 1946 many of its former residents did not return, either because they didn’t want to come back to the cities as they wanted to stay where they relocated, or they sadly perished. This wasn’t just about the maiko and geiko themselves, but about everyone who supported them too, including hairstylists. Prior to World War II there were said to have been dozens of hairstylists within Gion Kobu alone, but after the war that number dwindled to only a handful. These women (in most cases) suddenly had a high load of geimaiko who needed their hair styled, but obviously there wasn’t enough time to style all of them like they did prior to the war. This is why geiko began to wear katsura as they only need to be styled once a month by a wig specialist and it left the majority of the appointments for hairstylists open for maiko and regular customers. 

Image courtesy of Blue Ruin 1. Part 2: The Construction With only a few hairstylists this also meant that maiko couldn’t spend over an hour each time they got their hair styled as that would severely limit how many girls could have their hair styled at any given time. So, new methods were found to make the same styles, but in more efficient ways. Where styles used to only use the maiko’s real hair and the shape of a style could vary for each girl depending on their hair length, extensions and supports gave them all uniform looks that only took a fraction of the time to set. Their real hair was and still is the main focus, but the extensions, which blend in perfectly with their own hair, make their iconic nihongami styles easy to identify and mimic the same structure as the old ways. A perfect example of how hair changed before and after the war is illustrated in the image above. The maiko in the middle and on the right are both wearing ofuku, but the one in the middle was styled with the “old” ways and the one on the right in the “new” ways. In the old version only a maiko’s real hair is used, so how full the mage is or how rounded the bin are depend entirely on her own hair. The tegara in the back is an actual folded cloth that is directly tied and tucked into the back of the hair. On the right we see the new construction, which looks like this up close:

Image courtesy of Higashi Ichi. The mage is now made with the maiko’s own hair and a hair extension, which provides structure and stability; you can see the base of the extension underneath the tegara. This extension also makes it easier to undo the style when it needs to be reset. Unlike the old tegara, the new ones are pre-folded fabric pieces that tuck in slightly at the bottom and are held in by a pin at the top. Because they’re pre-made they can also feature more intricate decoration and embroidery as their positioning is now controlled.  As for answering the final part of the question about the materials, they haven’t changed at all. A special type of binsuke wax is still used to keep the hair stiff and maiko will still comb in camellia oil to keep it shiny and smelling nice ^^

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What’s That Thing? Part 18

I’m back from a weekend vacation, so it’s time for a feature! There’s many questions that I’ve been saving for features and it’s time to whittle away at that very long list ^^; @karyukai-is-life asked: “Umehina's kanzashi for August was different from most! Could you tell us a bit about it?” Yes! I also really like the design, so let’s take an in-depth look!

Image courtesy of Chitaka45. The most interesting part is easily the Fireworks (花火 - Hanabi) that we can see in red, yellow, and pink. They’re very sparkly as each of the fourteen “bursts” feature a very reflective and shiny aurora borealis coated rhinestone! Between the bursts we can see green Grass (柴 - Shiba) with Dew (露 - Tsuyu) in the form of MORE sparkly rhinestones! These motifs sit on a bed of pink and blue Summer Asters (都忘れ - Miyako Wasure). Overall it’s just really, really sparkly and shines just like real fireworks!  However, it must be noted that Umehina was not the first Umeno maiko to wear this specific kanzashi. Umechie wore this kanzashi for the first time in 2016 ^^

Image courtesy of Kyoto Insider.

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What’s That Thing? Part 17

Looking back I noticed that I don’t have a specific visual aid for this topic posted anywhere, so it’s a good time to post one! Anonymous asked: “Can you tell us more about the makeup patterns that Maiko/Geiko have on their neck? Thanks in advance and apologies if this is already covered elsewhere on the blog.” To make this a bit easier I’ll be using images that a friend took (whose permission I have to share these images, although they choose to remain anonymous). First, let’s look at the common pattern:

For everyday wear (and some semi-formal occasions) the pattern is called Eriashi (襟足), which simply means “Neck Lines/Stripes.” The key thing to note here are how many lines or points are showing which, in this case, are two. They’re painted on by hand by the maiko and geiko who apply them. For formal occasions, the pattern changes up slightly:

Now we have three very noticeable lines! These are called Sanbonashi (三本足), which means “Three Pointed Stripes.” Unlike regular eriashi, sanbonashi are painted with the aid of a special tool that allows for the clean lines to be made without error as it’s much harder to paint the back of your neck than you think! The extra lines are meant to show more of the neck, which is considered sexy and alluring in traditional Japanese culture. Sadly, I don’t have an image of what the tool itself looks like (they’re not exactly shown to the public), but you can see one in John Paul Foster’s book NOW A GEISHA 舞妓から芸妓へ ^^

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What’s That Thing? Part 14

I really liked this question, so it actually skipped a few to be answered ^^ Anonymous asked: “Maiko Mameyo of Arai was recently photographed wearing a unique Miyako Odori kanzashi I think? Are these usual - can't say I've seen them before? The photo is on Geimei's Tumblr since I saw a question asked about it on there and wondered if you knew anything else about them ^^” First, let’s look at the image being referenced:

Image courtesy of E__m_____ on Instagram. Arai has an absolutely massive catalogue of unique kanzashi that they’ve been using for decades, and this just happens to be one of them. These kanzashi are meant to resemble the props that are used during the Miyako Odori. They’re called Dansen (団扇/だんせん), which is based on a round Chinese fan called Duansyen /Tuanshan (spelled as either 團扇 or 团扇). Over time they evolved into double sided paddles that are split down the middle and covered with cherry blossoms on one side and willow leaves on the other. This split may have been done to look like war fans that were used for signalling on the battlefield. Their complimentary colors definitely give a feeling that they are signaling the trees to bloom! They’re approximately the size of an uchiwa, but are slightly more round. This is what they look like up close:

Image courtesy of Chi_mama_jj on Instagram. Here’s an image of her onesan Mameroku wearing it when she was a young maiko too:

Image courtesy of Honori-e. I’m not sure how long Arai has had this kanzashi but, like many of their others, they’ve probably owned them since at least the early 1990s. They are all beautiful works of art that have clearly been treasured ^^

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What’s That Thing? Part 12

A really short one, but I love how much visual knowledge can be found from this question, so I was really excited to answer it! Anonymous asked: “Hi! Instagram @takutanimoto uploaded a recent photo of Katsusen wearing a blue hikizuri. Water is one of the motifs, but what is the other one (creating the vertical lines)? I know it's a little hard to make out, though.” First, let’s look at the image in question:

Image courtesy of Takutanimoto on Instagram. This kimono is so simple, yet so incredibly chic! It features two main motifs, although one is more prominent than the other.  The first is Water, which includes not only the soft ripples, but also the blue background of the kimono itself.Tying the kimono together with the background color makes it a fascinating work of art. It’s as if you’re down by the side of a river, with the blue capturing the coolness temperature of the spring water.  The second, which is incredibly rare, is actually Pussy Willows! They’re celebrated as heralds of spring, but tend to be dwarfed in popularity compared to plum blossoms, canola blossoms, and butterflies. The Japanese name for pussy willows is Neko Yanagi (猫柳), which literally means “Cat Willow” ^^

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What’s That Thing? Part 1

A new twist on answering questions, this series will be used for questions that people ask that require a bit more explaining or questions about certain items found in online images. Today, we’re looking at a question with an image attached. @hanamachi-mai​ asked: “Hi. I saw this photo of Toshiemi and noticed this beautiful kanzashi. Is it kiku? If so, why in September? Could you tell something about this kanzashi/what kind of flower is this?

Image is courtesy of Yamasato.y on Instagram. I really like it when maiko choose to have unique and/or custom kanzashi, and this one of Toshiemi is a great example. To help explain what we’re looking at I also want to add this image which shows us the kanzashi a bit better:

Image of courtesy of Woodstemple on Instagram. Toshiemi is wearing a very rare Queen of The Night (Gekka Bijin - 月下美人) kanzashi. In Japanese their name means “Beauty Under The Moon” and, like their namesake, only bloom at night. They’re actually the flowers of a special cactus Epiphyllum oxypetalum that are native to Asia. It is very similar looking to a Waterlily (Suiren - 水蓮) kanzashi. The kanji for waterlily literally means “Water Lotus” as a lotus traditionally blooms in muddy areas and not ponds or lakes like the waterlily. The last time I can recall a maiko wearing a waterlily kanzashi was Katsutomo (佳つ智) of Odamoto (小田本) in Gion Kobu back in 2015. You can check out her cute pink waterlily and frog kanzashi to compare to Toshiemi’s:

Image courtesy of Sankei News. Like most summer motifs the queen of the night and waterlily can be worn from June to September as this is when the plants bloom. To tell them apart easier you can check out the small addition of the frog. The frog is a cute addition as they can often be seen basking on the leaves of waterlilies during the daytime. They are akin to the snails that can sometimes be found on hydrangea kanzashi as snails tend to appear when it’s just rained and hydrangeas are known to be water loving plants. Water and water-related motifs are said to bring to mind cool thoughts during the oppressive Kyoto summers, but with the queen of the night it brings to mind the coolness that comes with the night when the flower blooms ^^ 

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