is it slow burn or is it two people getting to know each other over an understandable amount of time
Ah, yes, bedtime. Time to grab a daydream scenario off the shelf.
Helen and Cleo, "Why don't you love him?"
“Why don’t you love him?”
Helen freezes, and turns.
Sprawled in a chair, legs over one arm and back against the opposite one, Cleo is watching her from a little corner of the living room. There’s a glass in her hand, mostly empty, but Helen doesn’t trust that for a moment. Cleo is a woman more in control of herself than most people notice.
“A century is a long time to-”
“Oh, don’t give me that. You still love everyone else.”
“And I love John. But not like that. I’ve grieved him, and he-” She swallows, hard, thinking of their last meeting. “He’s not the man he was.”
“But he’s not the one who killed those women, either.”
True - the creature is long dead. But...He’s still not her John. Too much has happened.
“Cleo, things are too complicated between us, and-”
“Your entire life is complicated. That’s no excuse at all.” Cleo polishes off her drink, then swings her legs down and stands up straight. If she notices Helen’s irritation at being interrupted, she doesn’t show it. “I’ve been through every possible reaction you could have, and none of them justifies letting him go.”
“Even if that were true, he’s with you. I won’t hurt the relationship he’s built with you for my own satisfaction.”
“Awe, isn’t that sweet.” Cleo coos, voice dripping with saccharine mockery. “You’re so thoughtful.”
“And you’re drunk.”
“Very, and yet, not enough.”
Cleo stalks across the room, and stops in front of Helen.
“If you’re going to take him from me-”
“All right, that’s enough!” Helen’s patience snaps, as does her voice. “I am not going to allow you to stand in my house and make accusations about me! You can either go to bed and sleep off whatever mood you’ve drunk yourself into, or you can leave. Take your pick.”
Cleo smirks slightly, and then sets her glass down on the dresser.
“As you wish.” She whispers.
She stalks off, heels clacking as she goes down the hallway, and Helen watches, trying to fight her rising temper.
One of these days, they’ll have to put this subject to rest. She’ll not allow Cleo’s insecurities to keep irritating them all like this. Not forever.
Immortals AU, WhispersofSweetTea, "I feel as if it's all a dream."
Set after they saved Julius!
~~~
"I feel as if it's all a dream." Julius murmurs against Robyn's shoulder. "A dream of the best sort."
He's still unable to sit up straight on his own, so Robyn sits in the corner of the couch and lets him lean on her. He rests his head on her shoulder, one arm twined tightly around her and the other hand nursing a concoction of a drink that Hannibal made him.
She understands what he means when he calls this a dream of the best sort.
They sit in the cozy basement safehouse that Hannibal brought them to, on the plushiest couch Robyn has ever sat on. The entire room is dedicated to comfort - a thick rug, a crackling fireplace, heavy, cozy furniture, wall to wall bookshelves, an alcohol cart, baskets of fruits and bowls of nuts.
Hannibal himself sits in an armchair, carving fruit with a knife. (He seems to be enjoying the cutting more than the eating, because he keeps chucking various odds and ends at people who catch them with various amounts of grace, or don't.) Cleo sits in another seat, a gorgeous settee from the twenties, and in front of her, on the ground, Tiffany sits and lets her mother play with her hair. Toko paces aimlessly, and sometimes sits in a chair he's hauled down from the dinning room. Even Phoebe lays on a nearby couch, swinging her legs as she flips through a fashion magazine.
It's a blissful evening, compared to conditions of late. (She'd be happy if it were just her and him in their own house, but...they still can't verify that it's safe. So here they are.)
Sherry and Curtis, "I'm sorry."
So, still experimenting with how good/bad Curtis is - he’s a Provider, but he’s been. very jilted and is Not Happy with suddenly becoming the sole caretaker of an 8 year old girl he hardly knows. Especially because he didn’t even know Sherry EXISTED until he was basically marrying her mom. He is not a good dad. So I’m debating like, what’s Too Much and what’s Too Soft.
So take this with a grain of salt, I might soften Curtis up as I continue to work on this. And either way, he definitely grows some dad skills the longer that he has her.
~~~
“I’m sorry!”
“Sorry? You’re sorry? You’re not sorry, Sherry, you’re a-”
“I am sorry!” The girl stamped her foot at him, despite the tears in her eyes, rage winning out momentarily over her supposed repentance.
Curtis grabbed her shoulders and shook her.
“I’ll show you sorry, you little thief!”
Her sniveling turned into a choked sob, and she jerked back. He let her go, but jabbed a finger at her, hand shaking in rage.
“Because of you, we don’t eat tonight! Do you get that? No food! Not for either of us! That was all the money I had, you little-” His mouth clamped down on a worse insult, but his blood boiled as he looks at her, in a new dress that had cost, apparently, every penny in his wallet.
How did this become his life? How did this happen? He was supposed to be happily married, not struggling to get a divorce from a woman he couldn’t find and having to scramble for food for some random kid dropped on his lap. He wasn’t supposed to have people in his house who stole from him and broke his shop tools and whatever else the brat was up to.
His stomach growled at him, and he let his hand drop to his side.
Think, he told himself. Pay day in four days. Nothing in my cupboards except two canned beans, unless she took that, too.
Dragging a hand down his face, Curtis groaned. The rage started to abate, only to be replaced with dread.
Maybe he could borrow some money? But from who? Certainly not his boss, not his coworkers, he’d already borrowed enough while trying to hunt down his wife. Banks were done with him. Short of going to a pawn shop, or...Just waiting it out. Going four days on coffee and beans.
Curtis wondered, not for the first time, if he dared try to find Sherry’s actual dad. But no - the man might be even worse than foster care, and Curtis knew first hand how the government took care of kids. Neither of those options were feasible.
Biting back another threat at Sherry, he shoved past her and rummaged around the cupboards. He heard her sniffling as she followed him in and watched from the sidelines.
He found three cans of beans. If they split one a day for dinner, it might get them far enough. He could mix it with the leftover milk in the fridge. It wasn’t that spoiled. And maybe he could ask for advanced pay, just a day in advance. He doubted it would work, but...He could try. Maybe he could pick up a side job, or see if a soup kitchen...Yeah, there was that Catholic place a few blocks over, they might be able to help.
Continuing to muse over the food options, he dumped a can of beans and a third of the milk into a pan, and started to heat it up. It took mere minutes. He dumped them into bowls, and dropped Sherry’s bowl on the counter.
“You ever steal from me again,” He growled as he stalked past her to his room. “I’m gonna drag you to the police.”
An empty threat - and not the first one he’d made. He wouldn’t give some girl to the cops any more than he’d give ‘er to the social workers. But maybe it’d keep her hands out of his stuff long enough that they didn’t starve to death.
Okay platonic Cleo and Helen, ninjas/secret agents AU
ok so this turned out SUPER different than how I normally write them BUT I STILL THINK IT’S REALISTIC?? Helen is a bit more passive than I want, but I have no idea how to make Cleo backdown from center stage when center stage allows her to like...Combat Hannibal’s actions?
Also Helen Magnus, whomst i love so much but whomst is a very big hypocrite...doing the right things with questionable methods. *inhales* my gosh was she fun to write in this. I really enjoy it when she gets called out and when she gets to actually enforce and uphold her beliefs and I think I did both in this?
anyways this is uhhhh. spyverse where there’s a cold/secret war going on. raleigh is james bond or smth idk.
~~~
Helen needs to get close to Chau, which is...Impractical. For many, many reasons, not the least of which is that he knows her and does not care for her. But in her research, Helen makes a startling discovery - Chau is married. Has, apparently, been married since he was 18, and is by all accounts, a doggedly loyal husband, if not a particularly loving one.
And the woman is...Well, again, by all accounts, a fluffy, blonde-dumb woman who’s interests are fashion, spending her husband’s ill gotten gains, flirting, and drinking. It’s a bit puzzling that Chau would choose that, but, there’s no evidence to the contrary.
It’s not hard to approach her at a bunch and get into her good graces (Under the name Helen Druitt, not Magnus. Chau’s wife might know the name Magnus.). The rate that she responds to a show of friendship hurts Helen’s heart, but she reminds herself that this woman is certainly privy to what her husband does. Even if her husband leaves her lonely and desperate for human connection, she makes the choice to stay with him and aid him in his work. A month and they’re friends, two months and Cleopatra (Alias well chosen, Chau.) graciously invites Helen to her birthday party.
That should have been Helen’s first clue.
'how would other people describe you' why would i know this
that arcane quote that goes ‘is there anything as undoing as a daughter?’ Tiffany and Hannibal
reblog to give the person you rb'd this from a hot chocolate with whipped cream and marshmallows
Reblog and tag a love triangle with where you love all three people in it?
sshhh. shhh. rest. you’ll be all right.
(I… but what if I am not.)
I’m here, I’m right here. I won’t let anything happen to you.
(There’s rather a lot of blood on the ground.)
they’re over here, I’ve got them, just give us a moment.
(A moment till what?)
that’s it, just breathe, I’m here, I’m here, it’s fine. Nobody’s going to hurt you any more.
(I don’t know if it’s fine.)
easy, easy.
(…oh… that hurts so…)
just a moment. Hold still, I’ve got to stop the bleeding. …Don’t come any closer, they’re scared.
(who shouldn’t - owch - )
You go on ahead, guys, we’ll follow you in a minute
(no - no - no no no - curse this pain, I can’t breathe - )
sshh. sssssshhhh. just rest. I’m here.
(you do keep saying that… all right, if you really want… I am so tired…)
“What do you want?”
Can be said:
- pleadingly
- furiously
- shakily
Alternatively, the antagonist can say it while messing with a protagonist, in which case it will probably be silkily crooned.