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Dash of Mystery to go with Misery

@miss-ingno / miss-ingno.tumblr.com

Ao3: missingnowrites | Dreamwidth: miss-ingno | YT: miss-ingno | icon by @squigglysky | Weilan is my One True OTP
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lucidasidera

What happened in the MCU is that they made Bucky unquestionably a victim and then did not know how to handle it. 

In the comics, Bucky’s brainwashing leaves him with enough agency that his past as the Winter Soldier is absolutely comparable to Natasha’s. Both were used and abused and manipulated, but they maintained enough control over their own actions that it is reasonable to question whether it mattered that they didn’t know who they truly were because they were still people.  In the MCU, they specifically wrote Bucky Barnes as a character whose agency was not just compromised but actually removed. It’s not just torture and coercion, though there are 70 years’ worth of explicit torture and coercion, it’s that for him to act as the Winter Soldier they have to cauterize out what makes him a person. In the MCU Hydra/the Soviets have not one but two ways to do it: the chair and the activation words. The Winter Soldier does not comply without them. This is not a question of a prisoner breaking after years of enslavement. This is explicitly shown as a mechanical way of erasing Bucky’s consciousness and capacity for consent. And it was a choice by the MCU to characterize his captivity like that, much like it was a (subtle) choice to make Bucky a man who was drafted rather than a man who enlisted.  And up to Phase 4 that had played out alright; the characters who see him as culpable are also shown to not be objective (Tony, for example, or Bucky himself). The audience knows better, though, because we are privy to all of the flashbacks and the medical torture and the him being bodily dragged out of cryo to be activated. But then the MCU actually had to confront its choices in TFATWS and they did it in the worse possible manner because they both chose to reinforce the narrative that Bucky was a powerless victim during his enslavement while making his recovery conditional on accepting responsibility for it. They pretend to sell Bucky along with the activation codes. There’s a whole pivotal scene by the firelight where Bucky finally does not respond to the activation codes and Ayo tells him he’s free and that’s because he was not free beforehand. In a storyline which places explicit moral value on refusing the serum, never once was it mentioned that Bucky did not consent to being injected with it in the first place. His situation obviously parallels Isaiah’s, not Steve’s.

But now the audience is being asked to see Bucky as someone who needs to make amends, not just because his therapist says so but because the moral compass of the series, Sam, makes it explicitly clear that what Bucky needs to do is “do the work”.  And this is INSANE. It’s insane. To have Bucky weep when the trigger words wash over him and still, still, try to have the audience buy into the narrative of his recovery as one where he needs to admit wrongdoing is absurd. It would be normal and expected of Bucky to feel wretched guilt over his past but the recovery is overcoming that, not reinforcing it. Bucky admits, word for word, that he had no choice and that would be bad enough, but the Winter Soldier was made to not even conceive of the possibility of choice. 

There can be no culpability without agency and guilt is not a measure of responsibility.

Bucky Barnes has, for ten years of MCU canon, been written as a man who was powerless to stop the abuse that was inflicted on him and now that they have to cash that check the MCU cannot handle it. I don’t even know if it’s because they, like society in general, cannot abide the concept of men - masculine men, especially masculine leading men - as victims but the end result is that TFATWS is an explicit exercise in victim blaming. 

Well, let me say that, this opinion is on point on every word.

And let me emphasize that, as happened with Steve, when they erased his most vulnerable scenes in the Avengers of 2012, there is a constant in the MCU of not wanting to show their white men as beings with vulnerabilities.

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I realize I have barely stopped complaining for four months, but I honestly think that if anything we should be talking even more about how Marvel’s first two phases gave us one female superhero each, the token woman on each of their two teams (nothing so much as a solo movie, don’t be silly, we had to wait ten years for that), and in the culmination of the Infinity Saga, both of those women were thrown off a cliff.

We as audience had to watch them plummet to their deaths. We had to look at their lifeless broken bodies at the bottom of a mystical space ravine. We were supposed to see one of those deaths as something to cheer for in its heroism. We had to accept that an abuser’s claim of love that the recipient denied was still love, and had exactly the same import as the love of a best friend.

We had to see men feel Emotions at the top of those cliffs in the immediate aftermath of these women’s deaths, and then see men with romantic interests react with rage and violence at each loss. We didn’t get to see emotional reactions about the value these women’s lives had held. We had to hear that even when everyone else can be brought back to life, there’s no way someone can ever be freed from the soul stone, and these women were just the necessary casualties of this plot device.

And then they had the audacity to give us that all-women fighting scene, which should have been a rousing moment for those of us who are invested in female characters, but instead rang fundamentally hollow, when Natasha wasn’t there and the Gamora who was there wasn’t the one we had followed through multiple movies of growth. That scene told us that all women are interchangeable, and now that we have enough OTHER women the two we started with aren’t necessary and their absence doesn’t even need to be acknowledged within the scene.

Of course neither character is missing from the future of the MCU; Civil War-era Natasha will be in the Black Widow prequel movie and pre-GOTG1 Gamora will be in GOTG3. But the characters the audience has formed attachments to are permanently gone. They didn’t get to say goodbye to people they cared about. If they were mourned, we didn’t get to see it.

I get that it’s a movie. I get that it came out over four months ago. But we should absolutely still be angry. They both deserved better.

this very much. samesies that I haven’t really let it go and I’ve already written rants about this but I still feel this way very much, okay!? and the way it’s phrased here in the top paragraph really cut right to the essence of how insulting and traumatic this is

and I’m going to crib from some things other people have pointed very well and just add that the all-women fighting scene is the epitome of using women’s bodies as carefully arranged props, to be seen and not heard. I hadn’t thought before of how much that is true of Gamora’s death scene in part 1 as well, because she rightfully protests that what Thanos feels towards her Is Not Love, and her words are pushed right off the Murder Women Cliff along with her body.

and the point about both of the women we lose being our two og female team members? excellent. people had a lot to say about endgame being a movie about the og avengers team and insert explanations why it’s okay then to leave out Okoye or Carol or Valkyrie etc, but how does the loss of Natasha fit in there? it’s the celebratory send-off for the og team of avengers that launched this incredibly ambitious and successful series of films, and the most heroic and impactful place for our og female team member is broken on the ground hundreds of feet below her male counterpart? cool. thanks for the #feminism, marvel

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chujo-hime

This is something so important that I think a lot of us older female fans shouldn’t forget. A whole generation of girls have grown up watching first Natasha and then Gamora on-screen, only to see both characters - their superheroines - end up this way in IW and Endgame. I can’t imagine what it would have done to us if at the end of Return of the Jedi, Leia had laid dead at the bottom of a cliff while Luke and Han survived the movie. 

This hit me like a truck.

It’s so easy to rely on the fact that these movies are PG-13, and think of the audience as at least teens. But they’re not. The toddler- and kid-sized shirts we see at Target have audiences. The child-sized Halloween costumes exist for a reason. There are kindergarteners playing Avenger on the playground, and until the last year or two girls’ choices were pretty much Gamora, Natasha, or sidekick. And those are the only characters dead with no recourse and no memorial.

Kids want to be superheroes. Endgame told them their options are supporting characters who only show up at the big fight for a Moment, or corpses at the bottom of a cliff.

I need you all to know that periodically I’ll use tag viewer and see the people reblogging this who are often even hesitant to admit it but they were in that sweet spot of between, like, seven and eleven when IM2 or Avengers or Winter Soldier or GOTG came out, and Nat or Gamora changed their lives, and then they had to watch her die.

And then I have to step away from everything because I am both deeply touched by their connection (and their bravery in sharing it), and fully enraged anew.

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claraxbarton

MCU Bucky Barnes

So here’s the thing.

I’m a costume designer by trade, and one thing that I actually really love about Captain America: The Winter Soldier (okay, among the things I love) is the costume design and the rhetorical value given to the clothes and, well, costumes in this movie. 

For example - when Sam and Steve have their heart to heart on the bridge that ends with Sam saying “but he doesn’t even know you” and Steve saying “he will” before going to steal his old uniform - the one Bucky last saw him in when he was Bucky. There are some other great costume points in this movie, actually a LOT of them (costumes, not wigs, don’t at me because I KNOW).

But one thing that has always stood out to me, and not in a good way, is the “I’m with you til the end of the line” flashback.

Now, here’s the thing, it’s not JUST about the clothes. We’re in MCU verse, so it’s MCU canon - obviously, the Steve and Bucky duo is drastically different in Marvel comics canon so - and Bucky starts this scene by saying his folks wanted to give Steve a ride to the cemetery.

Which is super cool and nice. So one, we know Bucky’s dad is still alive - and his mom, but two, we know they have a car.

So this is supposed to be when Steve is around 16? So it’s… 1936 (according to MCU wiki it totally is)

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cesperanza

@destinaf : I know I know I know!  The flashback scene is crazy-making, but I think the OP’s wanked it pretty well!  If Bucky’s folks own motorized transport, it really has to be because of some business purpose; dad drives a cab or whatever, or has a truck for hauling. You just wouldn’t have a car at this time even if you WERE doing well; it doesn’t make sense in the space. It is also possible the the “lift” meant that Bucky’s family would have taken Steve with them in a hired car or taxi, which is more plausible then them owning one. That said, the scene is clearly meant to convey that Bucky is in every way better off than Steve, which I think is supported elsewhere in the text and which makes what happens to him all the more terrible; everything about MCU Bucky suggests that he was someone’s golden boy, IMO, and that’s usually how I write him; as the eldest of four he would have ruled the roost. (Look at how sharp he is in his uniform!) Meanwhile yes, Steve should absolutely have a black armband or something to suggest mourning–IMO what Steve is wearing is downright disrespectful for a funeral, and maybe it’s the only thing he owns but it doesn’t look shabby enough, really, IMO, for that to be the case. It’s just nowhere near formal enough and the colors are too bright. And where is his HAT? Where is everyone’s HAT?  This scene would be 100 percent better if everyone were wearing hats and chain-smoking, yes, even Steve, asthma be damned, but hey, you know, nobody asked me. :P

Oh, oh!  While I’m here, and tagging onto this because y’all are likely to be history peeps, I was just on a plane and I saw, which I’d somehow missed, Peter Jackson’s WWI documentary from last year where he’s colorized and also fixed, framed, Foleyed and motion-matched, all this WWI footage and it’s just astonishing, y’all–or it was to me.  It’s called They Shall Not Grow Old and the trailer is below. (Warning, it might make you cry. It made me cry.  Real injury, real death so, take care of yourself.) But if you can stand it, it’s worth watching.

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reblogged

I would like to clarify, that little Steve never said, “Okay,” to Bucky, when Bucky told him not to do anything stupid. He simply said, “How can I? You’re taking all the stupid with you.” That’s not an acceptance of Bucky’s terms. That is a typical “make a joke so he’ll forget what he told you” move. Nicely played, lil Steve. Nicely played.

I’d like to add, he got nothing on Bucky. Bucky knows Steve and his evasion tactics. He knew he was licked. He knew before he ever said anything tbh. Because Bucky knows that little shit better than anyone. He was resigned before he even had the discussion, let alone by the time he tried that last ditch effort to get Steve to chill.

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galwednesday

It took an entire arctic ocean to get Steve to chill, and even then it wore off after 70 years.

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mcu meme  - 4/10 scenes.

It’s the unspoken truth of humanity that you crave subjugation.
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mizkit

I see this scene reblogged a lot off the one Hiddleston blog I follow, but it almost always ends with Loki’s “There are no men like me” line, which is completely missing the fucking point of the scene. And I get that it’s about the Hiddleslove, which is great, but it’s completely missing the fucking point of the scene. And it is a very important point.

This is one of my favourite moments in the whole MCU because of its incredible, incredible power and strength. This is not Captain America with his super soldier serum juice standing up to a god. This isn’t even a young man who might think he’s somehow got a chance against the prick with the horns. This is an old, old man who knows, who knows, that he’s probably going to die because of what he’s doing, but he is not going to kneel to another man like Hitler.

Maybe he did, seventy years ago. Maybe that’s why he would rather die now than remain on his knees. Maybe he *didn’t*. Maybe he fought against his own countrymen, because he wouldn’t kneel to a man like this. Maybe he’s always been one to stand up. Maybe he lost everything once because of it. Everything except his integrity, and maybe he’s ready to die instead of risking losing that now, at the end of his life. Maybe his integrity cost him so fucking much seventy years ago that he hopes he’s going to die for it now because he almost wishes he’d have died for it then, but if he’s going to die for it, he’s goddamn well going to die with it.

Maybe he’s a Holocaust survivor. Maybe he’s Jewish. Maybe he’s gay. Maybe he’s Romani. We don’t know.

We don’t know anything about this man, except he’s the bravest goddamn person in the Marvel Cinematic Universe.

And that’s why it bothers me every time I see this scene go by with his response cut from it. Because it’s missing. the. point.

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chaneen
Anonymous asked:

ok except why would zola be approaching ivchenko about his mind control hypnosis techniques if the russians had bucky already? it makes more sense for zola to be approaching him if hydra was in possession of bucky (whether zola was involved in that capture or not) and was looking for a way to weaponize and control him. as an aside, the message of mcu TWS and the anxieties he represents are VASTLY different than 616 TWS, so him being loyal to a specific nation instead of hydra doesn't make sense.

Well, anon, if you check out my Timeline for the Origin of the Winter Soldier meta (/shameless plug), I go into this more in-depth, but the short answer is that during and after WWII, Germany and Russia were not allies (lol, putting it mildly).  Based on the flashback to when Bucky was found, he was found by the Russians (so there is no “already” involved in the situation), and it’s highly unlikely that HYDRA would’ve infiltrated Russia less than a year later.  WWII was still way too fresh for that.

So, it’s pretty unlikely that the Russians would just give someone as useful to them as Bucky apparently was (or why wouldn’t they have just let him die?) to HYDRA for no reason.

I agree that the Winter Soldier’s role (and Bucky’s, actually, but that’s a whole ‘nother post) and what he represents in the MCU is very different than in 616, but it just doesn’t make any sense for anyone but the Russians to have created him.  Why would another nation put the symbol of the Russian Army on his arm?  Why would he communicate with the STRIKE team in Russian during the attack on the bridge? And more importantly, why would the filmmakers have chosen to show a dude in a stereotypically Russian furry hat finding Bucky’s body if he wasn’t Russian?  Visual shorthand means a lot in these situations, I’m just saying.

It remains to be seen what various owners the Winter Soldier might have had over the years, but it’s still super unlikely that his creators were HYDRA.

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shanology

If it helps, here’s how the guys in charge of writing all three Captain America movies (as well as writing and exec-producing for Agent Carter) explained it after the Agent Carter season finale: 

MARKUS: Theoretically, a division of Hydra—possibly a Russian division of Hydra—went and got the body while Zola was in custody. Zola had already done something to Bucky, and experimented on him that made him beyond human, which allowed him to survive the fall and make him worth doing the research on. They kept him in stasis until Zola was able to have a little bit of freedom from the American government, at which point he maybe brought his new friend Johann Fennhoff to handle the mind control part of the Winter Soldier project. MCFEELY: That’s how we see it. I’m not positive that is gospel at the moment, but that’s how we sleep at night.

So they’re aware that there’s some oddities in the timeline, but they’re definitely writing the scripts with the idea that Zola, as part of Hydra, created the Winter Soldier. The Russian connection probably just means that once WWII ended, Hydra’s ideals transcended politics to allow them to infiltrate every nation, regardless of their German origin.

This seriously does help! IDK that I love the “Russian division of HYDRA” answer if you take actual WWII history into account, because at this point in time, I don’t really see how Russia would let anything that started in Germany get anywhere near them, but I guess I should handwave that as “alternate universe!!”?

Also, I don’t feel that a smart S.H.I.E.L.D./SSR (does that exist?) would ever allow Zola into a position where he’d be able to get in a room with Bucky again (why would they let him go to Europe? they know what he’s capable of! does he just play the weasily “it was all Herr Schmidt’s idea” card? who knows.), but we all know how well S.H.I.E.L.D. did at keeping themselves free from HYDRA, so I can buy this if it’s done well.

But, seriously, this is like Christmas for me, you don’t even know. :D  I mean, it’s going to take some getting used to, and I really want to know more (because I hate myself and want to suffer? IDK), but it makes me think we might actually get real answers at some point.

If I had to make a guess, the way they could explain the Russia/HYDRA connection would be that Russian organizations were infiltrated the same way S.H.I.E.L.D. and others eventually would have been - by approaching individuals who might be sympathetic to Hydra’s overall goals, recruiting them, and then slowly moving those individuals into positions of power within the organization (or recruiting individuals who were already in powerful positions). So the Russian government would not have to have been officially aware that Hydra was working within their auspices, or that “their” asset was being used to fulfill Hydra missions, if those were cleverly disguised as missions that would fulfill Russian goals. A Russian division of Hydra could have been just as secret as the one that existed within S.H.I.E.L.D. That would get the story to fit without the Germany/Russia antagonism becoming a problem: any official collaboration would have been frowned upon, but a single German Hydra operative approaching a single high-ranking Russian official could have easily sold them on, “Hey, my organization wants to make war obsolete, get rid of all this chaos, simplify things”. 

As far as the SSR, I think part of what Agent Carter demonstrated to us is that the smart people didn’t always have full control in the decision-making process. Even when Peggy knew what was going on, she had a hard time convincing the powers that be to listen to her, and she was out of the loop on a lot of stuff. Howard Stark - an incredibly powerful man whose work was highly respected - had Midnight Oil confiscated from him and used (with horrid consequences) by the military. Historically speaking, a lot of scientists with very shady Axis pasts were brought to the U.S. and given pretty high security clearances through Operation Paperclip. We know from Agent Carter that the U.S. government was already, at that point, trying to recreate the serum using Steve’s blood. (And the various Hulk stories confirm that these attempts continued long-term.) So it wouldn’t be unfathomable that someone high up in the military might decide Zola would be valuable in that effort and spring him from detention (along with his knew friend.) Peggy and Howard may have been none the wiser as to Zola’s status; if she’d known where he was being kept, I can’t imagine she wouldn’t have protested like crazy before Fenhoff was put in the same cell with him. 

What comforts me about all of this is that - they’re thinking about it. The writers have given thought to how the whole thing plays out and are trying to make the stories fit within a logical framework. They aren’t treating Bucky’s memories of Zola in Winter Soldier or the Russian aspect of things as mistakes or throwaway moments; they’re actively considering how Bucky was turned into the Soldier and working to make all those pieces fit. 

*god bless Markus and McFeely*

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kryptaria

(Disclaimer: No comics knowledge and insomnia.)

I can’t help but wonder if Zola being “in prison” wasn’t a ruse. If he was brought over under Operation Paperclip, why would he be in prison at all? Under supervision, yes, but confined? Or was that just to build a bond between Zola and the doctor? Hell, at this point, we know the doctor was part of the Red Room (right? don’t we?) but is the Red Room part of HYDRA yet? What if we’re seeing the beginning of HYDRA absorbing the Red Room program?

Layers and layers and layers.

(Edit: I can’t remember if the doctor is Ivchenko or Fennhoff. I thought hew as one, then the other, and now I’m confused.)

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levynite

Ivchenko=Fenhoff

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amemait

Keep reading German here.

But.

Zola points it out himself. “First correction, I am Swiss.”

It doesn’t need to be any old German Hydra agent approaching the Russians. After all. Everybody knows the Swiss are neutral.

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miss-ingno

And here I thought Zola was an Aussie (the Austrian kind not the Australian) like Hitler. Screw you strange fake accents in English movies.

Might also be worth it to point out that Russia occupied Eastern Germany for quite a long time, the HYDRA minions/ideals might have been absorbed that way, too. Wasn't uncommon that people were just up and vanished by the government and everyone was trained to spy on their neighbour, friends and family. Say someone high up HYDRA's ranks and charismatic proved their talents... why not? It's comics.

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copperbadge

So the Ant Man teaser just came out. Thoughts? The mood in my corner of fandom seems to be Aggressively Uninterested, but tumblr's not a good indicator for how the general public, or even the Wider World of Geekdom, might react. What's your prognosis, Wizard Sam? And how do you think it might affect the MCU if the movie does badly in the box office? (Also, how does Tony feel about Ant Man copying Iron Man's famed three-point landing?) Inquiring minds, etc.

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I have to admit that I saw it, but mainly because I didn’t want to fast-forward and accidentally miss the Agent Carter next-week previews. :D (I missed the three-point-landing bit.)

The MCU is overdue for a flop, but I think at this point they’d need two or three before any significant plugs get pulled, and I don’t think Ant Man will be that flop (more on this in a moment). They’ve already cast and contracted actors for films for ages down the line, and they have a strong throughline plotwise; they have big names, big sequels, and big new additions to the franchise that they’re pretty committed to at this point. I think the past successes are why they’re now willing to front a woman-led TV show, a woman-led film, and a film with an African lead character — because they know all three CAN fail and the franchise will still be standing, plus it’s not likely all three WILL fail. There’s just a much higher odds for it, in the creepy dysfunctional Hollywood mindset. 

Which means that more is riding on Agent Carter than it should be. It’s not just whether this show can sustain a proper season — how this show does on television will dictate how Captain Marvel is handled and likely, to a great extent, how Black Panther is as well. Agent Carter is the test case for Deviation From The Norm. (Norm is a thirtysomething white heterosexual cismale; he wants to know why you don’t want his number.)   

The thing is, I don’t believe these films rise or fall based on fandom, even the Norm-like “fandom” that they are designed to cater to. The films succeed based on their ability to appeal to a wider nonfannish audience as primarily action films. They’re genre films that don’t read like genre films, so people go to see them regardless of whether they’ve ever read a comic book. Which I also think is why the comics aren’t doing more to pull in moviegoers, because they know MCU viewers are not necessarily going to be regular comics readers even if they pick up a comic or two (the fact that many comics seems to be actively attempting to drive away new fans, that’s a talk for another time). 

So, much of Fandom is aggressively uninterested in Ant Man, because we know how ridiculous it is, because we’re angry Jan got disappeared, and because Hank Pym, despite not being the titular hero, is still in it and is very ill-liked in comics fandom (rightly so, for a number of reasons). But Ant Man is a shiny new addition to the franchise, and even people who may not follow MCU religiously will go to see it because it’s new and they don’t have to know anything to enjoy it as an action flick — it’s not a sequel, in other words, and most people won’t see it the way we do, as part of an anthology.

As problematic as Ant Man is and as unlikely as I or most of my friends are to see it in the cinema, it’ll probably still do very well, for this reason. And even if it does flop, it’s likely they’ll blame it on the film’s many and varied production problems, and not moviegoers tiring of a white male hero. 

So…I don’t think Ant Man will flop, and if it does I don’t think it will matter. And because of that, I also think right now it’s way more important to talk about Agent Carter, since much more of the MCU is riding on Hayley Atwell’s shoulders than is riding on Paul Rudd’s. 

Ant Man is, at best, irrelevant. 

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amuseoffyre

What I really love about Chris Evans’ portrayal of Steve Rogers is such simple body language choices like the one above. In the top shot, he’s relaxed, at ease, talking business, which is fine.

But when Steve is confronted by an attractive woman making a direct move on him, he actually almost wheezes, like he would have done back in the day, trying to catch his breath.

He hunches up, folds down, retreating back into the shape of the “little guy”, because he isn’t used to being approached like this, and it kind of intimidates him a lot.

And that rubbing his forehead thing? That’s Steve’s anxiety tell. He does it a lot. Especially when he’s pushed into a situation where he’s incredibly uncomfortable and nervous and out and out panicking. He did it before Bucky threw him at his double-date.

Such little motions make the performance perfect.

ACCURATE

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The Black Widow, aka Natasha Romanov, aka Natalie Rushman, aka… a bunch of other names that for some reason all have the initials N.R. [checks paper] Really? They do? You’d think someone would have caught onto that. In any event, since the leak of the SHIELD documents, the world’s most famous spy has become Congress’ most wanted fugitive. Which brings us to a new segment that we’re calling: “Widow Watch 2014” or “Seriously, she put every alias she’s ever used on the Internet and you still can’t find her?”

The Daily Show with Jon Stewart, 9 June 2014. (via pressagentsofshield)

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dopemixtape

Who do you think was the first person Steve Rick Rolled?

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Steve discovers Roll Rolling one night while working through the list of music recommendations Sam and Natasha had given him.  At first he thinks it’s a random ad popping up in the middle of the music video. Then he reads the comments. Nearly every one involves swearing and the term ‘Rick Roll’d.’ Google, as always, is unbelievably helpful and Steve laughs out loud to himself upon reading the Wiki page.  

Sam is first.

Steve:  Otis Redding is terrific - thanks for the recommendation. Found one you might like. Let me know what you think.

He pastes the link into the text before hitting send. He smirks and waits.

Sam:  Steve Rogers, you Rick Rollin’ sonofabitch! Dammit, man. Who knew Captain America was such a troll?

Steve’s sharp bark of laughter echoes off the walls.  

Steve: On your left

Sam:  You’re an asshole

Sam:  Fifty bucks says you can’t get everyone else

Steve:  I won’t feel bad taking your money, you know?

Sam:  That’s why you’re an asshole.

IDEK you guise.

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typhoidmeri

Steve: Hey, Clint, thanks for the movie recommendations. Pretty in Pink was great. I liked this one too.

Steve carefully pastes the link in and presses send without a moment of regret. He tosses his phone on the counter and opens the fridge. Halfway through making a pile of sandwiches his phone vibrates on the counter. 

Clint: WTF?

Clint: U rick rolled me.

Steve: Sorry, pal.

Clint: UR an asshole. >:( 

Steve snorts and screencaps the texts. 

Steve: one down.

He attaches the picture and sends it to Sam, laughing to himself as he pulls a carton of milk from the fridge. 

Sam: Why am I friends with you?

Steve: My senior citizen’s discount. 

Natasha doesn’t reply. Steve hasn’t heard anything from her in three days, so he assumes she’s off somewhere on the other side of the world kicking ass and taking names.

He’s walking back to his place one night with a couple of large pizzas, listening to the 60s mix Sam made for him when a little blur of red and black lunges at him from the shadows. His attacker sweeps his legs out from under him and knocks him to the ground. He’s prepared to spring to the defense when he sees it’s Natasha. Steve’s laugh is cut short when she presses a pointed heel against his throat. “Dammit, Nat! You made me drop my pizzas. What the hell?” 

She presses her heel a fraction closer and breathing becomes difficult.

Natasha eyes him coolly with her arms crossed against her chest.  ”I’ve had motherfucking Rick Astley in my head for three days now, you little shithead.”

Steve snorts and immediately regrets it. 

Natasha kicks him in the ribs before offering a hand to help him off the ground.

"Share your pizza and let’s figure out how you’re going to get Stark." 

(Natasha is having exactly none of your shit, Steve.)

Despite what Tony thinks, Thor has no trouble with Midgardian technology. Humor, yes, but technology no. Steve sends Thor an email, swipes his iPod off the desk and goes out for a run, listening to the 70s mix Sam made him.

unknown number: I hate you.

Steve: Excuse me, I think you have the wrong number.

unknown number: I have the right number, Captain Rogers. Thor has not stopped singing all day.

Steve: I’m sorry, Dr. Foster.

Dr. Foster: No, you’re not. ヽ(ಠ_ಠ)ノ

No, he really wasn’t.

….

Steve finds an acoustic version, heavy on the sitar, of Rick Astley’s notorious hit and asks JARVIS to play it the next time Bruce plays his tea time music.

Two days later they learn that Hulk can’t sing but he can hum.  Rather soulfully, he thinks as he sends a video clip to Sam.

Sam: You fucker, Rogers.

Steve: Five down. One to go.

Sam: Good luck with that one, asshole.

Steve: Better have my money ready, Wilson.

            (Thor enjoys Midgardian folk tales sung in chanted verse)

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kisleth

Tony is the hardest by far. Steve brings pizza and vodka with him when he visits Natasha, and Clint is there too as a happy accident. He bounces ideas off them and everything he can think of just isn’t enough. They break for the night and he retires to his apartment.

He almost considers giving in to Sam when Tony gives him the answer unknowingly.

Steve is sitting on one of the stools in Tony’s workshop, drawing the Suit (which Tony was tickled over), when DUM-E beeps and nudges his arm. Steve grins and takes the washer they’d been using for ‘fetch’ while Tony mutters to himself and looks over the damage Steve’s body armor had sustained. 

(“It’s impossible!” He’d wailed, looking at the large gashes in the fabric.

"Tell that to my stomach," Steve had replied from the hospital bed where his skin slowly stitched itself back together under the bandages.)

"Hey, Tony." Steve lightly tosses the washer like an extra-small frisbee across the workshop. "Is DUM-E limited to just beeps?"

"No, he has proper speakers, he just refuses to use them for anything else. He doesn’t have the AI functionality of JARVIS. He’s like a baby. A really old baby. Or the mute eldest brother."

Steve smiles brightly when DUM-E comes back with the washer.

——

It’s really easy to get the song onto his iPod.

——

It’s almost easier to get the iPod hooked up to DUM-E and get him to push the ‘play’ button once Tony had settled in.

——

The entire team watches through the (thankfully soundproof) glass wall as Tony shouts and chases DUM-E around his workshop.

Steve: Did it.

Sam: Pics or it didn’t happen.

Steve steps into the workshop and records the song playing as DUM-E zips around, Tony chasing him. It sends it to Sam who doesn’t reply for ten minutes.

Sam: I’m paying you in beer. BECAUSE you can’t get drunk. Asshole.

Steve: That’s Captain Asshole to you.

BEST ENDING OF ALL TIME AMG

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darthstitch

Slaps this onto blog.

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maeglinhiei

, this is very relevant to you.

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jjjat3am

I keep thinking about Sam Wilson

Sam Wilson, who has wings made of metal and human imagination.

He was a paramedic. The maneuverability of his wings, the speed of his flight are all so he would be able to bring help to places no ordinary man could reach.

Imagine a soldier, stuck somewhere in the Alborz mountains, injured and dying, knowing that no helicopter can reach them, that no one would dare. Imagine looking up in your fever and seeing a pair of wings silhouetted against the sky.

Except, it’s not an angel coming to ease your way. It’s a black man, voice calm and reassuring, bandages and shots of antibiotic in his gear. He says his name is Sam and he asks you for yours. He asks you about your lover, about your kids, about the places you grew up in. Then he flies you off the mountain, trying to be gentle, but it’s jarring, because you’re alive.

You wake up in the hospital on your army base and you recover. You meet the man again and learn that there are more people with wings, a whole team and that when they take those wings off, they show you pictures of their dogs and buy you a beer.

Sam Wilson is a paramedic with wings. A healer and a savior.

Now, imagine Sam losing those wings. No, first, imagine him losing a soldier.

‘Is this the first time you lost a soldier?’ No, there were many, when the wings weren’t fast enough or when the blood flowed too freely. There were plenty of times you’ve sat down with someone who was saved by a different type of angel.

But losing someone who shares your sky? That’s different. That’s the sunshine melting the wax on your wings until they turn to feathers and you’re in freefall.

So you go back to Washington. It’s not the City of Angels, but it’s your city.

After a month spent sleepless, watching the skyline for some hint of a star, you walk into a Veteran’s center and you sit in a room full of people whose wings are clipped like yours.

You’re grounded now, but you can still heal, so you use your voice and try not to think of screams and broken metal feathers.

You take up running, because when you go really fast, it reminds you of the wind rushing against your face in freefall.

There, you meet a man that shines like the sun, blindingly enough to cover up his cracks. But you’re used to being closer to the sun than most. You see.

So you do what you were meant to: you heal and offer solace. First, with your words and then, when words aren’t enough, with your wings.

You take them out of storage and they call you Falcon.

Many of you were Falcons in the dry heat of the desert. Now, in a familiar skyline, you are alone.

You defend and you fight, because there can be no healing if there’s no one left to heal.

You are Sam Wilson and you have wings.

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people making lavish headcanons and writing long ass transparent meta about Sam Wilson being a HYDRA agent while reblogging posts about protect tony stark and lapping up some loki woobie bullshit

captain america is fucking judging you

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Friendly reminder that Sam lost his best friend in war and is probably the only person who knows how Steve felt about losing Bucky 

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neuxue

Thor knows what it’s like to have a brother go from ‘the kind you save’ to ‘the kind you stop’

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audreyii-fic

thank you for that early morning thought to go with my toast, satan

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miss-ingno

Tony knows what it's like to have someone you count as family try to kill you.

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reblogged
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sigmundite
Where’s all the Frigga fix-it fic? Where is there Frigga-centric fic? I require this. Why aren’t people writing it?…

THIS.

There’s a major split between the Thoriented (I though of that term and I’m sticking with it) and the Earth-oriented sides of the MCU fandom. I haven’t delved too deeply beyond the Earth side of things so I don’t know if Frigga Fix-It’s are popular in fics there. I can think of a great deal of fan art in memoriam of her but I can’t recall much in the way of “she’s not actually dead!” type fanstuff.

It bothers me. I fret about this sort of thing because MCU fandom has a propensity for doing diversity wrong. I was thrilled to see the #IBelieveInSitwell and #SaveVictoriaHand movement(s? i’ve seen them linked but not separated) because those two deaths in the post-TDW MCU have particularly stung. Hand’s death was complete bullshit in an episode that proved just how great a character she was, and before that happened I was hoping to see more of her in coming episodes.

Sitwell’s fate is more complicated. *I* know who he is because I’ve watched various pieces of the MCU a lot. A lot of the SHIELD agents we know of are more hard-coded to a particular side. Nick Fury, Maria Hill, Black Widow, and Hawkeye are going to be the “good guys” because they’re connected to the Avengers and we’re going to need to see them in the future. Coulson and his team are a little more complicated than that but they have a whole show to deal with that. Sitwell is one of a few agents fans will be familiar with if they paid close enough attention and there are a couple of other agents who fit that criteria. It wasn’t essential that he fill the role of “traitor we knew”. Agent Smoke Monster (whose name I can never remember, but I remember him from LOST) would’ve fit the bill just fine without MCU cutting out another POC. They could’ve set up another character like Rumlow that we could’ve assumed Cap and Widow worked with to fit the role.

Even though Hand and Sitwell have fandom support, it’s nothing like the furor of #CoulsonLives. I’d like to see it gain momentum (and tbh I need to do my part in helping it along) but so far I don’t think Marvel has batted so much as an eyelash about either of them. Between killing off women and POCs (because outside of AOS there aren’t any women POCs), Marvel has proven they’re pretty bad at handling those issues and while I continue to love MCU, I don’t have a lot of faith that they’ll improve. The best we can do is work to encourage them to stop.

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tony stark who has stark tower set to identify individual people as they enter by playing certain songs as they walk through the door or even take a step inside

steve and bucky walk in together and suddenly there is a garbled mix of both “the star spangled banner” and “enter sandman”

natasha steps through the door and suddenly “from russia with love”

bruce swings by from his lab and “blinded me with science” blares

thor bursts through the doors and “rock you like a hurricane” rattles the surround

hawkeye tries to slip in through a window and suddenly “surfin’ bird”

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dannyrandy

i wish people- writers, fandom, whatever- would stop acting like steve and sharon’s relationship is somehow sacred because they’ve been on and off since the 60s.

sharon carter is sacred. sharon carter needs to be protected at all costs. sharon carter needs to be brought back from the fucking grave (and bury remender’s comics writing career in her stead.) sharon carter is one of the best things that ever happened to captain america comics.

but that relationship isn’t healthy. writers and fandom can’t just keep pretending like it is. just because they’ve been together for a long time doesn’t mean that it’s the right relationship for either of them.

it’s okay for steve and for sharon to move on. steve and sharon are not peter and mj. it’s not true love. steve and sharon are dicks to each other and they stay together because it’s what they (but really the writers) are comfortable with and they think the fact that can still stand each other means it must be love. that’s not healthy. just let it end for good.

EXACTLY. 

A relationship can’t be based off of what two people think they should be, but that’s what Steve and Sharon are.  I love Sharon as a character, but their relationship has always been meh to me (and not because I ship other ships okay that would be the dumbest reason ever). 

I always get backlash when I talk about how much I don’t like them together, but I just… How can you look at them and even think that their relationship is healthy?!  They can still be friends and interact with each other without being in a romantic relationship, and it’s about time writers understood that (and didn’t resort to alternatives like fridging one of them). 

Sharon needs someone who knows what they want.  She needs someone that doesn’t just brush her off and actually takes their relationship seriously. 

Steve has said on a few occasions that he doesn’t know what he wants himself, so how’s he supposed to know what he wants from someone else/what someone else would want from him? 

exactly my reasons for not quite wanting this pairing to happen in the MCU, and why I disagree that it would be like violating comic canon not to have it happen. I feel Sharon/Steve is not quite stable and iconic in the same sense as say, Lois Lane and Clark Kent, or Peter Parker and Mary-Jane Watson whereby they stick together and have even been married for a long time in the comics. There is a reason why their relationship is described as “on and off” compared to those abovementioned two. 

also i feel MCU Sharon has more opportunities to develop as a strong character in her own right. Having her and Steve come together, imo will be at the expense of that, because even TWS was quite a short introduction. I would just like to see more badass women characters who are there not just in relation to love interest- I would rather her feel like Agent 13 (just like Coulson felt like an agent) rather than “Captain America’s girlfriend”. And I just feel scriptwriters often fall into the same tired tropes when they shoehorn in a romance. (I actually like Steve/Natasha precisely because it didn’t end with them jumping into bed with one another in the space of one movie, but simply showcased the POTENTIAL) And BW has appeared so many times that I can think of her as BW, SHIELD agent, not “_____“‘s love interest) It’s just unfortunate these pitfalls are more prevalent for female characters because they are already underrepresented compared to the men.

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