mouthporn.net
#glee meta – @misqueue on Tumblr
Avatar

In the wrong line

@misqueue / misqueue.tumblr.com

My Glee fanfiction on AO3 | MQ's AO3 archive tour (Kind of a Masterpost) | my tumblr fanfic tag #misqueue writes fanfiction
Avatar
Avatar
tardismama

@spaceorphan18 Your Glee, Actually post reminded me I’ve been meaning to share my little headcanon about Kurt’s mom’s perfume. I figure the demographics of Kurt obsessed mixed with perfume obsessed is pretty minimal so it’s probably my lane. I have decided that Mama Hummel wore either Chopard Wish or VanCleef and Arpels Miss Arpels. I’ve queried fellow fragrance lovers who are more experienced with vintage frags and they all say that bottle

 looks like some random bit of pretty glassware props found rather than an actual commercial perfume bottle. So looking for things that were around before approximately 2000/2001 (when Kurt would have been 8, going by the 1993 birthdate) that could be readily turned into a Christmas ornament I wind up with those two.(with one further alternate)

First the case for Chopard Wish

It’s not perfect, it was only released in 1999 so she could only have worn it for a year or so and the way he talks about it it always seems to me like something he remembers from his earliest sense memories. The color is also wrong for the bottle Kurt holds, but, come on, that TOTALLY looks like a Christmas ornament. It also was fairly popular and reasonably likely to be easily found in Ohio. It’s also a cheaper more or less smell alike for Mugler Angel which was released in 1992 and was (is) wildly popular, so we could reason that she used Angel until Wish was released when she switched to the cheaper option (also the somewhat more wearable option as I’m pretty sure Angel can be smelled from space - potent is an understatement) . Scent wise, it’s quite sweet and a big ole patchouli bomb (gag. I, personally, hate it, as there are no common perfume notes I hate more than patchouli)

I wish Brilliant Wish was old enough as the bottle is just about perfect and the scent is this lovely discrete honeyed dried fruit with jasmine and some quiet woodyness, but it wasn’t released until 2010 so no dice.

Option 2 (my personally preferred option), VanCleef and Arpels Miss Arpels

released in 1994 the date is right, the look is right, and the scent, at least for me, fits my mental picture of Mrs. Hummel better. I’ve yet to smell it (although it is high on my ‘to get/try’ list), but it is a very fresh, airy, green scent - basil and melon and greenery, and oakmoss and a wash of springy florals and, if I know my beloved VanCleef and Arpels, it’s likely quite restrained and elegant, strong enough to be ‘heard’ clearly but not shouty and overbearing and in your face, and with a little sparkle of quirky fun (love that house so much!), seems a perfect fit for how I imagine her. Slightly less likely to be found in a smallish midwestern city, at least I’ve never found VC&A anything in mine, but then I remember in Ohio they have Cleveland and Cincinnati, significantly bigger than Omaha. 

Third option, but I like it less, mostly for the look, but also for the scent, is Van Cleef and Arpels First 

Now I adore this one. It’s my fanciest of the fancy date night’s perfume. It is incredibly elegant, and makes you feel like a Lady with a capital L. It’s somewhat similar to Chanel No 5, (in the same vein and family anyway. I’m sure Chanel aficionados would disagree but as all Chanel turns to high priced vinegar on my skin I don’t particularly care what they think) and I’m sure there are many women who wear it as their daily signature, but it just doesn’t strike me as the daily sig scent of the woman that Kurt’s mom is in my head, or the sort of thing that a young child would remember as “I always loved the way she smelled” (my own kids certainly don’t love it, they always complain that they don’t like this one. Of course they are also used to a mommy that never smells the same two days in a row, so piping up about which ones they like and don’t like is common conversation)

Anyway I don’t know if anyone else wondered or cared about this, but it’s been a fun marriage of interests to poke at.

I also have a headcanon that Kurt is a total frag-head. I just can’t see any man who loves accessories as much as he does ignoring the category of olfactory accessories. Hr doesn’t have any sitting on his vanity or in his room in the loft. but clearly he just keeps them away from light like a good perfumista. (I am a bad one, I like looking at the pretty bottles too much) 

Avatar
reblogged

I wrote an essay about “You,” Lolachrome’s wonderful Kurt Hummel vid, for Videlicit! Read How to Leave this Show and all the other brilliant work in @limblogs‘ zine!

Avatar
misqueue

Gosh, I loved reading this. <3 The vid is amazing as it is. But it’s made even richer with Stulti’s essay. It’s wonderful that after all this time thinking and writing about Kurt--in fiction and meta--and talking to Stulti about Kurt (a lot), she’s given me fresh perspectives and insight here. The kind that makes me want to revisit everything Kurt from the start with this new sort of meta-meta lens. It’s so great to still be discovering this character, his world, and this show, and sharing that with other fans & friends. YAY!

Avatar
reblogged

In the course of researching an essay for an upcoming zine, I went rummaging through my email archive for a four year old conversation with @misqueue about Glee and nostalgia. I enjoyed rereading the thread so much that I dumped it in a GDoc and invited Sally to vet it for posting. We got a little carried away with nostalgia ourselves, and nearly doubled the size of the file with our annotations. Here it is!

Avatar

Weird parallel? Is this anything?

In "Suddenly Seymour", Blaine sings the line, 🎶 "I know things were bad, but now they're okay" 🎶

And Kurt says to Blaine in the apartment, "I know everything was completely messed up before, but everything's fine now."

Is there some kind of process being shorthanded by a song lyric allusion? Kurt's here now, for Blaine, to walk beside him. He's Blaine's man? Blaine can take off his makeup (🎶 "You think I'm pretty without any makeup on" 🎶) This feeling's going to last forever! The bad times are washed away!

But what everything is Kurt talking about exactly anyway? Himself and his own process? Or things between them six months ago? Or things between them last week? Or-- Did he really come just to ask Blaine on a date to the wedding? When it's unclear whether Kurt knows Blaine's no longer with Dave? Did Kurt have bigger plans that he didn't manage to put voice to here, because he maybe temporarily forgot about possible Dave? (Is this a "Wonder-ful" parallel too?) Did Kurt get so emotional here that all the things he meant to say came out in the wrong order and not quite how he intended?

Hashtag, Glee, how do you work?

Avatar
reblogged

A Glee thing that is driving me nuts...

I keep seeing reaction from folks that includes Kurt wearing a knight’s helmet and doing the whole armor metaphor.

IT’S AN ASTRONAUT’S HELMET. Now go do meta on that please (starting with it enables you to breathe/function in space otherwise you’d suffocate).

Avatar
sothinky

My mind mostly went to, if you get caught between the moon and New York City

thank you

Avatar
misqueue

I keep thinking about S1 Kurt wearing that astronaut t-shirt. And also Bowie's "Space Oddity". Neither of which is very helpful. I like Sheryl's thoughts!

Surviving in a vacuum (Learning to bear losing Blaine?). Equipped to travel through a hostile environment (A journey through Lima's Hell to seek his redemption?). So he may reach for the stars again (Find success and pursue his dreams once more in New York?)

Avatar

Narrative Karma

Some thoughts on the whole Kurt, Blaine, and David Karofsky plot, now that it's concluded.

From pretty early on--not sure if it was when I only had spoilers and no episodes or if it was after we started getting S6--the one thing I felt I needed most from Dave Karofsky to believe in his moral redemption within the narrative was for him to let go gently when Blaine needed him to.

Avatar
reblogged
Avatar
multsicorn

day 12: favorite season 1 male solos

"Rose’s Turn."

The growling mixed right into the song.  Yelling and crying and that laughter and so much of a story without in any way compromising the musicality or melody.  The hurt and defiance - pain and response, right together.  I still sing “someone tell me, when is it my turn, don’t I get a dream for myself…” um, quite a lot, actually.  Well, it’s still relevant.

There’s the shift from real life to fantasy and then the fact that fantasy’s real life again - Burt is watching, and responds - the slipperiness of Glee reality.  The faces, all the faces, and running, leaping, final flourish to the ground.

This song is everything.

Avatar

A little more 5x20 Kurt/Blaine clothing meta

Okay, so this shirt (see previous post, it's the blue printed polo Blaine wears in "Pompeii") isn't printed with tiny mandala-like symbols as I first thought, but tesselating hexagons with little suns and/or daisy-like flowers inside them:

image

[x]

(cutting for length)

Avatar

This sweater! Looks very comfy--it must be comfy for Blaine to wear it to Combat Class, where it also covers him completely, so there's some guardedness there. In 5x16 Blaine confesses his fears that Kurt is outrunning him, he can't catch up, and he's afraid of losing Kurt, of Kurt waking up one day to realize he doesn't love Blaine any longer.

Rewind to 4x01, where Blaine's clearly sad and sympathetic about the whole situation of Kurt being stuck in Limbo Lima. This emotion is what leads to Blaine setting up "It's TIme", telling Kurt that being stuck here is killing Kurt, and witnessing that is, in turn, killing Blaine. Then Blaine sends Kurt on his way, into the jaws of the biggest fear Blaine has (losing Kurt to New York). Kurt moves off ahead of Blaine, and Blaine already knows he can do nothing to catch up. He's mourning in advance in the Lima bean scene, perhaps. (note in the Lima Bean Kurt wears the scarab over his heart on his chest: he's already dead?)

In "Wonder-ful" Blaine wears this sweater on the day between Kurt getting the news that his Dad is all right and Blaine going to Burt to ask permission to marry Kurt. Part of the fear Blaine expresses to Burt is that if he doesn't make this bold gesture, he'll lose Kurt ("What if he meets someone else"). he worries that, again, Kurt will move on ahead of him, too fast and too far for Blaine to catch up. Their reconnection during this week has been only a fleeting thing, Blaine worries he faces losing Kurt all over again unless he Does Something Really Big.

ETA: Jake and Mike are performing "I Wish". This is the chorus:

I wish those days could come back once more Why did those days ev-er have to go I wish those days could come back once more Why did those days ev-er have to go Cause I love them so

Blaine's trying to bring back the halcyon days of his and Kurt's relationship?

tl;dr Post DWS sweater of oh-no-i'm-going-to-lose-Kurt?

Avatar
reblogged
Avatar
misqueue

So many botanical symbols this season (a 5x20 costume note)

I’m not really here, but I have a couple quick costume notes for Kurt & Blaine in the stills where they’re talking on the steps.

There are a couple botanical motifs that bode well: Daisies and Acorns.

(More below)

Reblogging this bit of costume meta because I wrote it based on episode stills when everything was still spoilers. But, still relevant.

Avatar
reblogged

People are complaining that klaine are “still broken” and I’m just like…and?

Yep, things about their dynamic aren’t 1000000000% perfect.  That’s life though.  No one gets it right EVERY SINGLE TIME.  Everyone is subject to their own learned behaviours (sometimes), their own personality (always).  Sometimes that doesn’t connect like a perfect puzzle with your partner.  Sometimes you are both at your worst at the same time.  Or you let things go you shouldn’t because, fuck, wouldn’t you rather just be happy for a bit?

I think anyone looking for, or waiting for, some arbitrary measure of relationship health is both watching the wrong show and missing the point by light years.

Spoiler alert:  we are never ever ever going to see that.

Avatar
sothinky

Boldfacing the last comment, because that’s my view generally, too. I know fandom likes to analyze how the boys communicate (so do I! and I often change my mind about what I see), but you know what? They way they do present the boys’ communication is incredibly consistent. They are who they are. Drop them into a new mouse maze, and we can see how they react, but it will be according to the way that each character functions in the world or with each other.

I don’t think the point of their story is, how will they perfect this relationship. No one ever really does. 

Granted I think we see changes in their characters—in their understanding of each other, maybe, or of themselves and the choices they’re willing to make around each other … 

Avatar
misqueue

I love this post & conversation. I love seeing the process of their relationship, I love that it's not like an uber happy fluff fic. I love the imperfections, I love the choices and the determination and the set backs and the leaps of faith and the journey together. They grew a lot last night, and not because they fixed everything. You can't fix everything. But because they're doing this with their eyes wide open now. And I love that the conflicts this season haven't been infidelity and love triangles, and bears, oh my. They've been more subtle, more intimate, more specific to the characters. More existential almost at times? It suits me just fine as a viewer. I am 1000000000% happy with this. :)

"Drop them into a new mouse maze..." And isn't that life? (And fanfiction, too! <3)

You are using an unsupported browser and things might not work as intended. Please make sure you're using the latest version of Chrome, Firefox, Safari, or Edge.
mouthporn.net