melrosing

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ARCANE Season 2, Act 1

dreams of home

the rest vs jaime

Sequences from my finished animation. Inspired by a dog named Teacake.

Visiting a childhood friend...

some fandoms need to see this

Aegon VI and Rhaenys Targaryen, children of Elia and Rhaegar ☀️🐉

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I wanted to share some thoughts here bc personally I understand the opposite! from my POV, the evidence of affection you describe (asking after him in Riverrun, keeping vigil at his bier) are done out of a sense of obligation.

Jaime tacks Tywin onto his question for Catelyn almost as an afterthought - and I don’t think it’s out of affection, but rather the knowledge that the overall wellbeing of his family is tied up with that of his father:

And as for keeping vigil… well, he doesn’t complete it. Jaime has the feeling he ought to, because this was his father, after all, but as you say he spends it wondering at the fact that he has no tears to shed, and ultimately surrenders it early to run after Tommen:

And outside of these two instances in which Jaime… sort of feels obligated to his father in some way?? there’s not really a single scene, line or word in which affection is suggested. It’s generally just Jaime looking on in horror at Tywin’s work in the Riverlands.

I actually think the matter of whether Jaime loves Tywin is brought up in precisely those chapters:

I think the reason Jaime asks Genna this is precisely because he can’t love his father. He doesn’t know what there is to love. He’s trying to see the man from her perspective, to see what he might have missed. This question follows a scene in which Genna has described the times Tywin smiled almost fondly - so it makes sense that this is the point of Jaime’s question. He senses an affection in her for Tywin that is absent in Jaime himself, and so he is asking: did you (could you) love him?

And there’s actually a direct parallel for this scene between Tyrion and Kevan in ASOS:

Tyrion likewise finds it difficult to comprehend loving a man like Tywin. And I think these scenes parallel each other intentionally. Tywin’s siblings got to enjoy his protection without suffering Tywin as a parent. After sharing in his ‘embarrassment’ of their father Tytos, the siblings are grateful for Tywin as a figurehead. They love him for it without expecting love in return.

Meanwhile, I think like any kids, the Lannister children want their father to love them. And I think you’d be hard pressed to say he does. And if you said he did, it’s clear they don’t feel it. I think Cersei craves his affection more than her brothers, hence why she remembers ‘secret smiles’ etc, but even that fantasy isn’t really enough to sustain a genuine love. Her feelings after his death are more complex than Jaime’s, but she does ultimately reduce it to the feeling of a missing tooth.

And for me that’s kind of the point?? Tywin raised his children lovelessly, and so he had no love from them. For all he obsesses over his legacy, it is a cold one that sharply contrasts to Ned’s: Ned’s children were raised with love, and remember him with love. Tywin’s struggle to feel anything for him after his death, except fear for what his absence might mean for them.

Mel Medarda — Arcane 2.01 "Heavy Is The Crown"

have we ever talked about the weird catholic undertones in jaime and brienne's storyline. like grrm idk if you even know you did this but from one roman catholic girly to another it is loud

this is really rambly but whatever im just talking

harrenhal bath scene for e.g. it's a confessional and a baptism. jaime reveals his deepest secret to brienne, she sits quietly and listens. it's a kind of cleansing: she knows everything else, but she doesn't know this. he's entirely bare before her, both figuratively and literally, and at the end he's effectively reborn in Brienne's arms, internally insisting upon his true name. it's more like a return to and a reclamation of that name, after having been known so long as 'kingslayer'.

and it goes w/o saying that GRRM is expressing here a pretty catholic sentiment - one achieved through confession and atonement:

and like GRRM isn't exactly shy about highlighting the contradictions and hypocrisies of the FO7, knighthood and the KG - which ftr are tied up in each other. knighthood is sworn to the Seven, as a part of Andal culture that was carried over with the invasion, and KG sprouts from the ideals of knighthood, even whilst corrupting them further.

and I think the point in Jaime and Brienne's story is that the core tenets of knighthood do mean something, just as even a lapsed Catholic might appreciate the core tenets of loving one's neighbour etc, if not the religious practise. to be caught up in the terms and conditions is to lose yourself in what it's all meant to mean. Brienne once judged Jaime harshly according to the rules, but found greater understanding of him, herself, and the world around them by opening her mind to the nuance, and trusting in her own understanding. it's not that knighthood is a fundamentally corrupt concept, but that true knighthood is about understanding it as a broader worldview of care for those weaker than yourself, rather than a set of rules, or a status symbol.

i think FO7 (particularly following HOTD lol) often gets slated as the worst faith bc it so resembles western christianity and all its associations, and the zealots (and what they do to characters like Cersei, Lancel etc) represent the very worst of that faith. the other faiths have something more mystical and formless about them: the weirwoods are tied up with the magical core of westeros, r'hollorism is clearly fucking onto something etc. and they're more appealing in that sense.

but I don't think the FO7 is portrayed entirely negatively! the way our FO7 characters follow and ponder the Seven as they relate to themselves is a really interesting device for introspection. Jaime for example has always seen himself strictly as the Warrior - he doesn't care all that much for the FO7 more broadly, but this is the prism he's understood himself through since childhood - he's the perfect archetype. likewise, it's the prism through which he once understood Cersei (i.e. as the Maiden), yet this led instead to a reduced understanding of Cersei as an individual. Brienne meanwhile feels apart from both the Maiden and the Warrior - she fits neither. both in a sense reduce themselves in how they do or do not relate to the Seven.

but without getting into JB and gender again (cos I will), their stories are more a contemplation on the fluidity of the Seven. it's said repeatedly in the story that the Seven are one, and so it then seems quite contradictory that characters should asign themselves to one and not the others. neither Jaime nor Brienne are simply the Warrior or the Maiden, they can be both each to the other: there's a kind of synchronicity in this, in that neither is solely the protector, neither is solely the protected. through the true ideals knighthood, they are both to each other. what seems rigid as a concept is actually one that can be interpreted more freely, and reveal new facets of the self rather than shut them down.

anyway so as i say this is rambly but i guess my broader point is that JB are sort of an exploration of how faith does not have to be about shutting down parts of ourselves, limiting our worldview, and striving to live untainted, but forgiving and finding ourselves and each other. it feels familiar to me as a lapsed catholic MYSELF: a deep scepticism and discomfort with the rigid dichotomies that send you fleeing from it in the first place, but a sort of new inquisitiveness and warmth one feels when considering its core tenets on one's own terms.

who fucking knows what exactly GRRM's relationship with catholicism is (idk even what mine is), but I think through jaime and brienne you maybe get to see some of the better things he took from it, i.e. forgiveness, introspection, generosity of spirit etc. like if you do away with all the corruption and misinterpretation and you sit with just the core, I guess you are left with what Brienne strives for in AFFC. she is not fighting for any individual or institution, but purely what she has taken away from knighthood, and what she believes to be right and good. and Jaime, once disillusioned by the rigidity of it all, is inspired by precisely that

agreed, and i find this catholic theming overlooked with respect to brienne, who silently practices the faith of the seven despite her fear that men will perceive it at as "women's weakness." grrm humanizes his female characters by giving them religious beliefs that run the gamut from faith to skepticism to hypocrisy and he achieved that breadth of characterization in feast.

brienne's "humbly religious" adherence not only distinguishes her pov, but also contextualizes her struggle with rigidly dichotomized patriarchal expectations in westeros. relieved to have escaped from marriage at the cost of "failing" her father, brienne strives for an almost spiritual knightly ethos, untouched by the institutional corruption that has embittered jaime. the question is whether or not she can realize her ideals outside of martyrdom: the stoneheart dilemma is fascinating because brienne cannot sacrifice herself for jaime without killing podrick.

you could argue that brienne's participation in rituals like prayer and confession to no magical effect (ie. unlike r'hllor, the old gods) marks her as more naive than lapsed cynics like tyrion and jaime—characters whose beliefs align more closely with martin's own. however, faith is not wholly detrimental to her. despite her sheltered upbringing, brienne breaks bread with deserters, mendicants, orphans, and petty criminals on her quest for sansa. her generosity towards characters like septon meribald, gendry, and the children at the inn (or her offering to nimble dick) may even help her escape from stoneheart.

will brienne's faith be shaken by the fallout of the stoneheart trial and jaime's riverlands campaign in twow? of course. but i believe brienne (ultimately) will not regret defending marginalized, ill-reputed, and difficult people who rarely acknowledge her efforts. whether you consider brienne's personal code inspired by christianity or by the secular insights of a lapsed catholic, it's inextricable from her arc and what her character contributes to the narrative of asoiaf as a whole.