Janet Lippincott, The Edge, 1982, Oil on Canvas.
Raymond Jonson (1891-1982) was born in Chariton, Iowa and grew up in Portland, Oregon. He attended the Chicago Academy of Fine Arts and the Chicago Art Institute as a young man, but his true artistic breakthrough came when he attended the 1913 Armory Show and saw the artwork of early abstractionist Wassily Kandinsky. Jonson traveled to New Mexico for the first time in 1922, and moved here two years later. Here he founded the Atalaya Art School and took a teaching position at the University of New Mexico. Along with his friends Emil Bisttram, Agnes Pelton and others, Jonson formed the Transcendental Painting Group (TPG) in 1938.
Dorothy Morang (1906-1994) was born in Richmond, Maine. She met Alfred in 1925, and they were married in 1930. They lived in Portland, Maine for a number of years, and moved to Santa Fe in 1937 to alleviate the symptoms of Alfred’s tuberculosis.
Dorothy and Alfred divorced in 1950, but she looked out for him for the rest of his life and arranged the transfer of his estate to a Morang relative after his death in 1958. Dorothy was an impressive painter in her own right—here she draws inspiration from the Transcendental Painting Group, for which her husband acted as press secretary. She worked for many years at the New Mexico Museum of Fine Arts, primarily as a curator. An excerpt from an oral history interview with Dorothy Morang by Sylvia Loomis in the Archives of American Art:
SYLVIA LOOMIS: Were you painting after you got to Santa Fe?
DOROTHY MORANG: Yes, I started even more seriously. I’d been working quite steadily in Portland, Maine – Alfred and I lived there for about seven years before we came here – and I went on and worked very seriously with some criticism from Alfred and from Raymond Jonson, who was living in Santa Fe then. […] Alfred had also taken up writing, and he was very active, as you know, on radio, too, interviewing artists on the radio. He had an interview program for several years. He was extremely active.
Learn about other artists who were influenced by Alfred Morang here.
In art movements:
A small group of New Mexico artists including Raymond Jonson, Emil Bisttram, and William Lumpkins formed the Transcendental Painting Group (TPG) in 1938. The collective was inspired by early abstract artists like Wassily Kandinsky and Piet Mondrian, as well as Theosophy, Zen Buddhism and Dynamic Symmetry. Their goal was to validate and promote abstract art by transcending their senses to explore spiritual realms. The group organized lectures, published articles and mounted exhibitions in New Mexico, San Francisco and New York. Alfred Morang was not a founding member of the group, but he acted as their press secretary for a number of years. An excerpt from Morang’s November 4, 1938 article “Transcendental Foundation Plans Extensive Activities” in the Santa Fe New Mexican:
It is deeply significant that in this time of readjustment in almost every stratum of life, a few people are intent upon an important branch of cultural development. In Santa Fe the founding of the ‘American Foundation for Transcendental Painting, Inc.’ marks the start of a new phase of American art. […] Briefly, transcendental painting is no school or ism. It is a phase of art that, out of many more or less isolated experiments, has evolved toward non-objective painting, the type of painting that is not dependent upon an object, in nature, but is deeply concerned with forms conceived by the imagination.
Via Flickr: The Matthews Gallery on Canyon Road shows historic work by Santa Fe and Taos art colony founders, including Alfred Morang, Fremont Ellis, Emil Bisttram and Harold West. Learn more: d.pr/Uroh
Via Flickr: The Matthews Gallery on Canyon Road shows historic work by Santa Fe and Taos art colony founders, including Alfred Morang, Fremont Ellis, Emil Bisttram and Harold West. Learn more: d.pr/Uroh
Fremont Ellis, Autumn by the River on Flickr.
Via Flickr: The Matthews Gallery on Canyon Road shows historic works by artists from the Santa Fe and Taos art colonies. See more: d.pr/cZBi