The headline is still startling decades later.
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#art#artist#art history#history of art#andy warhol#warhol#valerie solanas#solanas#pop art#pop artist#attempted murder#murder#postmodernism#postmodern#art world#art engage#art alive#art news#artists#moviemaker#movies#mod#midcentury modern#1960s#1960#pop artists#art movement#art movements#history#1968
Autobiography reveals gaps, and not only gaps in time and space or between the individual or the social, but also a widening divergence between the manner and matter of its discourse. That is, autobiography reveals the impossibility of its own dream: what begins on the presumption of self-knowledge ends in the creation of a fiction that covers over the premises of its construction.
Keith Moxey
Is autobiography nothing but fiction? Keith Moxey on the death of the subject in art, here.
#art#art history#history of art#keith moxey#modernism#modern art#postmodernism#postmodern#art discussion#art critics#art criticism#art world#art news#art blog#art gallery#gallery blog#art engage#art alive#art writing#art writers#art reporting#artists#artist#contemporary art#contemporary artists#life of an artist#autiobiography#memoir#knowledge#art quote
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Traits of Postmodernism
Irony
noun
The expression of one’s meaning by using language that normally signifies the opposite, typically for humorous or emphatic effect.
Ambiguity
noun
The quality of being open to more than one interpretation; inexactness.
Appropriation
noun
The act of taking something for your own use without permission
Pastiche
noun
A work of art that imitates the style and/or materials of another artist or period.
Recipe for postmodernism. Would you add any ingredients?
#art#artist#art world#art gallery#art news#art blog#art discussion#art criticism#gallery blog#art engage#art alive#postmodernism#postmodernist#postmodernists#postmodern#postmodern art#pastiche#ambiguity#irony#appropriation#artists#art critics#contemporary art#contemporary artist#contemporary artists#contemporary#art history#history of art
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Barabara Kruger
Messages from Barbara.
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One of its recurring themes is the possibility of short-circuiting the history of art as a means of ushering in a new paradigm. “You have to know art history in order to be able to overcome it,” Benjamin argues. If the aspiration to “overcome” art history seems imperious—most people today don’t see art history as an enemy to be defeated, nor capitalism as a system to be abolished—these essays remind us that the idea of modern art, as we know it today, is essentially an century-old narrative that finds its terminus in the morass of contemporary postmodernism, and that something different and for now unimaginable will necessarily have to come next, sooner or later.
Adam Leith Gollner; "An Investigation Into the Reappearance of Walter Benjamin" (via sambwmn)