Straight from Picasso’s studio! Check out our latest artwork by the modernist master here.
Now on view: “Women Printmakers of the Early 20th Century” shows the playful side of these artists, who used satire to comment on American life. “Queer Fish,” 1936, by Mabel Dwight
Wondering if they included the brilliant Gene Kloss of New Mexico...
Alice Webb‘s monotype of the iconic San Francisco de Assisi Mission Church in Taos, New Mexico gives us a sense of the surrounding landscape.
More.
Max Bruning, Untitled (Portrait of a Lady), Etching and Aquatint.
We just added bigger, brighter images of our John McHugh collection to the website! Check it out here.
Josef Albers - Graphic Tectonic, 1942, lithograph © MoMA
Click on each image for details.
See more Josef Albers posts here.
Happy birthday Josef Albers (March 19, 1888 – March 25, 1976)
“Abstraction is real, probably more real than nature.” -Josef Albers
KATHE KOLLWITZ: ‘THE SURVIVORS’
By Kathe Kollwitz (1867-1945).
A woman stands in the centre of the picture. Children clutch at her arms while men loom behind like shadows, their hollow cheekbones highlighted by the harsh white light of the paper underneath. ‘The Survivors’ is a poster by German printmaker and sculptor Kathe Kollwitz. With a background in Socialism, Kollwitz’ paintings and woodcuts often depict social movements, peasant uprisings, the impact of war, and the life of the worker. Made in 1923, ‘The Survivors’ is a disquieting drawing depicting the displacement of war.
Love Kollwitz.
Here’s one in our collection.
Shiprock, Toshi Yoshida.
More New Mexico-inspired art here.
Super cool! A collector just sent this shot of two Randall Davey lithographs he acquired. They're a perfect pair in their new home! #art #artist #artworld #arthistory #installationview #prints #printmaking #worksonpaper #litho #artgram #instaart #instaarthub #artgallery #gallerylife #monochrome #santafe #santafenm #santafeartcolony #simplysantafe #howtosantafe #newmexico #newmexicogram #newmexicotrue #newmexicoigers #newmexicolove #landofenchantment #canyonroad #canyongram (at Matthews Gallery)
Visiting Matisse: The Cut-Outs this weekend before it closes on Tuesday? Be sure to stop by the fifth floor to see his iconic paintings and illuminating monotypes.
[Installation view, Painting and Sculpture Galleries, The Museum of Modern Art. Shown: all works by Henri Matisse. © 2015 Succession H. Matisse, Paris/Artists Rights Society (ARS), New York]
Great stuff! Learn how monotypes are made with our artist Barbara Brock.
“I had never seen sunsets like that, ever. You just don’t see them in the Midwest; there’s too much moisture.” Taos artist Barbara Brock on moving to New Mexico.
“All my works [consist] of a dialectic between the conscious (straight lines, designed shapes, weighed color, abstract language) and the unconscious (soft lines, obscured shapes, automatism) resolved into a synthesis."
On Robert Motherwell's 100th birthday (b. Jan 24, 1915), check out this Motherwell print that passed through Matthews Gallery and read a blog about it from our archives.
Randall Davey, Girl Arranging Her Hair, Lithograph.
“Alfred Morang was one of the few people who encouraged me in my abstract expressionism,” said Janet Lippincott (1918-2007), one of Morang’s best-known pupils. Lippincott came to New Mexico in 1946 and studied at the Emil Bisttram School for Transcendentalism in Taos. Bisttram was a founding member of the Transcendental Painting Group (1938-1942), a collective of abstract painters with a spiritual, non-political approach to art, for which Morang served as press secretary. Santa Fean Magazine interviewed Lippincott for an article on Morang in their April 1978 issue:
He was an excellent painter and inspiring teacher “and he had a good mind,” Janet Lippincott says. She studied landscape painting with him for three months one summer, and she remembers that “he had something about him that could draw out the best you had in you.”
Read about more artists who were influenced by Alfred Morang here.
The Infanta Margarita after Velázquez, Édouard Manet
Date: 1862–64.
This work sent us on a hunt for scholarly comment, and we discovered Manet/Velazquez: The French Taste for Spanish Painting. It's on our Christmas wish list!
Holiday card from two of our awesome collectors, one of whom also happens to be a lovely linocut artist (we had no idea, Rick!). Aren't their cats adorable? #cozy #adobe #simplysantafe #howtosantafe #santafe #santafenm #newmexico #cats #catlovers #internetcats #art #artist #artworld #artgallery #gallerylife #newmexicotrue #newmexico #newmexicogram #newmexicoigers #blue #santafenewmexico #instaart #artgram #instaarthub #worksonpaper #prints #printmaking #printmaker (at Matthews Gallery)
Forrest Moses, Irises, Monoprint.
"Profoundly influenced by Japanese aesthetics, Moses embraces the principle of wabi-sabi: the realization that things become more beautiful as they decay, age, and transition. In this way, the marks of his oil paintings and ink-based monotypes reference the practices and philosophies of sumi-e ink masters. He seeks, in his own words, "to discover nature’s truth and give life to a painted image by understanding the rhythms and pulses behind appearances.” As such, his works stress brevity and simplicity to magnify the intensity of his expressions—underscoring the importance of negative space or nothingness as a juxtaposition to objects that presently exist."