Veit Rudolph Specklin (after Hans Holbein the Younger), Astronomical Chart of the Sun and Moon. 1534.
Paper engraved, hand-colored with fabric added, mounted on wood. Museum of Fine Arts, Boston (Probably a representation of Marie Antoinette), French; late 17th Century.
Utagawa Kuniyoshi. Unuma: Yoemon and His Wife Kasane, Sixty-Nine Stations of the Kisokaidô Road. 1852.
Utagawa Kuniyoshi. Poem by Ōshikōchi no Mitsune: Shiragikumaru, from the series Ogura Imitations of One Hundred Poems by One Hundred Poets (Ogura Nazorae Hyakunin Isshu). 1845-48.
Tadanori Yokoo. Tejas-Bhumi (Fire that is Earth), Akasa-Bhumi (Air that is Ground), Prthivi-Manuja (Earth that is Human Beings), Ap-Bhumi (Water that is Ground), Irana-Devaloká Manuja Bhumi (Wind that is Heaven Human Beings Ground), Akasa-Devaloka (Air that is Heaven), Prthivi-Bhumi (Earth that is Ground), Ap-Devaloka (Water that is Heaven), Prthivi-Devaloka (Earth that is Heaven). Shambhala Series. 1974.
Utagawa Hiroshige (歌川 広重), Crane and Bamboo Grass, 1830.
Paul Gauguin, Where Do We Come From? What Are We? Where Are We Going? (oil on canvas), Tahiti, ca. 1898.
Loïs Mailou Jones, Veve Voudou II (Oil paint, collage on canvas), 1963.
Martin Johnson Heade, Approaching Storm, Beach near Newport (Oil on canvas), c. 1862.
Jean Metzinger, Fruit and a Jug on a Table (Oil on canvas), 1916.
Paper engraved, hand-colored with fabric added, mounted on wood. Museum of Fine Arts, Boston (Probably a representation of Marie Antoinette), French; late 17th Century.