Al-Qazwini. 'Aja'ib al-Makhluqat. India, Bijapur. 1570.
Shaikh ‘Abd al-Karim bin Shaikh Farid Ansari al-Qadiri Jaunpuri, Bangālī (The third rāginī of Rag Bhairav); Javāhir al-Mūsīqāt-i Muḥammadī (Jewels/Essences of music belonging to Muhammad), 1570.
Manohar. The Story of the Princess of the Blue Pavillion: The Youth of Rum is Entertained in a Garden by a Fairy and her Maidens. Folio from a Khamsa of Amir Khusrau Dihlavi. 1598.
Hanuman and the Fish Princess. Javanese Wayang Album. 1800s.
The tradition of shadow-puppet theatre seems to have been in existence in Java for at least a thousand years, and the stories which are used in the wayang kulit shadow puppet theatre are taken from the Indian epics of the Ramayana and Mahabharata. While the characters and the plots remain basically Indian, the way the stories have been developed over the past 1000 years in the oral dramatic tradition reflects Javanese culture rather than Indian. In the Malay Muslim courts of the archipelago, literary traditions now transmitted using Arabic script continued to reflect deep-seated Hindu-Buddhist roots. The Malay version of the Ramayana, Hikayat Seri Rama, is believed to have been committed to writing between the 13th and 15th centuries, and originated not from the classical Ramayana of Valmiki, but from popular oral versions widely spread over southern India. -British Library
The Meeting of an Abyssinian General and a Mughal Noble in the Deccan. Mughal Empire, India. 1600s.
(Uknown). Codice, Illustrated Manuscript. Shiraz. 1412.