Soichi Sunami. Martha Graham, Two Primitive Canticles. 1931.
Oskar Fischinger, Kreise, 1933.
Loie Fuller was a pioneer of modern dance and of theatrical lightning effects. She developed and introduced the dance in 1891, combining her choreography with silk costumes illuminated by multi-colored lighting of her own design. In several of the Serpentine Dance movies her special colored lighting effects have been translated into fascinating hand-colored effects. Besides Serpentine Dance performances (often referred to as Butterfly Dances); Fuller presented a Fire Dance into which the four elements were incorporated. The Serpentine Dance films: Skladanowsky Brothers (1895), Dickson for Edison Manifacturing Company (1895, 1896 & 1897), Lumiere Brothers (1896), Demeny (1897), Alice Guy (1899,1900 &1902), Melies (1899), G.A. Smith (1902) & De Chomon (1908).
Lavinia Schulz & Walter Holdt Toboggan Frau. 1919.
Lavinia Schulz & Walter Holdt Toboggan Frau. 1923.
Costume présenté sur un mannequin 1,67 m de hauteur environ. Hambourg Museum für Kunst und Gewerbe (MKG)
Dancer and choreographer Lavina Schulz, 1924.
Le rideau de scène de Picasso pour' le Ballet 'Parade' réaliste. (1917) The word 'Surrealism' was first employed as a descriptive in critique of this war-time production, with music by Erik Satie and a one-act scenario by Jean Cocteau, 'Parade' premiered on Friday, May 18, 1917 at the Théâtre du Châtelet in Paris. Costumes and sets were designed by Pablo Picasso, choreography was performed by Léonide Massine. Conducted by Ernest Ansermet and composed between 1916 and 1917 for Sergei Diaghilev's Ballets Russes. [Le Centre Pompidou de Metz]
Roger Wood. Le Jazz Hot. photograph of choreographer Katherine Dunam and dancer. 1952.