Raymond Foye, Francesco Clemente. Hanuman Books #5. 1987.
Francis Picabia. Transparencies. 1929-1931.
Francis Picabia. Les Amoureux (Après la Pluie) (The Lovers (After the Rain), Transparence - Tête et Cheval, Promenade des Anglais (Midi), La Nuit Espagnole (The Spanish Night), Aello, Portrait d’un Docteur (Portrait of a Doctor), Le Lierre Unique Eunuque (The Unique Eunuch Ivy), La Feuille de Vigne (The Fig Leaf), Égoïsme (Selfishness). 1920-1950.
If you want to have clean ideas, change them as often as you change your shirts.
Francis Picabia
Francis Picabia, Prostitution Universelle (Universal Prostitution), c. 1917.
Source: artgallery.yale.edu
Francis Picabia. Love Parade, Portrait de Marie Laurencin (Four in Hand), Prenez Garde á la Peinture. 1916-1917.
Marcel Duchamp. View #5. 1945.
Published in New York City from 1940 to 1947, the art and literature quarterly View magazine was edited by the artist and poet Charles Henri Ford and focused on contemporary avant-garde movements, especially the Surrealists. This March 1945 issue centered on Marcel Duchamp, who designed the cover. Contributors to the issue also included André Breton, James Thrall Soby, Gabrielle Buffet (wife of Francis Picabia), Man Ray, Meyer Schapiro, and Frederick J. Kiesler, who created a cut-out triptych of Duchamp’s 14th Street apartment that the magazine featured as an insert that month, all for a buck.
Francis Picabia. The Double World (L.H.O.O.Q.). 1919.
Francis Picabia. Portrait de Jacques Hébertot. 1925.
Francis Picabia, La ville de New York aperçue à travers le corps (New York as seen from across the body), 1913.
Francis Martinez de Picabia de la Torre
Francis Picabia. L'œil Cacodylate. 1921.
Francis Picabia. Gloved Man. 1926.
Francis Picabia. Tableau Rastadada. 1920.