The Circus. Lithographs. 1900s.
Utagawa Kuniyoshi, Portrait of Chicasei Goyô (Wu Yong); with an elaborate armillary sphere, ca. 1675.
Francis Willughby (edited by John Ray), Ornithologiae Libri Tres, London, 1676.
Max Ernst, Europe After the Rain, c. 1942.
A Native of Nootka Sound, Vancouver Island, British Columbia. From 'An Authentic Narrative of a Voyage Performed by Captain Cook and Captain Clerke, in His Majesty's ships Resolution and Discovery' (During years 1776, 1777, 1778, 1779, and 1780); William Ellis; published by G. Robinson, J. Sewell and J. Debrett, London, c. 1783.
Paper engraved, hand-colored with fabric added, mounted on wood. Museum of Fine Arts, Boston (Probably a representation of Marie Antoinette), French; late 17th Century.
Horned Hare (Engraving),16th Century.
Wellcome Library no. 45066i (Artist Unknown). The Dance of Death. 1600s.
Theophilius Schweighardt, The Invisible College of the Rosey Cross Fraternity (Speculum Sophicum Rhodo-Stauroticum), 1618.
Josef Sudek, Night Walk, Prague, 1958.
Octavo title-border with Saints Peter and Paul: Two Basilisks supporting the arms of Basel, impressions from an unidentified publication, possibly Münster's Cosmographia (?); from German New Testament printed by Petri in Basel {Switzerland}, March, 1523. [x] nd.
Field Maple, woodcut by David Kandel (1580)
Dante’s Inferno; Circle 7: Violenti Cerchio
Gian Galeazzo Visconti; The Hours of Giangaleazzo Visconti, commissioned by the ruler of Milan. (14th Century, Italy)
Max Ernst (photograph by Herman Landshoff) 1940