Hercules Segers. Mountain Valley With Dead Pine Trees, c. 1623. Mountain Valley with Fenced Fields, c. 1615–30. River Valley with a Waterfall, c. 1621-1632. The Mossy Tree, c. 1625–1630. Escape to Egypt, c. 1652. Rocky Landscape with a Man Walking to the Right (First version), c. 1625-1630. Mountain Gorge Bordered by a Road, c. 1621-1632. Tobias and the Angel (The Flight into Egypt), c. 1615-1630.
Bayrām Ibn Ilyās. Sundial, Compass and Quibla Indicator, Istanbul, ca. 1583.
Utagawa Kuniyoshi. Sangoku yôko zue (The Magic Fox of Three Countries), c. 1850.
The Snettisham Torc (150 BC - 50 BC).
Scene from the Rāmāyaṇam; Rāma the seventh avatar, going into battle seated atop a war elephant, accompanied by Lakṣmaṇa and Hanuman. 18th century, Panjab Hills, India.
William Blake, Detail of European monarchs in the fiery pit (Etching and engraving), c. 1794.
Robert Wallis (after Joseph Mallord William Turner), Ramsgate, Kent, 1824.
Vivarium Grenovicanum, Prospectus intra Cameram Stellatam (View inside the Star Room), 1676.
William Blake. Jacob’s Dream. 1805.
Painting of Ganesha seated on his mount the rat and attended by the Bhutas from Thanjavur, India, ca. late 18th - early 19th century.
Tagg (after Joseph Mallord William Turner), Wallingford, 1795.
Katsushika Hokusai (葛飾 北斎), Koshu, Thirty-six Views of Mt.Fuji (富士山の甲州、三十六景), c. 1827.