Magic Transistor

Philip Galle. A Walking Écorché in Right Profile, An Écorché Seen from the Back. 1589.

Frans Francken II, The Bravery of the Persian Women, c. 1609.

James Ensor, The Skeleton Painter, c. 1896.

Philip Galle, Skeleton; Instruction and fundamentals of good portraiture, Antwerp, 1589.

Joachim Patinir (c.1480 –1524), Rest on the Flight into Egypt, n.d.

David Teniers the Younger

Jan Sadeler I, A Morte e o Cupido espreitam cônjuges desiguais (Death and Cupid peek in on an ill-matched marriage); engraved sometime in the 2nd half of the 16th century.

Aegidius Sadeler II

Lucas Vorsterman the Elder (after Lodewyk de Vadder), Landscape in a Rain Shower (Etching and engraving), Antwerp, n.d.

Joannes Norbertus Vinck, Le Truye qui File (Coloured woodcut), Antwerp, Belgium, late 18th century.

Atlas Novus Sive Theatrum Orbis Terrarum & Atlas Novus Terrarum Orbis Imperia Rega et Status (Hand-colored engravings), c. 1542-1647.

Luna holds a bow and quiver full of arrows, a Crescent Moon across her brow, standing upon a pedestal; her head glows nimbus; set within an oval in a rectangular frame, attributed to Crispijn de Passe the elder after Jan Collaert II, after Jan van der Straet (Antwerp), c. 1588.

Jan Collaert II (after Jan van der Straet); 'Venus' [Published by Philips Galle], Antwerp, c. 1587.

Adriaen Collaert (ca.1560–1618), engraving from a series on the Four continents, after Marten de Vos. Undated prints [c.1551-1600].

Otho Vaenius Batavolugdunensis. Emblemata. 1600s.

An ichthyocentaur playing a viol on the map of Scandinavia in Ortelius’s Theatrum orbis terrarum. (Antwerp, 1571)