Ernest R. Ashton. Evening near the Pyramids. 1898.
Agnes Giberne. The Story of the Sun, Moon, and Stars. 1898.
Lyman H. Howe's High Class Moving Pictures (detail). Chromolithograph, Courier Co. 1900.
F.A. Rinehart. Hand-Painted Photographs of Chief Mountain, Blackfeet. 1898.
Edvard Munch. Two Women on the Shore. 1898.
Detroit Photographic Co. Rocky Mountain "Canaries". 1898.
Ernest R. Ashton, Evening near the Pyramids, circa 1897.
Paul Gauguin. Human Misery. 1898.
Arthur Berry, Systema Saturnium, A Short History of Astronomy, 1898.
Maxfield Parrish, Alberich & The Ring of the Niebelung, Scribner's Magazine, 1898.
L. M. McCormick, Moonlight on the Mohawk, c. 1898.
Colaptes auratus, Picus principalis, Picumnus squamulatus, Picumnus squamulatus, Tiga javenensis, Chrysophlegma minata, Iynx torquilla, Picus major, Picus martius, Picus tridactylus and Picus viridis (Brockhaus chromiolithograph); c. 1898.
Edward Burne-Jones, The Sleep of King Arthur in Avalon, 1898.
R. F. Outcault, Down in Hogan’s Alley; Starring the Yellow Kid, New York Journal, 1895-1898.
James Ensor. The Entry of Christ into Brussels on Mardi Gras. 1898.
The Codex Borgia (Codex Yoalli Ehēcatl). Mictlantecuhtli & Quetzalcoatl. 1898.
Mictlantecuhtli (left), god of death, lord of the underworld, and Quetzalcoatl (right), god of wisdom, life, knowledge, morning star, patron of the winds and light, the lord of the West. Together they symbolize life and death in this Aztec ritual and divinatory manuscript written before the Spanish conquest of Mexico.