Anonymous. 17th Century Abstract Tantric Painting. Rajasthan, India.
Andreas Cellarius. Phases of the Moon, The Celestial Atlas or The Harmony of the Universe (Atlas Coelestis Harmonia Macrocosmica). 1660.
Johann Remmelin. Three Visions, Catoptrum Microcosmicum (Mirror of the Microcosm). 1667.
Bernard le Bovier de Fontenelle. Frontispiece for Conversations on the Plurality of Worlds. 1686.
Robert Fludd. The Great Chain of Being. 1617.
Shakti Yantra. Tantric Painting, Rajasthan. 1600s.
The three sides of the yoni, the primordial triangle, creative matrix of the cosmos, stand for the three qualities composing material nature: sattva, the ascending quality, seen as white; rajas, the kinetic quality, seen as red; tamas, the descending quality or inertia, seen as black.
Siddha Lakshmi Devi upheld by Mahakala Deva. Nepal. 1694.
Johann Theodor de Bry. Engravings for Atalanta Fugiens, hoc est, Emblemata Nova de Secretis Naturae Chymica, by Michael Maier. 1618.
Michael Maier. Emblem from Atalanta Fugiens. 1617.
J.D. Mylius. Macrocosm and Microcosm, Basilicæ Philosophica from Opus Medico-Chymicum. 1618.
Johann Theodor de Bry. Engravings for Philosophia Sacra et Vere Christiana, seu Meteorologia Cosmica, by Robert Fludd. 1626.
Johann Zahn. Oculus Artificialis Teledioptricus, sive, Telescopium. 1685. Contd from here
Théodore Galle. Emblems for Veridicus Christianus, by Jan David. 1606. Contd from here
Théodore Galle. Emblems for Veridicus Christianus, by Jan David. 1606. Contd from here
Théodore Galle. Emblems for Veridicus Christianus, by Jan David. 1606. Contd from here