My new OTP: Hannibal Lecter and his harpsichord [x]
Daisuke Takahashi, EX “The Crisis” @ Carnival on Ice 2011
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this is my kingdom come this is my kingdom come
Julia Lipnitskaia, SP || European Championships 2014 (x)
The Eyebrows club is an elite club for the sophisticated and dedicated eyebrow owner and there is only one rule about Eyebrow club, don’t talk about eyebrow club.
Mr. Takahashi got a medal in the Olympics and more. He is like a pioneer to the world. This man has opened up the unknown world and carved the path. […] The world that used to be unknown is no longer unknown to the juniors. […] Mr. Takahashi blazed the trail so others could follow it smoothly.
#i just have a lot of feelings #about dai inspiring bbs #and setting records for tj men #and like #no matter what happens now and after #no one can take that away from him
love stupid, i know it i know, 'cause i'm a fool in love
Happy 38th Birthday, Hugh!
the monstering of abigail hobbs
This is a piece on Abigail Hobbs as an avatar for how Hannibal is in fact not merely hyper-aware of the role of women in the horror porn/crime procedural genre, and how it is both illustrating it in action in a multitude of ways; how it is subverting it; and how it is using abigail as a centerpiece of victimhood being manipulated slowly into an (un?)willing monster by the events and persons around her.
i recommend you read this excellent discussion of how in the first place Hannibal is most emphatically anything but a mindless and gratuitous horror porn, because i’m working off this assumption, and furthermore it deeply irritates me when people who have not even seen the show properly characterize it on freeze-frames of the show whose very purpose is to re-contextualize all the typical horror tropes
Okay, clearly: Hannibal is a shamelessly blatant metaphor for a lot of things; for the commentary on good vs evil/monsters vs humanity, for capitalism’s conspicuous and obscene overconsumption (see: fuller’s running joke of “everything is people”, explicit solyent green quote which itself was a movie about how the literal and figurative cannibalism of others is what fuels the system); for the horror genre as a whole. I’m working off the last one, and taking it to see how, in fact, through the character of Abigail Hobbs, is has done magnificently in giving a lot of agency and wonderfully disturbed depth and power to a female character, through subverting and internalizing the role that females generally play in crime procedurals.