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@lyditist

hey, i'm pen. they/them, it/its, nor/non/nons. i mostly post about hockey with a side of dteam. mainly a leafs fan. art tagged with lydraws
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tourettesdog

Beta Reading and Fanfiction

I’ve been writing for a long time myself, but it’s only been very recently that I’ve immersed myself in communities online for it. I’ve been having so much fun really diving into Danny Phantom and DPxDC fanfic, and I’ve met so many great friends doing so.

I mostly do my own writing, but I’ve really enjoyed doing some beta reading as well, especially for friends! There’s something so fun about getting to dive into a work in progress and help where you can.

But I do feel like some people might really struggle to understand how to beta read, or what makes a good beta reader— especially where fanfiction is concerned. I’ve been extremely fortunate to have wonderful beta readers, but I’ve had some friends frustrated with the beta reading they’ve in turn received, or otherwise feeling uncomfortable in asking for a beta reader since they don’t know what to expect.

So, how should beta reading work? How do you do a good job?

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faeriekit

This is great!

To be even more specific, a beta reader isn't necessarily an Editor; although an author might like help with grammar and spelling, there's also a chance that this isn't what they need. I, for instance, struggle with rounding off plot strings and often want help in ensuring that the tone of a section comes off the way I want it to for a reader who isn't all up in the author's head.

A beta reader is just that— someone who gives a work a second look!

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reblogged
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transxfiles

me: *writes fic*

me: great! time to post to ao3-

ao3 summary box: *exists*

me: 

ao3 summary box:

me:

ao3 summary box: 

me:

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rjeddystone

Ooh, this is actually kinda a neat thing, because you can think of it as a checklist:

  • Who: Main character(s)
  • Why: Character goal or desire (stated)
  • Why: Character need (implied)
  • When: Inciting Incident
  • What: Means (that achieves the goal/need)
  • Where: Place A >> Place B
  • How: The Plan
  • Obstacle(s): antagonist or challenge

For example:

  • Who: Bilbo Baggins, a respectable hobbit of Hobbiton
  • Why: Treasure, wealth (stated)
  • Why: Adventure, self-respect (implied)
  • When: After supper
  • What: Quest
  • Where: Hobbiton >> The Lonely Mountain
  • How: A company of dwarves, a wizard, and an ancient map and key
  • Main antagonist(s): a dragon

Thus, in less than 100 words:

  • Bilbo Baggins is a respectable hobbit in Hobbiton, never making any trouble or having any adventures. But when a wizard and a company of dwarves invite themselves to dinner, Bilbo finds himself joining their quest from the shires of Hobbiton to the legendary Lonely Mountain, the home of a long lost treasure, and quite, possibly, a dragon.  

~~~~

The Anatomy of Story by John Truby is a really good book by the by, if anyone’s interested in this sort of thing.

This is super helpful!’

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bruciemilf

Did I daydream this, or was there a website for writers with like. A ridiculous quantity of descriptive aid. Like I remember clicking on " inside a cinema " or something like that. Then, BAM. Here's a list of smell and sounds. I can't remember it for the life of me, but if someone else can, help a bitch out <3

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dramono

This is going to save me so much trouble in the future.

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reblogged

Types of AO3 Summary

Option 1 - The Excerpt:

The quickest, the easiest! Find a section of your fic that contains the main premise of said fic and also showcases your writing. Copy paste that into the summary box. BOOM! Done.

Best used for any fic, unless it's so short the excerpt would be the whole fic.

Option 2 - The No Frills:

Just a description of the fic. No need for drama. No need to complicate matters. Keep it simple, keep it safe.

Example: "A short character exploration of Blorbo's thoughts after Daisy leaves."

Best used for short fics, poems and fics where the style/format is more important than the plot. Or fics that tie directly into a scene/episode from canon or another fanfic.

Option 3 - The Hook:

Draw the reader's interest by giving them a set up with no conclusion. Introduce the main character(s), introduce the status quo, describe an inciting incident, leave a question in the reader's mind.

Example: "Blorbo is a barista at a coffee shop, struggling to pay their bills, but after handsome rockstar Obrolb walks into their coffee shop they find that they have to decide whether a chance at love is worth the cost of fame."

Best used for mid to long fic where there's a strong premise and follow through. Especially good for AUs. Can be expanded for more complex plots or used multiple times in one summary for multiple characters or subplots.

Option 4 - The Sitcom One-Liner:

"The one in which [over simplified description of one of the main plotlines]" This is essentially 'boil your plot down to the very simplest statement you can, oversimplify if possible. The more bizarre or unhelpful the better.

Example: "The one in which Blorbo learns to like cake".

Best used for fics with at least a little humour in them.

Option 5 - The Rule of Three:

Three is a magic number. Find three key moments in your fic and just list them. That's it. Often ends with 'not necessarily in that order' if used for comic effect. If it's an AU, establish that quickly (i.e. 'Star NHL player Blorbo…').

Example: "Blorbo makes a friend, falls in love, and almost burns to death, not necessarily in that order."

Best used for anything, really. Three is a magic number. The human brain loves things that come in threes.

Option 6 - The Trope Lure:

Why bother describing the plot? We all know AO3 readers are here for the tropes. Similar to The Sitcom One-Liner just using tropes instead of plot. Often followed by the phrase 'that nobody asked for'.

Example: "The Space western/ABO/Mail Order Bride fic that nobody asked for."

Often tacked on to the end of The Hook or The Excerpt as a tl;dr.

Best used for fic that plays its tropes straight with no shame or second guessing.

Option 7 - The Pre-emptive Strike:

(Not recommended) You just wrote this fic, the self doubt is consuming you. You feel the need to apologise profusely for your existence for no apparently reason. You feel cringe, you think the fic is cringe, you want everyone to know that you think the fic is cringe in case they don't like it and judge you for it.

Example: "So I fell in love with this pairing and had to write this. It's weird and terrible. Lol! I suck at summaries! Sorry!"

Best used for no fics ever. I cannot stress this enough.

(Seriously, I am begging you, don't do this. If you're planning to use this option, rethink it and do one of the others. I guarantee you more people will want to read your fic.)

Sometimes added on to any other summary as a strange disclaimer. (srsly. don't.)

Option 8 - The Unapology:

Embrace the mayhem, embrace the deep dark depths of your soul. The opposite of The Pre-emptive Strike. A combination of The No Frills and The Trope Lure that truly gives no fucks.

You have committed crimes and you are proud of them. You know what your USP is and you're going to make sure your target market finds you. Look upon my works, ye readers, and despair!

Example: "There aren't enough tentacle fics in this pairing, so I had to write one myself!"

Best used for fics with controversial/polarising tropes with all relevant details already clearly stated in the tags.

Option 9 - The Interrogation:

What if you wrote a summary entirely in questions? What if your readers had to read the fic to discover the answers? Who knows what will happen if you do this?

Example: "What happens when Blorbo McBlorbo gets his wish and Daisy doesn't make it to the plane on time? What happens when Obrolb finds out? How will this change Daisy and Blorbo's friendship?"

Best used for... I honestly don't know. This style of summary does not vibe with me. Mystery fic maybe? Sorry guys.

Option 10 - The Multipack:

Got a bunch of shorter fics in one work? No way of summarising them all without a wall of text larger than the Great Wall of China? This one is similar to The No Frills in that you're not describing the plots themselves and similar to The Trope Lure in that often broader genres and tropes are mentioned. What links those fics? Are they all in the same fandom? The same pairing? The same challenge? Just slap that right in the summary. A chapter list with 1-2 word trope/pairing summaries can be included or not.

Example: "A collection of Blorbo/Daisy/Obrolb fics based on Tumblr prompts. Chapter 1: Regency AU Chapter 2: Werewolves vs vampires Chapter 3: Ghost!Daisy Chapter 4: Space pirates!"

Best used for (obviously) works that are compilations of fic.

Option ? - The Void:

I said The Excerpt was the quickest and easiest summary to do. I lied, well... I didn't exactly lie. What is quicker and easier than not having a summary at all? After all, that's what the tags are for.

Example:

Best used for... nothing? Write a summary, guys. Please?

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reblogged

okay hey real question: what are good ways to describe fat characters?

I see a lot of 'have more fat characters' and I'm Here For It but as someone who is skinny and in a world where most existing literature makes characters fat only as a joke or an indication of some variety of moral badness, I'm not really sure how to describe them in a way that's not objectifying or insulting. like, I've grown up on poetic descriptions of thin characters ('long slim fingers' and 'willow figure' etc etc) but I haven't read flattering descriptions of fat characters and I don't know where to start. I've seen a lot of 'how to describe poc' or 'how to describe disabled characters' or whatever and I've seen art ref posts for drawing fat characters, but no posts about how to write them well. so. open call for advice or for examples you've found and like??

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fraddit

I remember at least two posts about this subject. Alas, I was only able to find one.

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bacchicly

Howdy! Fat short white woman here. I've got some hopefully helpful thoughts on this which I will share a little later (I've got a few things to do first sadly).

In the meantime, OP (or anyone else) if you have specific questions about what it feels like for me to be in a fat body or what I personally do and don't worry / think about... I'm more than happy to answer.

In the meantime - I know you said you've seen ref posts for drawing fat characters...but here's one I like (in case you haven't come across it) that is nicely wordy: https://www.tumblr.com/bacchicly/677854396964634625?source=share

Ok as promised I've written my own post - idk if it will be helpful to anyone - but here's the link:

Happy writing!

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@Fanfic writers:

My friend send me this link, is a series on a profile on Ao3 (tumblr) that has different tutorials to insert things to fanfics via html code, I thought I would share bc it’s really cool

Lists of tutorials:

This is a tutorial/live example on how to make large images fit on mobile browsers but remain normal size on desktop browsers.

This is a tutorial/live example on how to mimic the look of letters, fliers, and stationery (as well as other forms of written media) without using images. For all your epistolary fic needs.

This is a tutorial/live example on how to create a "Choose Your Own Adventure" fic. While this has been explained before (see here), this particular tutorial shows you how to use a work skin to hide the next parts from the reader until they click through to get to them.

This is a live example of how an author can create linked footnotes in their work with only a little bit of HTML and no workskins required. This is best viewed by clicking "Entire Work". While I've included the actual coding in bold and italic once you click "Hide Creator's Style", there's a more detailed explanation here.

This a tutorial/live example on how to have text change or appear once a cursor is hovering over it. Helpful for pop-up spoilers, language translations, quick author's notes, etc.

Anonymous on tumblr: do you have a skin that would mimic the author’s notes and review/kudos buttons section from the end of a fic? the desired effect being that the fic could go on after the “end” of the fic, so after the author’s notes and review/kudos buttons

Here's a tutorial/live example to do just that, with some of the buttons actually functioning. I'll explain more inside!

This is a tutorial/live example on how to align images to the left or right of the screen and have text wrap around them.

This is a tutorial/live example on how to mimic email windows on AO3 without the need to use images.

This is a tutorial/live example on how to mimic iOS text messages on AO3 without the need to use images. There's also a chapter on how to have emojis displayed on AO3 as well.

Bored with the default page dividers? This is a tutorial/live example on how customize your page dividers with no images needed (though I do show you how you could use images if you wanted to do such a thing).

This is a live example how to make invisible text that can only be seen by highlighting the text. Tutorial is included in text, and you can always leave comments about questions you may have.

MOBILE USERS: Sadly, this probably won't work for you, since highlighting in a mobile browser is different than web. I've tried correcting this, but have yet to find a solution.

Original coding and design is from layouttest. I make no claims for it, just tweaked it so it will work on AO3.

This is a live example of my AO3 skin that allows the author to recreate the look of lined notebook paper in their work. To learn more about it, you can find the tutorial here.

This is a live example of my AO3 skin that allows the author to recreate the look of sticky notes (aka Post-Its) in their fic. To learn more about it, you can find the tutorial here.

This is a live example of my AO3 skin that allows the author to recreate the look of Deadpool's thinking boxes in their fic. To learn more about it, you can find the tutorial here.

This is a live example of my AO3 skin that allows the author to recreate the look of a newspaper article in their work. To learn more about it, you can find the tutorial here.

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dduane

This is really useful and I'll always reblog it.

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reblogged

I want to write a book called “your character dies in the woods” that details all the pitfalls and dangers of being out on the road & in the wild for people without outdoors/wilderness experience bc I cannot keep reading narratives brush over life threatening conditions like nothing is happening.

I just read a book by one of my favorite authors whose plots are essentially airtight, but the MC was walking on a country road on a cold winter night and she was knocked down and fell into a drainage ditch covered in ice, broke through and got covered in icy mud and water.

Then she had a “miserable” 3 more miles to walk to the inn.

Babes she would not MAKE it to that inn.

Are there any other particularly egregious examples?

This book already exists, sort of! Or at least, it’s a biology textbook but I bought it for writing purposes:

It starts with a chapter about freezing to death, and it is without a doubt the scariest thing I’ve read in years (and I read a lot of horror fiction).

This book can be downloaded for free on Researchgate, posted there by the author himself:

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So... I found this and now it keeps coming to mind. You hear about "life-changing writing advice" all the time and usually its really not—but honestly this is it man.

I'm going to try it.

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missroserose

I love the lawyer metaphor, because whenever I see “John knew that...” in prose writing I immediately think “how?  How does he know it?”  Interrogate your witnesses.  Cross-examine them.  Make them explain their reasoning.  It pays dividends.

All of this, but also feels/felt. My editor has forbidden me from using those and it’s forced me to stretch my skills.

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reblogged

Seen a couple posts on the dashboard lately about writing with ADHD. So, for the ADHD and neurodivergent folks who like writing but struggle sometimes… check out StimuWrite.

You can set it to make little sounds as you type (or leave them off), and emojis pop up in the corner. You can change the background, dark and light themes, set your word goal, and it gives you a percentage and total word count at the bottom. Though it’s more meant for getting a draft written up, so it doesn’t have spell check or anything like that. You’re meant to just copy and past what you write here into Google Docs or Word or Scrivener or whatever else you use and go from there. Honestly love it when I’m struggling to get words down, though. And apparently there’s an update now for StimuWrite 2?👀

Anyways, give it a try if it looks like it may help. It’s currently name-your-own-price.

Yo I just downloaded this thing and hammered out 3000 words????? Which is more than I’ve written in years????????

Hey I’ve accidentally written 20,000 words in six days.

I started using this and it’s amazing! I used to love writing in coffee shops but haven’t been able to in years due to being high risk for covid. StimuWrite has a simu-coffeeshop with video background and cafe soundscape. I about cried, y'all.

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reblogged

.

@space-australians Feels like this would kinda fit your blog, specially for writers who want to make up weird human space shenanigans involving a ship and alien crew and what not.  Maybe someone can write about how a person fixed a specific part in the dumbest way possible using the right words XD

Guys, NASA is cool.

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emperorsfoot

If you scroll to the bottom of the page, they have a whole list of articles and pages to help sci-fi writers. NASA is the best! 

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Do you have any tips for writing short stories? I want to write a collections of stories all taking place in the same setting with an interlinking meta-narrative and mysteries between them. However I also want all the stories to stand on their own merit but I'm struggling to come up with an actual story for most of them. When I do get ideas they usually balloon to the point of no longer fitting in a short story. Thanks for all the help! Your blog is really useful.

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Think of a short story as a snapshot - limited characters, limited time, one concept to explore. Let's say (for the sake of focusing on something) your collection is about cryptids. Lots of mystery there, definitely a lot of interlinking you can do. We're going to focus each story on one cryptid, one point to make, one story to tell.

First, some questions to answer:

  • What question are you asking with each story? I mean yeah, the question could be 'what the living fuck were the Fresno Nightcrawlers,' but you're better on focusing on what you're trying to say with a story rather than it's actual contents. Is it that some mysteries better left unsolved? That the unknown is not as scary as we think it is?
  • How are you framing this question? Is it within a conversation where it's never directly asked? Shadowing the actions of the main character as they chase something through the woods? Implied through analysis of grainy home camera footage? An encounter with the Nightcrawlers may balloon into too long of a story - but merely the idea of an encounter, waiting in the dark for something to come, can hone your story down to its key point and visuals.
  • Does the question have an answer? If so, is it explicit on the page or left for the reader to gather? If there is no answer, was there value in asking the question? (If the theme of your collection is mystery, than yes). What does the character get it out it? What does the reader get from it?

Here is the core of your short story - the question you're asking, the framing of that question, and if that question is answered. Let's put this core into a idea for an example:

  • The Concept: A man waits in the dark to catch the Fresno Nightcrawlers in the act.
  • The Question: Should we treat the unknown as a potential threat?
  • The Framing: In one hand the man has a camera. In the other, a bat. (Representing the question - does he use the bat or the camera when tested?) We learn a bit of his backstory and what drives him out in the dark. We learn what drives him to do this. We will see what he does next with his eventual encounter.
  • The Answer: In my draft concept of the story, the man uses neither. He goes back inside and he does not wait up for white figures walking through the dark ever again. What lesson he takes from this - and what the reader will - depends on the content of the story.

You can see how this could spiral - obviously that backstory is important and what happens if he decides to follow the Nightcrawlers? - but remember, I have one question to answer, and I want to answer that with a specific setting and event. If I want to follow those other threads, I can save them for other supernatural critters, and other stories.

You don't have to frame every short story this way, but outlining your end goal is always a good idea. Remember, a short story is capturing a moment, a decision, a single act. It can't be a wide character study, but it can focus on a universal experience - fear, anger, facing the unknown. Focus on the core theme of your story and keep it to a strict concept. You can always save those spiraling ideas for later, so don't force yourself to banish them (you never know where a whole novel idea might lurk), but don't let them lead you off track.

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