You know it’s good writing when even you didn’t see that plot twist coming.

Your voice might feel small, but it’s yours. Even if it’s shaky, even if it’s unsure, it’s still important. Don’t let doubt drown out what you have to say.

Quick Tips for Writing Protective Tension

Quick Tips for Writing Friendship Tension

Writing, at its core, is about stepping into someone else’s shoes. It’s not just about creating characters who are like you, it’s about understanding characters who are nothing like you. Writing forces you to ask, “Why does this person act this way?” “What are they afraid of?” “What do they want?” You have to feel what your characters are feeling, even if you don’t agree with them. That’s how you create characters who are complex, layered, and real.

On Writing Anti-Heroes

Writing an anti-hero means letting your character screw up, a lot. They’re not the shining example of goodness, and that’s exactly why people love them. They make selfish choices, they’re morally gray, and sometimes they don’t do the right thing. But here’s the key, you need to give readers a reason to root for them. Maybe it’s their tragic past, maybe it’s their sense of humor, or maybe it’s that tiny flicker of goodness buried under all the bad decisions. Anti-heroes are messy, but there’s something magnetic about watching them try to crawl out of the darkness, even if they keep falling back in.

Here’s the thing about pacing: it’s the heartbeat of your story. Too slow, and the reader flatlines. Too fast, and they can’t catch their breath. You need to know when to hold back and when to push forward. Slow down for the emotional beats, the quiet moments of character development. But when the tension builds, you hit the gas and don’t let up until the reader’s hanging on every word. Pacing isn’t about keeping a steady speed, it’s about the rhythm of highs and lows that keeps your reader glued to the page.

Listen, you can’t write perfect characters. No one cares about reading about someone who never screws up. Your characters need to make bad decisions, they need to hurt people, and they need to be hurt. They should doubt themselves and do things they regret. That’s where the magic happens, when they’re flawed, messy, and human. People don’t fall in love with characters because they’re flawless; they fall in love because those characters remind them of the chaos inside themselves. So don’t be afraid to put your characters through hell. Only then will their journey mean something.

Funny Arranged Marriage Dialogue

A coffee shop. Mady and Tyron meet for the first time, after being set up by their overly enthusiastic parents.

Mady: (raising an eyebrow) So, how much did they have to pay you to show up?

Tyron: (grinning) Free rent for a month. You?

Mady: (laughs) They promised to stop dropping hints at Thanksgiving. I’m still skeptical.

Tyron: (leaning in) Well, I was told if this doesn’t work, they’re signing me up for The Bachelor.

Mady: (snorts) Oh, great. If we don’t work out, my mom’s threatening to join Tinder for me.

Tyron: (mock serious) Wow. Looks like we have no choice but to fake happily ever after.

Mady: (laughing) Fine, but I’m picking the first dance song.

Neither of them wants to be there. They're totally against the idea of being forced into this situation, maybe they had plans for their own future, or they're just stubborn about being told what to do. But then surprise, they start catching feelings. It’s the slow burn we all live for.

This is the ultimate trope. They start off hating each other’s guts, refusing to even look at each other. Every interaction is dripping with sass, sarcasm, and all kinds of tension. But then, somehow, the sparks turn into a fire of a different kind. They go from "I can't stand you" to "maybe I like you more than I thought."

This one’s gold. They both agree to pretend to be the perfect couple just to get their families off their backs. Of course, faking love gets tricky when you actually start to feel something. It’s all "pretend to hold my hand" until their hearts decide it’s not so pretend anymore.

The classic dilemma. One character’s already in love with someone else, or someone new shows up just as the arranged marriage is about to happen. Cue the inner turmoil, awkward run-ins, and the big decision, who will they choose?

They come from totally different worlds. There’s misunderstandings, awkward moments, and all kinds of learning curves as they figure out how to make it work. It’s not just about learning to love each other, but also learning to respect their differences. Bonus points for growth.

The families are pulling all the strings here, putting a ton of pressure on the characters to get married. Maybe one’s doing it out of loyalty, maybe the other’s feeling trapped. Either way, it’s a balancing act between family expectations and their own desires. Cue the emotional drama.

These tropes are like comfort food, familiar but so satisfying. Whether it’s the enemies-turned-lovers drama or the slow realization that they’ve fallen for each other, these stories are all about the rollercoaster of emotions. You start off thinking, “They’re never gonna work,” and by the end, you're rooting for them to make it.

The whole thing starts with that awkward moment, the first time they meet. It's not like some romantic movie scene or anything. More like two strangers, thrown together by fate (or their families), fumbling around, unsure of how they’re supposed to act. There’s this weird tension, like they’re both trying to figure out if this is really happening. Do they shake hands? Say something witty? Or just stare at their shoes and hope someone else fills the silence?

And speaking of silence, there’s a lot of it. Those early conversations are painfully stiff, with long pauses where they’re both scrambling for something, anything, to say. But eventually, one of them cracks a joke or finds something they both like, music, movies, some random topic. And it’s like a tiny window opens. Just a little, but enough to let some air in, enough to feel like they might not be total strangers forever.

Then comes the learning phase. They start picking up on each other's habits, the way they stir their coffee, or the fact that they always forget their keys. At first, it's just background noise, but slowly it becomes something familiar. They realize they're not tiptoeing around each other as much anymore. They might not be best friends, but there's a rhythm starting to form, like they're both settling into this new, weird reality.

Of course, it’s not all smooth sailing. There are moments when everything feels like too much. The weight of being tied to someone they didn’t choose starts pressing down, and they’re both frustrated. Sometimes with each other, sometimes just with the whole situation. There’s tension, maybe even a few arguments, and it feels like they’re stuck in this impossible bind.

And then there’s that one conversation. The one where they’re both too tired to keep the walls up. Maybe it happens late at night, or when they’re caught off guard, but suddenly, they’re talking about real things. Fears, hopes, the stuff that actually matters. After that, they look at each other differently.

What’s even weirder is when they catch themselves caring, like, genuinely caring. They didn’t expect it, didn’t want it at first, but now it’s there. And it's not just that, it’s this slow, almost sneaky attraction that creeps up on them. They start noticing little things, like the way the other smiles, or how they laugh at their dumb jokes, and it makes them feel...something.

Before they know it, the tension they felt at the start melts into something else entirely. What began as awkwardness and uncertainty turns into understanding.

Office Romance Dialogue

A: "You do realize this is completely against company policy, right?"

B: (grinning) "Are you really that worried about the rules right now?"

A: (glancing around nervously) "Yes! What if someone sees us?"

B: "Then they’ll see that I’ve been crazy about you since day one."

A: "You’re not making this any easier."

B: (teasing) "Good. I don’t want to make it easy for you to ignore me."

Look, writer’s block is not some giant, mysterious monster. It’s you, in your head, holding yourself back because you’re afraid what you’re writing sucks. And here’s the truth, yeah, maybe it does suck. But you know what? That’s okay. Writing something bad is still better than writing nothing at all. You don’t wait for inspiration to strike, you show up, write the garbage draft, and then fix it later. Writing isn’t about perfection, it’s about getting it done. Even if it’s one crappy page at a time.

On Writing Side Characters

Your side characters shouldn’t just exist to cheer on the protagonist or drop exposition. They need their own lives, their own goals, and their own arcs, even if we only see a glimpse of them. The best side characters feel like they could be the main character in a different story. Make them flawed, make them memorable, and give them something that makes the reader care. Maybe they’re sarcastic, maybe they’re loyal to a fault, or maybe they’ve got secrets of their own. A well-written side character can steal the show, but more importantly, they make your world feel real.

Some Tips for writing internal conflict

Wanting Two Things at Once Imagine your character really wants to chase after something big, like a dream school, a major opportunity, or maybe even moving to a new city. But at the same time, they’re terrified of leaving behind everything they’ve ever known. Or maybe they’re in a relationship that’s holding them back, but they can’t bring themselves to let go. Show them getting pulled in two directions, torn between their ambition and their fear of losing the people or places that ground them.

Right vs. Wrong Sometimes, your character will know deep down what the right choice is, but it’s the most difficult one to make. Like, maybe they see someone getting bullied and know they should stand up, but doing so could make them a target. Or maybe they have to decide between helping a friend and doing something that could ruin their own future. These moral dilemmas create intense internal conflict because it forces them to question who they are and what they stand for.

Doubting Themselves We all have moments where we wonder if we’re enough, smart enough, strong enough, brave enough. Let your character wrestle with that same doubt. Maybe they’re the kid who has always been told they’re special, but now they’re in a place where everyone is just as good, and they start to wonder if they even belong. Or maybe they’ve been through something tough, and they’re not sure if they can bounce back. These moments of insecurity make your character feel human, like they’re trying to figure it all out, just like everyone else.

Dreams vs. Fears Show your character dreaming big but getting frozen by their own fears. It’s like wanting to ask someone out but being terrified of rejection, or wanting to move away for college but being scared to leave home. Let them imagine all the things that could go wrong , that moment when fear makes them doubt if they should even try. But also show their desire burning just as strong, making it impossible to ignore. That’s the heart of internal conflict: they’re stuck between wanting something so bad and being afraid of what it’ll cost to go after it.

Beliefs Being Challenged As your character grows, the world will start challenging their beliefs. Maybe they grew up in a family that drilled certain values into them, and now they’re meeting people who see things differently. Or maybe they’re experiencing something new, and it’s changing their perspective. It’s like when you think you have everything figured out, and then life throws something at you that makes you go, "Wait, maybe I’ve been wrong this whole time." This kind of internal conflict is powerful because it forces the character to question who they’ve always been.

Keeping Secrets If your character is hiding something, like a mistake they made, feelings they’re afraid to admit, or a truth they don’t want to face, that secret becomes a huge part of their internal conflict. The fear of being found out or of dealing with the consequences can create a constant pressure in their mind. Maybe they’re scared they’ll lose their friends if the truth comes out, or maybe they’re dealing with guilt they can’t shake. The tension comes from their battle to keep it hidden while knowing they can’t keep it locked away forever.

Pressure from Everyone Your character might feel like they’re trapped between what they want for themselves and what everyone else wants from them. It could be pressure from parents, who have their whole future planned out, or pressure from friends to fit in or follow the crowd. Maybe your character wants to be true to themselves, but they’re scared of disappointing people or standing out too much. This kind of internal conflict is super relatable because, at some point, everyone feels like they’re stuck between living for themselves and living for others.

Fear of Failing Sometimes the biggest obstacle isn’t the external challenge but the internal fear of failure. Your character might have big dreams, but they’re paralyzed by the thought of messing up. Whether it’s competing in a sport, performing on stage, or just trying something new, the fear of not being good enough can be overwhelming. Maybe they’re afraid that if they fail, everyone will see them differently, or worse, that they’ll see themselves differently. The internal conflict comes from their desire to succeed battling against their crippling fear of failure.

if you have any questions or feedback on writing materials, please send me an email at [email protected] ✍🏻