These are dope
The songs of Rodgers and Hammerstein’s Cinderella
The Valiant Little Tailor
Jack and the Beanstalk
Beauty and the Beast
Pinocchio
Thumbelina
Puss in Boots
The Twelve Dancing Princesses
The Little Mermaid
Goldilocks and the Three Bears
Ali Baba and the 40 Thieves
The Princess and the Pauper
The Snow Queen
HBO’s “Happily Ever After: Fairy Tales for Every Child” 1995 - 2000
(from the same people who eventually brought us “The Proud Family”)
YA Retellings brought to you by Epic Reads - Fairy Tale Retellings:
Beauty and the Beast: East by Edith Pattou / Sun and Moon, Ice and Snow by Jessica Day George / Rose Daughter by Robin McKinley / Cruel Beauty by Rosamund Hodge / Spirited by Nancy Holder / Heart’s Blood by Juliet Marillier / The Princess and the Hound by Mette Ivie Harrison / Stung by Bethany Wiggins / The Hollow Kingdom by Clare B. Dunkle / Beastly by Alex Flinn / Beauty by Robin McKinley / Of Beast and Beauty by Stacey Jay
The Little Mermaid: September Girls by Bennett Madison / Fathomless by Jackson Pearce / Monstrous Beauty by Elizabeth Fama / Midnight Pearls by Cameron Dokey / Mermaid: A Twist on a Classic Tale by Carolyn Turgeon
Cinderella: Just Ella by Margaret Peterson Haddix / Ella Enchanted by Gail Carson Levine / Princess of Glass by Jessica Day George / Throne of Glass by Sarah J. Maas / If I have A Wicked Stepmother, Where’s My Prince? by Melissa Kantor / Gilded Ashes by Rosamund Hodge / Shadows on the Moon by Zoe Marriott / Cinder by Marissa Meyer / Before Midnight by Cameron Dokey / Ash by Malinda Lo
Rumpelstiltskin: A Curse As Dark As Gold by Elizabeth C. Bunce / Spinners by Donna Jo Napoli / The Crimson Thread by Suzanne Weyn
The Frog Prince: Cloaked by Alex Flinn / Enchanted by Alethea Kontis / The Door in the Hedge by Robin McKinley / Water Song by Suzanne Weyn
The Snow Queen: Cold Spell by Jackson Pearce / Winter’s Child by Cameron Dokey / Stork by Wendy Delsol
Little Red Riding Hood: Red Riding Hood by Sarah Blakley-Cartwright / Scarlet by Marissa Meyer / The Book of Lost Things by John Connolly / Sisters Red by Jackson Pearce / Scarlet Moon by Debbie Viguié / Dust City by Robert Paul Weston
Twelve Dancing Princesses: Entwined by Heather Dixon / The Phoenix Dance by Dia Calhoun / The Night Dance by Suzanne Weyn / Princess of the Midnight Ball by Jessica Day George / Wildwood Dancing by Juliet Marillier
Hansel and Gretel: Sweetly by Jackson Pearce / Bewitching by Alex Flinn / Greta and the Goblin King by Chloe Jacobs
Rapunzel: Bitter Greens by Kate Forsyth / Rapunzel Untangled by Cindy C. Bennett / Towering by Alex Flinn / Cress by Marissa Meyer / Golden by Cameron Dokey / Zel by Donna Jo Napoli
Snow White: Beauty by Nancy Ohlin / Snow by Tracy Lynn / The Glass Casket by McCormick Templeman / The Rose and the Beast by Francesca Lia Block / The Serpent’s Shadow by Mercedes Lackey / Nameless by Lili St. Crow / Fairest by Gail Carson Levine / Tender Morsels by Margo Lanagan (*this is actually a retelling of “Snow White and Rose Red”) / Devoured by Amanda Marrone
Sleeping Beauty: A Kiss in Time by Alex Flinn / Briar Rose by Jane Yolen / Beauty Sleep by Cameron Dokey / Princess of Thorns by Stacey Jay / The Healer’s Apprentice by Melanie Dickerson / Spindle’s End by Robin McKinley / Kill Me Softly by Sarah Cross / A Long, Long Sleep by Anna Sheehan
lookatthewords replied to your post:You guys, if you haven’t read Boy, Snow, Bird by…
what’s it about D:
It’s a retelling of Snow White in 1950s-1960s USA, with black protagonists. Basically, a white woman marries into their family and finds out that they’re passing for white when she has a daughter with darker skin (the daughter with darker skin is not Snow White, that would be the elder daughter from a previous marriage).
Race relations is a huge theme in the book, and I think it’s done with a lot of thought, but take that with a grain of salt, since I’m not black. I will say there’s one Chinese kid in the book, and the racism he gets feels pretty damn realistic, and he’s a rounded-out character to boot.
oh wow. D: did this just come out? TO READ!!!
Research Masterpost part 1 (Fairytales/Folktales, Arthurian Legends)
General
Fairy Tales/Folktales
Arthurian Legends
Next masterpost I’ll go over Arthurian Legend characters and naming characters. Any broken links or suggestions for later masterposts?
Update for anyone new here- you can also check the Works Presented page, it is regularly updated.
Presence of PoC in latin and ancient greek literature
- Rope (c. 211 B.C), by Titus Maccius Plautus (Italy)
- Aethiopica, (3rd century ) by Heliodorus of Emesa (Syria) presentation pending
- Letters from hetaeras (3rd century), by Alciphron (Greece)
- Epigrams from a misanthrope (4rth century), Palladas of Alexandria (Egypt)
Playwrights-Authors-Poets
15nth-16nth century
- Orlando Furioso (cantos I-XII) (1532), by Ludovico Ariosto (Italy) (presentation not completed)
- A comedy of errors, by William Shakespeare (England) (presentation not completed)
- A midsummer night’s dream, (c. 1590), by William Shakespeare (England)
- Shakespeare’s Sonnets: “The bad angel”, (published in 1609), a collection of sonnets by William Shakespeare about a black woman (England) (presentation not completed)
17nth-18nth century
- The Alchemist, part 1 & 2, (c. 1610), by Ben Johnson (England) (presentation not completed)
- Presentation About Blackface: Three Masques (1605, 1608, 1621), by Ben Johnson (England)
- The Royal Ballet of the Dowager of Bilbao’s Grand Ball, (1626), by Daniel Rabin (France)
- Oroonoko, or the Royal Slave (1688), by Aphra Behn (England) (presentation not completed)
- The dispute (c. 1744), by Pierre Carlet de Marivaux (France)
Visual Arts
_____________________________________________________
LGBTQ themes in literature (in progress):
- LGBTQ characters
- A transgender man from the greek antiquity
- Female bisexuality in Sappho’s poetry (Mytilene/Greece)
- Male bisexuality in Shakespeare’s work (London/England)
- Male homosexuality in poems by Constantin P. Cavafy (Alexandria/Egypt)
The links lead straight to the tags, or masterposts, so they are going to be constantly reviewed and updated.
disabusing-common-notions
For anyone looking for people of color in Ancient Greek and Roman literature, with lots of other stuff, too!
A young boy goes on a journey to catch a star and win the heart of the beautiful village girl. To do this he must venture into the land beyond the wall where trees talk, witches walk, and nursery rhymes come to life. Sounds super typical but it isn't. It has such a classical fantasy taste to it and is such a good story (It has the same feel as Howl's Moving Castle and that's why I think you might like it)
but like that sounds perfect. I love that sort of stuff so much asdfghjk you don't even know. I'm actually writing my own fairytale originals and retellings because something about that classic fantastical story feel really speaks to me. I think I'd really like this book if it's like you say it is, especially if it's got a HMC feel. Thanks so much!! How you know me ;_;
It's a bit rough right now, so I'm trying to work out what needs fixing...Is it okay? Any confusing parts, odd imagery conjured etc? Oh and it's a beauty and the beast thing.
If Cerberus, the three-headed dog, guards the entrance to Hades, what do you suppose a three-headed deer is the guardian of? This awesome image of three fallow deer bucks, standing in a perfect row and looking backward at the same moment, was captured in the forests of Lithuania by photographer Renatas Jakaitis. But we prefer to think this photo was taken on the outskirts of the Forbidden Forest.
[via Twisted Sifter]
Fairy rings occupy a prominent place in European folklore as the location of gateways into elfin kingdoms, or places where elves gather and dance. According to the folklore, a fairy ring appears when a fairy, pixie, or elf appears. It will disappear without trace in less than five days, but if an observer waits for the elf to return to the ring, he or she may be able to capture it. They are soooooo beautiful!
fairy rings are usually caused by decaying organic matter, generally a tree stump. many types of fungi have symbiotic relationships with tree roots and mushrooms are the fruiting bodies of such fungus. So if a huge old tree was cut down, you’ll often find fairy rings. they can last for years and years as the earth reabsorbs all the nutrients left behind by the beautiful tree.
sorry, didn’t mean to crush dreams - but i have a degree in horticulture and i was really excited when i first learned this.
maybe fairies and fungi are joining together to mourn the loss of the tree
xo
NO BUT FINDING OUT ABOUT WHY FAIRY RINGS EXIST IS ALSO REALLY COOL.
From a writer’s perspective, it’s even more interesting to find out why they exist on a horticultural level, because it opens up a whole realm of fictional possibilities. Science doesn’t have to invalidate mythology or fiction, no more than mythology or fiction invalidates science.
For example, doesn’t that just essentially make this a tree grave? And if folklore has taught us anything, it’s that “fairies” and other spirits usually occupy trees, or have them as their life force. And that’s to say nothing of the folklore of trees being spirits in and of themselves, or kitsunes that live in tree hollows, or dryads, etc., etc.. So, if it’s disrespectful or feels like a slight to step on human graves, wouldn’t that logic transfer to stepping inside the Fairy Circle, AKA, the tree’s grave? It’s essentially giving more fuel to the story, not detracting from it, in my humble opinion!
And this is yet another reason I love K — her perspectives are awesome.
Also because the ring is a grave, the death of the tree means the death of the dryad who occupied it. so the dryad spirit would, in death, be a gateway. its spirit joining this world and the Realm of Faerie.
A tiny voice is heard from inside the womb of a pregnant woman: “Mother, give birth to me!”
“A child who can speak from his mother’s womb can give birth to himself”, replies the mother.
Here’s a blast from the past (released in 1998) that we can all enjoy, Kirikou and the Sorceress.
Drawn from familiar cultural elements of West Africa, this traditional animated film tells the story of Kirikou, a newborn boy who can speak and walk right after cutting his umbilical cord.. He is born into a village where an evil sorceress has cast a cruel spell; drying up their spring and kidnapping just about all the men. Her name is Karaba and she is a beautiful, but cruel woman. Kirikou wastes no time with setting off to find the plague of his village and to … (keep reading)
I'm sorry! It's in your blog description! You say you're writing a fairytale anthology. I just thought it sounded really nice, and wanted to see how you were getting along with it. I always love chatting to my fellow authors whenever I can ;)
Haha ohhh! Lolno apologies. I am just writing at this very moment so I'm thinkin "who sees me?!" Not the fairytale project, but that's definitely sitting close in the wings. I recently just thought of a another tale for the anthology (a little mermaid set in Africa kind of deal) and i'm glad you like the sound of it! It's a fun project ^-^ What are you working on?
Which would be better: applying a European fairytale to a non-European culture/region (like Snow White in the Andes) OR a "fairytale" native to a specific culture set in that culture?
I would say the second.
But regardless, I think if Disney wants to showcase a specific culture, they need to involve many members of that culture on all levels of production. They need to make sure that elements, from writing to character design to animation to advertising aren’t offensive to that culture and instead showcase that culture in a truthful, respectful and exciting light.
TBH along with that I would also like to see films that showcase POC without being connected to any real world culture. Like, except for Jasmine, all of the WOC princesses are connected to specific cultures in specific settings as a means to justify their existence, if that makes sense.
That’s kind of way the first option you gave is kind of appealing. What happens if we take the Red Shoes or a variation of Hansel & Gretel, or the Golden Goose or any other European fairytale, and set it in a generic medieval setting, but make the characters POC? Just POC existing in fantasy worlds the way we’ve allowed white characters to do over and over again.
It would open doors to POC being included in fantasy in all areas the way white people are (white people in fantasy are not restricted to cultural legends the way POC are) and include a broader range of stories for POC to be involved in.
Specifically talking about the United States, so much of our cultural mindset as a country comes from media nowadays. Where myths and legends used to be a huge marker in culture, now it’s films, books and tv shows. Allowing POC to not just be background characters, but to STAR in films with sweeping fantasy settings that have a Game of Thrones or Lord of the Rings vibe gives POC footholds to cement themselves within a broader American culture, which I think is important on a multitude of levels.
-Lauren
In medieval culture, an event like a royal christening is not a private party; it’s the public social event of the year. To not invite any person of rank to such an event is a deadly insult.
Maleficent is certainly someone you wouldn’t want at a party, but she’s also someone powerful enough that only a fool would ever dare treat her with such blatant disrespect. The only way the King and Queen could possibly have gotten away with not inviting Maleficent was to not invite any of the fairies at all; inviting the other fairies and excluding her is explicitly taking sides in the conflict between the fairy factions.
Which means they made themselves her sworn enemies, and she responded by treating them as such from then on. If you actually get into analyzing the social dynamics of the scene, it’s very clear that Maleficent was willing to show mercy at first by giving the King and Queen a chance to apologize for their disrespect to her. She doesn’t curse Aurora until after she gives them that chance and they throw it back in her face with further disrespect.
And yeah, if the King and Queen had done the properly respectful thing and invited her, Maleficent would have given Aurora a scary awesome present. Moreover so would the other fairies, because at that point both sides would be using it as an opportunity to show off and one-up each other. What they gave her before Maleficent showed up was basically just trivial party favors by fairy standards.
How do you know so much about the social dynamics of medieval fairies
How don’t you
Well, in the “original story” (folkstale), the King and Queen thought the old and powerful fairy was either dead, or had just locked herself in some tower, since nobody had heard from her for years. But when the old fairy actually showed up, the King and Queen served dinner for her as well, although, they didn’t have enough gold to give her as much as the others. Which the old fairy thought meant they didn’t want to welcome her and that they didn’t respect her enough; so she cursed their daughter.