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I love hell I am hell

@lj-writes / lj-writes.tumblr.com

I'm also a 40-year-old Korean mom, she/her, culturally Christian atheist. This is a multifandom and multipurpose blog including Star Trek, Avatar: The Last Airbender, She-Ra, writing stuff, politics, and more. Header by knight-in-dull-tinfoil depicts a secretary bird stomping a rattlesnake above the caption "Tread on them lots, actually."
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So what I’ve learned from the past couple months of being really loud about being a bi woman on Tumblr is: A lot of young/new LGBT+ people on this site do not understand that some of the stuff they’re saying comes across to other LGBT+ people as offensive, aggressive, or threatening. And when they actually find out the history and context, a lot of them go, “Oh my god, I’m so sorry, I never meant to say that.”

Like, “queer is a slur”: I get the impression that people saying this are like… oh, how I might react if I heard someone refer to all gay men as “f*gs”. Like, “Oh wow, that’s a super loaded word with a bunch of negative freight behind it, are you really sure you want to put that word on people who are still very raw and would be alarmed, upset, or offended if they heard you call them it, no matter what you intended?”

So they’re really surprised when self-described queers respond with a LOT of hostility to what feels like a well-intentioned reminder that some people might not like it. 

That’s because there’s a history of “political lesbians”, like Sheila Jeffreys, who believe that no matter their sexual orientation, women should cut off all social contact with men, who are fundamentally evil, and only date the “correct” sex, which is other women. Political lesbians claim that relationships between women, especially ones that don’t contain lust, are fundamentally pure, good, and  unproblematic. They therefore regard most of the LGBT community with deep suspicion, because its members are either way too into sex, into the wrong kind of sex, into sex with men, are men themselves, or somehow challenge the very definitions of sex and gender. 

When “queer theory” arrived in the 1980s and 1990s as an organized attempt by many diverse LGBT+ people in academia to sit down and talk about the social oppressions they face, political lesbians like Jeffreys attacked it harshly, publishing articles like “The Queer Disappearance of Lesbians”, arguing that because queer theory said it was okay to be a man or stop being a man or want to have sex with a man, it was fundamentally evil and destructive. And this attitude has echoed through the years; many LGBT+ people have experience being harshly criticized by radical feminists because being anything but a cis “gold star lesbian” (another phrase that gives me war flashbacks) was considered patriarchal, oppressive, and basically evil.

And when those arguments happened, “queer” was a good umbrella to shelter under, even when people didn’t know the intricacies of academic queer theory; people who identified as “queer” were more likely to be accepting and understanding, and “queer” was often the only label or community bisexual and nonbinary people didn’t get chased out of. If someone didn’t disagree that people got to call themselves queer, but didn’t want to be called queer themselves, they could just say “I don’t like being called queer” and that was that. Being “queer” was to being LGBT as being a “feminist” was to being a woman; it was opt-in.

But this history isn’t evident when these interactions happen. We don’t sit down and say, “Okay, so forty years ago there was this woman named Sheila, and…” Instead we queers go POP! like pufferfish, instantly on the defensive, a red haze descending over our vision, and bellow, “DO NOT TELL ME WHAT WORDS I CANNOT USE,” because we cannot find a way to say, “This word is so vital and precious to me, I wouldn’t be alive in the same way if I lost it.” And then the people who just pointed out that this word has a history, JEEZ, way to overreact, go away very confused and off-put, because they were just trying to say.

But I’ve found that once this is explained, a lot of people go, “Oh wow, okay, I did NOT mean to insinuate that, I didn’t realize that I was also saying something with a lot of painful freight to it.”

And that? That gives me hope for the future.

Similarily: “Dyke/butch/femme are lesbian words, bisexual/pansexual women shouldn’t use them.”

When I speak to them, lesbians who say this seem to be under the impression that bisexuals must have our own history and culture and words that are all perfectly nice, so why can’t we just use those without poaching someone else’s?

And often, they’re really shocked when I tell them: We don’t. We can’t. I’d love to; it’s not possible.

“Lesbian” used to be a word that simply meant a woman who loved other women. And until feminism, very, very few women had the economic freedom to choose to live entirely away from men. Lesbian bars that began in the 1930s didn’t interrogate you about your history at the door; many of the women who went there seeking romantic or sexual relationships with other women were married to men at the time. When The Daughters of Bilitis formed in 1955 to work for the civil and political wellbeing of lesbians, the majority of its members were closeted, married women, and for those women, leaving their husbands and committing to lesbian partners was a risky and arduous process the organization helped them with. Women were admitted whether or not they’d at one point truly loved or desired their husbands or other men–the important thing was that they loved women and wanted to explore that desire.

Lesbian groups turned against bisexual and pansexual women as a class in the 1970s and 80s, when radical feminists began to teach that to escape the Patriarchy’s evil influence, women needed to cut themselves off from men entirely. Having relationships with men was “sleeping with the enemy” and colluding with oppression. Many lesbian radical feminists viewed, and still view, bisexuality as a fundamentally disordered condition that makes bisexuals unstable, abusive, anti-feminist, and untrustworthy.

(This despite the fact that radical feminists and political lesbians are actually a small fraction of lesbians and wlw, and lesbians do tend, overall, to have positive attitudes towards bisexuals.)

That process of expelling bi women from lesbian groups with immense prejudice continues to this day and leaves scars on a lot of bi/pan people. A lot of bisexuals, myself included, have an experience of “double discrimination”; we are made to feel unwelcome or invisible both in straight society, and in LGBT spaces. And part of this is because attempts to build a bisexual/pansexual community identity have met with strong resistance from gays and lesbians, so we have far fewer books, resources, histories, icons, organizations, events, and resources than gays and lesbians do, despite numerically outnumbering them..

So every time I hear that phrase, it’s another painful reminder for me of all the experiences I’ve had being rejected by the lesbian community. But bisexual experiences don’t get talked about or signalboosted much,so a lot of young/new lesbians literally haven’t learned this aspect of LGBT+ history.

And once I’ve explained it, I’ve had a heartening number of lesbians go, “That’s not what I wanted to happen, so I’m going to stop saying that.”

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at first, after the contestant minh thu professed her love for the other contestant truc nhu, they walked out of the show together:

but apparently afterwards, the bachelor quoc trung met up with truc nhu and convinced her to remain on the show, which pretty much broke hearts everywhere:

BUT i just found out that minh thu and truc nhu are officially together as a couple!!!

twentygayteen just keeps on giving!!!!
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lj-writes

Someone make a movie PLEASE

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muslim wlw: 😍💖😗💋💫💛💞💚😄😚💝💙💜💟💫❣👌😍💚❣💓😚😍💋💙💜💝💟💕

trans and nb muslims: 💝💕💓😗😄💋😍💞💟💫💙❣💚💛😩👍💘❤❣💛💚💓💫💕💗

trans and nb muslim wlw: 😚💟💝💗💙😩❤💝😗💕💫💛💚💋😍😍😍❤💟💙💫💋❤💟

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a collections of links to readings on asian-american gay and lesbian history

Asian Lesbians in San Francisco: Struggles to Create a Safe Space, 1970s-1980s,” Trinity A. Ordona, in Asian/Pacific Islander American Women: A Historical Anthology, 2003 [starts on p. 319]

Tomboy, Dyke, Lezzie, and Bi: Filipina Lesbian and Bisexual Women Speak Out,” Christine T. Lipat, Trinity A. Ordona, Cianna Pamintuan Steward, and Mary Ann Ubaldo, in Pinay Power: Peminist Critical Theory (2005)

Slicing Silence: Asian Progressives Come Out,” Daniel C. Tsang, in Asian Americans: The Movement and the Moment, 2001

Sexuality, Identity, and the Uses of History,” Nayan Shah, in Q & A: Queer in Asian American, 1998 [starts on p. 141]

Subverting Seductions,” Gupta, Unruly Immigrants, 2007 [starts on p. 159]

Queer Asian American Historiography,” Amy Sueyoshi, in The Oxford Handbook of Asian American History, 2016 [contains discussion of csa]

Breathing Fire: Remembering Asian Pacific American Activism in Queer History,” Amy Sueyoshi, in LGBTQ America: A Theme Study of Lesbian, Gay, Bisexual, Transgender, and Queer History, 2016

Looking for Jiro Onuma: A Queer Meditation on the Incarceration of Japanese Americans during World War II,“ Tina Takemoto, in GLQ: A Journal of Lesbian and Gay Studies, 2014

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lj-writes

“Be wicked, be brave, be drunk, be reckless, be dissolute, be despotic, be an anarchist, be a religious fanatic, be a suffragette, be anything you like, but for pity’s sake be it to the top of your bent–Live–live fully, live passionately, live disastrously if necessary. Live the gamut of human experiences, build, destroy, build up again! Live, let’s live, you and I–let’s live as none ever lived before, let’s explore and investigate, let’s tread fearlessly where even the most intrepid have faltered and held back!”

–Violet Trefusis in a letter to her lover Vita Sackville-West, October 1918

So I have a hankering to do some edits based on this quote, specifically the parts “Live fully” “Live passionately” “Live disastrously” “Let’s live, you and I” “as none ever lived before.” I hope to feature a different wlw character/couple for each gif. Here’s the ones I’m thinking:

Live fully: Anissa and Grace from Black Lightning dancing together

Live passionately: A love scene between Carol and Therese from Carol

Live disastrously: Rosa from Brooklin 99 in jail

Let’s live, you and I: A scene between Louise and Henriette from Mystére á la Tour Eiffel. Kissing, walking arm in arm?

As none ever lived before: Drawing a blank on this one. Is there a live-action movie or TV show with relatively high-definition sources where there are canon wlw (especially woc) and no dead lesbians?

I’ve decided to split “Let’s live” and “you and I” into different gifs, so Crazy Ex-Girlfriend (from the third season) and Her Story (Allie and Vi) should fill up the two remaining slots nicely. I canNOT believe I had forgotten Her Story with its awesome and sadly rare trans lesbian representation, played by trans actress @smartassjen at that. On the other hand, I’m a little sad I only squeaked to six total in the criteria of “live-action show with canon wlw and no dead lesbians.”

Now I’ve gotta find the sources I don’t have (Carol and Tour Eiffel) and learn the editing skills to make these gifs shine like they deserve to. I feel sorry for this awesome idea that fell into my incompetent hands, though.

Also it turns out a movie of Vita Sackville-West and Virginia Woolf’s romance is coming out this year, but idk how much of Violet there is in it and I’d have to wait for a HD source anyway. Later on I might do another gifset from the movie with the people actually involved in this quote, which would be awesome.

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lj-writes

“Be wicked, be brave, be drunk, be reckless, be dissolute, be despotic, be an anarchist, be a religious fanatic, be a suffragette, be anything you like, but for pity’s sake be it to the top of your bent–Live–live fully, live passionately, live disastrously if necessary. Live the gamut of human experiences, build, destroy, build up again! Live, let’s live, you and I–let’s live as none ever lived before, let’s explore and investigate, let’s tread fearlessly where even the most intrepid have faltered and held back!”

–Violet Trefusis in a letter to her lover Vita Sackville-West, October 1918

So I have a hankering to do some edits based on this quote, specifically the parts “Live fully” “Live passionately” “Live disastrously” “Let’s live, you and I” “as none ever lived before.” I hope to feature a different wlw character/couple for each gif. Here’s the ones I’m thinking:

Live fully: Anissa and Grace from Black Lightning dancing together

Live passionately: A love scene between Carol and Therese from Carol

Live disastrously: Rosa from Brooklin 99 in jail

Let’s live, you and I: A scene between Louise and Henriette from Mystére á la Tour Eiffel. Kissing, walking arm in arm?

As none ever lived before: Drawing a blank on this one. Is there a live-action movie or TV show with relatively high-definition sources where there are canon wlw (especially woc) and no dead lesbians?

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“Be wicked, be brave, be drunk, be reckless, be dissolute, be despotic, be an anarchist, be a religious fanatic, be a suffragette, be anything you like, but for pity’s sake be it to the top of your bent--Live--live fully, live passionately, live disastrously if necessary. Live the gamut of human experiences, build, destroy, build up again! Live, let’s live, you and I--let’s live as none ever lived before, let’s explore and investigate, let’s tread fearlessly where even the most intrepid have faltered and held back!”

--Violet Trefusis in a letter to her lover Vita Sackville-West, October 1918

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lj-writes

Baek Ji Young (2006)

Warnings: Discussions of lesbophobia, age difference, suicide below.

It's hard to express what this song and music video meant to me over the years. Not only was the video a rare example of queer girl representation, it was a heartfelt story of young love and a visual puzzle that I kept going back to put together. The song itself is fricking beautiful but takes on a whole new meaning when paired with the video. Plus, now that I watch again the character played by Kim Meeso (the one with the camera and long hair) is pretty blatantly coded as autistic.

I mean it's not without its problems. The association of childlike pastel aesthetics with girl love and the desexualization of romantic love between women are both really overdone and reinforce the idea that love between young women is an adolescent phase. At least the video showed the two girls kissing, which shut down much of the inane assertions that these two are just really good friends. (Much, but not all--there are STILL people who insist this video was about platonic friendship wtf)

Speaking of girls, that's a major beef i have with the video. I remember thinking as I watched, "There's no way these actors are actually teenagers." I turned out to be half right: The actor Chung Dabin who played the girl with shorter hair was 26 at the time.

Except I was only half right, remember? Yeah. The other actor, Kim Meeso, was 14. Filming love scenes with a woman twice her age. Ew like... let's not do this? I did think the Chung character was excessively protective and big sisterly toward the Kim character, and this probably explains why. My impression that the actors were in their 20s probably stemmed in large part from Chung's presence too, because I could not have imagined they'd have such a serious age difference.

One thing that surprised me when I looked up information about this video was that a lot of people thought the two characters were going to jump off the broken bridge. I think this interpretation is all wrong for a number of reasons. For one thing, just tonally, the girls actually stepped BACK from the edge where the bridge ended, showing they weren't seeking out a place to die but had stumbled onto a dangerous place while exploring, much as they almost got hit by a train earlier.

For another, structurally the bridge sequence is framed around the cuts of the girls symbolically healing objects and places through photography, the visual puzzle aspect I mentioned above. They taped the picture of a wheel to a bicycle missing one, pictures of shirts to an empty clothesline etc. In that context the cut-off bridge is another gap that needs filling, but the characters don't use a picture this time; instead they embrace each other and kiss. This means that the broken bridge was to be filled in like the other objects and places, and the connection was love.

There's another reason I believe the bridge was a wound to be healed, and one too big for the smaller gesture of photography: It's a very clear callback to the fall of the Seongsu Bridge, a 1994 accident which claimed 32 lives. Visually the break is practically identical, with the midsection gone clean missing like it was cut out. The similarity would be unmistakable to anyone who is familiar with the tragedy.

The video also purposefully invokes nostalgic aesthetics including the use of a Polaroid, which still had some currency in the early 90s when the bridge fell but was falling out of use in favor of digital cameras and smart phones when the video was made in the mid-00's. This dates the video to the time of the Seongsu accident, making it a tribute of mourning and healing.

Also, just from common sense, the girls in the video let GO of each other's hands before the end and that's not what you do when you're dying together, especially when you're in love. You jump hand in hand, as a final show of solidarity and for courage.

I can see how people would be confused because the visuals of two people holding hands with a long fall before them, plus the "before I go" feel of the photography gestures, coupled with the homophobic and lesbophobic idea that people in same gender relationships can only find fulfillment in death, really do invoke thoughts of suicide. For all the reasons above, though, I believe this work calls to mind that conclusion only to subvert it, showing the courage to live in the face of loss and subtly flipping a finger at the idea that the girls would take their own lives. Besides I do not want more dead lesbians in my imagination, thanks.

The suicide reading is all the more unfortunate because this was the last piece of visual media actor Chung Dabin would ever appear in: She killed herself in 2007, the year after the video's release.

The music video to 사랑안해 (I Won't Fall in Love) is a complex accompaniment to a great song, with layers of meaning that I am still discovering over 10 years later. It has been my companion on sleepless, restless nights and forever cemented the song in my mind.

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