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I Am All In Rewatch - Episode 1x15

I thought he lived above the diner, why was he walking in the early morning and opening up the place?...You know, maybe  it was an early morning walk...Maybe he was coming from Lorelai's house where he was in the bushes... I thought it worked for the scene for sure...Why is he walking on down the boulevard, keys swinging his keys? [Am I messing this up or was there a scene where you were waiting for her?] At night? [Yeah, outside your own diner.] Yeah, what's that about?  That's very dramatic..becuase it gave me the opportunity to act this finality of that moment and sort of go in and give up and lock the door. So that was more important than nosy continuity annoyers. You know... [And how did you feel when you realize she painted the whole place?] He had already figured out that they had done the deed right. She's already told him that.[In not such a direct way. But that was when she was in the pajamas.] He put two and two together. That's a that's a tough one. I mean, yeah, I recall really struggling with it because it's like, and you know, I mean, you talk about being at the bottom of of your feelings, there in a situation. Mean, good God, how devastating that you know he came back and they slept together and he knew it, and it's just...[Yeah, it's rough because it was right as Luke and Lorelai were having that that moment] And then and then he comes in. It's painted or halfway or three quarters painted, and it's maybe all done.... Yeah, I had to play all that stuff. So it's like grief and devastation to acceptance to.. It's like I had to go through the five stages, but it's like in reverse, like, hey, there's there's there's still some hope here, I mean, poor guy...But now he's got to deal with the fact that she she went there with him, you know, so there's that the residual effects of that that are you known, have to clean up that mess because that's going to psychologically be I mean, it's devastating. It'll take a while to get back to you know. Now now I think it puts her on different footing where it's like, okay, you know, this train was going in in the right direction and it stopped and now it's going backwards, and maybe it's the train is taken out of service using a train analogy. I swear I won't use a tunnel. There won't be a tunnel on this analogy. [She says when she's there in the pajamas, we had a date, and Luke says, it wasn't a date, it was it was just a thing.] He's he's downplaying it already. It wasn't ... The walls going up. ...And I also think he's it's like, you know, he's judging. He's being hard on himself too, because like, guy, get in the fight, get in there and get with her, close the deal. What do you know she's moving fast with like all these guys, get in there, you know, be meaningful in her life, be impactful. So it's like it's it's it's yeah, I'm sure he's hurt, but it's I think it's really a wake up call. It's like, this is life and it's moving a little faster. And she's from Hartford and she's a country club chick and you know she wants more than I have. You know that I have to offer maybe, so it's like, get in there and fight for her. -Scott

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