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#poto vienna – @littlelattewanders on Tumblr
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Little Latte

@littlelattewanders / littlelattewanders.tumblr.com

Alyssa. Writer. Lover of literature (especially classics, historical fiction and fantasy), musicals, gothic heroines and period dramas.
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Anonymous asked:

I'm going to see POTO in Wien too! Who would you like to see play the lead roles? I hope Drew Sarich gets to finally play the Phantom!

i think there is a very strong chance that drew sarich will be cast as the phantom in some form. he is a VBW favorite after all... BUT

we all need to understand that mark seibert will be playing the phantom in the vienna revival of the phantom of the opera. like it or not, there is no situation where this will not be the case. i don't have insider information, but i still know it is going to happen and you have to accept that this is 100% true because i know it for a fact. this is not wishful thinking or manifestation on my part. this is not dreamcasting, this is not speculation, this is not ironic. i am not saying it because i think he will be amazing or because i'm a fan of his or because i even want to it to be true. it is just going to happen. mark seibert's life and career have led him to this point, it's inevitable, it's destiny. when mark seibert's parents gazed down at newborn baby mark seibert, in their hearts they knew there was simply no way he would not play the title role in das phantom der oper at the raimund theatre. the naysayers can hope and wish and speculate all they want, but their efforts are futile. they're lying to themselves. if he had to even audition, it was a mere formality. mark seibert is going to play the phantom in the vienna revival. there is no scenario where he is not cast as the phantom. there is no logical, ethical, spirtual, moral, reasonable, astrological, or legal reason for mark seibert to not play the phantom. when whoever plays christine looks at her face in the mirror, mark seibert will be there inside. i have never been more certain of anything in my life. with each passing day, life gets more and more confusing, the world becomes a scarier place. but i can always comfort myself with the knowledge that there is one constant thing i know will always be true: mark seibert is going to play the phantom in vienna.

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Vienna Phantom of the Opera souvenir brochure - Alexander Goebel, 1990

I didn’t see this production, but either bought the programme from a trader or a kind person sent it to me. I really liked Goebel on the Vienna cast album.

It’s listed as the 1990 cast, including Alexander Goebel, Luzia Nistler, and Andrew Hambly-Smith, though each lead has three actors listed, so I can’t guarantee who’s in the pictures below. (I can provide better scans in future if any of my programmes turn out to have rare pix.)

Update: Thanks to @keepcalmandbrewtea for letting me know the pictured Raoul is Alfred Pfeifer.

Here’s a link to a bigger version of the last 3 images, but it’s a low quality scan for now, as I’m incompetent: pix 

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POTO Vienna Orchestration Nerding - Synth Special

One of my favourite aspects in the production’s orchestrations is also the bold use of synth, and how it’s used here - not to replace any acoustic instruments, but to enhance the sound and overall mood. It creates a beautiful layered sound that to me is uniquely Vienna. 

  1. Final refrain of “The Mirror”. Should be a standard feature.
  2. Funky synth chord in the intro of the cast recording’s title song. It appears this was done only for this recording, but it’s great.
  3. Another funky title song addition a bit later in the intro.
  4. Amazing organ synth underlining the entirety of the cadenza. It’s so cheesy, it’s epic. 
  5. A rare not-so-good feature of the Viennese orchestrations, IMO. Around 1988-1990 quite a few productions (Toronto, Melbourne, Los Angeles and Vienna) featured a fast and synth-heavy “curse” during the AIAOY reprise. Elsewhere this temporary oddity disappeared over the years but Vienna played fast and loose with it, only making it faster through the years.
  6. Fantastic organ synth at the tail end of Masquerade. (Very pronounced due to being from a soundboard recording, it was not as severe live.)
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