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The Lion of Chaeronea

@lionofchaeronea / lionofchaeronea.tumblr.com

A blog dedicated to classical antiquity, poetry, and the visual arts. All translations of Greek and Latin are my own unless otherwise noted.
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The Mixed Fortunes of Thebes

Anthologia Palatina 9.216 = Honestus of Corinth (1st cent. BCE/1st cent. CE) Note: “The flute sounded ill for them”: it was said that, when Alexander the Great destroyed Thebes after its revolt in 335 BCE, he pulled down the city walls to the accompaniment of the flute-player Ismenias (perhaps a deliberate echo of the destruction of Athens’ Long Walls in 404 BCE). You will talk of Harmonia’s sacred marriage- But Oedipus’ marriage was unlawful. You will call Antigone pious- But her brothers were most foul. Ino was divine, yes- But Athamas was wretched. The cithara’s strains built up the walls- But the flute sounded ill for them.   See how the god crafted for Thebes a compound fate, And mixed equal measures of good and evil into one. Ἁρμονίης ἱερὸν φήσεις γάμον· ἀλλ’ ἀθέμιστος   Οἰδίποδος. λέξεις Ἀντιγόνην ὁσίην· ἀλλὰ κασίγνητοι μιαρώτατοι. ἄμβροτος Ἰνώ·   ἀλλ’ Ἀθάμας τλήμων. τειχομελὴς κιθάρη· ἀλλ’ αὐλὸς δύσμουσος. ἴδ’, ὡς ἐκεράσσατο Θήβῃ   δαίμων, ἐσθλὰ κακοῖς δ’ εἰς ἓν ἔμιξεν ἴσα.

Amphion builds the walls of Thebes by summoning stones with his lyre.  Engraved illustration by Leonard Gaultier, Jaspar Isaac, and Antoine Caron, from Blaise de Vigenère’s 1615 French translation of Philostratus’ Lives of the Sophists.  Photo credit: Albion Prints.

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Cadmus battles a dragon defending the Ismenian fountain at the future site of Thebes.  After killing the dragon, he will sow its teeth in the earth at Athena's urging; from the teeth will spring up the so-called "Sown Men" (Spartoi), who will become the Theban aristocracy.  Side A of an Attic black-figure amphora from Euboea, 560-550 BCE.  Now in the Louvre.

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Two Museums Worth a Visit While in Greece

Thebes Archaeological Museum, Boeotia

As the picture indicates, the Thebes Archaeological Museum isn't exactly a breathtaking sight; the present-day city of Thebes is somewhat impoverished, and there's not a lot of money available for the care of antiquities.  (When I was there, the Mycenaean palace of ancient Thebes, which had recently been dug out in a rescue excavation, was being used by passers-by as a garbage dump.  Mind you, this was before the current Greek economic crisis.)  But if you step inside, you'll encounter what are, to my mind, among the most astonishing works of art to survive from classical antiquity: finely incised grave stelae of the fifth and fourth centuries BCE, depicting Boeotian warriors in full hoplite panoply.  I don't have a suitable picture to show, and indeed no picture could really do them justice, as the relief carving is so low that the images are well-nigh invisible unless the light hits them just right.  I was so entranced by them that my group leader nearly had to physically drag me back to the bus.  The people of Boeotia were often stigmatized by their fellow Greeks, especially the Athenians, as uncultured hillbillies (not helped by the fact that Boeotia means "Cattle-Land"); if the literary genius of Pindar, Corinna and Plutarch isn't enough to convince you of that reputation's injustice, these reliefs should do the trick.

Piraeus Archaeological Museum, Attica

Piraeus was Athens' chief port from the early fifth century BCE until the end of antiquity (and, indeed, remains a thriving port today); this museum bears witness to the truth of Pericles' boast that Athens' naval might made it the emporion, or trading-market, of all the inhabited world.  The star attractions here are two fine bronze statues, the Piraeus Apollo and Piraeus Athena, but being the ancient military history buff that I am, I'll always remember the trireme "beak", used for ramming enemy vessels amidships and holding them in a death grip, that's on display. 

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