Stater of the polis of Thebes. On the obverse, a shield of the characteristic Boeotian type; on the reverse, the bearded head of Heracles, wearing a lionskin, with the letters Θ-Ε below. Minted ca. 440-425 BCE. Photo credit: Classical Numismatic Group, Inc. http://www.cngcoins.com
Granite doorjamb from a temple of the 19th Dynasty pharaoh Ramesses II “the Great” (r. 1279-1213 BCE). Found in the ruins of the unfinished temple of Ramesses IV at Thebes; now in the Metropolitan Museum of Art.
Silver stater of Thebes, featuring a Boeotian shield on the obverse and the head of Dionysus, crowned with an ivy wreath, on the reverse. Artist unknown; ca. 405-395 BCE. Photo credit: Exekias/Wikimedia Commons.
Statue of Amun, patron deity of Egyptian Thebes. Artist unknown; ca. 2000 BCE (11th Dynasty, Middle Kingdom). Now in the University of Pennsylvania Museum of Archaeology and Anthropology, Philadelphia. Photo credit: Suraj at ml.wikipedia/Wikimedia Commons.
Plastic aryballos in the shape of a woman’s head, bearing a scene of hoplite battle. Artist unknown; ca. 650-630 BCE (Late Protocorinthian). Found at Thebes; now in the Louvre.
Timoclea before Alexander the Great, Domenichino (Domenico Zampieri), ca. 1615
Cadmus battles a dragon on the future site of Thebes. Side A of a red-figure calyx-krater, produced in Paestum (Poseidonia) and attributed to the painter Python; ca. 350-340 BCE. Found at Sant'Agata de' Goti (Campania); now in the Louvre.
The Mixed Fortunes of Thebes
Anthologia Palatina 9.216 = Honestus of Corinth (1st cent. BCE/1st cent. CE) Note: “The flute sounded ill for them”: it was said that, when Alexander the Great destroyed Thebes after its revolt in 335 BCE, he pulled down the city walls to the accompaniment of the flute-player Ismenias (perhaps a deliberate echo of the destruction of Athens’ Long Walls in 404 BCE). You will talk of Harmonia’s sacred marriage- But Oedipus’ marriage was unlawful. You will call Antigone pious- But her brothers were most foul. Ino was divine, yes- But Athamas was wretched. The cithara’s strains built up the walls- But the flute sounded ill for them. See how the god crafted for Thebes a compound fate, And mixed equal measures of good and evil into one. Ἁρμονίης ἱερὸν φήσεις γάμον· ἀλλ’ ἀθέμιστος Οἰδίποδος. λέξεις Ἀντιγόνην ὁσίην· ἀλλὰ κασίγνητοι μιαρώτατοι. ἄμβροτος Ἰνώ· ἀλλ’ Ἀθάμας τλήμων. τειχομελὴς κιθάρη· ἀλλ’ αὐλὸς δύσμουσος. ἴδ’, ὡς ἐκεράσσατο Θήβῃ δαίμων, ἐσθλὰ κακοῖς δ’ εἰς ἓν ἔμιξεν ἴσα.
Amphion builds the walls of Thebes by summoning stones with his lyre. Engraved illustration by Leonard Gaultier, Jaspar Isaac, and Antoine Caron, from Blaise de Vigenère’s 1615 French translation of Philostratus’ Lives of the Sophists. Photo credit: Albion Prints.
The Sphinx, on a pedestal, poses her riddle. Black-figure lekythos, attributed to the Emporion Painter; ca. 500 BCE. Now in the Walters Art Museum, Baltimore. Photo credit: Walters Art Museum.
Cadmus battles a dragon defending the Ismenian fountain at the future site of Thebes. After killing the dragon, he will sow its teeth in the earth at Athena's urging; from the teeth will spring up the so-called "Sown Men" (Spartoi), who will become the Theban aristocracy. Side A of an Attic black-figure amphora from Euboea, 560-550 BCE. Now in the Louvre.
Two Museums Worth a Visit While in Greece
Thebes Archaeological Museum, Boeotia
As the picture indicates, the Thebes Archaeological Museum isn't exactly a breathtaking sight; the present-day city of Thebes is somewhat impoverished, and there's not a lot of money available for the care of antiquities. (When I was there, the Mycenaean palace of ancient Thebes, which had recently been dug out in a rescue excavation, was being used by passers-by as a garbage dump. Mind you, this was before the current Greek economic crisis.) But if you step inside, you'll encounter what are, to my mind, among the most astonishing works of art to survive from classical antiquity: finely incised grave stelae of the fifth and fourth centuries BCE, depicting Boeotian warriors in full hoplite panoply. I don't have a suitable picture to show, and indeed no picture could really do them justice, as the relief carving is so low that the images are well-nigh invisible unless the light hits them just right. I was so entranced by them that my group leader nearly had to physically drag me back to the bus. The people of Boeotia were often stigmatized by their fellow Greeks, especially the Athenians, as uncultured hillbillies (not helped by the fact that Boeotia means "Cattle-Land"); if the literary genius of Pindar, Corinna and Plutarch isn't enough to convince you of that reputation's injustice, these reliefs should do the trick.
Piraeus Archaeological Museum, Attica
Piraeus was Athens' chief port from the early fifth century BCE until the end of antiquity (and, indeed, remains a thriving port today); this museum bears witness to the truth of Pericles' boast that Athens' naval might made it the emporion, or trading-market, of all the inhabited world. The star attractions here are two fine bronze statues, the Piraeus Apollo and Piraeus Athena, but being the ancient military history buff that I am, I'll always remember the trireme "beak", used for ramming enemy vessels amidships and holding them in a death grip, that's on display.
The Glory That Was Greece Day:
The Death of Epaminondas, Philippe-Jacques de Loutherbourg, 1802