The Four Avenging Angels, colored woodcut by Albrecht Dürer from the book Apocalipsis cu[m] figuris, printed in Nuremberg in 1498. Now in the Houghton Library, Harvard University.
Title: The Witches' Sabbath Artist: Hans Baldung (German, 1484/5-1545) Date: 1510 Genre: genre art Period: Northern Renaissance Medium: chiaroscuro woodcut Location: Metropolitan Museum of Art
Title: The Marriage of the Virgin Artist: Bernard van Orley (Flemish, ca. 1491/2-1542) Date: ca. 1513 Genre: religious art Period: Flemish Renaissance Medium: oil on panel Location: National Gallery of Art, Washington, DC
Christ in Limbo (from the Great Passion woodcut series), Albrecht Dürer, 1510
The Holy Trinity, Lucas Cranach the Elder, ca. 1515
The Annunciation, Juan de Flandes (1450-1519)
St. Andrew (Design for a Stained-Glass Window), Hans Holbein the Younger, ca. 1519-21
The Parable of the Sower (from The Story of Christ), Georg Pencz, 1534-35
A Knight, Death, and the Devil, variously attributed to Cornelis van Dalem (ca. 1528-1573) or Jacob Züberlein (1556-1607)
The Healing of the Paralytic at Bethesda, unknown Netherlandish artist, ca. 1560
Adam and Eve in Paradise (one of four panels), Jan Polack, ca. 1480
#art#art history#Jan Polack#religious art#Biblical art#Christian art#Christianity#Old Testament#Hebrew Bible#Book of Genesis#Adam and Eve#Garden of Eden#Fall of Man#Northern Renaissance#German Renaissance#German art#German-Polish art#15th century art#oil on panel#Los Angeles County Museum of Art#LACMA#lacmamuseum
Parable of the Sower (September), Marten van Valckenborch, 1580s
Parable of the Pharisees and the Tax Collector (from Das Plenarium), Hans Leonhard Schäufelein (artist) and Adam Petri (publisher), 1517
The Large Passion: The Last Supper, Albrecht Dürer, 1510
Christ as the Good Shepherd, Lucas Cranach the Younger, ca. 1540
Head of St. Joseph of Arimathea in Prayer (after Rogier van der Weyden), tentatively attributed to Albert Bouts, 15th century