A mystic scene. The deity Kabeiros, worshiped (normally as part of a group, the Kabeiroi) on the Aegean island of Samothrace, is shown identified with Dionysos in his chthonic aspect. He reclines as at a symposium; in his left hand is an egg, suggesting rebirth, while his right hand holds a kantharos (two-handled drinking cup), from which a snake drinks. The snake itself is a common chthonic symbol: its ability to shed its skin was often understood as symbolic of the "death" and rebirth of initiates into mystery cults. Side A of a red-figure krater by the Mystai Painter, late 5th century BCE. From Boeotia; now in the National Archaeological Museum, Athens. Photo credit: Zde/Wikimedia Commons.
#classics#tagamemnon#Ancient Greece#Classical Greece#classical mythology#Greek mythology#Greek religion#Ancient Greek religion#Hellenic polytheism#Kabeiroi#Dionysus#Dionysos#art#art history#ancient art#Greek art#Ancient Greek art#Classical Greek art#vase painting#red-figure#krater#Mystai Painter#NAM Athens
Fragment of a relief (perhaps part of the armrest of a ceremonial throne) from the island of Samothrace, depicting figures identified by inscriptions as Agamemnon, his herald Talthybius, and Epeius, builder of the Trojan Horse. The scene is thought by some scholars to represent Agamemnon’s initiation into the mystery cult of the Cabeiri on Samothrace. Artist unknown; ca. 560 BCE. Now in the Louvre.
Thanks for Salvation at Sea
Anthologia Palatina 6.245 = Diodorus (late 1st cent. BCE?) When, in the night, as the wind Churned up the Carpathian sea, Diogenes saw the yard-arm Broken by the North Wind’s whirl, He vowed that if he escaped The doom of death, he would fasten Me, his little cloak here, Within your holy forecourt, O Boeotian lord Cabirus- A dedication for you And token of his stormy voyage. So may you ward off from the man Poverty as well! Καρπαθίην ὅτε νυκτὸς ἅλα στρέψαντος ἀήτου λαίλαπι Βορραίῃ κλασθὲν ἐσεῖδε κέρας, εὔξατο κῆρα φυγών, Βοιώτιε, σοί με, Κάβειρε δέσποτα, χειμερίης ἄνθεμα ναυτιλίης, ἀρτήσειν ἁγίοις τόδε λώπιον ἐν προπυλαίοις Διογένης· ἀλέκοις δ’ ἀνέρι καὶ πενίην.
Storm on the Sea, Johannes Christiaan Schotel, ca. 1825