Penelope Taking Down the Bow of Ulysses, Angelica Kauffmann, 1768
Telemachus and the Nymphs of Calypso, Angelica Kauffman, 1782
Private, Royal Horse Guards (The Blues), 1751, David Morier (ca. 1705-1770)
The Ladies of Hastings, Henry Fuseli, 1798-1800
Head of a Damned Soul from Dante's Inferno, Henry Fuseli, 1770-78
John Milton's Paradise Lost: Satan and the Birth of Sin (Book II, 746-758) (painting no. 6 from The Milton Gallery), Henry Fuseli, between 1771 and 1799
Study of a Fox, Jacques-Laurent Agasse, between 1810 and 1830
Self-Portrait in Bregenz Forest Costume, Angelika Kauffman(n), 1781
Virgil Reading the Aeneid to Augustus and Octavia, Angelica Kauffmann, 1788
Milton Dictating to His Daughter, Henry Fuseli, 1794
Satan Calls on Beelzebub in Hellfire (from Milton’s Paradise Lost), Henry Fuseli (Johann Heinrich Füssli), 1802
The Artist Moved to Despair by the Grandeur of Ancient Ruins, Henry Fuseli, 1778-79
Calypso Calling Heaven and Earth to Witness Her Sincere Affection for Ulysses, Angelica Kauffman (1741-1807)
Rinaldo and Armida, Angelica Kauffman, 1771
Macbeth Consulting the Vision of the Armed Head, Henry Fuseli (Johann Heinrich Füssli), 1793
Landscape with Cattle (Cows on a Hillock by a Stream), Sir Peter Francis Bourgeois (1753-1811)