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harry potter slow jams

@lavenderpatil / lavenderpatil.tumblr.com

the fic-writing blog of an 19-year-old    harry potter enthusiast. [AO3]     (about me in two links.)     → notable tags: others' writing | graphics (not mine)          see also: things of note | favourite posts | laugh tag
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23 25 24 June 993

I don’t know where I am. I don’t know who I am. It’s taken me… there’s a word for it I KNOW THERE’S A WORD FOR IT… DAYS. That’s it. It’s been days since I… Professor Elfreda of Wulfhall said it’s called manifesting. She taught me to write, she said that’s so I couldn’t be purely chaos. I like the sound of that though. Purely chaos.

——

8 September 993

Hankerton’s an idiot. That was SCOURING POTION I’d spilled on the stairs. Yes students are going to slip but saves him cleaning time and effort right?

Right?

——

12 October 994

The Four are arguing again. They say Salazar has been allowing his students to torture the… Muggle-borns? Mag-bobs? Mudbloods? I don’t know, there’s so many terms and I still don’t understand it all. I may be purely chaos, but words fit certain constraints and that is distinctly not chaos and so it takes effort to understand. 

This is the third time this month, and we’re only a week in. 

——

20 October 994

Salazar left. I saw him go, he snuck out of the dungeons, out of the great hall. I asked where he was going but he wouldn’t answer, he used some spell to push me back when he went into a room and then the room was silent for hours and when he came out he looked… tired. I think that’s the word. In the morning the remaining Four seemed worried. They asked the ghosts - Wilda and Edric - but neither of them had seen him go. I did. But they didn’t ask me.

——

16 August 1060

Elfreda died today. I didn’t think humans did that. I knew ghosts were dead but I didn’t think people died. Elfreda said I couldn’t die, because I was never really alive. She was alive before me, though, so I suppose I thought she’d always be there. 

The founders buried her in a grave in a catacomb off the Kitchen Cellars. She’d always got along best with the house elves.

——

20 August 1060

The house elves chased me off from sitting by Elfreda’s tomb. They thought I was getting in the way, or going throw potions. I wouldn’t do that. Maybe at students but they’re loud and irritating and make amusing squeals when I do. Elfreda just sat there patiently until I settled down.

I think I miss her.

——

20 August 1061

I’m not visiting her grave again.

——

13 May 1310

Wilda passed over today. She just… faded, in the middle of the corridor. Edric was watching, but I’m not sure he really understood. They’ve been here centuries now.

I hope he doesn’t pass soon. They were the ones who first taught me to go intangible.

——

29 April 1560

There’s some tricksters here. Not as good as me of course, but pretty good. They call themselves Frog and Rabbit, I don’t know why, but they are amusing. I offered to help them with a prank and they seemed so pleased at the idea. 

I may do this again.

——

7 January 1876

THEY TRIED TO CATCH ME. THEY TRIED TO CATCH ME AND TRAP ME AND EXORCISE ME.

Elfreda warned me they could do this, if I was too dangerous, but I was NEVER dangerous, I WASN’T. She said they wouldn’t and they DID.

——

9 January 1876

Managed to get them to agree to never do it again. Upsides of having a blunderbuss and cutlasses, and having driven them all out of the castle.

"Students need to learn"

"We need the castle back"

I even got a fancy hat to boot.

——

20 January 1876

Wait did the old fish retire? Who’s the new guy?

——

12 January 1940

Students leaving, students arriving, it’s so hard to KEEP TRACK. Elfreda said that everyone was worth remembering for something, but they’re only here so briefly so I don’t know what to remember of them. And there’s just SO. MANY. the four,-then-three, the first teachers, Edric and Wilda, Binky the house elf numbers 1-67, Twila the house elf numbers 2-56, Marchibald the house elf numbers 1-90. The students which leave for the holidays, the first years which don’t come back.

There’s just so MANY.

——

16 January 1940

I can’t remember them all. 

I’m going to stop trying.

——

—  Excerpts from the Diary of the Poltergeist Peeves.

(A piece from Peeves’ perspective at the request/suggestion of the lovely petrichorlore. Info on Peeves largely from details offered on Pottermore, which can be found on the Wikia.)

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Coming home shouldn’t have felt like this, she thought. Home was warmth and safety and a gentle sigh of happiness after returning from a long day of hard work and laughter and life. Not silence. Not still cold silence and the squeaking of a rat in a corner and the crunch of broken glass and dust under foot.

Seventeen year old Hannah, on the brink of turning eighteen, stood there on the doorstep of the world that had been her home and wondered if all homecomings felt like this; a sinking, sick feeling in the pit of one’s stomach followed by bone-deep exhaustion.

And then the little spark awoke. The one all Hufflepuffs learn to nurse, to carry them through their lives; gave them strength to be loyal in the face of fear, and then when pushed down, to stand back up and carry on and rebuild the safe warmth of home.

No, it wasn’t homecoming, not how she had imagined it to be, but she could change that. She could make sure that when the rest of them came home; when the wizarding world slowly came home, came flocking back to Diagon Alley, they’d come home, to the warmth and safety of magic and not the cold, cruel reminders of the war.

She was a Hufflepuff and second chances and hard work and hope was their heart.

So she bought The Leaky Cauldron and began rebuilding.

____________

One by one they come straggling in. Neville Longbottom and his grandmum visiting Diagon Alley stop by and Neville ends up staying behind to help her paint the walls.

They don’t talk, because there is nothing left to be said at the end of a war. Because they have nothing left to say to each other, save to bare their scars for each other to peruse and it is far too early on to do that.

They’re all as broken, Hannah thinks, as The Leaky Cauldron was when she first bought it.

Neville comes by to help her nearly every other day.

____________

Susan Bones is the first of her housemates to come through the door. There are dark circles underneath her eyes and her shoulders sag from the burden of running to and from award ceremonies, making heartfelt speeches about her aunt.

I just want time to put my feet up and breathe and silence, Susan moans, and Hannah understands that this is not the echoey silence of small spaces.

The next time Susan visits, there’s a gramophone behind the bar quietly playing waltzes and Hannah rather suspects that that might be a smile on Susan’s lips.

_________

Ernie visits one day, out of the blue, armed with a crate of the wizarding world’s finest Scotch and Whiskey.

Dear old Ernie, the only one of them who’d somehow managed to sail through this war without really changing.

But no, if she looks closely, it’s marks are there, in the little lines at the corner of his eyes which shouldn’t be there because he’s only eighteen.

Then again, neither should the smell of death still linger about this place.

They crack open a bottle together nevertheless and she thinks, but isn’t sure, that at least some of those lines have eased when he leaves.

_________

Harry, Hermione, Ron, Luna and Ginny all come to The Cauldron the day it reopens. So do Susan and Ernie and Neville – and so does the rest of the wizarding world it seems. The pub is packed from day to night and although Hannah is kept on her feet the whole day, she finds she does not mind.

Everyone is laughing and yes, yes there is silence sometimes, but there it is in their eyes; Harry and Ron and Hermione and Luna and Ginny and Neville and Ernie and Susan – the kind of joy that comes only at the end of a long journey through death and peril.

Not just them; everyone.

Almost there. Only a few left to come home.

_________

Justin Finch-Fletchley turns up quite without warning, unslings a gun and lays it down on the bar and then buries his head in his hands.

Hannah pours him a stiff one and the way he looks at her wonderingly before he downs it in one go, makes her wonder what kind of horrors he saw – saw or took part in? – during the war while they had been, for the most part, holed up in the relative safety of Hogwarts.

He leaves, without ever having said a word, but there is less tightness about his shoulders.

(He comes again every day. A week later, he laughs, like he used to. Hannah rejoices silently.)

________

Megan, Wayne, Oliver, Roger; they all come and go and she watches them swing their arms more easily, laugh a little bit more each time they pass through.

The Leaky Cauldron is noisy from opening hours to closing hours. It’s not quite a year yet and the wallpaper is already starting to peel.

Somehow it makes it feel all the more like home.

________

The last one to venture in is Smith.

Well. Slinks, would be a more appropriate word.  Everything about his demeanour suggests he doesn’t want to be recognized.

Hannah is surprised at the pity she feels. Even cowards, her heart tells her, deserve second chances.

So she goes up to him and greets him as though he’d never run from the Siege and he’s surprised and scared – why wouldn’t he be, when his uncle was a Death Eater and he’d run from the Siege to go home?

She makes him sit down next to Justin and then wonders, for the next hour or so, if she’s made a mistake because the silence is awkward and painful and maybe, maybe her heart was wrong. Maybe some people can’t have second chances, not even after a year.

A week later, Justin and Zacharias turn up together and they’re both laughing when they enter.

_________

Two years later, the last of the graffiti is gone and even the most stubborn bloodstain is gone.

The traces still remain. The way the door swings a little too much when it shuts. The pigeons which seem to think that the rafters are their home. The lines and scars and sometimes, bitter laughter.

But they’ve pulled through. They’ve made it through the worst. They can do this.

Not just Hogwarts, but a whole world to welcome them home.  

(Pics: 1, 2, 3, 4. For the anon who wanted to hear about Hannah Abbott running the Leaky Cauldron possibly also with other Hufflepuffs dropping in.)

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Of course everyone knew of that Malfoy ancestor, Lucius Malfoy the first, second only in influence to William Cecil, chief advisor to Queen Elizabeth the First of England. They had never been allowed to forget it. Or for that matter, to forget that if not for an unfortunate series of circumstances – set about by that curmudgeonly Cecil (and the Flints no doubt, but Cecil had always been blind to the untrustworthiness of those northeners) – it might have been a Malfoy on the throne of England, not some obscure foreigner from a line of half-wits.

That was, of course, the story the Malfoys were most fond of telling at dinner, to the annoyance of everyone else present. Its charm tended to wear thin after the millionth retelling and one could listen politely only so many times when faced with that particularly annoying expression of smug self-satisfaction each Malfoy wore while telling that story. Alas, polite society dictated that they wore smiles on their faces – even if those smiles were frozen and unnatural – and nodded in all the right places. One did not, after all, sever ties with one’s rivals.

Naturally, when their backs were turned, they told a very different tale about Lucius Malfoy, the first of his name. Of course he left out the best part of the story – he might have been second to William Cecil, but we all know how that ended.

(Smirks usually followed that statement. Sometimes accompanied by sly glances aimed in the direction of the Malfoy peacocks.)

Oh there were lots of ways to put those Malfoys in their place. It was always amusing to see them scowl, or at least see the smugness fade into frozen politeness. More so when one was in one cups and unable to judge the consequences of offending this family, as Cygnus Black did the time when he had suffered his future son-in-law’s boasting for far too long and called him “an insufferable vain  peacock, just like your namesake.”

Narcissa counted herself fortunate that that match did not fall through then and there. It was dreadfully bad-mannered, after all, of her Papa to have mentioned that Embarassing Incident, when Her Majesty Queen Elizabeth the First, tired of the first Lucius Malfoy’s pretensions, turned him into an albino peacock for her amusement and to punish him for being a generally annoying pest. Everyone laughed at the story – heavens, so did she – but one did not ever bring it up in polite conversation. Not if one was a Black and therefore, above the petty rivalries of their inferiors.

(That was what her Papa had told her and it was shameful that he did not follow his own advice to her.)

(Though indeed, there were some days where she did see some merit in the Virgin Queen’s approach to the Malfoy family. There was nothing half as entertaining as laughing at a Malfoy and seeing him get his feathers ruffled. And Lucius could be oh so insufferable with his pompous tales of family glory; as though other families had not such great achievements to their names.)

Perhaps it was all to the best, then, that the wizarding world evolved this as a means to keep the Malfoys in their place whenever they nursed pretensions to nobility - and grew far too big for their own boots.

(As though anyone could forget that they were once hangsmen for King William. Or that at least one of their peacocks was not a peacock at all.)

(For the anon who wanted to hear about the Malfoy ancestor who once nearly made an offer for the hand of Queen Elizabeth the First. Or possibly did and failed. History is unclear on this point, by which we mean Malfoys almost certainly paid someone to make themselves look good.)

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Anonymous asked:

i was wondering if you had any thoughts on the hogwarts houses/ the way jk rowling wrote them?

lmao literally HOW MUCH TIME DO YOU HAVE, ANON

The house system is one of those things in the hp books that I thought was really cool when I was a kid (let’s be real i thought the whole concept of boarding school was AWESOME i wanted to go so bad), but that really started to bother me as I got older and reread. I think the concept is really interesting and there was a big opportunity to explore things like societal expectations and stereotypes through the houses, but jkr just doesn’t do that? IT’S VERY FRUSTRATING IT’S BEEN YEARS I’M STILL FRUSTRATED

We see the wizarding through Harry’s eyes, always through the lens of his understanding and comprehension, and this is really important to the way the story plays out because it is, in essence, a bildungsroman that charts his journey from childhood to maturity. So to an eleven year old Harry, who is eager to make friends and wary of bullies from his primary school years, you can understand why his perception of Slytherin is soured by Draco and his view of Gryffindor is glorified by Ron. It’s this more than anything that affects his decision to choose Gryffindor - he’s been told that Slytherin is the bad house, and the first real friend he’s ever made is a sure bet for Gryffindor. These are the things first year Harry values and they inform his decision of a house - more than anything he’s heard in the Sorting Hat song about bravery or ambition.

And here is the crux of the sorting’s flaw - it rests on the assumption that an ENCHANTED HAT can look into an eleven year old’s mind and determine what kind of person they are, and put them in a house that will, in turn, shape the person they turn out to be. You can understand how this system started - lifespans were way shorter back in the Founders’ era, they were trying to find a way to replicate their already standing system to last past their own deaths - but like, it’s been a thousand years. Let it go, man. ESPECIALLY when it’s a system that is forming a crux of the entire wizarding British society (!!!). 

By joining a house, Hogwarts students are put into natural friendship/influence circles that last, from what we’ve seen, all throughout school and often into adulthood. Not only that, but as soon as they’re put in a house and given their colours, students automatically have to shoulder the stereotypes and assumptions that come with belonging to a house. This is worst for Slytherins (‘there’s not a witch or wizard who went bad who wasn’t in Slytherin’ - can you BELIEVE this sentence was actually written like), but you can imagine the blowback for all the Houses - ‘what, you’re in Ravenclaw but you don’t like to study??? Why aren’t you SMART??? What, the Gryffindor won’t do something dumb and reckless? I thought you were meant to be BRAVE’ - and how really just by being in a house they’re socially isolated from the rest of their peer group.

And this is something that happens in schools, workplaces, social groups all across the world. Stereotypes and assumptions based on choice of friends or being a member of a group are universal problems that have affected almost everyone at one point or another. And if you’re going to create a social stratification system in your society and write SEVEN BOOKS about a teenager attempting to navigate through them, you’d think you could take the time to deconstruct this phenomenon, or detail how it affects the hero or any of the characters, or at least even mention how messed up it is, right?

But jkr does not do this. Bar Dumbledore’s pondering on ‘perhaps we sort too early’ (which he says, by the by, to twist the knife into Snape a little deeper and thus make him easier to manipulate, so), the negative connotations and medieval nature of house sorting is rarely ever touched upon. There are no main, non villanous Slytherin characters. There are no main Hufflepuff characters. There are no main Ravenclaw characters - bar Luna, who becomes a part of Harry’s friend group because she is ostracised from her own house and peer group. There are seven Weasley children and every single one is sorted into Gryffindor - is this realistic? Are they choosing Gryffindor because they don’t want to feel isolated from their own families? Ron and Draco both grew up in the wizarding world and their concepts of the houses are already very much formed before they even get to Hogwarts. It’s a self-fufilling prophecy and it’s been happening in this society for A THOUSAND YEARS. 

And to be fair, the idea of mis-sorting is addressed now and again in the series. Dumbledore comments on it in passing (at the very end of the series. To manipulate someone.), and there is one character arc that incorporate this idea - Wormtail. We’re told, essentially, that Wormtail wants so badly to be like the other Marauders that he chooses Gryffindor - that this desperate, cowardly nature is a cornerstone of his personality from childhood. Notice how the one arguable “wrong sorting” in the series is not a “good” Slytherin but rather a “bad” Gryffindor - Sirius is congratulated by the story for choosing not to be in Slytherin to spite his family, Snape is revealed to have been helping Harry all along but his character is still coded in villany and he forms, in many ways, the visual perception of Slytherin and all its negativity in Harry’s eyes - unfairly docking points from other houses, not being “honorable”, playing blantant favourites with his own students.

As Harry gets older and his life gets more complex - or rather, he begins to see the world in its true shades of grey, rather than with the black and white certainty of childhood - he begins to see that people cannot be simplified down to a few personality traits. This is the purpose of the Malfoys in the story - Draco, who is Harry’s petty preteen enemy and synonymous with the Death Eaters in Harry’s eyes, is shown to be a flawed and overwhelmed boy who, much like Harry, is manipulated and twisted by powers far greater than himself. The love the Malfoys have for each other far outweighs their loyalty to Voldemort, their ideals, their ambition - and it’s this love that saves Harry’s life, and he knows it. This is why he is able to acknowledge Draco on the platform in the epilogue - they’ll never be friends, but there is an understanding between them, an acknowledgement of their similarities. The Malfoys are their arc are arguably the most human in the entire series - but it’s never explicitly linked to Slytherin, or how it dismantles the stereotypes of the houses. In fact, the role of Slytherin in the seventh book is to run and save themselves when Hogwarts is attacked - we’re told point blank that not one Slytherin stays to help Harry (let’s not even talk about the movie okay OKAY). Are we meant to think these 16 and 17-year olds are cowards for wanting to live? Are we meant to assume that all of them - every single one - has friends and family fighting on Voldemort’s side and they don’t want to be caught in the crossfire? The book basically implies that belonging to Slytherin is synonymous to supporting Voldemort and blood purity - even though we know the house is not made entirely of pureblood/aristocratic wizards. Instead of trying to break down the negativity of house perceptions in the books, jkr just reinforces it and, honestly, I think the quality of the story is damaged because of it.

So in summary: the sorting forces eleven year old to either know definitively who they are (and who knows that at eleven? Who knows that at eighteen? Some people don’t EVER know that), or to shoulder the potentially negative stereotypes of whatever house they’re put into, and become intrinsic and cliquey because of that. For some people - especially, as we’ve seen, Slytherins - the sorting and its ripple effects can continute to effect and even shape their later lives. And the Sorting Hat - which divides them in the first place, which encourages isolation and often toxicity - is preaching about putting aside house differences? Not bloody likely.  

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The first strains of the council-song reached the gathered merpeople in the lake, deep, echoing: do you hear us, sisters?

They opened their mouths, and sang back.

***

Out in the depths of the ocean, the sound of the song came trickling down, from epipelagic, to bathypelagic: do you hear us, sisters?

We hear you, whisper-sung deep-mer after deep-mer, their song connecting over miles, down chasms, through caves and chimneys and rockfalls.

***

In the open ocean the song rose and plunged like the waves above, arcing and changing, deep as whalesong, but a choir, an orchestra, rather than one alone. Do you hear us, sisters?

We hear you, snarl-sung the shark-mer, we hear you, sisters.

***

Among the coral reefs clown-mer after clown-mer raised their heads. We hear you, sisters, they sang.

***

Under the ice seal-mer barked to one another, pausing their aims to escape the larger Orca-mer and sang together.

We hear you, sisters.

***

Even those so tiny, the jelly-mer and seahorse-mer sang, their strange voices going from whisper-high, to deep and echoing. Even the silent Ningyo raised their flutes and played. The Encantado of South America, the Rusalka of Eastern Europe, the Amabie, the Merrows, the Caribbean mer, the Sirens.

All enmities placed aside.

We hear you, sisters.

***

Throughout centuries sailors, mundane and magical, had been puzzled when whalesong sang out, not alone and clear but resounding, echoing, layering thousands of times over, wrapping through ocean currents, down the Mid-Atlantic Ridge, echoing off ice-floes, cliffs, deep sea and above the ocean, resounding through aquifers deep underground so those of lakes could join their song to those of oceans.

As one the merpeople sang.

We hear you sisters.

***

Merpeople have councils. This is known. Merpeople can sing over great distances. This too is known. Merpeople can echo their songs through storms, stealing power and magic from the weather. This too is known.

What isn’t known is what they speak of. 

***

We can hear you, sisters.

***

Each time human councils demand of merpeople, each time all merpeople must make a decision as one they sing. Deep-mer risk their safety to join the song, Sirens change their song from luring to dispersing, Orca-mer and Shark-mer cease their hunt to sing alongside those they call prey.

***

We hear you sisters.

***

(Merpeople councils being done by a whalesong-like mersong around the world from discussion with tobermoriansass. There is a complementary post on thelethifoldwitch​ tonight which may be found Here))

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asheathes
Located in deep in the Guilin mountains, shrouded in mist and frequented by dragons that live in the multitude of winding rivers, the students of the Chinese Institute of Magic don their colourful wizarding garbs every September 1st for their return to school whereupon they are treated to spectacular opening festivities involving, but not limited to: choreographed martial arts performances from their combat professors, an assortment of acrobatic wonders, and “Mystery Mooncakes” specially made for the mid-autumn festival.
deusexignis:
iridium-flames:
vixsubridens:
#BUT WAIT #HOUSES BASED ON THE ORIGINAL FOUR #THE TIGER THE DRAGON THE PHOENIX THE TORTOISE
#just imagine how powerful their magic is though #they’ve been developing it for almost 2000 years longer than western magic imagine how refined and beautiful
#harry potter being eurocentric was such a fuckin’ waste
#my favourite thing is how those of us who have grow up with harry potter are now saying “no that’s not enough” and are expanding the universe #like we’re all critically looking at the books and realizing everything that’s wrong with them and fixing it ourselves #and idk i think that’s amazing

#they would not have had four houses; four is such an unlucky number in chinese numerology that there would never be four of anything.

#They also wouldn’t have used a tortoise wtf tortoises are shit in chinese mythology

#There would probably be like 8 houses because hello chinese population is enormous there would probably be tons more witches and wizards just by dint of percentages.

#Also I refuse to believe that chinese witches and wizards are like as massively in hiding as everybody else; I mean just look at traditional chinese medicine. You wanna talk eye of newt let’s talk about the various medicinal uses of fucking freeze dried sea cucumbers wtf why is that always the biggest jar at your grandma’s apothecary.

#…Because that’s goddamn right chinese fucking muggles go to the goddamn apothecary wtf you think you’re special, white leghorn wizards

#also fuck quidditch and broomsticks i bet they play games on motherfucking dragons

#can you imagine HOW MUCH BETTER DUELING WOULD BE WITH MARTIAL ARTS

#Defense against the dark martial arts tho

#I bet the sorting ceremony is much more involved and includes astrology charts and chi and shit like that it’s like matchmaking only way more crucial

#I bet muggles fucking love magic

#I bet they gotta be careful and shit at orphanages making sure no accidental Tom Riddle shit happens and like the next dark lord gets adopted by a pair of white gay guys from Santa Monica because that would be hella awkward whoopsies 

Source: asheathes
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I know you're not really doing requests at the moment, but do you have any off the top of your head Viktor Krum headcanons you'd be willing to share?

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i’ll be honest i dont really think about viktor krum too much aside from his amazing relationship with hermione, but i’ll give it a go (most of these ended up being post-canon and not at all pottermore compliant)

  • The Krums were probably a really established, wealthy, elite family in Bulgaria before Grindelwald slaughtered them. Viktor lost his parents, a grandfather, two uncles, and three cousins to Grindelwald, and Viktor became a solitary person after that and focused entirely on Quidditch, though he had a tough time at school since the Dark Arts were really popular in Durmstrang. 
  • Viktor Krum continues to write to Hermione for the rest of their lives and they become really close (as a personal joke for myself: hugo’s middle name was probably almost viktor because lbr ron still hero worshipped his fav sports star a little, you cant escape that, but then hermione’s mom was like “hugo viktor, do you mean: infamous french novelist??” and they changed it immediately and told no one else of their desire to name hugo after krum. although every now and them Mrs. Granger will ask hugo how france is and his opinions on napoleon and hugo just does Not Get It)
  • Viktor gets really into Muggle Rights at some point directly after the war and uses his fame to really speak for it, especially in Bulgaria and parts of Europe where the discussion hadn’t been started yet. He also talks a lot at Durmstrang to help push the Dark Arts out of the school. His English improves by miles as he starts wanting to do more speeches outside of his native country (the letter writing helps)
  • At some point Viktor sustains an injury that takes him out of the game and its all very tragic, but then Viktor just goes on advocating for Muggle Rights and attention to disabled people’s issues and he ends up traveling all over Europe and the Americas talking about it. 
  • Viktor at some point meets Charlie Weasley and becomes really good friends with him because they have a lot in common, and Ron is just completely baffled/jealous by it. 
  • But actually Viktor is really good at keeping in touch with people and always like improving his English/other languages his speaks, so he still writes frequently to Fleur and Harry as well, and even sends a letter to Mr. Diggory on the anniversary of Cedric’s death because even after all this time Viktor still thinks about that bright, cheerful boy who didn’t deserve to die. 
  • Shortly after leaving England after the Tournament, Viktor meets a boy whom he falls in love with. However since Viktor is still a very high profile celebrity, he keeps the relationship secret for more than six years before they break up. 
  • After this, Viktor dates a female Chaser from the Appleby Arrows, but they break up after a year as well. 
  • Then, around his thirties and retired from the game, Viktor happens to run into his first (only) boyfriend in Russia when Viktor is on a speaking tour. They get back together and stay together happily, though Viktor still attempts to keep it a secret for another two years before he just gives up and starts speaking on behalf of queer rights as well. 
  • Sports media debate a lot about Viktor’s career trajectory and some accuse him of going soft or say that he’s not smart enough to care about social issues when all he used to be was an athlete. But obviously Viktor holds his own and ends up becoming an ambassador of human rights as well as part time coach for Bulgarian National. 
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This is a horror story.

A family hides, for centuries, a monster that will purge the impure from the world. They do not hide it in their home. They hide it in a school and hope that one day, it will purge that school of all those filthy little mudblood paws.

A wizard dies and leaves his home behind. The Ministry investigates and those who return refuse to speak of what they have seen – those they do tell, they tell that the most horrorsome thing about that home is not the Dementors that feed off the walls, but something else, and then they fall silent.

A man comes along a few years later and turns this into a prison and this becomes the dumping ground for all this nation’s most dangerous criminals. No one remembers the plans for a prison in the Hebrides. This is more convenient.

An innocent man is sentenced to a lifetime in this prison without even the pretense of a trial. The loneliness of his cell alone would drive most men mad, but it is not enough. They have Dementors to suck what little light remains in their minds out of them. He holds on to two thoughts and they become his obsession.

A man and a woman are killed for their son. The nation celebrates their heroism, then forgets them the next day as they go about their business.

A man continues a cycle of violence and punishes a child for the sins of his father. This child grows into a man and finds himself set adrift in a world that hates him. He is the symbol of a generation raised on nightmares and fattened on war. Unable to sleep he joins his muggle brothers, set adrift by a different kind of violence and they become the lost generation. A generation lost on their deadened dreams, out for another hit.

A boy is made warrior and saviour for a nation. No one asks him about it. No one wonders where their warrior has gone, but this child is left in the hands of those who seek only harm for him. He finds safety and finds himself shunned – because he is a hero against his wishes.

A girl is violated intimately in every sense of the term; possessed by the greatest dark wizard of the age and made to commit all kinds of crimes in his name. No one talks about it. She heals herself.

The prisoner escapes, but cannot prove himself innocent. He suffers. He mopes. He is a bundle of nerves. No one talks about it. He finds healing where he can. It is not enough.

An elf finds pride in the thought of being beheaded.

A boy is killed for being in the wrong place at the wrong time. His girlfriend tries to talk about it. They tell her it’s time to move on.

A woman carves words upon their boy-saviour’s hands. The only other scar he will wear forever is the one given to him by the darkest wizard of their time.

A boy is forced to kill a man as punishment for his father’s misdoings.

The werewolf-turned-addict turns spy because he has nothing left to lose, though he might lose his life. The greater good, he tells himself. The greater good is all they have to console themselves.

A battle is fought and the warriors that save the wizarding world are not trained aurors, but children. Those who die are children. Most of them will never be awarded Orders of Merlin.

A new Minister for Magic comes to power and promises he will cleanse the wizarding world  of corruption. He manages, for the most part. He removes the Dementors from Azkaban and the wizarding world praises him for his compassion. The prisoners tell a different story – but they’re all mad anyway, so no one bothers to listen. Why care for them, or the fact that the walls will whisper things to them and that all men who enter here, despite the absence of the Dementors, find themselves slowly driven over the brink into madness?  Out of sight, out of mind – that is all that matters.

The truth is stranger than fiction.

It is what makes it a horror story.

(Pics: 1, 2, 3, 4, 5)

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desert-revolution:
I firmly believe that the reason many Slytherins were easily convinced to join Voldemort was because they were treated like shit by the rest of the houses while they were growing up. Imagine spending seven of the most important years of your life being told that you were part of the bad house and therefore bad yourself. Everyone boos your quidditch team. All the houses will hang out with everyone except you. You grow up being hated by your fellow students and many of your teachers.
Now imagine someone comes along and tells you that you’re not worthless and bad. That you’re invited to join a family where you will right the wrongs committed against you. You have the opportunity to be wanted and powerful instead of a hated outcast. Several of your former classmates are telling you how great it is. How you’re welcomed and needed. These are the kids you grew up with. The classmates who went through all the same things you did. Being a Death Eater sounds pretty good now.
I’ve been waiting for a post like this.
THIS.

BLESS THIS POST

!!!!

thank

I was always bothered by the scene at the end of book 7, when the students are asked whether they want to fight the incoming Death Eater army. The Slytherin students are all like, “Uh. No?” And they’re treated like terrorists for it. In the movie, they’re even locked in the school dungeons while everyone cheers.

Did nobody stop to think and realize that if the Sytherin students had stood and fought, they would have been facing their own parents on a battlefield? Even if some of them weren’t really on board with the whole Death Eater thing, expecting them to fight was just cruel. They were children. The oldest of them were seventeen. Babies. And their own professors were asking them to shoot illegal killing spells at Mum and Dad.

Imagine you are a Slytherin and you are staying behind to defend your school and maybe restore some honor to your House. The other students are all giving you mistrustful glares. You know they’re waiting for you to start hitting them in the back with stunning spells. You consider doing it, too, because you’re already starting to regret the choice you made.

Then the battle begins, and you are up against a crowd of strangers who aren’t strangers at all. You recognize voices, muffled behind masks but still piercingly familiar. Your uncle. Your cousin. Your best friend’s big sister.

And then you see a tall man in expensive grey robes. A moment later you notice the small, curvy woman next to him, wand ready. They are guarding each others backs.

You recognize their shoes.

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Nobby Leach was a good man.

He was also a mudblood.

That was the sort of thing they never let you live down, never mind that they’d spent ten years fighting a war against a wizard who’d nearly destroyed Europe, determined to eradicate all of his kind. In their world, the muggle world, at least, they’d put away their toys and ideas of the past and nobody talked about eugenics anymore. But, at least they learned from their mistakes and attempted to change.

Nobby Leach had fought in the war. Not that war, the other one. The muggle one. That was something else one did not mention in the Wizengamot. Staying ahead of them, as it were, was enough trouble, without having them call for investigations into his private affairs – yes, dammit, fighting a war for your country was a private affair – or worse, accuse him of breaking the law. Anything to get him out of office.

But damned if he was going to leave without protecting his own against these wolves in tweed.

The thing about The War, Nobby Leach had learnt, was that it was more than just blood and guts and gore. It was technology and machinery. Bombs and radar and computers and encryption machines. Things to tell you what your enemy was doing, where, when and how. Systems that had somehow, no one quite knew how, allowed millions and millions of people to be plucked from their homes with astonishing accuracy, processed and killed within a matter of a few days.

That was the sort of thing that kept Nobby Leach up late at night. Not Abraxas Malfoy and his petty politicking, not the muttered mudbloods, but fear and his imagination running wild. What if, what if. What if they, them, the men who called him mudblood, found out what muggles and their technology could do? What if they learnt? What if, what if in some horrible twist of fate, someone made the mistake of mixing magic – unlimited power – with these things?

What if they came for him and his kind with more than just words, but with the cold, cruel precision of a computer chasing down algorithms and creating a list?

There was a decision to be made, very soon.  Charles William Nott,  or Caius Rookwood?

They were both good men. Except one called him mudblood when he wasn’t watching and the other, the other was far too caught up in a world of infinite possibilities to bother with trampling on his fellow human beings. In a perfect world, he would have made Caius Rookwood head of the Department of Mysteries without thinking twice about it. Caius Rookwood had vision, but Caius, Caius was a dangerous man in the same way that all clever men, preoccupied with their own clever ideas, are dangerous men.

Instead, Nobby Leach found himself, to his regret, discreetly leaving a memo sent to him from the Department of Mysteries where he knew his advisor , that Flint boy, would find it. The best way to let Malfoy and Avery and their ilk know what was what – though they seemed to think they were very discreet about it all.

Nobby Leach was a good man.

Silence, silence and giving the right man the right job would have costed them all. Caius Rookwood would have opened their eyes, and with their eyes opened, they would have taken the weapons of the muggles and turned it upon them, the mudbloods.

Nobby Leach was a good man, but one war that had slaughtered millions was enough for him. If there was to be another war – and oh how it looked like there would be, with all this talk of the Knights of Walpurgis – he would much rather it be a war that kept real power out of the hands of these wizards. They could keep their prejudices, if it meant that this Lord that people were whispering about knew nothing of muggle technology; if they kept their magic to themselves and did not seek to create something that was both magical and muggle, a monstrous weapon of war to take the lives of all the muggleborns of magical Britain.

Nobby Leach resigned on the twenty-ninth of December, 1968. Abraxas Malfoy and Joseph Avery and the Flint boy all had a glass of champagne in celebration. Caius Rookwood’s funeral was held on the last day of December and Charles William Nott became head of the Department of Mysteries. In a few weeks, rumours about Leach’s resignation would start to circulate. A plot of Abraxas Malfoy’s. For being a you-know-what.

But the truth, very simply, was that Nobby Leach was a good man.

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“Whatever the Purist amongst us say, there must always be Muggles who know of our existence. Philosophically, it is an inevitable truth that a secret cannot truly be said to be kept if there is not one in the knowing who, perhaps, should not be. But more practically, our kind could not hope to split so fully from the pages of Muggle history without a few hands on the other side of the page to help with the editing: be they the kin of those born with magic in their souls (for you will never convince me it is in the blood, whatever those men in the MRD say), or our own sons and daughters whose spark never bloomed. Sometimes they are simply those rare people whom we can trust…or whom we must.

Such a man led this nation once. Magical society was only ever partially obfuscated in the Americas before the AWC formalized its borders, but only a few of the Muggle nation’s early leaders knew that a number of wizards and witches had thrown their wands and talents in on the side of Independence. To these select few, the whole of the magical world was revealed, and side-by-side our nations walked forward into a new world, separate but united, much like the states and regions themselves.

On September 18th, 1793, the many vows and promises exchanged by our people were set firmly in stone. General George Washington, President Elect of the Muggles of the United States of America, set down the cornerstone of the building that would become the heart of his fledging country. He bore with him occult instruments, setting the corner-stone in solemn ceremony that, to his own people, bore the proper significance for such a historic moment.

On its own, of course, such a ritual would have no power…but Washington knew that a scant few miles away, in the already obfuscated town that would one day be known as Circle’s Corner, 7 of the nation’s strongest mages were performing their own spells, weaving magic into the stone and forging, through the strongest of compacts, ties that could not be broken. As the stone came down, so did its shadow, and from that shadow, and all the stones that follow, the Congress of Wizardry was built: the child of Muggle Artisanry and Wizarding Power.

The building, which seems to be constructed of stones as dark as the Muggle Capitol’s are white, perfectly mirrors that mundane construction, at least on the exterior. The frescoes and statues within, of course, reflect the proud history and traditions of American wizarding (or at least how some would like it to be remembered). Is is a masterpiece of warped space, occupying the exact same area as the Muggle Capitol while at the same time never touching it…well almost never. In 1814, when the British set the American capitol building aflame, its magical brother, apparently of its own accord and out of sympathy for its twin, summoned down a rainstorm that saved it from complete destruction.  

[1] It is, of course, traditional that the first time the elected leader of our muggle compatriots is alone in their oval office he will find himself spun out of time and into the presence of the President, wherein they will have a little chat about how things operate. Depending on the pair such meetings may happen many times, either in animosity (as with Jackson and Reed) or amiable partnership (as with Roosevelt and Goode), or just once (as with Barshwold and Bush). Our president’s office is, of course, a Heptagram, which is the proper shape for a room where so much power is centered.”

-Willard Stockhausen, Introduction to the History of the American Wizarding Confederation, “Chapter 2: Wands and Revolution.” (Required Reading for the Salem Institute 1st Years)

[Today, 221 years ago, President George Washington laid the cornerstone of the building that would become the iconic U.S. Capitol Building…which this moderator is currently looking out at from his office window. You can read more about the Capitol here

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HP Goblet of Fire Headcanon: Beauxbatons was primarily a Muslim wizarding school.

(photo from livesandliesofwizards, which was the first thing I thought of when I ran into this passage while rereading the Harry Potter books)

(and yes I know the horses drink whisky, which is not exactly halal, sshhh)

Its was french. It s Was so clearly french.

Literally French. …….

…. .

except…NO.

learn some fuckin’ social studies and history and current affairs, people.

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amazonpoodle

what if the reason nobody can tell fred and george apart is because they really are interchangeable

not in a ~it doesn’t matter~ way but like. molly and arthur used to worry that fred and george might turn out to be squibs because they weren’t doing any accidental magic as children, but they were, THEY TOTALLY WERE, it just wasn’t anything flashy, instead they were just like idly switching bodies all the time

and like sometimes it doesn’t make much of a difference, whatever, wake up in the opposite bed you went to sleep in, but it gets like dangerous and weird if you’re on a broom or in the pond or letting your mum teach you to cook or trying to be mad stealth, so for a long long time everybody presumes they’re clumsy maybe-squibs and that they’re doing their twin lying thing when they try to explain what’s going on, so they learn to handle the issue their ownselves

they just. don’t go anywhere without the other. they start each day deciding which body is going to be which (because at this point they really don’t know which body is technically fred and which is technically george), and they learn to reorient FAST when they switch, and what things set them off, and eventually they learn how to act like nothing’s up even when one of them’s in the air and one’s on the ground or whatever, and then they burn past that til they can finish each other’s sentences — til they can switch midsentence — til they can play beater together — til they can switch in a split second in the middle of a game — til there’s room for other kinds of accidental magic to start showing up

at hogwarts they keep each other awake in history of magic by switching back and forth. in potions they take turns brewing and keeping lookout for the slytherins. in transfiguration and charms they keep their grades up because one of them will always get a spell right on the first try so they switch and make it look like both of them do and then they practice on their own later in private. it keeps the mystery alive.

at first they thought lee was just a lucky guesser but no, lee can always tell one twin from another twin — it’s not exactly telling fred from george, because while they are definitely two distinct personalities neither one of them feels like fred all the time or george all the time — but lee knows who he argued with yesterday or who he lent his notes to or who’s best to ask for help in astronomy and who’s best at runes. 

the weasleys are pretty bad at it for the longest time, but then bill comes home from his first year cursebreaking and he can tell, and over a holiday he teaches his trick to charlie so charlie can tell. alicia and katie and angelina can tell. the twins honestly don’t know if oliver can tell or not; so long as they’re doing what they’re supposed to on the quidditch pitch he doesn’t really care about much else. harry can tell. luna can tell. tonks can tell.

the problem is there’s no way for this to end happily

YES THERE IS

THERE IS INDEED A WAY FOR THIS TO END HAPPILY LISTEN UP

so after fred dies, george hates being trapped in one body, feels claustrophobic, misses fred so much he thinks it might drive him insane

but then one day

george blinks and he’s somewhere he wasn’t a second ago, he’s in a place full of white light and he can’t orient himself, can’t ground himself, feels dizzy and sick and overwhelmed but it only lasts for about thirty seconds.

then he’s back in his own body. 

and he looks down at his chest, his legs, his arms, there’s an ear missing so it’s definitely still his living body, but there’s something written on his arm, scrawled in messy quill ink. 

"i love you. i miss you."

george flips out, washes off the ink and immediately writes a message in reply— “how’s death going?”

he walks around with that message written on his arm for weeks, always keeping a quill pen somewhere nearby, waiting, waiting, before it finally happens again. the switch. george is alive, so he can’t handle being in the afterlife, he feels dizzy and sick and it’s the worst feeling in the world, but it doesn’t last long, and when he gets back to his living body, there’s a long message from fred waiting on his right thigh, the ink still drying.

this goes on for years, never as often as either twin would like, but it’s enough. fred helps george figure out how to propose to angelina, fred helps plan the wedding. sometimes it’s fred in george’s body when angelina kisses her husband. sometimes she suspects, but she doesn’t mind in the slightest.

it gets easier as george gets older. the times when he switches into fred’s afterlife don’t hurt as much. he almost feels comfortable there, almost feels oriented. he knows he’s getting closer to dying.

then when george is past ninety, lying on his deathbed, he writes a careful message on his palm. “i’m coming soon. where are you?”

they switch, it lasts for almost five minutes this time, and when george gets back into his own body, he sees the instructions fred wrote over his heart.

"you’ll wake up in king’s cross station. take the second train and get off at the third stop. i’ll be waiting."

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I think one of the reasons the Harry Potter Epilogue was so poorly received was because the audience was primarily made up of the Millennial generation.

We’ve walked with Harry, Ron and Hermione, through a world that we thought was great but slowly revealed itself to be the opposite. We unpeeled the layers of corruption within the government, we saw cruelty against minorities grow in the past decades, and had media attack us and had teachers tell us that we ‘must not tell lies’. We got angry and frustrated and, like Harry, Ron and Hermione, had to think of a way to fight back. And them winning? That would have been enough to give us hope and leave us satisfied.

But instead. There was skip scene. And suddenly they were all over 30 and happy with their 2.5 children.

And the Millennials were left flailing in the dust.

Because while we recognised and empathised with everything up to that point. But seeing the Golden Trio financially stable and content and married? That was not something our generation could recognise. Because we have no idea if we’re ever going to be able to reach that stage. Not with the world we’re living in right now.

Having Harry, Ron and Hermione stare off into the distance after the battle and wonder about what the future might be would have stuck with us. Hell, have them move into a shitty flat together and try and sort out their lives would have. Have them with screaming nightmares and failed relationships and trying to get jobs in a society that’s falling apart would have. Have them still trying to fix things in that society would have. Because we known Voldemort was just a symptom of the disease of prejudice the Wizarding World.

But don’t push us off with an ‘all was well’. In a world about magic, JK Rowling finally broke our suspension of disbelief by having them all hit middle-class and middle-age contentment and expecting a fanbase of teenagers to accept it.

Also. Since when was ‘don’t worry kids, you’re going to turn out just like your parents’ ever a happy ending? Does our generation even recognise marriage and money and jobs as the fulfillment of life anymore? Does our generation even recognise the Epilogue’s Golden Trio anymore?

I think also, it meant the story was *over*. Even if the Trio were still living these dashing lives in their every-day, that’s not the image we got. We got staid, boring, finished people. Maybe all Harry wanted was a normal life at that point, but because we didn’t take that journey with him, it just left us all feeling like a book (literally) was closed. Any sense of excitement about the near-endless potential of what their lives could hold at the end of the battle is shut down for us. What if Harry became the first Dragon rider? Nope. What if Hermione went on to be the President of the United States? No. What if Ron pulled his socks up and became the next Headmaster? NO. It took away all the potential that each of us in this generation are so hoping that we all will have.

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