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Vila Wolf's Dyslexic Folklorist Ranting

@ladykrampus / ladykrampus.tumblr.com

Hmm... I've got a strange and bizarre mind. I know what you're saying, doesn't everyone on the internet? I can say this, I'm not for everyone. It was once said that I've got a razor wit, a dark sarcasm and one hell of a twisted sense of humor. I like horror, I am a folklorist and I smoke. "Let me share something with you, a secret, We believe what we want to believe....the rest is all smoke and mirrors." - Arnaud de Fohn Posts I've Liked
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bellytalker

Asipu: Exorcist of Mesopotamia

The asipu of the ancient Mesopotamian cultures most resembles the later exorcist. The asipu was a respected member of professional society, whose venues of service included the royal courts in Mesopotamia and elsewhere in the ancient Near East.

There are three principal contexts for physical and psychic disturbances in asiputu (the practice of the asipu). These are instances in which gods or demons afflict the patient by reason of some transgression committed by the patient, or by reason of their own maliciousness, or by having been persuaded by witchcraft to forsake or to afflict the victim. The handbooks Surpu, Udug-hul, and Maqlu attend to each of these categories respectively, and serve as important reference materials for defining the activities and persons involved with ancient Near Eastern conjurations.

A hallmark of the Mesopotamian cultures was divination through observation of the natural world.

Wrongdoing, then, was perceived as one cause of illness in ancient Mesopotamia, and part of the healing process included a “confession” of one’s infractions.

The asipu serves more to appease the divine wrath than to exorcise it.

Surpu Tablets 5-6 describe an affliction as follows:
An evil curse like a gallu-demon has come upon (this) man,
dumbness (and) dace have come upon him,
an unwholesome dumbness has come upon him,
evil curse, oath, headache.
An evil curse has slaughtered this man like a sheep,
his god has left his body,
hid goddess, usually full of convern for him, has stepped aside.
Dumbness (and) daze have covered him like a cloak and overwhelm him incessantly.

Objects such as an onion, a bunch of dates, a piece of matting, a flock of wool, goat’s hair, and red wool) are unpeeled, undone, etc., by the sufferer, and cast into the fire.

The afflictions are the dimitu-disease, which attacks from heaven, and the Ahhazu demon, who comes up from the ground. Symptoms include paralysis of hands and feet, afflictions of one’s skin with scabs, fear, cough and phlegm, filling the mouth with spittle and foam, and afflicting with dumbness and daze.

The magician must wipe the patient with coarse flour, remove it, spit on it, cast a spell on it, place it under a thorn-bush on the plain, and thereby:

entrust his “oath” [to] the Lady of the plain and the fields,

may Ninkilim, lord of the animals, transfer his grave illness to the vermin of the earth…

Tablet 2 says: 

release it, exorcist among the gods, merciful lord, Marduk…

Source: “Possession and Exorcism in the Ancient Near East” in Sieback, Possession and Exorcism in the New Testament and Early Christianity

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bellytalker

Udug-hul Rituals

Udug-gul (”Evil Demons”) is a serialized composition of apotropaic rituals against demons and the sorcerers who manipulate them. Preserved on sixteen tablets, the collection contains rituals that span from the Old Akkadian (2300-2200) to the Seleucid periods (300-200). It is in the context of Udug-hul that the asipu most foreshadows the New Testament exorcist in his attribution of affliction to the demons, in his dependence upon divine powers to treat those afflictions, and in his own role as the mediator between that divine assistance and the human victim which includes a confrontation with the demonic antagonist.

As in Surpu, the incantations of Udug-hul help to restore the proper cosmic order. In this case, however, the order has been disrupted by one’s personal transgressions. Tablet 4 of Udug-hul concerns the identification of demons who have come up from the netherworld and their return by Enki to their proper place. Tablet 5 illustrates this in its description of the activity of seven demons called the “watchmen”:

The watchmen (demons) pursue anything
created in the Netherworld, the seed of An.

The watchmen constitute a sort of netherworld police force, but have left their proper domain and are misusing their authority in the upper world. In a case where the literary presentation may actually document the course of a disease, one by one the demons assault the patient in worsening stages:

the fifth lays him there on his bed.
As the sixth one approached the distraught man, he lifts his head from his belly
As the seventh one approaches the distraught man, (the patient) had already set his mind on
the Netherworld.

Udug-hul includes several passages which illustrate well the confrontation between the asipu and the demonic presences he seeks to drive out. These passages refer to the asipu’s making known his source of authority, and threats made against the demons not to harm him. From Tablet 6 of the collection we read:

I am the incantation priest, the sangamah of Enki.
The Lord (Enki) sent me to him (the victim), he sent to him me, the vizier of the Abzu.
You shall not shriek behind me,
nor shall you shout after me.
O evil man, may you not lift your hand (against me).
O evil demon, may you not lift your hand (against me).

Udug-hul also makes known the asipu’s uncompromising stance against the demons’ requests. From Tablet 8 the priest adjures the demon to depart:

Do [not say, “let me] stand [at the side].”
[Go out, [evil Udug-demon,] to [a distant place],
[go] away, [evil Ala-demon], to [the desert].

These passages show the asipu’s dependence upon and confidence in divine support for his craft, and an aggressive attitude toward the demons that one also finds in connection with the New Testament exorcists.

Source: Siebeck, 2.2.1.2

Image: Clay tablet; a Greek student’s exercise; on the front of this tablet is part of a cuneiform incantation against evil spirits written in both Sumerian and Babylonian; on the back the text has been repeated phonetically in Greek script. (Clay cuneiform tablet. Graeco-Babyloniaca; bilingual incantation, Udug-hul 9.) 3rdC BC-1stC BC.

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Protoliterate Tabet

Sumerian, ca. 3100-2900 BC (late Uruk; Early Dynastic I-II) 

Red stone

From a unique group of early documents recording the transfer of land (in this case one “b'uru”- about 150 acres), this tablet illustrates the transition from a writing system based on pictures to one where signs represent sounds.  The vase and foot are easily recognized but represent sounds rather than objects.  In the bottom row, the two wavy lines sprouting plants is the sign for garden. 
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Ancient Mayan Tablet with Hieroglyphics Honors Lowly King

A 1,600-year-old Mayan stone tablet describing the rule of an ancient king has been unearthed in the ruins of a temple in Guatemala.

The broken tablet, or stela, depicts the king’s head, adorned with a feathered headdress, along with some of his neck and shoulders. On the other side, an inscription written in hieroglyphics commemorates the monarch’s 40-year reign.

The stone tablet, found in the jungle temple, may shed light on a mysterious period when one empire in the region was collapsing and another was on the rise, said the lead excavator at the site, Marcello Canuto, an anthropologist at Tulane University in Louisiana. Read more.

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archaeoblogs

Please Help Me Find the Long-Missing Madison Tablet Source: http://bit.ly/12VpcFT Sometimes prehistoric Native American artifacts go missing and are never seen again for several decades—or even nearly a century.  One good example that has been missing for about 90 years is the famous Castalian Springs Tablet, also known in the Tennessee archaeological literature as the Eagle Warrior stone (Smith and Miller 2009:73).  It is a flat limestone slab with a depiction of the famous birdman mythological figure incised into its surface.   This stone was found on the ground surface at the Castalian Springs mound site in Castalian Springs, Tennessee, in the late………. Read More

Read and find more great archaeology blogs at: Archaeology Blog Project

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the-pie-rat

Sumerian Temple Hymn, baked clay, circa between 1800 and 1600 BC (Old Babylonian), currently located at the Walters Art Museum. This tablet, inscribed on all four sides, is one of the best preserved copies of the Sumerian hymn to the temple at Kesh. The popular hymn, written in praise of the temple built for the mother-goddess Nintu in the city of Kesh in southern Mesopotamia, describes the temple in both physical and heavenly terms. Source: commons.wikimedia.org — with Said Khudeir.

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thegetty

Curse tablets were used by the ancient Greeks and Romans to inflict pain on thieves and rivals in politics, athletics, domestic disputes, and affairs of the heart. Wonder who incurred the wrath of this author? http://bit.ly/TWi10m

Curse Tablet, about 100 B.C., found in Morgantina, Sicily. Lead, 3 11/16 x 1 13/16 in. (9.4 x 4.6 cm). Museo Archeologico Regionale of Aidone

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the-pie-rat

Sumerian Temple Hymn, baked clay, circa between 1800 and 1600 BC (Old Babylonian), currently located at the Walters Art Museum. This tablet, inscribed on all four sides, is one of the best preserved copies of the Sumerian hymn to the temple at Kesh. The popular hymn, written in praise of the temple built for the mother-goddess Nintu in the city of Kesh in southern Mesopotamia, describes the temple in both physical and heavenly terms. Source: commons.wikimedia.org — with Said Khudeir.

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