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#medievalpoc – @ladykrampus on Tumblr
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Vila Wolf's Dyslexic Folklorist Ranting

@ladykrampus / ladykrampus.tumblr.com

Hmm... I've got a strange and bizarre mind. I know what you're saying, doesn't everyone on the internet? I can say this, I'm not for everyone. It was once said that I've got a razor wit, a dark sarcasm and one hell of a twisted sense of humor. I like horror, I am a folklorist and I smoke. "Let me share something with you, a secret, We believe what we want to believe....the rest is all smoke and mirrors." - Arnaud de Fohn Posts I've Liked
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Bring back the phase of society where having your tiddies all the way out was fine but showing ankle flesh was scandalous

moranion

i know this is aiming at 17. and 18. and 19. century fashion, but i really wanna bring back those dresses that only basically start under the boobs, like that little number Minoan snake goddess figurine is wearing

that was actually what i was thinking of! ive been obsessed with that figure since i was her in a history book as a kid lmao 

 the ultimate look!!! 2 titties out 2 snakes in hand 

titties out, snakes up, she’s ready 2 go

ankles: covered

snakes: up

titties: out

I am forcibly removed from the historical narrative

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medievalpoc

No one ever really forgets the first historical artwork they see that speaks into their soul. ;)

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medievalpoc

Stained Glass Roundel: Crusaders Advance on Jerusalem

France (c. 1158)

This roundel, alongside another, stood side by side in the Crusader window at the royal Abbey Church of Saint Denis. In it, the Crusader army, with a king on a white horse at its head, rides steadfastly toward Jerusalem.

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medievalpoc

The Metropolitan Museum of Art (February 10, 2016-January 2, 2017)

This exhibition features a selection of more than three dozen historical examples of Islamic arms and armor, which represent the breadth and depth of The Met’s renowned holdings in this area. Focusing primarily on the courts of the Mamluk and Ottoman sultans, shahs of Iran, and Mughal emperors of India, the exhibition celebrates the publication of Islamic Arms and Armor in The Metropolitan Museum of Art, the Museum’s first scholarly volume on the subject.
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black and asian vikings 100% definitely existed (also, saami vikings)

you know how far you can get into eurasia and africa by sailing up rivers from the baltic and mediterranean seas? pretty fucking far, and that’s what vikings liked to do to trade

then, you know, people are people, so love happens, business happens, and so ppl get married and take spouses back home to the frozen hellscape that is scandinavia (upon which i’m guessing the horrorstruck new spouses went “WHAT THE FUCK??? FUCKING GIVE ME YOUR JACKET???????”)

and sometimes vikings bought thralls and brought them home as well, and i mean, when your indentured service is up after however many years and you’re a free person again, maaaaaaaaaaaaybe it’s a bit hard to get all the way home across the continent, so you make the best out of the situation and you probably get married and raise a gaggle kids

so yeah

viking kingdoms/communities were not uniformly pure white aryan fantasy paradises, so pls stop using my cultural history and ethnic background to excuse your racist discomfort with black ppl playing heimdall and valkyrie

Also we KNOW they got to Asia and Africa. 

Why?

Because Asians, Africans, and Vikings TOLD US SO. 

I know a fantasy book that actually has a diverse Viking crew sailing to Africa.

The book features a chapter about a Viking voyage, which is set just after a Norman invasion of England. A pair of knights from England head off for retirement, evading capture from Moors and joining up with a Viking captain named Witta. Witta’s crew includes:

  • “Kitai”, a Viking navigator from China. Kitai is described using stunningly racist terminology, in order to make it really clear that this person is Definitely An Asian Person From Asia. 
  • An African Grey parrot, which originates from the Congo.
  • Warrior “Thorkild of Borkum,” who was once a slave to a “King in the East” 
  • References to “Hlaf the Woman” who wrote the manual, or Ship-book, that they use to navigate. We are told that she “robbed Egypt.”

Witta’s father traded on the African coast: “Witta told us that his father Guthrum had once in his life rowed along the shores of Africa to a land where naked men sold gold for iron and beads.”

Witta decides to repeat this journey. They put in somewhere near equatorial Africa and the locals hire them to kill some gorillas for them (?!) rewarding them with gold. The encounter is successful, and the crew splits up in England, with the knights bringing their share of the gold back to Sussex and the main plot of the book, and Witta going back to Stavanger.

The book also has scenes set on Hadrian’s wall in Scotland, somewhere around the year 400, in which the Roman soldiers battle the “Winged Hats” from Scandinavia. The Romans are explicitly described as a multiracial bunch, with men from all over the Roman empire, naturally including soldiers from Africa and Asia. I think a lot of people forget about the interactions between the native Celtic peoples of Britain, the Roman empire, and the Scandinavians.

The book was written by a Nobel Laureate 110 years ago. It is the seminal fantasy novel Puck of Pook’s Hill, by Rudyard Kipling, and it was published in 1906. 

It is a problematic text, but it serves to demonstrate that “racist discomfort” is an artifact of more recent colonial history - previously, diversity in fiction was an exciting demonstration of the Rich and Varied Heritage of the Glorious British Empire. Because Kipling was, of course, the definitive Great White Colonialist.

Now, if an imperialist colonial propagandist writing 110 years ago decided he wanted to tell a fantasy story about how African gold brought to England by Vikings was responsible for the signing of the Magna Carta, and he did this by having his Vikings sail to Africa with a Chinese navigator, and his intention in doing so was to show off the might and diversity of the British Empire and how its Ideals of Justice were thus knitted together “as natural as an oak growing,” then I think modern fantasy fans can probably take a seat and listen to their own great-granddaddy. 

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medievalpoc

Julius Goltzus

Africa, from the Four Continents

Netherlands (16th Century)

Engraving, 22 x 27.7 cm.

The Metropolitan Museum of Art

This print is extremely similar to the one by the same artist of America, but instead of the conveyance being drawn by unicorns, the embodiment of Africa is being pulled along by lions. I’m not sure if the crocodiles on the carriage are meant to be real or merely carvings meant to look like crocodiles, but I’m sure the difference is negligible. Other random animals here include ostriches, dromedaries, elephants, and what I believe is meant to be a chameleon in the foreground.

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medievalpoc

Fieravino Francesco Il Maltese

Allegory of Music

Italy (c. 1670s)

Oil on Canvas, 78 x 112 cm.

The Image of the Black in Western Art Research Project and Photo Archive, W.E.B. Du Bois Institute for African and African American Research, Harvard University

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medievalpoc

Saint Benedict of Palermo at the Minneapolis Institute of Arts c. 1734 | Polychrome and gilt wood, glass | Attributed to José Montes de Oca (Spanish, c. 1675-1750)

From the museum label: “Saint Benedict of Palermo (1524-1589) was the first Christian saint of African origin to be canonized in modern times. He was born in Sicily (then a part of Spain) of parents who were freed slaves, and who were said to have come from Ethiopia. Saint Benedict was admired as a model of extraordinary religious devotion, wise counsel, and spiritual leadership. After his death a grassroots movement to make him a saint ensued. By the early 1600s Saint Benedict was widely venerated in Italy, Spain, and Latin America. José Montes de Oca’s statue, carved in Sevilla in the 1730s, masterfully captures Saint Benedict’s charismatic personality. The glass eyes and bone teeth add to the saint’s life like quality. Yet it is the concentrated facial expression, Benedict’s welcoming gesture of his spread arms, the movement of his cowl and his contrapposto stance, by which Montes de Oca renders the saint’s inspiration within the statue’s every inch.”

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medievalpoc
(*If you’re not a straight white man.)
The statistics are unequivocal: Women and minorities are vastly underrepresented in front of and behind the camera. Here, 27 industry players reveal the stories behind the numbers — their personal experiences of not feeling seen, heard or accepted, and how they pushed forward. In Hollywood, exclusion goes far beyond #OscarsSoWhite. (Interviews have been edited and condensed.) By Melena Ryzik
[image:a headshot of Wendell Pierce next to a quote that reads “A casting head said: “I couldn’t put you in a Shakespeare movie. They didn’t have black people then.” Wendell Pierce“

I came across this article in my Twitter feed this morning, and I highly recommend checking it out. Stories like this are a big part of why I do what I do; for example, linking people to primary documents that demonstrate there was a large Black British population during Shakespeare’s “Then”.

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