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@kuzakat / kuzakat.tumblr.com

Kuza🌈 | they/them | AroAce Nonbinary adult | Sailing the Dibper ship and reblogging shit like RainWorld, Hannibal, IzGf, Helluva/Hazbin, ect. Follow me on my art insta @witchyghoul ----------------------------------------------------- DNF‼️ anti-shippers, transphobes, radfems, aphobes, ect, if u dont like the shit I say/reblog just fuckin block me
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Adapt. Evolve. Become.: The Genderqueer Fandom of NBC's Hannibal - SECOND EDITION!

In 2023 we released a fan-led volume of fanworks by and about trans non-binary, genderqueer and otherwise non-cis Fannibals.

We were thrilled to donate the profits from that fiscal year to The Okra Project, and we're already on track for a similar donation to this year's nominated charity - Gendered Intelligence.

Well, we're back by popular demand, to create a second edition and YOU can be involved!

NBC's Hannibal has resonated with many queer fans, and we know that being in the Hannibal, Hannigram and Hannibal Extended Universe fandom, and the support of Fannibals, has been part of many people's gender identity journeys. We want to capture that in a fandom led volume of non-fiction, featuring essays, creative nonfiction, personal accounts and art.

IF YOU WISH TO SUBMIT WE URGE YOU TO READ THE EXISTING EDITION FIRST! You can read or download free here!

For submission information jump under the cut!
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bevsi

yuri being held to a higher moral standard than yaoi is preventing me from reading mafia boss daughter x pathetic lesbian tortured by loan sharks. and that is just such a shame…

reading comprehension questions:

  1. Did tumblr user bevsi say there is no good yuri?
  2. Based on the text and her existence, can you infer that tumblr user bevsi has sought out said material?
  3. Did tumblr user Bevsi say or suggest that the higher moral standards are her own, or can it be inferred that this is a reflection of the genre in general?
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afronerdism

Please do not let debt collectors play in your face.

I am super busy so I honestly don’t even know if I should be taking the time to write this, but hopefully this will help those of you who may find yourself in a similar situation.

Earlier this year I received a letter of notice from a debt collector stating that they had acquired a debt supposedly belonging to me and that, per law, I have 30 days to dispute the debt. I immediately drafted a letter and sent it to both disputing the debt and request validation of the debt as well as possible settlement arrangements had they actually been able to validate said debt

I sent this letter via certified mail. Always certified mail.

About a week after the 30 day period for them to respond expired, I received a Phone call very specifically crafted in a way to invoke urgency and panic and suggest legal action. So, naturally, I called this number only to discover this was a different company that had only just recently acquired said supposed debt. I reiterated to them that I was disputing this debt and required validation in writing.

The initial conversation went smoothly, they then called me back the next day and became aggressive. They accused me of lying and did everything under the sun to try and trick me into validating this debt as mine so that they would not have to legally send me that validation. I, knowing my rights, insisted that I was disputing the debt and that they were required to send me validation despite them claiming that they were not and that they already had and many other number of lies. I refused to continue the conversation until someone had sent me validation to which they continually responded that they would be forwarding this to their legal department and blah blah blah blah blah.

Surprise surprise, I get a phone call today from yet another company, this one claiming to be in the process of forwarding my account to the county clerks office. That was an immediate red flag as the county clerk does not handle debt disputes. They would have to hire a lawyer in my state to handle this case. I asked what company this was as they had not stated initially, and when they told me I realized this was now another company who had purchased said alleged debt and we’re trying to collect on it. this one outright illegally threatening to take me to court knowing they weren’t.

Beyond that, he tried to lie to me and tell me that a debt validation was not what I thought it was and that a validation was actually just a notice that they had purchased a debt so when I received a letter stating that they had purchased this debt that would be a validation.

That is not true! Debt companies are legally required to send you notice of an allegedly acquired debt in writing and you have 30 days to dispute and request that validation. The company then has 30 days themselves to respond and validate your debt or the debt is forfeit. This man tried to lie to me and tell me that a notice was the same thing as a dead validation in order to trick me into paying a debt that he cannot validate that I am actively disputing.

This is now the fourth company that has attempted to collect on a debt they cannot validate. They know they cannot validate this debt and instead have relied on trying to trick me into paying it. These tactics would absolutely work if I did not have a sales background and or know my rights.

And this ladies and gentlemen is why you always always always dispute a debt. The last debt I disputed was immediately pulled from collections and that allowed me to get back in contact with the original creditor and work out a payment plan so that it would never hit my credit and keep my account with them current. This debt is invalid and therefore they cannot hit my credit with it nor can I collect on it or I will sue them.

If you guys have any questions about dealing with that collectors please ask me.

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le-dreadmau5

I'm not surprised they gave you the long ass run around on this.

For anyone that has a debt sold to a Collections Agency do exactly what OP did and request debt validation (Google-able). Most of the time, the Original company you owed debt to did not give them your Social Security Number or your date of birth; just a good phone number and address. In order to be held legally responsible for it and to be on your credit score, they need your SSN or DOB to prove it's yours.

Usually, they're initial call will say "Hey so before we can discuss your debt of $Xxxx, we need you to verify your SSN and DOB." They're lying. That means they want you to confirm it so they can legally pin that debt to you. If you send a Debt Validation letter VIA CERTIFIED MAIL, that Collections Agency has 30 days to prove you owe the debt and that it does in fact tie to you. Since in most cases they can't, they'll send a letter saying "We don't have the necessary information to collect on this debt. It is now null and void." Send copies of that to the credit bureaus, and they wipe it from your credit report.

With OP, they did the shadiest thing possible by constantly re-selling the debt, thus starting over that 30 day response period.

Never pay a debt unless you're certain that you owe it. Especially if it's for a deceased relative. Debt collection companies are especially predatory during the grieving period asking you to "Pay down the debt" or "Clear their good name". Unless you (co)signed, don't give them anything. The debt will get written off on their taxes. If you do pay, you're locked in on that debt. You basically showed "willingness and ability to pay" which is all they need.

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ravynfyre

I gotta say... even if you *are * "certain you owe it", get it validated. If someone forgot to make sure to dot all the i's and cross all the t's and didn't connect the DOB and SSN and everything... That isn't your fault. This whole capitalistic hellscape is fucking broken. don't pay *anything* that you legally can't be compelled to.

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5 simple exercises to awaken dormant muscles

I appreciate this video a lot--people don't realize how important it is to start slow if you're trying to come back from a completely sedentary lifestyle, and they get really hurt as a result. Straining your muscles too much, too suddenly can land you in the E.R. and the wrong joint injury can permanently affect your mobility, so please start with absolute basics and easy stretches!

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thehmn

I was talking with my housemate about how to be more physically active if you’re not used to it at all because everywhere you’re told to start a training routine where you push yourself a little every day, and while that may seem easy for some people it can be really fucking daunting if you start from zero.

As someone who comes from a very physically active family that doesn’t exercise just for the sake of exercising but do things like walk to the grocery store and bike to work, here’s my advice that has always worked for me:

Go super duper easy on yourself.

If you want to walk more start by walking for 3 or 5 minutes. The shortest possible walk you feel you’re capable of. A trip around the block or across the yard. You don’t need to sweat or get your blood pumping. Just a short stroll. The hardest part is to convince yourself to set aside 5 minutes every day to go on this short walk but nothing else about it should be hard. Do it every day and one day you’ll realize that you don’t want to go home just yet. It’s very important that you don’t think “I want to pressure myself to walk further” but rather “I haven’t spent all my walking energy yet. I have more walk in me” and only then do you lengthen the walk. I repeat, at no point should it be exhausting or difficult because even when it feels easy your body will be building muscle and stamina and it will eventually feel too easy and you’ll naturally want to crank it back up to easy again.

If you’re not used to being physically active it might not make a ton of sense when I say that you’ll have more walking energy left but trust me, you’ll get it when you get there.

I grew up with going on evening walks with my parents and passed that on to other housemates who didn’t get it at first but are now going on walks long after they moved somewhere else. Because once you get the hang of it you’ll realize how calming it is on the brain to move the body even if the body isn’t exhausted afterwards.

And it of course helps to entertain yourself especially in the beginning. My housemate started out listening to audiobooks and podcasts but eventually realized Pokémon Go was the best motivator. Whatever you feel like you want to do on your 5 minute easy stroll.

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tea42

Love this. Exercise should be individual. No pain no gain is a big lie most of the time. Just do a little bit if that's what you can do. A little bit of something is better than a whole lot of nothing.

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final-stop

Disclaimer: I do not know the lyrics of the song, sorry in advance.

Hello again @kuzakat and @sapphicdib Glad to see you again! I must say right away that I planned to add more art (art sapphicdib), but I realized that it was beyond my strength (the abundance of details in the art of sapphicdib, without the movement of which, everything will look too dry in the form of animation, although the art is unreal beauty). + it's almost the first time I've done such things, it was interesting to try and I decided at the same time to please (I hope to please) the authors of "This is not love, this is a bloodbath"!

In the process I created this:

At that moment, it made me laugh to tears :')

I can post separately animated versions of each art. If someone is signed up...

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kuzakat

Oh my god 🥺😳😭 THANK YYYYOUUU??? 😭 you have outdone yourself AGAIN bruh omg I wish I knew how you make these ITS SO COOL AAAAAA ❤️

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renthony

Your personal triggers and squicks do not get to determine what kind of art other people make.

People make shit. It's what we do. We make shit to explore, to inspire, to explain, to understand, but also to cope, to process, to educate, to warn, to go, "hey, wouldn't that be fucked up? Wild, right?"

Yes, sure, there are things that should be handled with care if they are used at all. But plenty more things are subjective. Some things are just not going to be to your tastes. So go find something that is to your tastes and stop worrying so much about what other people are doing and trying to dictate universal moral precepts about art based on your personal triggers and squicks.

I find possession stories super fucking triggering if I encounter them without warning, especially if they function as a sexual abuse metaphor. I'm not over here campaigning for every horror artist to stop writing possession stories because they make me feel shaky and dissociated. I just check Does The Dog Die before watching certain genres, and I have my husband or roommate preview anything I think might upset me so they can give me more detail. And if I genuinely don't think I can't handle it, I don't watch it. It's that simple.

#this excludes writing pedo or incest.

If you look at the tags on my original post, this post was originally about hospital horror, and how it's allowed to exist even if an individual has medical trauma and doesn't like the genre. But since someone wanted to go and put some shit on my post that I disagree with:

No, actually, it doesn't exclude those things. Dark themes in fiction are allowed to exist whether you like them or not.

Vladimir Nabokov's Lolita was not a real little girl who really got brutalized. She was a fictional character. No real child was harmed. People are not reading Lolita and going out thinking, "oh, this told me to abuse children, and clearly it's morally okay now." The existence of Lolita is not responsible for the existence of CSA.

Wes Craven's New Nightmare was pretty meta, but Freddy Krueger was still never real and never hurt any real kids, either. He's a story. None of those kids ever died, none of them ever got abused, and Fred Krueger never got burned to death, because they're all fake and never existed. Murder and CSA in the real world aren't Freddy Krueger's fault.

Jaime and Cersei Lannister are not real people. They are fake. They are words on paper, and actors on a screen. Lena Headey and Nikolaj Coster-Waldau are not siblings, and did not ever have real sex in the show. It was fake, simulated, not real sex. No siblings actually fucked. Nobody is watching/reading Game of Thrones and thinking, "oh, I can totally go fuck my sibling with no repercussions now!" The existence of Game of Thrones is not responsible for real-world incest.

Guillermo del Toro's film Crimson Peak didn't kick off an epidemic of everyone deciding it's okay to fuck their sister and kill their wife. William Faulkner's "A Rose For Emily" isn't making people kill men and sleep with their corpses, and Emily never really killed Homer because neither of them actually exist in the first place.

John Wick isn't making people run out and become hitmen. The very cute doggy that infamously dies in the first movie was not actually a real dog death--the dogs in John Wick were treated very well, according to a ScreenRant article I found!

Ghostface was played by a combination of stuntmen and a very talented voice actor, and all his murder victims were actors who were filming a pretend story. It was all choreographed and nobody really died. The benind-the-scenes stuff for the Scream series is actually really cool if you're into that sort of thing like I am.

Arcane didn't put grenade launchers in people's hands and turn them into vigilante fighters juiced up on Super Drugs--and you know what, neither did any of the things the Batman franchise has churned out. The Joker and Scarecrow and Poison Ivy and Harley Quinn aren't out there terrorizing New York City, because they're fantasy supervillains who aren't real and can't hurt you.

The endless waves of bandits in Skyrim are pixels on a screen, and I'm not killing real men when I cut them down. No real people got hurt when my Sims 4 house caught fire. Playing Super Smash Brothers hasn't gotten me into underground fighting rings, and neither did watching Fight Club.

It's all fiction.

None of it is real.

The characters are fake and do not exist.

Curate your own media experience and get your head out of your ass.

[ID: a comment left by tumblr user msexcelfractal, which reads "Cool post OP, now do Birth of a Nation. End ID.]

Content warning: antiblackness, antisemitism, sinophobia, general discussion of bigotry and oppression

You really want to try and go there as if that's some kind of gotcha on the subject of dark fiction? Fine. Let's go there. I've got sources and free time.

Birth of a Nation is a horrific hate crime of a film. It is flagrantly racist and was connected to a surge in KKK membership. Nobody should watch that film for enjoyment. It's horrific. Nobody should be forced to watch it, either. You don't have to watch the film, and I don't recommend you do, unless you're actively involved in studying it for whatever reason. It's a bad, hateful movie.

I have not watched it in its entirety and I don't really ever intend to. There are Black scholars who have already broken it down and discussed it at length, and I don't feel I'm going to get anything out of the film that they haven't already covered. If I need to study Birth of a Nation in more depth for whatever reason, I'm going to defer to Black scholarship on the subject.

But if you tried to ban the film altogether? If you tried to erase it from existence? I would ask what the fuck is wrong with you. Banning Birth of a Nation does absolutely nothing to combat the racism that created it. It wouldn't stop racists from making racist art. It wouldn't erase the damage done by the film. It wouldn't go back in time and make it retroactively never made.

You know what banning it would do, though? It would strip film scholars of the ability to discuss it. It would prohibit people from talking about exactly why it was bad. It would inhibit honest conversations about what the film was and who it affected.

You know what you do with horrific bigoted art like Birth of a Nation? You have content warnings, like the one I put at the beginning of this reply. You don't spring it on people who don't want to discuss it. You don't put it on for people to watch without warning. You don't tell everyone you know to go and watch it and give it money.

You do things like what Warner Brothers did with their Tom and Jerry disclaimer:

“These animated shorts are products of their time. Some of them may depict some of the ethnic and racial prejudices that were commonplace in American society. These depictions were wrong then and are wrong today. While the following does not represent the Warner Bros. view of today’s society, these animated shorts are being presented as they were originally created, because to do otherwise would be the same as claiming these prejudices never existed.” 

You damn sure don't erase it from history and pretend that ignoring it will solve bigotry. Censorship is not the answer, because censorship is always enforced harder on marginalized artists. You ban racism in film, you ban films by Black artists who are exploring the topic from their own perspective.

When the Hays Code banned "offense to other nations," you know what happened? It didn't stop racism in film, that's for damn sure. It instead gave bigoted censors a perfectly legal and easy way to shut down art by marginalized people, which they did gladly.

The rise of the Nazi Party in Germany resulted in the Reichsfilmkammer demanding the removal of all Jewish workers from Hollywood's European locations. American films began receiving heavy censorship and bans in Germany, and so American studios complied with the Reichsfilmkammer's demands in order to avoid legal trouble in Germany.

Despite the Nazi party's outright hostility toward Hollywood, the MPPDA office discouraged any negative depiction of Germany or the Nazi party. Germany had been such a huge market for American cinema that the Reichsfilmkammer's censorship codes for German films began impacting American-made cinema. Jewish representation in cinema all but disappeared overnight. Joseph Breen, the head of the censor board, was an open antisemite, going on open tirades against Jewish people. His censorship policies were flagrantly bigoted and only served to reinforce that bigotry on a systemic level.

In 1933, Herman J. Mankiewicz and Sam Jaffe tried and failed to make an anti-Hitler film titled "The Mad Dog of Europe." The Hays Code was used to deny the film's production. On July 17, 1933, Will Hays himself ordered the filmmakers to cease and desist, all in the name of "not offending Germany."

Said Joseph Breen, "It is to be remembered that there is strong pro-German and anti-Semitic feeling in this country, and, while those who are likely to approve of an anti-Hitler picture may think well of such an enterprise, they should keep in mind that millions of Americans might think otherwise.”

Variety said about the subject, “American attitude on the matter is that American companies cannot afford to lose the German market no matter what the inconvenience of personnel shifts."

Anna May Wong, a Chinese-American actress, lost out on a leading role in the film "The Good Earth," due to the Code's explicit ban on interracial relationships. The leading man had already been cast with a white man wearing yellowface, meaning that Wong was unable to be cast as the leading lady and love interest, even though the characters were supposed to both be Chinese. The role instead went to a German-American actress wearing yellowface, who went on to win an Oscar for the role.

Censorship doesn't help anyone. Censorship does not protect anyone. Censorship does not prevent bigotry, and in fact only serves to reinforce it.

Anyone who read this far and learned something: being an independent media censorship researcher doesn't exactly pay the bills, so check out my Ko-Fi or Patreon if you learned something and feel generous.

My main sources for this post are:

  • Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, 1930-1934, by Thomas Doherty
  • The Dame in the Kimono: Hollywood, Censorship, and the Production Code, by Leonard J. Leff and Jerold L. Simmons
  • The Encyclopedia of Censorship, by Jonathon Green & Nicholas J. Karolides
  • Morality and Entertainment: The Origins of the Motion Picture Production Code - Stephen Vaughn
  • Sin in Soft Focus: Pre-Code Hollywood, by Mark A. Vieira
  • Forbidden Hollywood: The Pre-Code Era (1930-1934), When Sin Ruled the Movies, by Mark A. Vieira
  • Hollywood's Censor: Joseph I. Breen & the Production Code Administration, by Thomas Doherty

And since you made me talk about Birth of a fucking Nation, here are some additional resources for people who are actually interested in Black media history:

  • Birth of an Industry: Blackface Minstrelsy and the Rise of American Animation, by Nicholas Sammond
  • Archival Rediscovery and the Production of History: Solving the Mystery of Something Good - Negro Kiss (1898), by Allyson Nadia Field
  • Humor and Ethnic Stereotypes in Vaudeville and Burlesque, by Lawrence E. Mintz
  • The Original Blues: The Emergence of the blues in African American Vaudeville, by Lynn Abbott and Doug Seroff
  • Waltzing in the Dark: African American Vaudeville and Race Politics in the Swing Era, by Brenda Dixon Gottschild
  • Darkest America: Black Minstrelsy from Slavery to Hip-Hop, by Yuval Taylor and Jake Austen
  • Love & Theft: Blackface Minstrelsy and the American Working Class, by Eric Lott
  • The Prettiest Girl on Stage is a Man: Race and Gender Benders in American Vaudeville, by Prof. Kathleen B. Casey
  • Dancing Down the Barricades: Sammy Davis, Jr. And the Long Civil Rights Era, by Matthew Frye Jacobson
  • Blackface, Whiteface, Insult and Imitation in American Popular Culture, by John Strausbaugh
  • A Change in the Weather: Modernist Imagination, African American Imaginary, by Geoffrey Jacques
  • Hollywood Black: The Stars, The Films, The Filmmakers by Donald Bogle
  • The Blackface Minstrel Show in Mass Media: 20th Century Performances on Radio, Records, Film, and Television, by Tim Brooks
  • Oscar Micheaux and His Circle: African-American Filmmaking and Race Cinema of the Silent Era, by Pearl Bowser, Jane Gaines, and Charles Musser
  • America on Film: Representing Race, Class, Gender and Sexuality at the Movies, by Harry M. Benshoff and Sean Griffin
  • White: Essays on Race and culture, by Richard Dyer
  • Black American Cinema, edited by Manthia Diawara
  • Colorization: One Hundred Years of Black Films in a White World, by Wil Haygood
  • Framing Blackness: The African American Image in Film, by Ed Guerrero
  • Toms, Coons, Mulattoes, Mammies, & Bucks: An Interpretive History of Blacks in American Films, by Donald Bogle
  • White Screens, Black Images: Hollywood From the Dark Side, by James Snead
  • Reel Inequality: Hollywood Actors and Racism, by Nancy Wang Yuen
  • The Hollywood Jim Crow: the Racial Politics of the Movie Industry, by Maryann Erigha
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wario-land

I used to enjoy Pokemon games a lot, but lately some of the newer entries have been kinda controversial due a variety of issues.

But instead of focusing on that, i'm here to bring you back to the past to the Nintendo DS era of Pokemon, where many (myself included) would say that the quality and care of the series was at it's peak!

Games included in this collection:

EVERYONE IS HERE!! Every single Pokemon game released for the Nintendo DS is featured in this pack. Two emulators are included in the set, just download and play

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memewhore
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bananahomo

I reblogged this last month, tagged it, and said “might as well see if it works.” I used this video as a reference to find all the forms that i needed (which is A LOT, especially if you’re a dependent) and sent them through the mail, not really allowing myself to hope.

dude.

$2,714 of medical debt from my top surgery - gone. im shaking this was such a weight on me for 2 years and it fucking worked. what the fuck.

This is huge. Sharing for my US friendos.

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zillyblog

Hospitals like to hide these policies under a lot of successive links in obscure places, so if you don't see anything right away, keep looking! Get friends to help! Make it a scavenger hunt. A game where you're assassins sent to slit capitalism's throat

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final-stop

Clip “Mx Sinister” by fanfic "This Isn't Love, This is a Bloodbath" (Dib/Dipper)

I'm super excited to be posting this now, I've been working on it since the publication of Chapter 5. My laziness and exam preparation did not allow me to do it earlier. It was originally planned to do the whole song, but I couldn't come up with anything, even the storyboard didn't go beyond this point. I know that there are inconsistencies with, but I think that the general essence was conveyed at least normally.

I was just reading the preface, as I hadn't read it before reading the fanfic itself and saw this sentence: "Then, one night in the car, I was listening to a song, “Mx Sinister” and I had my first ideas for this fanfic." and thought it was very cute.

Many thanks to the creators of fan fiction. I hope they like it 💘

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kuzakat

O-oh my goodness 😭❤️ im legit starting to cry, this is INCREDIBLE! im speechless, this.. wow oh my god thank you SO much this is fuckin insanely good??! ITS SO GOOD AAAAA I never would have expected to get something like this for our fic, it's so well done 😭😭😭 I cannot thank you enough

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lizzibennet

i am once again asking you to watch the 2019 shakespeare in the park production of much ado about nothing

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nehirose

oh shit that is glorious

Oh fabulous. I was unaware of it and now I need to find out if there’s a recording I can watch.

YES! The camera work in the clip above made me wonder if it was from a professionally filmed performance and in fact there’s a Great Performances version up on archive.org:

ALL HAIL ARCHIVE.ORG

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