Am I ever going to stop drawing Nima?

No.

Open Art Commissions

Anyone interested in me drawing their OC? Or fave character?

I haven't created a graphic for this, but prices would be:

$150 for Full Body, Full Color

$120 for Half-Body, Full Color

$80 for Bust, Full Color

Work Samples:

Asami Should Have Been An Equalist

I'm sure this has been done and, one day, I want to do a meta on this, but I feel like by not making Asami an equalist, a big source of personal conflict (and therefore, development) got taken away from her.

I was watching a video talking about how she was supposed to be an equalist and several comments were made about how Asami would have been more developed or interesting.

And, for preface, Mako and Korra break up and stay broken up like canon. This isn't about ships. I do have my preferences, but I genuinely think if Asami had been allowed to be an equalist who came over to the good guys she would have had a strong arc throughout all 4 books, her relationship with Korra would have developed both characters further (Korra is developed in canon, but this would have added layers) as a former enemy of benders follows the more bending bender to ever bender and even if they weren't sure they could do Korrasami, they still could have had Makorra broken up and Korra and Asami have the closest relationship in the show if not one of them. Even better if we did get canon Korrasami like we did.

But this would have made Korrasami much more developed and deeper regardless of how the show ended ship wise for them (speaking explicit canon KS or not. Again, not factoring in romantic MK here).

But Asami being an equalist was a strong personal source of conflict and a Huge opportunity for ongoing growth that, when taken away, wasn't replaced by something with the same weight. That's the primary issue. Hiroshi going to jail in s1 solves that arc and she's left floundering for the next 3 seasons.

An equalist arc could have seen Asami changing sides in s1, maybe dealing with feelings of betraying her family in s2 which could have paralled Korra's family arc, her personal feelings of how she feels about benders as Korra is finding new airbenders and bringing back the Air Nation, s4 could have had this arc conclude with reconciling her past actions, forgiving herself (and her father maybe) and figuring out how to stand up for non-benders in the world without hurting innocent people (bender and non-bender alike) alongside Korra's messy personal arc.

And that's just one loose option. As much as I know they liked her so much they wanted her on the good guys side, I feel like it also robbed her of some much needed internal conflict.

A new gradient technique I tested out that I think I like. Nima with a more neutral expression.

Nima sits somewhere between fanchild and og character these days depending on what universe we're talking about.

Y’all gotta quit calling, implying or insinuating the people who work on animation lazy. You come off as kind of entitled and having a fundamental lack of how hard animation is. 99% of the time, they did their best and sometimes it’s simply not your specific experience and someone else probably really appreciated what they did do. Or they did their best and they just couldn’t get it 100% accurate.

“But I’m allowed to have constructive criticism!”

You are, but calling someone lazy isn’t constructive. It’s pretty destructive and demoralizing. Lazy isn’t constructive. It’s actually just mean.

Remember, folks: if a woman, especially a dark skinned woman, is being unreasonable in a story then it means she’s a badly written character.

Women aren’t people, of course.

God help us

Sometimes, it really is enough to add only one sentence to your WIP. Or two. Or three. It's okay if you're tired and you only have enough energy for one sentence because you've been at work or school or just busy all day.

Adding one sentence puts me back on the progress wheel after not "properly" writing for like 2 days.

Add a sentence to your WIP when you see this and pass it on.

They're comfy! Nima's is with the yoga pants gang.

The way Balto fucking reminds me of Kai lmaooo

A Mini-Analysis of Asami‘s Role in LoK

I kind of want to do a story analysis here of Korra now that I’m rewatching it like 6 years and a screenwriting minor later, but...

I’ve got to be honest. You could have taken Asami’s entire storyline after s1 out and it really wouldn’t have affected the story almost at all. Except for Korrasami. That’s basically it. Every other scene or role she played in seasons 2-4 could have A) been filled by someone else already in the story or B) omitted entirely.

This is probably my biggest criticism of the show, as much as I love Korra, so so so much.

For nearly the entirety of the show, she was usually relegated to C plot and they kind of really needed to give her a necessity to the plot if she were going to stick around (because originally she was supposed to head off and join the United Forces as confirmed in DVD commentary of Endgame).

I say this as someone who likes Korrasami these days and also really kind of is more distanced and less attached from LoK. I still love the story, but it’s no longer my fandom and I have no real stakes like I used to so many years ago.

I hate to say it, but Asami was largely uninfluential in the main plotline (or even the B plot in most cases) and is primarily known for her role in Korrasami. Korra, on the other hand, is known for, well, everything about Korra. She’s the main character, we know her for her struggles, her triumphs, etc. But Asami, to the larger public outside of hardcore fans, only really know Asami as the other half of Korrasami which is a result of how little she actually was in the main storyline. Every other character in the Krew are known for more than just their romantic relationships.

Moreover, she was often used as a plot convenience in the way of transport or money.

I say this not as an insult, but just as an analysis of the storyline. Asami kind of needed more necessity in the plotline and it feels like they just never gave her that. Even Bolin, who spends most of the show in a similar space, does affect way more of the A plot than Asami does. Especially in season 4. You could honestly probably count how many lines and scenes Asami really had.

Like, I’ve written scripts where you havea subplot and I’d arguably put Asami in the situation where you get your prof/producer asking “do you really need this subplot?”

(Not to say I’m any expert at all. These guys writing Korra were experts. Just my personal opinion now that I do know more about screenwriting and it’s been so long since watching Korra and I’m doing it again from a different, less attached headspace.)

Analysis Over.

Sea of Chains psa

Okay, Ch 38 is DONE. It only took 6 months oops,,,

It’s not the longest chapter int he world, but it is indeed done and I’ll have it posted probably sometime this week after I read it over. ^_^

It’s not because he’s 12. Not really.

I keep seeing this and I feel like it’s a good idea to talk about this:

Aang being 12 was not the main reason didn’t want and didn’t kill Ozai.

It’s because Aang was a pacifist.

That is the primary reason. I realize people think that may be debatable but that is crucial to Aang’s character because he is very dedicated and rooted in his culture. You cannot separate him from his cultural values. There is no Aang without his culture and a lot of his decisions are made through that lens.

For Aang, killing Ozai was a moral issue. He thought it was wrong, against his beliefs and really, really didn’t want to do it and that was his main dilemma where Yangchen eventually has to gently tell him “It’s not about you. It’s about what’s best for the world” all while being understand that his values are important to him because she was raised in them too.

I realize everybody may not realize this because they may or may not practice the traditions or encompass the values of their ethnic or religious cultures, but for Aang this is a moral issue. His values are his way of preserving the memory of his people, a guide and way of life for him.

Him being 12 is probably a part of it, but Aang doesn’t want to throw away their values in a world where they were exterminated. It’s kind of all he has left of them and it’s part of his character/moral dna.

Aang didn’t want to kill Ozai because he did think it was wrong. That was the whole problem.

Please remember that there are characters and people who observe their cultural values closely. It’s the same idea as to why you probably won’t question why a vegetarian won’t eat meat and may not want to or why people of certain religions might not eat certain things. It’s a matter of values for them more often than not.

He may understand it’s a necessity sometimes, but he also does think it’s wrong and really, really doesn’t want to do it.